790 résultats
2006réf. BN25941Karger 2006. 2006. Hardcover. 246 x 184 x 62 cm. Das vorliegende Buch ist die einzige umfassende deutschsprachige Darstellung der Durchflusszytometrie und ihrer Anwendungen. Während einige Techniken der Immunphänotypisierung mit der Durchflusszytometrie bereits zu Routineverfahren in der Laboratoriumsmedizin geworden sind beginnen sich neue Methoden der funktionellen Charakterisierung von Zellen der Analyse seltener Zellen und der Diagnostik aus komplexen Materialien erst zu etablieren. Durch neue Ansätze wie die objektträgergebundene Zytometrie wird der Einsatz dieser Verfahren weiter zunehmen. Multiparameteranalysen und Miniaturisierung sind weitere Schritte zur Verbesserung der Analytik. Das Buch bietet eine umfassende fundierte und detaillierte Zusammenstellung aller Aspekte der Durchflusszytometrie in Forschung und Klinik. Neueinsteigern gibt es eine fundierte Einführung fortgeschrittenen Anwendern spezielle Protokolle und Interpretationshilfen. Das vorliegende Buch ist die einzige umfassende deutschsprachige Darstellung der Durchflusszytometrie und ihrer Anwendungen. Während einige Techniken der Immunphänotypisierung mit der Durchflusszytometrie bereits zu Routineverfahren in der Laboratoriumsmedizin geworden sind beginnen sich neue Methoden der funktionellen Charakterisierung von Zellen der Analyse seltener Zellen und der Diagnostik aus komplexen Materialien erst zu etablieren. Durch neue Ansätze wie die objektträgergebundene Zytometrie wird der Einsatz dieser Verfahren weiter zunehmen. Multiparameteranalysen und Miniaturisierung sind weitere Schritte zur Verbesserung der Analytik. Das Buch bietet eine umfassende fundierte und detaillierte Zusammenstellung aller Aspekte der Durchflusszytometrie in Forschung und Klinik. Neueinsteigern gibt es eine fundierte Einführung fortgeschrittenen Anwendern spezielle Protokolle und Interpretationshilfen. Karger hardcover
réf. 9889DOCUMENTS INTERNATIONAUX DE L'ESPRIT NOUVEAU. Paris (23, rue des Morillons). Direction : Paul Dermée, Enrico Prampolini et Michel Seuphor. In-4° broché. Un seul numéro a paru, au printemps 1927. (Admussen, 81) (Destribats, 259) /// Cette revue programmatique vise à l'unification de tous les mouvements d'avant-garde sous le terme générique d' " Esprit Nouveau ". En page 2 de couverture se trouve cette déclaration-manifeste : " Le futurisme, l'expressionisme, le cubisme, le dadaïsme, le purisme, le constructivisme, le néo-plasticisme, le surréalisme, l'abstractivisme, le babilisme, le soporifisme, le mécanisme, le simultanéisme, le suprématisme, l'ultraïsme, le panlyrisme, le primitivisme - et tous les -ismes à venir (jusqu'à concurrence d'un -isme réactionnaire ravageur des grandes conquêtes de notre temps) - VALENT UN SEUL ESPRIT NOUVEAU ". /// Un papillon précise : " Cette revue n'est ni la suite ni la contrefaçon d'aucune autre ". Il est évidemment fait allusion à la revue l'Esprit Nouveau, dirigée par Paul Dermée - que l'on retrouve à la direction des Documents internationaux de l'Esprit Nouveau. Néanmoins, les Documents internationaux de l'Esprit Nouveau paraissent quand cesse la publication de l'Esprit Nouveau, dont ils reprennent (outre le titre) la typographie et les code chromatiques. Il était donc très nécessaire de nier la parenté de ces deux revues, tant leur même lignée est évidente.
1980réf. 56631ABNeuchâtel, éditions Média. 1980. 40x40 cm. 1 Titelblatt, 2 Textblätter, 12 Blatt Serigrafien, jedes Blatt rückseitig in Bleistift bezeichnet, numeriert und signiert. Lose Blätter in Kartonumschlag und -Hülle.
