CARRION, UlisesBiblio.com
3067 risultati
rif. 10310Single purple paper sheet 295 x 210 mm. mounted on beige paper collaged yellow pieces of paper with ms. text in ink & graphite signed. Amsterdam: 1977. A Ulises Carrión language work with manuscript text on the collaged strips of paper. In fine condition; adhesive in corners bleeding through the paper. Inscribed in the lower left corner: “Ulises Carrión ‘77.” From the collection of Guy Schraenen 1941-2018. ⧠G. Schraenen Dear reader. Don’t read. 2015 pp. 110 & 115 pictured. unknown
rif. 1117720 leaves. Small 8vo 178 x 115 mm. orig. black printed dust-jacket perfect-bound. Geneva Switzerland: Ateliers Typographiques Héros-Limite 1995. The very rare second edition of Carrión’s beguiling bookwork composed of bound wallpaper samples one of the artist’s lesser-known books due to its rarity. The 1973 first edition published by the artists’ space In-Out Center was made in an edition of 50 numbered copies. The present work is one of 52 copies 26 of which are lettered A-Z the rest numbered 27 to 52; our copy is no. 42. This book is part of a series of re-publications that Juan J. Agius an executor of Carrión’s estate undertook to replicate the increasingly scarce and fragile bookworks Ulises Carrión 1941-89 created in the 70s. Under the imprint of Editions Héros-Limite in Geneva Agius produced second editions of Mirror Box 1st ed.: 1979 Looking for Poetry / Tras la Poesía 1st ed.: 1973 Arguments 1st ed.: 1973 and the present bookwork. ”In Ulises Carrión’s bookworks the ellipsis of the literary text is accompanied by an ellipsis of the narrative as can be seen in the listing of names or the identification of characters that are not linked by any narrative relationship within a story…In Tell me what sort of wall paper your room has and I will tell you who you are 1973 Carrión cuts out and binds together a set of wallpaper samples typing on them the name of the room in which each will appear. The names start in the first person my room then identify the members of his family and relations my parent’s room my sister’s room my uncle’s room my wife’s room my teacher’s room finally reaching a progressive lack of differentiation of the person to whom the room with the specific wallpaper belongs your room a room …’s room. The subtlety of this bookwork is apparent not only in the readymade of the wallpapers but also in the suggestion of a narrative that does not require a text for its construction: the simple association of the identities of the rooms’ owners in the first person informs us that the narrator has a teacher a wife etc. The progression of these identifications suggests a leaving of the family home to enter the world the framework of so many narratives found in short stories novellas and novels. The new art of making books permits the insinuation of a story without resorting to text or narrative…”–João Fernandes “Art as Subversion: Make and Remake to Make Anew” in Guy Schraenen ed. Dear reader. Don’t read. 2016 p. 41 analyzing the 1st ed. In excellent and fresh condition. The first edition is unrecorded on WorldCat and we find only three copies of the second in North American institutions. ⧠Juan J. Agius & Ricardo Ocampo eds. Ulises Carrión: Books & More Catalogue Raisonné 2013 25 pictured. unknown
1982rif. 29489Amsterdam 1982. Fine condition. Ref. Hill 63. First Edition. Xerographic flyer printed recto/verso to A4 sheet. Announcement for the only film made by Ulises Carrión a structuralist 16mm performance in which Carrión cradles a television set playing scenes from Max Ophüls' The Reckless Moment 1949 and moves his body and the set according to the direction in which the camera pans in the film—right left down up—resulting in a strangely stabilized image. The performance abruptly concludes when Ophüls' protagonist throws the body of a gangster ex-art dealer into the sea. Amsterdam unknown
rif. 1141212mo magenta printed semi-stiff covers stitched. Geneva: Boabooks May 2016. From the colophon: "the drum presents a linguistic exercise handwritten in black ink by Ulises Carrión in 1972." Printed and bound by Che Huber and Alexis Dos Santos and designed by Izet Sheshivari. As new. unknown
