3 067 résultats
1873réf. 100118971Lausanne et Neuchatel 1873 240 pages in16. 1873. Cartonné. 240 pages.
1995réf. 100135772C.r.p.g 1995 736 pages 11 938x4 064x19 304cm. 1995. Broché. 736 pages.
réf. 71865Paris, Librairie Plon 1902, 240x155mm, IV- 482pages, broché. Couverture moderne, sur laquelle ont a collé la couverture d’origine sur le plat supérieur.
1776réf. 28646Frankfurt a. M. 1776. Vorrede von Ulysses von Salis Handschriftliche saubere Bemerkungen alter Hand auf Vorsatzblatt Eichenberg 8°. Pbd. d. Zt. Raetica unknown
réf. 0543952495.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. FLFR0155Paris Plon-Nourrit 1902. gr.-8° IV 482 S. mit 5 Taf. OBrosch. unaufgeschnitt. verstaubt abgegriff. Datum auf Vorderdeckel eine Ecke geknickt. In Französisch. Paris, Plon-Nourrit 1902. unknown
réf. 0366610260.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0366610236.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 8080Single A4 sheet printed on both sides illus. on recto. Amsterdam: 1982. Rare flyer for the lone film made by Ulises Carrión 1941-89. In the years after the closing of Other Books and So the artist focused much of his efforts on video works eventually founding Time Based Arts a gallery dedicated to supporting video artists. On the verso Carrión describes the film which was “originally produced for the International Media Meeting organized by the Agora Foundation in Maastricht from 19 to 25 April 1982.” “Ever since his participation in the activities of the In-Out Center Carrión along with other Amsterdam artists shared an increasing interest in the possibility of film and video to document their numerous ephemeral activities and to work with the question of time…Carrión found in the language of film a support for his questioning of narrative widening the possibilities beyond what was previously limited to literature…In his only film the record of a performance The Death of the Art Dealer 1982 Carrión transfers into performance and film the type of processes he had applied to the literary text. Holding a small television set showing a 1940s film by Max Ophuls Carrión moves to the right or left to the rhythm of the movements of the characters in the film. The soundtrack is that of the original film but the narrative itself is ignored. Instead what one observes is a fairly unnoticed and typically forgettable structural aspect. In a way Carrión’s movements are like the parentheses and punctuation marks that he had previously used to strikethrough text in his pieces on certain literary works.”–Joao Fernandes “Art as Subversion: Make and Remake to Make Anew” in Dear reader. Don’t read. p. 45. Pristine copy. â§ Guy Schraenen ed. Dear reader. Don’t read. 2016 pp. 128 130-31 pictured. unknown
réf. 8080Single A4 sheet printed on both sides illus. on recto. Amsterdam: 1982. Rare flyer for the lone film made by Ulises Carrión 1941-89. In the years after the closing of Other Books and So the artist focused much of his efforts on video works eventually founding Time Based Arts a gallery dedicated to supporting video artists. On the verso Carrión describes the film which was “originally produced for the International Media Meeting organized by the Agora Foundation in Maastricht from 19 to 25 April 1982.” “Ever since his participation in the activities of the In-Out Center Carrión along with other Amsterdam artists shared an increasing interest in the possibility of film and video to document their numerous ephemeral activities and to work with the question of time…Carrión found in the language of film a support for his questioning of narrative widening the possibilities beyond what was previously limited to literature…In his only film the record of a performance The Death of the Art Dealer 1982 Carrión transfers into performance and film the type of processes he had applied to the literary text. Holding a small television set showing a 1940s film by Max Ophuls Carrión moves to the right or left to the rhythm of the movements of the characters in the film. The soundtrack is that of the original film but the narrative itself is ignored. Instead what one observes is a fairly unnoticed and typically forgettable structural aspect. In a way Carrión’s movements are like the parentheses and punctuation marks that he had previously used to strikethrough text in his pieces on certain literary works.”–Joao Fernandes “Art as Subversion: Make and Remake to Make Anew” in Dear reader. Don’t read. p. 45. Pristine copy. â§ Guy Schraenen ed. Dear reader. Don’t read. 2016 pp. 128 130-31 pictured. unknown books
2006réf. Q-1933032103Lectorum Publications 2006-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Lectorum Publications hardcover
réf. 9788546904495-11-27775WMF MARTINS FONTES. New. WMF MARTINS FONTES unknown
réf. 48654Paris, directeur: Michel Deguy. Editions Belin. Un volume 24x17cm broché de 128 pages. Bon état. Excellente revue de poésie et d’essais animée pendant 45 ans par Michel Deguy.
