1899 resultados
1927ref. 225931Carmel Calif 1927. Vintage gelatin silver print bust portrait in profile. Signed and dated in pencil "Johan Hagemeyer 1927" on the mount. 1 vols. 22 x 16.5 cm. 8-3/4 x 6-1/2 inches. Matted. Fine. Docketed on verso of mount in pencil "#3. Vintage gelatin silver print bust portrait in profile. Signed and dated in pencil "Johan Hagemeyer 1927" on the mount. 1 vols. 22 x 16.5 cm. 8-3/4 x 6-1/2 inches. Magnificent portrait of the great suffragist reformer activist free-thinker and poet Sara Bard Field 1882-1974. Field was also the passionate lover of the anarchist C.E.S. Wood and the couple lived together in a celebrated "free union" first in San Francisco then in Los Gatos "where they built a house . that became a gathering place for Bay area writers artists and political activists" American National Biography; and where the famous Bay area photographer Johan Hagemeyer 1884-1962 made this fine indelible portrait in the year her first volume of poems appeared THE PALE WOMAN. According to THE BANCROFT LIBRARY'S on line "Guide to the Johan Hagemeyer Photograph Collection": "In late 1916 just prior to Hagemeyer's return to California - and despite having had little photographic experience - Hagemeyer visited Stieglitz's 291 salon in New York City. The two developed an immediate rapport and the meeting proved to be decisive for Hagemeyer. "We talked" Hagemeyer later recalled "and he practically by way of speaking made me follow photography. I had already gone overboard for it" OHT 22. "Back in California Hagemeyer first apprenticed with a Berkeley-based commercial portrait photographer named McCullagh. Soon afterwards he moved south to Pasadena and in early 1918 met Edward Weston already by then an accomplished photographer based in Tropico now Glendale. The two took an immediate liking to each other and formed a friendship and working partnership that was of mutual benefit: Weston opened his home and studio to the upstart Hagemeyer and Hagemeyer introduced the relatively unschooled Weston to new worlds of intellectual and aesthetic learning. The two would have a profound influence on each others' artistic development for years to come. Arch. see essays by Lorenz and Schaefer "Hagemeyer's talent developed rapidly and by the early 1920s he was exhibiting his work in many important photographic salons and garnering much popular and critical acclaim. After moving to San Francisco at the end of World War One Hagemeyer soon discovered the intellectual and artistic colony of Carmel-by-the-Sea. In 1923 he established his first studio in Carmel and would remain anchored there for over 20 years. In 1924 he established the town's first art gallery - based out of his studio - where he exhibited the works of local painters sculptors and photographers and hosted very popular musical performances. Shortly thereafter Hagemeyer opened a second studio in San Francisco whose clientele could be rivaled by that of Carmel only during the smaller town's summer vacation season. In 1927 he was appointed staff photographer of the artistic/literary magazine The San Franciscan . unknown books
1957ref. 54770New York: Robert M. McBride Co. Inc. Very Good in Very Good dust jacket. 1957. Second Printing. Cloth. A Very Good second printing with aging to the volume generally and rubbing to the trim some tanning to the pages housed in a Very Good dust-jacket that has chipping tanning and aging; Military miniatures have a long and colorful history. They have been used to teach tactics and strategy to commemorate victories and to memorialize fallen soldiers. This book is a guide to collecting military miniatures. It covers the history and development of this fascinating hobby as well as tips for identifying and purchasing miniatures.; 8vo; 196 pages . Robert M. McBride Co. , Inc. hardcover books
2006ref. 49418Köln: Taschen 2006. First edition. Hardcover. Good- to very good condition. Inscribed "Cabron Estames Es El Mismo Camino. No Soltemos Las Riendas De Nuestro Destino. Sigamos El Camino Si Este Que Este existe!! Un Abrasso. Inárritu" We can't quite make out what appears to be a date following Abrasso on front endpaper. Oblong quarto. 304pp. Blind-stamped paper-covered brown boards in original color photographic dust jacket with white lettering on spine. Photo-illustrated endpapers. Frontispiece and photo-illustrated title page. Profusely illustrated work on the making of Babel recollecting parallel stories and real-life characters that revolved around the making of the film. The movie was awarded the Best Director prize at the 2006 Cannes Film Festival. With many color and b/w reproductions of photographs by Mary Ellen Mark Patrick Bard Graciela Iturbide and Miguel Rio Branco. Text in English with preface by Eliseo Alberto in Spanish German and French at rear. Dustjacket with wear along edges and closed tear in lower right corner of front cover. Binding with light wear along edges. Interior in very good condition. Taschen hardcover books