rif. 10309Single purple paper sheet 298 x 209 mm. mounted on beige paper collaged yellow pieces of paper with ms. text. signed. Amsterdam: 1977. Manuscript collage language work by Mexican artist Ulises Carrión. He contributed a version of the piece to the magazine Kontexts it appears in issue 5 1974. Near fine; adhesive in corners bleeding through. Signed in the lower left corner: “Ulises Carrión ‘77.” From the collection of Guy Schraenen 1941-2018. With thanks to Rich Dana Sackner Archive Project Coordinator Librarian at the University of Iowa Special Collections who confirmed the appearance of this work in Kontexts issue 5. The Sackner Archive holds the editorial files for Kontexts including original contributions like Edgardo Antonio Vigo JH Kocman Carrión Felipe Ehrenberg Bob Cobbing Clemente Padin Jiri Valoch etc. ⧠G. Schraenen Dear reader. Don’t read. 2015 pp. 110 & 114 pictured. unknown
1977rif. 30863Antwerpen: Guy Schraenen 1977. This copy fine. Scarce with a single OCLC record discovered. Audio cassette in original housing with stapled booklet 8 pages as liner. The first published collection of Ulises Carrión's conceptual audioworks; a number of which were created specifically for this Schraenen recording. As per the artist's statement printed to the liner: "Each piece is a series of vocal units that unfolds according to simple rules. Their beginning and end are arbitrary—they could go on infinitely. They should go on. They go on." Side 1: Hamlet for two voices 15'36 with Martha Hawley and Aritmética 5'19; Side 2: Three Spanish Pieces 7'21 Poema 1'57 First Spanish Lesson 7'13 and 45 Revoluciones por Minuto 3'59. Dear Reader p. 128; Hill 38. Antwerpen: Guy Schraenen unknown
2003rif. RCARULI00sndTurner 2003. Very Good. Carrion Ulises. Ulises Carrion: Artists Books Libros Artistas. Two volume set including ""Mundos personales o estrategias culturales"" in a slipcase. Madrid: Turner 2003. 360 178pp. Indexed. Illustrated. Bibliography. 4to. Semi-matte pictorial wraps. Book condition: Very good. Both spine heads bumped; most noticeably on Volume I which has a 1/2 inch tear. Edges lightly bumped. Wraps gently faded. Slip case is in fair condition only held together by previous owner's tape repairs. Text in Spanish. Richly illustrated with full page black and white plates featuring reproductions of artist's books and supplemented with Carrion's essay on the philosophy of the book as an artistic medium. Turner paperback
rif. 10307Single paper sheet 348 x 224 mm. mounted on black craft paper letterpress-printed signed. Amsterdam: 1975. A very rare signed language work print by Ulises Carrión. Fine; a trifle sunned. Inscribed in the lower left corner: “U. Carrión ‘75.” From the collection of Guy Schraenen 1941-2018. unknown
rif. 8624in: Revista de Bellas Artes No. 18 November-December 1967 pp. 22-35. Black & white illus. throughout. 104 pp. 4to orange pictorial wrappers extremities a little rubbed title on spine. Mexico City: 1967. Unknown to Guy Schraenen; a story written by Ulises Carrión and published in one of Mexico’s important literary journals. Near fine. ⧠Not in G. Schraenen Dear reader. Don’t read. 2016. unknown
rif. 8622in: Anuario del Cuento Mexicano 1962 pp. 82-85. 308 1 p. & table of contents. Thick 4to pictorial softcover spine a little wavy & dampstained title on spine. Mexico: Instituto Nacional de Bellas Artes 1963. Early appearance of one of Ulises Carrión’s short stories this was his second appearance in Anuario del Cuento Mexicano. “El asalto” had been published the previous year in Revista Mexican de Literatura Nos. 11-12. A very good copy. ⧠Not recorded by Schraenen in Dear reader. Don’t read 2016. unknown
rif. 8355in: Revista Mexicana de Literatura Nos. 11-12 November-December 1962 pp. 17-22. 81 pp. & ads. 8vo printed wrappers lacking lower wrapper. Mexico City: 1962. Ulises Carrión’s first appearance in the experimental literary journal Revista Mexicana de Literatura 1955-65. A good copy; some chipping to the upper wrapper and marginal dampstaining to the final few leaves of text. ⧠G. Schraenen ed. Dear reader. Don’t read 2016 p. 255 as “Un Cuento”. unknown
rif. 8623in: Revista de Bellas Artes No. 8 March-April 1966 pp. 41-56. Black & white illus. throughout. 102 pp. & ads. 4to pink pictorial wrappers title on spine. Mexico City: 1966. Unrecorded by Guy Schraenen; a little-known Ulises Carrión 1941-89 contribution to one of Mexico’s literary journals. Foreshadowing his permanent move to Amsterdam he contributed this short story about a visit to the city with illustrations by Vicente Rojo 1932-2021. In the mid-1960s Carrión was studying in Paris or Achenmühle Germany. Near fine copy. ⧠Not in G. Schraenen Dear reader. Don’t read. 2016. unknown