réf. lc_93888SLATKINE REPRINT (1 janvier 1977)
réf. 139078326X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1391755944.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 7894Unpaginated. Square 4to 247 x 204 mm. printed covers with flaps as issued. Mexico City: Taller Ditoria 2007. First printed edition of Ulises Carrión's typewritten manuscript of the same name. Carrión 1941-89 added handwritten punctuation to this work but it was never realized during his lifetime. Entirely letterpress-printed this book is now scarce on the market. It was co-produced by Martha Hellión one of the founders of Beau Geste Press. Near fine. This is a beautifully designed book printed on several special papers from a numbered edition of 600. â§ Juan J. Agius & Ricardo Ocampo eds. Ulises Carrión: Books & More Catalogue Raisonné 2013 pp. 78-79 pictured. Guy Schraenen ed. Dear reader. Don't read. 2016 p. 84. unknown books
réf. 7894Unpaginated. Square 4to 247 x 204 mm. printed covers with flaps as issued. Mexico City: Taller Ditoria 2007. First printed edition of Ulises Carrión's typewritten manuscript of the same name. Carrión 1941-89 added handwritten punctuation to this work but it was never realized during his lifetime. Entirely letterpress-printed this book is now scarce on the market. It was co-produced by Martha Hellión one of the founders of Beau Geste Press. Near fine. This is a beautifully designed book printed on several special papers from a numbered edition of 600. â§ Juan J. Agius & Ricardo Ocampo eds. Ulises Carrión: Books & More Catalogue Raisonné 2013 pp. 78-79 pictured. Guy Schraenen ed. Dear reader. Don't read. 2016 p. 84. unknown
2007réf. AME_9781844518074Star Fire Publisher 2007. 1ed. Hardcover. New/New. _ Star Fire Publisher hardcover
2007réf. USD_9781844518074Star Fire Publisher 2007. 1ed. Hardcover. Used - Like New/Used - Like New. _ Star Fire Publisher hardcover
1874réf. 37671Washington D.C.: U.S. Government Printing Office 1874. First edition. Stitched paper wrappers. Very good copies with light soiling; first part chipped on top and fore edge of front wrapper; Part 2 stitching loose. 23 pp.; 43 pp. 8vo. 43d Congress 1st session. House of Representatives. Ex. Doc. 229 including part 2. OCLC locates 6 print copies of part 1 and 1 of part 2. [U.S. Government Printing Office] unknown
1874réf. 37671Washington D.C.: U.S. Government Printing Office 1874. First edition. Stitched paper wrappers. Very good copies with light soiling; first part chipped on top and fore edge of front wrapper; Part 2 stitching loose. 23 pp.; 43 pp. 8vo. 43d Congress 1st session. House of Representatives. Ex. Doc. 229 including part 2. OCLC locates 6 print copies of part 1 and 1 of part 2. [U.S. Government Printing Office] unknown books
1899réf. R240006629A. REY ET CIE IMPRIMEURS EDITEURS. 1899. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 72 pages. Carte en frontispice. Nombreuses illustrations en noir et blanc, dans le texte et hors texte.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
réf. 9585Lyon, A. Rey et Cie, Imprimeurs-Editeurs, 1899. 1 volume in-8, 72 pp., reliure moderne plein cuir, couvertures imprimées conservées légèrement défraîchies, enrichi de 2 plans, 3 cartes et dix gravures, très bon état.
1899réf. 16951899 Lyon, Rey, 1899, grand in 8 broché, 72 pages ; couverture fanée avec petits manques.