FLIPPI UlysseLivre Rare Book
2 879 résultats
réf. 384388Albin Michel, Editeur Paris 1947 In-8 ( 195 X 145 mm ), de 336 pages, broché sous couverture imprimée. Bel exemplaire.
réf. 19253P., Albin Michel (Collection "Sciences d'aujourd'hui"), 1947, in 8° broché, 342 pages.
1947réf. 29461947 PARIS, 1947, editions ALBIN-MICHEL, volume in-8 broché, 342 pages, collection "sciences d'aujourd'hui", état d'usage .
1989réf. ANAIS-0300041233Yale University Press 1989-09-10. First Edition. hardcover. Good. 9.7X6.5X1.2. Buy with confidence. Excellent Customer Service & Return policy. Yale University Press hardcover
réf. 9788577000463-11-82012F��rum. New. F��rum unknown
2017This is a near fine hardcover copy with virtually no wear at all. Completely clean inside and out. Text in English and Portuguese in parallel columns. Edited by art critic, Luisa Duarte. Curator Jose Marton. This book is a survey of the work of 9 Brazilian painters. Artists include: Alan Fontes, Ana Prata, Fernando Lindote, James Kudo, Paulo Almeida, Rodrigo Bivar, Sergio Lucena, Tatiana Blass and Ulysses Boscolo, all from different regions of Brazil. Illustrated throughout in color. Each artist has about a twenty page section with about 15 color illustrations and a photo portrait. 12" high X 9" wide, 294 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
réf. 9935Black & white illus. throughout. 16 pp. incl. wrappers. 4to printed wrappers staple-bound. Warsaw: Galeria Remont 1976. An extremely scarce exhibition catalogue published for Carrión’s first exhibition at Henryk Gajewski’s Galeria Remont. Gajewski b. 1948 the Polish artist and filmmaker founded this contemporary art space in a dormitory student club at the Warsaw University of Technology. The gallery operated from April 1972 to November 1979 hosting performance art exhibitions of photography stamp art and bookworks and many other events. This catalogue contains the artist’s celebrated manifesto “The New Art of Making Books” which had been published for the first time the previous year in Plural no. 41 in Spanish and Michael Gibbs’s Kontexts nos. 6-7 in English. Galeria Remont became one of Carrión’s most important international connections in the vast network of collaborators he formed. Following this show he curated another exhibition at the Warsaw space — Inne Ksiazki 8-30 May 1977 — and gave lectures and performances there related to mail and stamp art. Most of the text in the catalogue reproduces Carrión’s characteristic bold script. In a very frank artist’s statement he elucidates his pivot from Mexican literary wünderkind to avant-garde language artist: “After extensively publishing short stories and theater plays in Mexico U. C. began using language outside the mould of what is usually called literature. Since then rather than writing poems ‘in the form of’ an advertisement or a dictionary old literature under new masks he situates dictionaries phone-books ads or any other manifestations of language as autonomous structures. His aim is to reveal the beauty and richness of these structures regardless of their referential content. U. C. is still a writer — and he insists on calling himself such — who writes very little or doesn’t even write at all. This is a radical shift in attitude which enables U. C. to concern himself not only with verbal languages but also with any system of symbols he may come across. He presents such systems either in the form of a book or as a display on a wall.” A fine copy but for faint browning to the wrappers. ⧠Juan J. Agius & Ricardo Ocampo eds. Ulises Carrión: Books & More Catalogue Raisonné 2013 p. 116. unknown
réf. 9935Black & white illus. throughout. 16 pp. incl. wrappers. 4to printed wrappers staple-bound. Warsaw: Galeria Remont 1976. An extremely scarce exhibition catalogue published for Carrión’s first exhibition at Henryk Gajewski’s Galeria Remont. Gajewski b. 1948 the Polish artist and filmmaker founded this contemporary art space in a dormitory student club at the Warsaw University of Technology. The gallery operated from April 1972 to November 1979 hosting performance art exhibitions of photography stamp art and bookworks and many other events. This catalogue contains the artist’s celebrated manifesto “The New Art of Making Books” which had been published for the first time the previous year in Plural no. 41 in Spanish and Michael Gibbs’s Kontexts nos. 6-7 in English. Galeria Remont became one of Carrión’s most important international connections in the vast network of collaborators he formed. Following this show he curated another exhibition at the Warsaw space — Inne Ksiazki 8-30 May 1977 — and gave lectures and performances there related to mail and stamp art. Most of the text in the catalogue reproduces Carrión’s characteristic bold script. In a very frank artist’s statement he elucidates his pivot from Mexican literary wünderkind to avant-garde language artist: “After extensively publishing short stories and theater plays in Mexico U. C. began using language outside the mould of what is usually called literature. Since then rather than writing poems ‘in the form of’ an advertisement or a dictionary old literature under new masks he situates dictionaries phone-books ads or any other manifestations of language as autonomous structures. His aim is to reveal the beauty and richness of these structures regardless of their referential content. U. C. is still a writer — and he insists on calling himself such — who writes very little or doesn’t even write at all. This is a radical shift in attitude which enables U. C. to concern himself not only with verbal languages but also with any system of symbols he may come across. He presents such systems either in the form of a book or as a display on a wall.” A fine copy but for faint browning to the wrappers. ⧠Juan J. Agius & Ricardo Ocampo eds. Ulises Carrión: Books & More Catalogue Raisonné 2013 p. 116. unknown books
réf. 57450Moulins, Crepin-Leblond, 1947, in 12 broché, 118 pages ; couverture illustrée (fanée avec manques).