rif. 9209in: Revista Mexicana de Literatura Nos. 9-10 September-October 1963 pp. 16-24. 60 1 p. & ads. 8vo printed wrappers minor staining to wrappers title on spine. Coyoacán Mexico City: 1963. Ulises Carrión’s second appearance in the experimental literary journal Revista Mexicana de Literatura 1955-65. A very good copy of this scarce issue edition of 2000 copies. ⧠G. Schraenen ed. Dear reader. Don’t read. 2016 p. 255. unknown
rif. 10316Black & white photographic print 169 x 169 mm. matted with beige paper captioned and initialed. Amsterdam: 1979. A rare signed photographic print; the same image depicting the artist’s “address archive” adorns the lower cover of Ulises Carrión’s artist’s book In Alphabetical Order 1979. In fine condition. Captioned on the bottom left and signed and dated to the right. From the collection of Guy Schraenen 1941-2018. unknown
rif. 8356in: Anuario del Cuento Mexicano 1961 pp. 60-64. 248 1 p. & index. Thick 4to pictorial softcover spine a little creased title on spine. Mexico: Instituto Nacional de Bellas Artes 1962. An early Ulises Carrión 1941-89 appearance in one of Mexico’s prestigious literary journals this one focused on short stories. With a concise biography of the author. A very good copy; some light wear to the spine. ⧠Not recorded by Schraenen in Dear reader. Don’t read 2016. unknown
rif. 10314Single paper sheet 291 x 158 mm. adhered to beige paper sheet hand-drawn grid & Letraset letters affixed signed & dated. Amsterdam: 1974. A Ulises Carrión language work combining Letraset lettering and a hand-drawn grid. In fine condition; faint bleeding in the corners from the adhesive. Titled in the artist’s characteristic hand in the bottom left and signed on the right: “U. Carrión / 74.” From the collection of Guy Schraenen 1941-2018. ⧠G. Schraenen Dear reader. Don’t read. 2015 pp. 110 & 111 pictured. unknown
rif. 10315Single paper sheet 290 x 160 mm. adhered to beige paper sheet Letraset lettering affixed signed & dated. Amsterdam: 1974. Heretofore undocumented language work by Ulises Carrión employing Letraset lettering with which he has created five vowel-consonant pairs. In fine condition. With the work’s title written in the bottom left in Carrión’s characteristic hand and signed on the right: “U. Carrión / 74.” ⧠Not in Dear reader. Don’t read. 2015. unknown
rif. 1141115 leaves printed on rectos only. 12mo lime green printed semi-stiff covers stitched. Geneva: Boabooks May 2016. From the colophon: "a b c presents a linguistic exercise handwritten in green ink on fifteen pages by Ulises Carrión in 1972." Printed and bound by Che Huber and Alexis Dos Santos and designed by Izet Sheshivari. As new. unknown books
rif. 10317Single sheet mounted on black craft paper printed in red & green perforated. Amsterdam: late 1970s. A compelling specimen of Ulises Carrión’s avid involvement with the Eternal Network: a complete sheet of his “Here & Now” stamps. In excellent condition. unknown books
rif. 8888Amsterdam: ca. 1979. An original collage made by Ulises Carrión 1941-89 and gifted to Maurizio Nannucci b. 1939 in support of Zona’s non-profit mission following the Zona Parolo & Suono festival 11-19 June 1979. Near fine; faint foxing. ⧠See G. Schraenen ed. Dear reader. Don’t read. 2016 pp. 120-23 for similar works by Carrión employing graph paper. unknown books
rif. 8889Amsterdam: ca. 1979. An original collage made by Ulises Carrión 1941-89 and gifted to Maurizio Nannucci b. 1939 in support of Zona’s non-profit mission following the Zona Parolo & Suono festival 11-19 June 1979. Near fine; very faint foxing and residue from the glue. ⧠See G. Schraenen ed. Dear reader. Don’t read. 2016 pp. 120-23 for similar collages by Carrión employing graph paper. unknown books
rif. 8086Card 150 x 106 mm. with text added by rubber stamp in red blue green and yellow ink. Amsterdam: 1976. One of the rarest pieces of ephemera created by Ulises Carrión’s bookstore and exhibition space Other Books and So. In 1975 the year of its founding the space had hosted shows for the Beau Geste Press Jiri Valoch Opal L. Nations and Eric van der Wal. For the present exhibition Carrión invited 200 artists who employed stamps in their work and displayed their pieces on the walls of Other Books and So when it was located at 227 Herengracht. In fine condition; nice impressions. From the collection of Guy Schraenen 1941-2018. ⧠Juan J. Agius ed. Ulises Carrión & The Big Monster 2014 pp. 38-39 pictured on p. 38 with a photograph of the exhibition. unknown books