réf. Z1-I-020-01460Nova Kroshka Books. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Nova Kroshka Books unknown
réf. 7787723-nnew. unknown
1965réf. 58547Paris France: Galerie Jacques Massol. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 12 pp. With 5 ills. 1 tipped-in col. . 28 x 19 cm. -- with a bonus offer-- . 1965. Galerie Jacques Massol paperback
2009réf. 87360Arnoldsche. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 468 pages; 364 illus. -- with a bonus offer--; The 'new Murano' represented by the glass artists Cristiano Bianchin Yoichi Ohira and Laura de Santillana all of whom work in Murano is attracting attention by widening the range of traditional techniques forms and styles. All three artists have their own distinctive ideas on working with glass so their pieces are some of the most exciting studio glass being produced anywhere in the world. Cristiano Bianchin began his career as an artist with the vivid colours once so typical of Murano glass. By now however he is working in black-and-white and especially in shades of brown. He is adept at working in touches of colour and deploying transparency to emphasise earthy tones. Laura de Santillana a granddaughter of Paolo Venini founder of the celebrated Venini Venetian art glass works is one of the few women glass designers in Murano. Her works are notable for striking sculptural forms and colours reminiscent of 1950s Colour Field painting. Born in Japan Yoichi Ohara has been living and working in Murano for more than thirty years. The synthesis he has achieved of traditional Japanese aesthetics and Murano art glass makes him one of the most important contemporary creators of art glass worldwide. . 2009. 3897903032 . Arnoldsche hardcover
2009réf. 76518Actes Sud. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 356 pp. With CD. 32 x 30 cm. -- with a bonus offer-- . 2009. 2742784225 . Actes Sud hardcover
2010réf. 88617Arsenal Pulp Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 176 pp. ; 176 illustrations. -- with a bonus offer--; Attila Richard Lukacs is one of the art world’s most talented and controversial contemporary artists best known for his epic paintings that depict masculine homoerotic imagery featuring figures such as gay skinheads and military cadets. His work has been exhibited at documenta in Kassel Germany as well as in New York Paris London Berlin and Cologne among other cities. A co-publication between Arsenal Pulp Press and three Canadian art galleries this is the first book to document the work of this important artist from an unusual perspective—a collection of some 1200 full-color Polaroid images twelve per page taken by Lukacs over the past twenty years as core referents for his paintings assembled and collaged by Vancouver artist and curator Michael Morris. Lukacs regularly employs a Polaroid camera as part of his artistic process using his friends and acquaintances as models; taking advantage of the Polaroid’s unique characteristics his painterly sensibility is evident in the rich hues and romantic sensuality of these photographs which are strikingly similar to the paintings that resulted from them. The book is physically enormous allowing the Polaroid grids to be printed at their full size. It also features essays by award-winning author Michael Turner Hard Core Logo; curator Scott Watson; gay writer Stan Persky; and Vince Aletti the American curator and photography critic for The New Yorker. Stunning and bold Polaroids: Attila Richard Lukacs and Michael Morris is a remarkable visual and written document on one of the most compelling visual artists working today. . 2010. 1551522950 . Arsenal Pulp Press hardcover
2014réf. 106727Intellect Ltd. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . 2014. 1783203072 . Intellect Ltd paperback
2011réf. 90820Ontos Verlag. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- -- with a bonus offer--; John R. Searle is one of the world‘s leading philosophers. During his long and outstanding career he made groundbreaking and lasting contributions to the philosophy of language to the philosophy of mind as well as to the nature structure and functioning of social reality. This volume documents the thirteenth Münster lectures on philosophy with John R. Searle. It includes not only eleven critical papers on Searle’s philosophy and Searle’s replies to the papers but also an original article by John R. Searle on his overall philosophical enterpris entitled: The Basic Reality and the Human Reality. . 2011. 3868380965 . Ontos Verlag paperback
2017réf. 129224Hatje Cantz. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - BRAND NEW FLAWLESS COPY NEVER OPENED - with a bonus offer-- . 2017. 3775742190 . Hatje Cantz hardcover
