Johanna Bard (ed) ; Rozsa PolgarBiblio.com
1 632 résultats
2001réf. 4428R. Polgar 2001. Hardcover. Near Fine. Text in English and Hungarian. 135 pp. A small stain on the front cover. R. Polgar hardcover
réf. 0404514685.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1927réf. 225931Carmel Calif 1927. Vintage gelatin silver print bust portrait in profile. Signed and dated in pencil "Johan Hagemeyer 1927" on the mount. 1 vols. 22 x 16.5 cm. 8-3/4 x 6-1/2 inches. Matted. Fine. Docketed on verso of mount in pencil "#3. Vintage gelatin silver print bust portrait in profile. Signed and dated in pencil "Johan Hagemeyer 1927" on the mount. 1 vols. 22 x 16.5 cm. 8-3/4 x 6-1/2 inches. Magnificent portrait of the great suffragist reformer activist free-thinker and poet Sara Bard Field 1882-1974. Field was also the passionate lover of the anarchist C.E.S. Wood and the couple lived together in a celebrated "free union" first in San Francisco then in Los Gatos "where they built a house . that became a gathering place for Bay area writers artists and political activists" American National Biography; and where the famous Bay area photographer Johan Hagemeyer 1884-1962 made this fine indelible portrait in the year her first volume of poems appeared THE PALE WOMAN. According to THE BANCROFT LIBRARY'S on line "Guide to the Johan Hagemeyer Photograph Collection": "In late 1916 just prior to Hagemeyer's return to California - and despite having had little photographic experience - Hagemeyer visited Stieglitz's 291 salon in New York City. The two developed an immediate rapport and the meeting proved to be decisive for Hagemeyer. "We talked" Hagemeyer later recalled "and he practically by way of speaking made me follow photography. I had already gone overboard for it" OHT 22. "Back in California Hagemeyer first apprenticed with a Berkeley-based commercial portrait photographer named McCullagh. Soon afterwards he moved south to Pasadena and in early 1918 met Edward Weston already by then an accomplished photographer based in Tropico now Glendale. The two took an immediate liking to each other and formed a friendship and working partnership that was of mutual benefit: Weston opened his home and studio to the upstart Hagemeyer and Hagemeyer introduced the relatively unschooled Weston to new worlds of intellectual and aesthetic learning. The two would have a profound influence on each others' artistic development for years to come. Arch. see essays by Lorenz and Schaefer "Hagemeyer's talent developed rapidly and by the early 1920s he was exhibiting his work in many important photographic salons and garnering much popular and critical acclaim. After moving to San Francisco at the end of World War One Hagemeyer soon discovered the intellectual and artistic colony of Carmel-by-the-Sea. In 1923 he established his first studio in Carmel and would remain anchored there for over 20 years. In 1924 he established the town's first art gallery - based out of his studio - where he exhibited the works of local painters sculptors and photographers and hosted very popular musical performances. Shortly thereafter Hagemeyer opened a second studio in San Francisco whose clientele could be rivaled by that of Carmel only during the smaller town's summer vacation season. In 1927 he was appointed staff photographer of the artistic/literary magazine The San Franciscan . unknown
réf. 19960by Fayer of Grosvenor Street London showing him half length thoughtful 7¾" x 6" no date c. lightly stamped 'unfinished proof' but a fine print From a collection made by Mollie Patterson secretary of the R.S.L. Bard was an expatriate Hungarian writer known for a novel Shipwreck in Europe 1928 and short stories written in English and as a literary editor. He settled in the United Kingdom where he was later known as Joseph Bard. His background was Jewish and Hungarian. unknown
1927réf. 225931Carmel Calif 1927. Vintage gelatin silver print bust portrait in profile. Signed and dated in pencil "Johan Hagemeyer 1927" on the mount. 1 vols. 22 x 16.5 cm. 8-3/4 x 6-1/2 inches. Matted. Fine. Docketed on verso of mount in pencil "#3. Vintage gelatin silver print bust portrait in profile. Signed and dated in pencil "Johan Hagemeyer 1927" on the mount. 1 vols. 22 x 16.5 cm. 8-3/4 x 6-1/2 inches. Magnificent portrait of the great suffragist reformer activist free-thinker and poet Sara Bard Field 1882-1974. Field was also the passionate lover of the anarchist C.E.S. Wood and the couple lived together in a celebrated "free union" first in San Francisco then in Los Gatos "where they built a house . that became a gathering place for Bay area writers artists and political activists" American National Biography; and where the famous Bay area photographer Johan Hagemeyer 1884-1962 made this fine indelible portrait in the year her first volume of poems appeared THE PALE WOMAN. According to THE BANCROFT LIBRARY'S on line "Guide to the Johan Hagemeyer Photograph Collection": "In late 1916 just prior to Hagemeyer's return to California - and despite having had little photographic experience - Hagemeyer visited Stieglitz's 291 salon in New York City. The two developed an immediate rapport and the meeting proved to be decisive for Hagemeyer. "We talked" Hagemeyer later recalled "and he practically by way of speaking made me follow photography. I had already gone overboard for it" OHT 22. "Back in California Hagemeyer first apprenticed with a Berkeley-based commercial portrait photographer named McCullagh. Soon afterwards he moved south to Pasadena and in early 1918 met Edward Weston already by then an accomplished photographer based in Tropico now Glendale. The two took an immediate liking to each other and formed a friendship and working partnership that was of mutual benefit: Weston opened his home and studio to the upstart Hagemeyer and Hagemeyer introduced the relatively unschooled Weston to new worlds of intellectual and aesthetic learning. The two would have a profound influence on each others' artistic development for years to come. Arch. see essays by Lorenz and Schaefer "Hagemeyer's talent developed rapidly and by the early 1920s he was exhibiting his work in many important photographic salons and garnering much popular and critical acclaim. After moving to San Francisco at the end of World War One Hagemeyer soon discovered the intellectual and artistic colony of Carmel-by-the-Sea. In 1923 he established his first studio in Carmel and would remain anchored there for over 20 years. In 1924 he established the town's first art gallery - based out of his studio - where he exhibited the works of local painters sculptors and photographers and hosted very popular musical performances. Shortly thereafter Hagemeyer opened a second studio in San Francisco whose clientele could be rivaled by that of Carmel only during the smaller town's summer vacation season. In 1927 he was appointed staff photographer of the artistic/literary magazine The San Franciscan . unknown books
1974réf. RO80217495Hachette. 1974. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Mouillures. 79 pages augmentées de nombreuses illustrations en noir et blanc dans le texte. . . . Classification Dewey : 843.0692-Livres d'enfants
réf. boz_003124André Barde Pouvoir signé par le librettiste et dramaturge, André Barde. Dimensions : 24 x 17 cm.