rif. 1089086 1 p. 8vo 225 x 155 mm. orig. printed red semi-stiff wrappers title on spine. Cullompton Devon: Beau Geste Press 1973. First edition the deluxe version on vibrant multi-colored Strathmore Grandee paper of this scarce and early Carrión 1941-89 bookwork. Arguments was printed in a total edition of 400 copies 200 on Huntsman white cartridge and unsigned and 200 deluxe copies and signed on the verso of the title-page. Formed in 1970 by Felipe Ehrenberg Martha Hellion David Mayor Chris Welch and Madeleine Gallard the Beau Geste Press was instrumental in Carrión’s growing engagement with artists’ books. The scholar Zanna Gilbert recalls in the Beau Geste Press catalogue p. 405 that in 2017 Ehrenberg “commented that Carrión had never gotten his hands dirty with ink before visiting the Beau Geste Press.” In 1973 the Press published two of his books Arguments Autumn and Looking for Poetry/Tras la Poesía Winter. In the Getty Research Institute exhibition catalogue Artists and Their Books Books and Their Artists 2018 Gilbert describes the present bookwork: “Carrión humorously interrogates the structure and content of books and the literary devices used by authors and playwrights. The titular exchanges in Arguments are indicated only by the names of the participants with no reference to the actual content of their disagreements. The distinctly Anglophone names are arranged in various configurations on each page of the book leaving the reader to wonder about the substance of the disputes. Indeed as the ‘arguments’ play out across the gridded field of the typeset page the book increasingly becomes about the materiality of the text itself with Carrión adding symbols such as the ampersand or violating the names themselves—as when for example ‘Marion’ becomes ‘Mar ion’—resulting in ever more complex exchanges” p. 72. The book was beautifully typeset by Terry Wright a skilled printer who joined the Press in 1972; laid out by Mayor; and offset-printed by Ehrenberg. Each “Argument” is numbered by hand there are 25 in total with several misnumbered and corrected in this copy nos. 5 22 23 24. Carrión’s book concludes with an unnumbered page on translucent paper with the entreaty: “My name is Ulises / What’s yours ” A fine copy; spine a trifle sunned. ⧠Alice Motard ed. Beau Geste Press 2020 No. 48 pp. 186-91 illustrating both versions. J. J. Agius & R. Ocampo eds. Ulises Carrión: Books & More Catalogue Raisonné 2013 7. unknown books
rif. 713896 unnumbered pages. Thick 8vo 210 x 150 mm. semi-stiff printed wrappers. Geneva: Editions Héros-Limite 2005. The scarce second edition of Ulises Carrión’s famous Arguments 1st ed.: 1973 published by the Beau Geste Press. In the Getty Research Institute exhibition catalogue Artists and Their Books Books and Their Artists 2018 Zanna Gilbert writes about the first edition: “Carrión humorously interrogates the structure and content of books and the literary devices used by authors and playwrights. The titular exchanges in Arguments are indicated only by the names of the participants with no reference to the actual content of their disagreements. The distinctly Anglophone names are arranged in various configurations on each page of the book leaving the reader to wonder about the substance of the disputes.” As new. From an edition of 750 copies. ⧠U. Carrión Quant aux Livres 2008 p. 202. unknown books
rif. 9235Audiocassette tape printed labels on side A & B housed in a plastic case. Orig. red paper pictorial liner. Amsterdam: Time Based Arts 1984. Rare audiocassette of a Carrión sound work; unrecorded by WorldCat. It was originally recorded in June 1983 and then issued through Time Based Arts the following year. “Trios & Boleros 1983 was produced as a part of a series by a number of artists writers and composers. The Dutch public broadcasting company VPRO allocated broadcast time to individual unrelated productions under the umbrella title of ‘Art on the Radio the Radio as Art’. No mathematical text analysis here: Ulises narrates the history of the bolero defining the classic form identifying the origins and greatest interpreters. He notes the impact of Cuban and Caribbean music on the genre… “The lecture is delivered against the musical background provided by these artists whose music filled his home…The program closes with the lyrics ‘Caminemos tal vez veremos después Walk on maybe we’ll meet again.’”–Martha Hawley ”Jacaranda Ulises Carrión and Sound” in Martha Hellion ed. Ulises Carrión: ¿Mundos personales o estrategias culturales 2003 p. 89. Near fine; one of the cassette labels is partially coming loose. ⧠G. Schraenen ed. Dear reader. Don’t read. 2016 pp. 128 & 141. unknown books
