617 résultats
1971réf. 197611971. Warhol Andy. Women in Revolt 1971 documents a significant work of underground cinema engaging transgender identity performance and feminist discourse within the context of Warhol's Factory productions. Produced by Andy Warhol and directed by Paul Morrissey the film features prominent transgender performers including Candy Darling Jackie Curtis and Holly Woodlawn. The film engages themes of gender identity performance and social marginalization through satire supporting research into LGBTQ film history avant-garde cinema and the intersection of queer culture with feminist movements of the early 1970s. Archive of 3 original vintage silver gelatin photographs used as lobby display materials each measuring approximately 10 x 8 inches in black and white. Two photographs feature Candy Darling in stylized portrait-like scenes including one in which she sits on a couch wearing pronounced makeup and gazing into the distance and another in which she appears adorned with a pearl necklace emphasizing glamour and constructed femininity. The third photograph depicts Holly Woodlawn reclining alongside Martin Kove presenting a staged domestic or intimate setting. The images foreground costume pose and expression reflecting the film's engagement with identity as performance and the visual language of Warhol's cinematic productions. Produced during a period of expanding queer visibility in underground film following the late 1960s Women in Revolt situates transgender performers at the center of its narrative marking a departure from marginal or coded representation in mainstream media. Its satirical treatment of the Women's Liberation Movement reflects tensions and intersections between feminist and queer discourses of the period while also documenting the lived realities and artistic contributions of Warhol's collaborators. These photographs provide material evidence of how such themes were visually presented within alternative film circuits. Light handling wear with minor edge wear; images remain sharp and well-preserved; overall very good. A concise and significant group from a foundational work of transgender representation in avant-garde cinema. unknown books
1971réf. 197611971. Warhol Andy. Women in Revolt 1971 documents a significant work of underground cinema engaging transgender identity performance and feminist discourse within the context of Warhol's Factory productions. Produced by Andy Warhol and directed by Paul Morrissey the film features prominent transgender performers including Candy Darling Jackie Curtis and Holly Woodlawn. The film engages themes of gender identity performance and social marginalization through satire supporting research into LGBTQ film history avant-garde cinema and the intersection of queer culture with feminist movements of the early 1970s. Archive of 3 original vintage silver gelatin photographs used as lobby display materials each measuring approximately 10 x 8 inches in black and white. Two photographs feature Candy Darling in stylized portrait-like scenes including one in which she sits on a couch wearing pronounced makeup and gazing into the distance and another in which she appears adorned with a pearl necklace emphasizing glamour and constructed femininity. The third photograph depicts Holly Woodlawn reclining alongside Martin Kove presenting a staged domestic or intimate setting. The images foreground costume pose and expression reflecting the film's engagement with identity as performance and the visual language of Warhol's cinematic productions. Produced during a period of expanding queer visibility in underground film following the late 1960s Women in Revolt situates transgender performers at the center of its narrative marking a departure from marginal or coded representation in mainstream media. Its satirical treatment of the Women's Liberation Movement reflects tensions and intersections between feminist and queer discourses of the period while also documenting the lived realities and artistic contributions of Warhol's collaborators. These photographs provide material evidence of how such themes were visually presented within alternative film circuits. Light handling wear with minor edge wear; images remain sharp and well-preserved; overall very good. A concise and significant group from a foundational work of transgender representation in avant-garde cinema. unknown
réf. 1333680562.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1330462351.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1967François Maspéro, 1967.Grand In-8 carré broché, Couverture bleue rempmliée de 255 pages. Recueillis avec la musique par Metri Franco-Lao. Bon état.