1974ref. 1386280London UK: Andre Deutsch 1974. First UK Edition First Printing First State Dust Jacket. Hardcover. Octavo 308 pages. In Good plus condition with a Good plus condition dust jacket. Aged white spine with a central orange snake design and red and black lettering. Dust jacket is wrapped in a mylar covering is price clipped has mild age-toning throughout a red stain on the front mylar cover small stains on the spine and mild wear along the spine head and tail edges. Boards have mild wear along the edges mild age-toning along the edges and mild wear along the fore corners. Textblock has mild wear along the edges moderate age-toning throughout and a stain on the head edge. Signed "To Dick" by John Barth on half-title page. NOTE: Shelved in Room Z. 1386280. Special Collections - Downstairs. Andre Deutsch hardcover books
1939ref. 140948628New York: Sheridan House 1939. First Edition. Near Fine/Good. First edition first printing. Association copy signed by Art Young on the half-title page and warmly inscribed to Sara Bard Field her name misspelled with date Nov. 22 1939. ALS to Field dated Feb. 18 1941 laid in. xii 467 1 pp. Bound in publisher's red cloth stamped in gilt printed endpapers. Near Fine with light soiling to textblock edges light toning to endpapers and thumbing and erased bookseller inscriptions to half-title page. In a Good dust jacket with light soiling insect damage along upper and lower edges and rear flap fold. The autobiography of the prominent socialist cartoonist Art Young inscribed to a woman he names in his book with the correct spelling of her first name as one of "the beautiful women I have met who were active in progressive or radical affairs." Sara Bard Field was a suffragist poet and Christian socialist married to the writer and civil liberties activist Charles Erskine Scott Wood. Young refers to Wood in his letter to Field: "I am impelled to write you because of your good poem in the Marxist magazine New Masses. The foreword too interested me because I think of you both -- often I can picture our Grand Old Man looking heroically toward the sunset. Tell him I'm with him such a spirit will never die. We of the old guard: artists and writers recall his fine record of doing and daring when we meet here in New York and discourse." Young signs with his name and a small sketch of a sunset over water. He wrote his affectionate note two days before Wood's 89th birthday a touching tribute from one famous pacifist to another not long before their country would be plunged into total war -- the subject of the poem that prompted Young's letter. Sheridan House unknown books
1994ref. 07117THE GIGANTIC THREE IN ONE COMPLETE HISTORY OF THE UNIVERSE Paper Moon Press 1994 first edition fine in wraps. A miniature consisting of 6 leaves initialed / SIGNED by the authors. 1/250 copies distributed at the 1994 NEBULA awards. Paper Moon Press paperback books
1935ref. 21255New York: Bard Bridge Bureau 1935. Fine. A beautiful vintage arguably antique duplicate bridge set with eight duplicate sleeves each with their four hands already set up with cards inserted into their slots these sleeves the type still in use except these instead of an aluminum composition are made of bakelite and epitomize Art Deco design. N.d. circa 1930s. We know little at this time about George Bard other than he was an active tournament player in the early days of modern bridge -- the 1920s into the early 1940s and he certainly had to have been a Grandmaster. We also know that the "Bard Bridge Bureau" was in business in the 1930s. We would infer that this business besides selling duplicate kits such as the one here had a mail order business of sending out duplicate hands and almost certainly accompanying the hands would be commentary so that the players could learn from their play afterward. The kit was intended to be one that supplied all one needed to play duplicate other than the tables and chairs. It came with eight sleeves ours with the eight decks also already dealt a 14 page booklet with the nuts and bolts of duplicate laid out scorecards and other paraphernalia. We can comfortably represent that ours is essentially complete -- we can not say we have all the scorecards that were originally in the kit but we certainly have everything that really mattered and also we have at least a sample of the other less critical things. The box is about 4 lbs or 1.6 kg and it measures 26 by 22 by 4 cm. We think our kit is in Fine condition with a few minor caveats. The box has two small pieces chipped off from its lid side. One of those pieces the larger one we have and thus can be re-attached. The cards show signs of use. One envelope has penciled numbers. Bard Bridge Bureau unknown books
1993ref. 261553New York: Harper 1993. Hardcover. Fine/Fine. First edition. Fine in fine dust jacket. Hardcover and dust jacket good clean copy except for light rubbing along spine ends and corners. Harper hardcover books
1943ref. 134365MO: Kansas City Poetry 1943. Softcover. Good. Good in wrappers. Pamphlet rubbed at spine ends and corners lightly stained and wrinkled sticker on front and back. Kansas City Poetry unknown books
