Bard, Marjorie,Biblio.com
1 624 résultats
réf. 25682486-nnew. unknown
réf. 29503275like new. unknown
réf. A9781138111769Paperback / softback. New. paperback
réf. A9780470673362Paperback / softback. New. This student-friendly introduction to the archaeology of ancient Egypt guides readers from the Paleolithic to the Greco-Roman periods and has now been updated to include recent discoveries and new illustrations. paperback
réf. 1905286015.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 2013953879.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1942réf. 013102Columbia University Press. Original deep green embossed cloth with bright gilt titles on spine. Green topstain. No DJ as issued. . Near Fine. Hardcover. 1st Edition. 1942. Columbia University Press hardcover
réf. 25933525-nnew. unknown
réf. 48139654like new. unknown
1987réf. 065235Boston: D. Reidel 1987. First U.S. Edition Second Printing. Hardcover. Good/No Dust Jacket. An ex-library copy of the 1987 second printing bound in heavy brown library cloth with a paper on-lay to the front cover preumed the front cover from the paperback edition. The usual ex-libris markings. The binding is sound the text is clean/unmarked and there is little cover wear. No dust jacket. D. Reidel hardcover
réf. 10801561-nnew. unknown
réf. 37586345-nnew. unknown
réf. 19957029like new. unknown
réf. 37586345like new. unknown
2001réf. 4428R. Polgar 2001. Hardcover. Near Fine. Text in English and Hungarian. 135 pp. A small stain on the front cover. R. Polgar hardcover
réf. 036715904X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1903réf. 33432Winchester Oklahoma: Eagle Press 1903. Hardcover. First Edition First Printing. 5.25 x 7in. 306pp. Frontispiece. Publisher's cloth boards with gilt titling. Signed by the author at the frontispiece: "Scott Cummins 'Pilgrim Bard.'" VERY GOOD. Shows marginal shelf rubbing of the extremities and boards a faint outline of a removed bookplate at the front paste-down a hint of previously erased notes at the back endpaper otherwise the binding is strong and tight the text is clean and unmarked and the boards remain bright and distinct. As pictured. Eagle Press hardcover
2020réf. 11180GB2020. Cham Springer 2020. XVII 147 p. Hardcover. Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen daher Mängelexemplar gestempelt sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover apart from this in very good condition. Stamped. hardcover
1856réf. 78564London:: Sampson Low Son & Co. 1856. Reprint of the London 1855 edition this one issued without map or illustrations. publisher's red flexible cloth lettered in black. . Slight soiling to the binding; contents clean tight and sound. 12mo. Sampson Low, Son, & Co., hardcover
1855réf. 17606New York:: Harper & Brothers 1855. original blue cloth. 19th century date stamp on pastedown; very minor use to cloth; a nice copy. 12mo. Illustrated. Harper & Brothers, hardcover
2026réf. LRB39013173Paris: Editions Recreasoft 2026 Language: English. Approximately 610 pages. English: Print-on-demand reprint. Original edition : 1873. Text in English. This 19th-century medical manual focuses on hydrotherapy a therapeutic practice using water as a healing agent. Aimed at healthcare professionals the book covers the principles techniques and applications of this method. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
1735réf. 437057Paris : Barde Manget & Compagnie 1735. 1st edition. Hardcover. Good copies 38 in aniline-calf-covered boards. Covers and spines nicked dust-dulled and roughly rubbed as with age with some cracks and loss material dusting. Internally some browning and light foxing. Physical description; 38 vols 17 cm. Contents; vols 1 - 13; 18 - 41. Subjects; Contes de fees. Contes de fees Histoire et critique. Criticism interpretation etc Fairy tales. Fairy tales History and criticism. Fairy tales French. Paris : Barde, Manget & Compagnie hardcover
réf. 0516251309.Glibrary. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1961réf. 260145Minneapolis : University of Minnesota Press 1961. First Edition. Hardcover. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat rubbed and dust-toned as with age. Remains quite well-preserved overall: tight bright clean and strong. Minor library marks remain. Physical description; xix 421 p. : ill. diagrs. map tables ; 29 cm. Subjects; Sumerian language — Texts. Economic history — Sources. Minneapolis : University of Minnesota Press hardcover
1927réf. 225931Carmel Calif 1927. Vintage gelatin silver print bust portrait in profile. Signed and dated in pencil "Johan Hagemeyer 1927" on the mount. 1 vols. 22 x 16.5 cm. 8-3/4 x 6-1/2 inches. Matted. Fine. Docketed on verso of mount in pencil "#3. Vintage gelatin silver print bust portrait in profile. Signed and dated in pencil "Johan Hagemeyer 1927" on the mount. 1 vols. 22 x 16.5 cm. 8-3/4 x 6-1/2 inches. Magnificent portrait of the great suffragist reformer activist free-thinker and poet Sara Bard Field 1882-1974. Field was also the passionate lover of the anarchist C.E.S. Wood and the couple lived together in a celebrated "free union" first in San Francisco then in Los Gatos "where they built a house . that became a gathering place for Bay area writers artists and political activists" American National Biography; and where the famous Bay area photographer Johan Hagemeyer 1884-1962 made this fine indelible portrait in the year her first volume of poems appeared THE PALE WOMAN. According to THE BANCROFT LIBRARY'S on line "Guide to the Johan Hagemeyer Photograph Collection": "In late 1916 just prior to Hagemeyer's return to California - and despite having had little photographic experience - Hagemeyer visited Stieglitz's 291 salon in New York City. The two developed an immediate rapport and the meeting proved to be decisive for Hagemeyer. "We talked" Hagemeyer later recalled "and he practically by way of speaking made me follow photography. I had already gone overboard for it" OHT 22. "Back in California Hagemeyer first apprenticed with a Berkeley-based commercial portrait photographer named McCullagh. Soon afterwards he moved south to Pasadena and in early 1918 met Edward Weston already by then an accomplished photographer based in Tropico now Glendale. The two took an immediate liking to each other and formed a friendship and working partnership that was of mutual benefit: Weston opened his home and studio to the upstart Hagemeyer and Hagemeyer introduced the relatively unschooled Weston to new worlds of intellectual and aesthetic learning. The two would have a profound influence on each others' artistic development for years to come. Arch. see essays by Lorenz and Schaefer "Hagemeyer's talent developed rapidly and by the early 1920s he was exhibiting his work in many important photographic salons and garnering much popular and critical acclaim. After moving to San Francisco at the end of World War One Hagemeyer soon discovered the intellectual and artistic colony of Carmel-by-the-Sea. In 1923 he established his first studio in Carmel and would remain anchored there for over 20 years. In 1924 he established the town's first art gallery - based out of his studio - where he exhibited the works of local painters sculptors and photographers and hosted very popular musical performances. Shortly thereafter Hagemeyer opened a second studio in San Francisco whose clientele could be rivaled by that of Carmel only during the smaller town's summer vacation season. In 1927 he was appointed staff photographer of the artistic/literary magazine The San Franciscan . unknown