réf. 16988Grenoble, Drevet, "Documents historiques inédits sur le Dauphiné", deuxième livraison, 1872, 1 broché. in-8 de IV-84 pages, un des 100 exemplaires sur papier fort ;
réf. b17376First Edition . Disbound. Fine. Complete original disbound issue in fine condition. Portrait of Grant "The Hero of Fort Donelson" on cover. unknown
2017réf. 2-6202246294Editorial Académica Española 2017. Paperback. New. 172 pages. Spanish language. 8.66x5.91x0.39 inches. Editorial Académica Española paperback
réf. 9786555269536-11-75647MIZUNO. New. MIZUNO unknown
2001réf. 124322Göppingen. Edition Spielburg. Kümmerle Verlag 2001. 57 Seiten. Mit zahlreichen Illustrationen. Illustrierte, gelbe Originalbroschur. 21x15 cm
1936Hachette La Vivante Histoire 1936, in-8 broché, 247 pages. Bon état.
1936réf. 2BkParis Hachette 1936 12 x 19 246 pages - broché - non coupé - un coup sur le dos - etat satisfaisant
1936réf. 2BkParis Hachette 1936 12 x 19 246 pages - broché - non coupé - un coup sur le dos - etat satisfaisant
réf. 0364562994.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2003réf. BN155401comedia-Verlag 2003. 2003. Hardcover. Das trikontinentale Solidaritätsplakat Deutsch Spanisch Englisch Französisch Das trikontinentale Solidaritätsplakat Deutsch Spanisch Englisch Französisch Richard Frick Texte: Ulises Estrada Lescaille Nirta Muniz Reinaldo Morales Campos Jorge R. Bermúdez Alfredo G. Rostgaard Olivio Martinez Lázaro Abreu Padrón René Lechleiter comedia-Verlag hardcover
1923réf. 154927(1923). Format (Plattengröße): 24,5 x 32,5 cm. Blatt: 38 x 53 cm.
réf. 46860778like new. unknown
réf. 45943771like new. unknown
1993réf. AME_9780132049184Prentice Hall 1993. 1st. Hardcover. New/New. _ Prentice Hall hardcover
réf. 63157087Prentice-Hall . Hardback. Used. pp. 320 1st Edition Prentice-Hall hardcover
réf. 10113159 pp. & one leaf with index & colophon. Small 8vo 180 x 115 mm. orig. printed pictorial softcover spine worn author portrait on lower cover. Guaymas Mexico: Joaquín Mortiz August 1970. First and only edition of Carrión’s second book a collection of six short stories printed in a numbered edition of 3000 copies. In the 1960s Carrión 1941-89 was one of Mexico’s emerging literary talents; a number of his short stories had been published in leading journals and his first play El Gran Espectáculo was performed at the Casa de la Cultura de Tlacotalpan Veracruz to rave reviews. Following his studies in philosophy and letters at the Universidad Nacional Autónoma de México he spent time in France and Germany 1964-65 with the aid of scholarships learning both languages. Dissatisfaction with the Mexican literary world and local hostility toward the gay community drove Carrión to emigrate to Amsterdam in 1970 where he found a progressive and free-spirited milieu. From then on he conscientiously abandoned literature and fully dedicated his life and work to the visual arts in the form of books films social experiments performances mail art etc. This book represents the artist’s final moment as a traditional/conventional author preceding his conversion to experimental and avant-garde methods of communication. “In 1970 he published a second six-story collection De Alemania considered a more mature work. Here he has perfected the interior monologue which is the primary manner in which his characters disclose themselves. In some stories the salient characteristic is alienation but in others Carrión employs humor as a catalyst. Since such characteristics are not always mutually exclusive he does achieve a delicate balance between the two.”–Dictionary of Mexican Literature 1992 ed. Eladio Cortés p. 147. Very good copy internally fine; spine a little creased as with most copies. Housed in a cloth clamshell box. unknown