2015réf. 2-8416125910Universidad Internacional de La Rioja S.A. 2015. Paperback. New. 1st edition. 56 pages. Spanish language. 9.57x6.69x0.39 inches. Universidad Internacional de La Rioja S.A. paperback
réf. 2712Arthaud. 1960 Broché. 236 pages. Hors-texte noir et blanc , parfait etat
1999réf. Q-031224293xSt. Martin's Griffin 1999-09-10. Paperback. New. In shrink wrap. Looks like an interesting title! St. Martin's Griffin paperback
1920Very Good Turkish, Ottoman (1500-1928) Original illustrated wrappers. Chipping on top edge and front cover. Occasional foxing on pages. Overall a good copy. Roy. 8vo. (23 x 15 cm). In Ottoman script (Old Turkish with Arabic letters). 103 p., b/w plates (19 unnumbered b/w plates and 1 map). First edition of this extremely rare first-hand and historically significant eyewitness account of the Syrian and the Suez Canal Operations during the Great War by an Ottoman soldier and statesman. Erden describes in this book his return to Istanbul after his military attaché duty in Paris and his departure to Damascus to join the 4th Army in Syria under the command of Cemal Pasha (1872-1922). He then discusses the Arab Revolt in Hejaz and its possible effects on the Ottoman Empire (The Arab Uprising was initiated by Sharif Hussein bin Ali in June 1916 during the Great War with the aim of creating an independent and united Arab state comprising of Aden in Yemen and Aleppo in Syria against the Imperial Ottoman). After disclosing his views and the actions of the army in the region, he goes on to describe Jerusalem, the Suez Canal, and the wars that took place there. Erden gave new information on the reasons and results of the Canal operation, the condition of the Turkish army along Palestine and Syria fronts, the relations among the Turkish staff, and the nature of the Arab revolt through his views and observations in Egypt, Palestine, and Syria fronts accumulated as he was Cemal Pasha's chief of staff. Erden was a Turkish soldier and war historian. After graduating from the Military Academy in 1903, he worked in the units and headquarters in Yemen, as the staff of the 3rd Corps in the Balkan War and as the Paris Military Attaché. During the Great War, he served as the Chief of Staff of the 4th Army within the entourage of Admiralty Minister Cemal Pasha in Syria. Özege 16174. Kursun p. 51.
1998réf. G8489162778I3N00TF Editores & Interactiva S.L.U. 1998. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. TF Editores & Interactiva S.L.U. paperback
réf. 8489162778.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1968réf. 1259851968 Editions de la Jeune Parque - In-8 broché, couverture illustrée - 222 pages
réf. 2416de la Revue des jeunes, 1952. in-12 broché coll. " Foi vivante " l'itinéraire spirituel présenté par P. CLAUDEL , l'Acte de foi " (l'auteur ayant débuté en publiant aux éditions surréalistes) édition originale
réf. SONG0773534679Used: Good unknown
réf. SONG0313205809Used: Good unknown
réf. DADAX0773534679New unknown
réf. DADAX0313205809New unknown
1960224 pages. Index. Twenty pages of black and white photographic plates. "This account of the Cyprus revolt analyses its causes, and documents many of the incidents during the four dangerous and violent years before the Zurich agreements were signed in London in February 1959. The author, a Cypriot, is able to reveal something of the daring and ingenious methods of the EOKA guerrillas; their hide-outs in the mountains and forests, or in a peasant's cellar; their secret organisation which penetrated the church, the administration, even the police." - from dust jacket. Average wear to price-clipped dust jacket which is now preserved in archival-grade Brodart. Foxing to endpapers and edges. Binding and hinges sound. Average wear to book which is unmarked. A sound copy. Book
réf. SONG0816538735Used: Good unknown
réf. SONG087772430XUsed: Good unknown
réf. SONG1580936288Used: Good unknown
réf. DADAX1580936288New unknown
2010réf. 005531Hamburg, Laika Verlag, 2010. -- Taschenbuch -- 8°
réf. DADAX0275987116New unknown
2010réf. CINEMAAAAHH61295125Editions imho, 2010, 15 x 21, 192 pages cousues sous couverture souple illustrée. Avec des textes de Jean-Baptiste Thoret, Koji Wakamatsu, Nagisa Oshima et Go Hirasawa Photographies noir & blanc. DVD ABSENT. "Le réalisateur de l'Armée Rouge, Koji Wakamatsu a récolté toute les sortes de surnoms au cours de sa longue carrière. Dénigré, censuré, acclamé, " l'enfant terrible du cinéma Japonais " n'a jamais cessé d'agiter les esprits à travers ses films mêlant sexualité, violence et engagement politique. Composé de plusieurs essais et d'un long entretien, ce recueil de textes fait part des réflexions du cinéaste sur l'industrie cinématographique, sa position à propos du conflit israélo-palestinien et des mouvements contestataires ainsi que sur son enfance, son passé de yakuza et les différentes rencontres qui l'ont amené à devenir le cinéaste de renommée internationale qu'il est aujourd'hui. Complété par deux textes inédits de Nagisa Oshima et du critique Jean-Baptiste Thoret, ce recueil passionnant révèle les facettes d'un artiste controversé dont chaque oeuvre est un véritable " hymne à la révolte ". Inclus le DVD du film La femme qui voulait mourir (1970, 112 min). Interdite au Japon, cette œuvre décrit les méandres d'un quatuor amoureux dans un pays en pleine modernisation."