In-4°, 127cc, (3) cc, grandi capilettera figurati incisi su legno. Legatura in piena pergamena coeva con titolo manoscritto al dorso e tagli in azzurro. Edizione originale molto rara. Copia Fletcher. Si tratta della prima traduzione in prosa della prima parte del poema epico cavalleresco di Niccolò da Casola, redatta a partire da un celebre manoscritto databile nei primi decenni della seconda metà del Trecento. L’Attila di Barbieri è al contempo una grande opera filologica di studio della lingua provenzale, un affresco storico dell’Italia contemporanea riletto attraverso la leggenda delle invasioni barbariche, un quadro della vita cortigiana del tempo e, soprattutto, la celebrazione della famiglia estense, cui l’autore doveva personalmente molto per essere stato accolto alla corte di Ferrara, e che grazie a un illuminato mecenatismo si era conquistata la riconoscenza di letterati e uomini d’arte. Giovanni Maria Barbieri, erudito e filologo modenese (1519-1574), apprese il provenzale durante il suo soggiorno alla corte di Francesco I d’Este, e ne promosse gli studi; rientrato a Modena divenne amico di Castelvetro ed entrò a far parte della corte di Alfonso II d’Este che gli affidò il compito di tradurre questo antico poema provenzale, il cui manoscritto era conservato presso la Biblioteca Estense. Gamba 1160; G. Stendardo, G. Bertoni, Niccolò da Casola. La guerra d’Attila poema franco-italiano, Società tip. Modenese, 1941. In-4 °, 127cc, (3) cc, large figured woodcut letterheads . Full parchment coeval binding with handwritten title on the spine and cuts in blue. Very rare original edition. Fletcher copy. This is the first prose translation of the first part of Niccolò da Casola's epic chivalric poem, drawn up from a famous manuscript datable to the first decades of the second half of the fourteenth century. Barbieri's Attila is at the same time a great philological work of study of the Provencal language, a historical fresco of contemporary Italy reinterpreted through the legend of the barbarian invasions, a picture of the courtly life of the time and, above all, the celebration of the Este family, to which the author personally owed much for having been accepted at the court of Ferrara, and who, thanks to an enlightened patronage, had won the recognition of writers and men of art. Giovanni Maria Barbieri, a scholar and philologist from Modena (1519-1574), learned Provençal language during his stay at the court of Francesco I d’Este, and promoted his studies; back in Modena he became a friend of Castelvetro and joined the court of Alfonso II d’Este who entrusted him with the task of translating this ancient Provençal poem, whose manuscript was kept in the Estense Library. Leg 1160; G. Stendardo, G. Bertoni, Niccolò da Casola. The war of Attila Franco-Italian poem, Society tip. Modenese, 1941.
1969réf. 140949816Paris: Internationale Situationniste 1969. Near Fine. All 12 issues of Internationale Situationniste plus the supplement to Issue 11. All are first editions first printings except No. 2 which is the second printing from 1962. Text in French. Staple-bound in publisher's metallic wraps supplement in white wraps. Overall Near Fine with light rubbing and shelf wear musty odor. Chipping to metallic coating at Vol. 2 extremities writing impressions to back cover and foxing to terminals. Small bump to upper right corners of Vols. 7 8 and 10. Housed in a striking custom slipcase with a peg and bead Galton board design to the spine a reference to Guy Debord's famous drift theory which linked aimless movement through an urban landscape to the random trajectory of a pinball. A complete metal rainbow comprising the primary theses of the Situationist International. The small avant-garde Marxist group had tiny branches around the world but was centered in Paris and held its place at the forefront of politics philosophy and art from the Beat era to the tail end of the 1960s. Situationists were pivotal in the student revolts in Paris in May 1968. Their critique of society in all of its facets was so dense and nuanced it anticipated the revolutionaries of the next five decades and set the bar high for them perhaps impossibly so. But as one of the slogans spray-painted around Paris in May 1968 went "Be realistic. Demand the impossible. Internationale Situationniste unknown
1909réf. 1379Budapest: Privately published printed at Világosság könyvnyomda 1909. First edition. Limited numbered 1/250/300. The artist’s father’s copy. In original brown cardboard cover with blue title vignette printed in black bound with yellow ribbon. Illustrated title page one plate with ex-libris illustration eight lithographic plates and two text plates in Hungarian and French. Title vignette slightly rubbed. Front and rear cover somewhat sunned chipped at the edges. Small water stain at the upper right part of the cover. Small damage to the cover at the binding. Pages moderately dusted at the extremities with no effect on text or illustration. One page with two light stains. Overall in very good condition. First edition. Limited numbered 1/250/300. The artist’s father’s copy. In original brown cardboard cover with blue title vignette printed in black bound with yellow ribbon. Illustrated title page one plate with ex-libris illustration eight lithographic plates and two text plates in Hungarian and French. 12 leaves. 240 × 315 mm. Extremely scarce first edition of Attila Sassy’s portfolio of Art Nouveau erotic drawings. Copy of artist’s father. This portfolio created in the genre of Aubrey Beardsley is considered as one of the highlights of Hungarian Art Nouveau. It was first published in a very limited number of copies for Sassy’s closest friends and family. This copy was made exclusively for the artist’s father Ãrpád Sassy. The portfolio was reissued for the broader public nine years later still in very limited number. Attila Sassy 1880–1967 known under the pseudonym Aiglon is associated with the circles of modern artists in Paris and in Nagybánya the cradle of modern Hungarian painting. He became known mostly for his graphic works many of which are in the collection of the Museum of Applied Arts in Hungary. . [Privately published, printed at Világosság könyvnyomda] unknown