réf. boz_003514André Barde Pouvoir signé par André Barde, librettiste et dramaturge français. Dimensions : 24 x 17 cm.
réf. ria9781405176606_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Written by a leading scholar in the field this textbook provides a thorough introduction to the topic of income distribution and poverty with additional emphasis on the issues of inequality and discrimination. hardcover
réf. 20596Paris : Librairie L. Hachette et Cie, 1858.
réf. 27174Paris Louis Janet In-16 301 pp et 5 fig. édition vers 1820 Quatrième édition avec gravures de cette célèbre supercherie. Relié dos basane du temps, filets dorés et fleurons à froid, bon exemplaire si ce n'est une tache sur les derniers feuillets.
1877réf. 27180Paris Hachette 1877 In-12 recherches critiques sur Ossian et les calédoniens par P. Christian, XXIII-480 pp
réf. 45386Musier.1777.2 vols.in-8 reliés.309 et 300 p. BE.Reliures postérieures avec dos ornés.Tranches rouges.Reliures de Petit.Notes anciennes à l'encre sur une page de garde.
1804réf. 91358A Paris, Rue J.J. Rousseau, De l’Imprimerie de P. Didot l’Ainé, Chez Capelle et Renand, Libraires, An XII 1804 Traduit par L. Baour Lormian
2010réf. DADAX1441948074Springer 2010-12-09. Softcover reprint of hardcover 1st ed. 1999. paperback. New. 6.25x1.11x9.25. Buy with confidence. Excellent Customer Service & Return policy. Springer paperback
1998réf. DADAX0792354583Springer 1998-12-31. 1999. hardcover. New. 6.75x1.25x10.00. Buy with confidence. Excellent Customer Service & Return policy. Springer hardcover
2010réf. SONG1441948074Springer 2010-12-09. Softcover reprint of hardcover 1st ed. 1999. paperback. Used: Good. 6.25x1.11x9.25. Buy with confidence. Excellent Customer Service & Return policy. Springer paperback
1999réf. x-1441948074Springer US 1999. Paperback. New. 488 pages. 9.25x6.25x1.11 inches. Springer US paperback
réf. ria9781498268011_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; About the Contributors: Rev Dr Bård Eirik Hallesby Norheim is Associate Professor of Practical Theology at NLA University College Bergen Norway. hardcover
réf. 21100274-nnew. unknown
1987réf. AANe-ANA41Anandale-on-Hudson NY: 1987. 1987. 4to. pp. 160. many illus. some colour. cloth. Exhib. Cat. Hardcover. [Anandale-on-Hudson, NY: 1987]. Hardcover
1890réf. RO30137770G. MASSON. 1890. In-12. Relié. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Intérieur acceptable. 784 pages augmentées de nombreuses figures en noir et blanc dans le texte - tranches rouges - taches brunes dans l'ouvrage sans conséquence réelle pour la lecture - une annotation au stylo sur la page de faux titre - dos taché - 2 PHOTOS DISPONIBLES. . . . Classification Dewey : 611-Anatomie humaine
réf. R200095610MASSON & CIE. NON DATE. In-12. Cartonné. Etat d'usage, Plats abîmés, Dos abîmé, Papier jauni. 627 pages. Quelques illustrations en noir et blanc, dans le texte.. . . . Classification Dewey : 610-Sciences médicales. Médecine
1918réf. RO40144557Masson et Cie. 1918. In-12. Relié. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 836 pages. Illustré de nombreuses gravures en noir et blanc dans le texte. Tranche de tête rouge. Etiquette de code sur le dos. Tampon en page de titre.. . . . Classification Dewey : 618-Autres branches de la médecine
réf. 620839239X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