2012ref. 173659Chicago: University of Chicago Press 2012. Fall-Winter 2012. Paperback. VG library stamp on title page. White wraps with black lettering. 344 pp. with color and bw images. Volume 19 No. 02 issued Fall-Winter 2012. Articles include: Art Nouveau Art of Darkness: African Lineages of Belgian Modernism Part II by Debora L. Silverman Applied Arts in Naples: Materials and Artistic Techniques from Micro to Macrocosmos by Sabina de Cavi The Gideon Tapestries at Hardwick Hall by Helen Wyld and Art Furniture in the Old English Style": The Firm of Collinson and Lock London 1870-1900 by Clive Edwards. University of Chicago Press paperback books
1988ref. 95021988. Softcover. VG corner of front cover bent. Color wraps. 160 pp. 49 bw 94 color plates. Contains 4 extensively annotated essays catalogue of paintings by artists of the Hudson River School as well as photographs and drawings of their homes and studios. Includes a chronology of events in the Hudson River Valley from 1823-1901 bibliography and index. paperback books
1989ref. 304101989. Softcover. VG- light fading to cover edges chipping to cover edges. White ill. stapled wraps. Unpaginated. Numerous bw plates. Essay by Linda Weintraub. paperback books
2006ref. 326214Paris: Editions du Seuil 2006. hardcover. very good/near fine. Text in French. Color and black & white illustrations throughout. 215 pages. Square 4to red cloth pictorial d.w. Corners bumped. Paris: Editions du Seuil 2006. A very good copy in a near fine dust wrapper. Editions du Seuil unknown books
1905ref. 317944New York: Putnam 1905. hardcover. very good-. Many photo illustrations. 8vo 1/2 blue cloth with gilt-decorated spine lightly worn t.e.g. New York: Putnam 1905. A very good- copy internally clean. Putnam unknown books
ref. 7802First Edition. paperback. 69 pages pp. 257-82; 363-405 IN: Revue de Medecine 1888 vol. 8. 8vo modern wrappers. Paris 1888. "Bard-Pic syndrome" first described. GM 3630. unknown books
1927ref. 31774NY: William Edwin Rudge 1927. First Edition. 8vo pp. 81. Textured paper over boards cloth spine. Cover little soiled and worn o/w VG. Field was active in women's causes in the Western U.S. including suffragist struggles the National Woman's Party and the Woman's League for Peace and Freedom. William Edwin Rudge unknown books
1927ref. 31764NY: William Edwin Rudge 1927. First Edition. 8vo pp. 81. Textured paper over boards cloth spine. Small piece missing from the margin of one page o/w VG in plain dj. Field was active in women's causes in the Western U.S. including suffragist struggles the National Woman's Party and the Woman's League for Peace and Freedom. William Edwin Rudge unknown books
1936ref. 31754NY: Random 1936. First Edition. 8vo pp. 92. Owner's name on flyleaf o/w VG in price-clipped and slightly browned dj. Includes a preface: Note to fellow Marxists in which she explains that even if a poet does not write in an overtly political way the work still serves as a challenge to a "sick society." Field was active in women's causes in the Western U.S. including suffragist struggles the National Woman's Party and the Woman's League for Peace and Freedom. Random unknown books
1932ref. 517527New York: Albert & Charles Boni 1932. Hardcover. Fine/Very Good. First edition. Spine lightly faded as usual with this title else fine in a very good dust jacket with slight but even fading on spine a small chip on top edge of rear panel and modest edgewear. An epic poem exalting Jewish heroism and nobility; the rear panel of dust jacket is devoted entirely to an 11-line blurb by Robinson Jeffers. Albert & Charles Boni hardcover books
1990ref. 133822Hartford CT: The Acorn Club The Connecticut Historical Society 1990. cloth spine and front cover gilt-stamped. Connecticut. 8vo. cloth spine and front cover gilt-stamped. xxxii 122 6 pages. Limited to 1500 copies. Table of contents foreword introductory comments by the editors. checklist names of Acorn Club members. Map. Black and white illustrations each with descriptive text of a number of Connecticut towns drawn by illustrator John Warner Barber 1798-1885. The Acorn Club, The Connecticut Historical Society unknown books
2000ref. 585149New York: St. Martin's Press 2000. Hardcover. Very Good/Near Fine. First edition. Boards bowed thus very good in a near fine dust jacket with a couple faint creases and slight edgewear. St. Martin's Press hardcover books
1937ref. 600304No place: Reprinted from The Harvey Lectures 1937. Softcover. Near Fine/Near Fine. Offprint. Small octavo. P.143-169. Illustrated. Stapled printed pale green wrappers. Ownership signature and stamp of a noted American psychologist on front cover titled in ink on the margin of the wrap else near fine. Reprinted from The Harvey Lectures unknown books
1980ref. 123679Garden City NY: Doubleday 1980. Softcover. Good. Good paperback. The book cover edges have minor wear. The book covers have minor soiling. The book foredges are spotted. The text is clean. Doubleday unknown books
1993ref. 291750New York: That New Magazine 1993. Magazine. 40p. 8.5x11 inches articles reviews news photos illustrations ads light wear else good magazine in stapled pictorial wraps. Harris on the play "Jeffrey." C. Bard Cole interviews J. the German musician. That New Magazine unknown books
1991ref. 244751New York: That New Magazine 1991. Magazine. 48p. 8.5x11 inches articles reviews news photos illustrations ads very good magazine in stapled pictorial wraps. Cover story interview with novelist Boyd. Quentin Crisp on Lily Tomlin. That New Magazine unknown books
