438 résultats
réf. 6358l’aventure Mexicaine 1861 1867,in 8 écu broché couverture illustrée,248 pages,Hachette 1935 très bon état
2008réf. AUB-8530Les Belles Lettres 2008. Bel exemplaire broché, in-8, 244 pages avec annexes dont 2 index.
1958réf. 6671958 - broché - Presses Universitaires de France (P.U.F.) - Collection des Cahiers d'Histoire, publiée par les Universités de Clermont, Lyon, Grenoble, N° 3 - Série Histoire sociale des idées - 1958 - 2 volumes in-8 (25 x 16,5 cm) brochés - LXII + 821 pages (pagination continue) - Iconographie en noir et blanc - Ouvrage publié avec le concours du Ministère de l'Education Nationale
1968réf. 126256N.p.: N.p. 1968. Original poster for the 1968 Cuban film. Humberto Solás' operatic sprawling epic dramatizing Cuba's history through the eyes of three women named Lucía living through three momentous periods of the country's history; 1895 1932 and postrevolutionary 1960s. Winner of the Golden Prize and the Prix FIPRESCI at the 6th Moscow International Film Festival 1969. 20 x 30 inches. Very Good plus with faint rubbing and light creasing. Bright and unfaded. Criterion Collection 1045. N.p. unknown
1968réf. 126256N.p.: N.p. 1968. Original poster for the 1968 Cuban film. Humberto Solás' operatic sprawling epic dramatizing Cuba's history through the eyes of three women named Lucía living through three momentous periods of the country's history; 1895 1932 and postrevolutionary 1960s. Winner of the Golden Prize and the Prix FIPRESCI at the 6th Moscow International Film Festival 1969. 20 x 30 inches. Very Good plus with faint rubbing and light creasing. Bright and unfaded. Criterion Collection 1045. N.p. unknown books
1978réf. R100078545Libreria General Zaragoza. 1978. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 175 pages - quelques cartes et tableaux en noir et blanc dans et hors texte - livre en espagnol.. . . . Classification Dewey : 460-Langues espagnole et portugaise
196598 pages. Special Features: Behind the Campus Revolt: The California Uprising and Honolulu: Problems in Paradise. Other features include: What's Ahead for the FBI; Gov. Carl Sanders and "Miss Emma" - Emma Lonsdale Wilkinson; The New Role of the Makeup Man; Mickey Mantle: Oklahoma to Olympus; Billion Dollar Rifle (Colt AR-15); Tiny Trams and Churchill: A Newly Discovered Set of Camera Close-ups. Average wear. Small mailing label front cover bottom left. Binding sound. Magazine
200696 pages. Features: The River Vs. Water, Inc.; Propaganda, Public Relations, & the Not-So-New Dark Age; And now for something completely biased; Propagating popular resistance; "12 Steps" for Whiteness; Battle Tanks; Conveying Correctness; Madness & mass society; Failure by Design; The New Commission on Global Media; What is true for products is also true for countries; Reinventing truth; This typeface is changing your life. Moderate wear. Clean and unmarked. A sound copy. Book
1971réf. 197611971. Warhol Andy. Women in Revolt 1971 documents a significant work of underground cinema engaging transgender identity performance and feminist discourse within the context of Warhol's Factory productions. Produced by Andy Warhol and directed by Paul Morrissey the film features prominent transgender performers including Candy Darling Jackie Curtis and Holly Woodlawn. The film engages themes of gender identity performance and social marginalization through satire supporting research into LGBTQ film history avant-garde cinema and the intersection of queer culture with feminist movements of the early 1970s. Archive of 3 original vintage silver gelatin photographs used as lobby display materials each measuring approximately 10 x 8 inches in black and white. Two photographs feature Candy Darling in stylized portrait-like scenes including one in which she sits on a couch wearing pronounced makeup and gazing into the distance and another in which she appears adorned with a pearl necklace emphasizing glamour and constructed femininity. The third photograph depicts Holly Woodlawn reclining alongside Martin Kove presenting a staged domestic or intimate setting. The images foreground costume pose and expression reflecting the film's engagement with identity as performance and the visual language of Warhol's cinematic productions. Produced during a period of expanding queer visibility in underground film following the late 1960s Women in Revolt situates transgender performers at the center of its narrative marking a departure from marginal or coded representation in mainstream media. Its satirical treatment of the Women's Liberation Movement reflects tensions and intersections between feminist and queer discourses of the period while also documenting the lived realities and artistic contributions of Warhol's collaborators. These photographs provide material evidence of how such themes were visually presented within alternative film circuits. Light handling wear with minor edge wear; images remain sharp and well-preserved; overall very good. A concise and significant group from a foundational work of transgender representation in avant-garde cinema. unknown books
1971réf. 197611971. Warhol Andy. Women in Revolt 1971 documents a significant work of underground cinema engaging transgender identity performance and feminist discourse within the context of Warhol's Factory productions. Produced by Andy Warhol and directed by Paul Morrissey the film features prominent transgender performers including Candy Darling Jackie Curtis and Holly Woodlawn. The film engages themes of gender identity performance and social marginalization through satire supporting research into LGBTQ film history avant-garde cinema and the intersection of queer culture with feminist movements of the early 1970s. Archive of 3 original vintage silver gelatin photographs used as lobby display materials each measuring approximately 10 x 8 inches in black and white. Two photographs feature Candy Darling in stylized portrait-like scenes including one in which she sits on a couch wearing pronounced makeup and gazing into the distance and another in which she appears adorned with a pearl necklace emphasizing glamour and constructed femininity. The third photograph depicts Holly Woodlawn reclining alongside Martin Kove presenting a staged domestic or intimate setting. The images foreground costume pose and expression reflecting the film's engagement with identity as performance and the visual language of Warhol's cinematic productions. Produced during a period of expanding queer visibility in underground film following the late 1960s Women in Revolt situates transgender performers at the center of its narrative marking a departure from marginal or coded representation in mainstream media. Its satirical treatment of the Women's Liberation Movement reflects tensions and intersections between feminist and queer discourses of the period while also documenting the lived realities and artistic contributions of Warhol's collaborators. These photographs provide material evidence of how such themes were visually presented within alternative film circuits. Light handling wear with minor edge wear; images remain sharp and well-preserved; overall very good. A concise and significant group from a foundational work of transgender representation in avant-garde cinema. unknown
réf. 108943A Lyon, chez Yvernaut et Cabin Libraires, sur Saint-Dominique, N° 64, et à Paris, Chez Brunot-Labbe, Libraire, Quai des Augustins, 1818, 4 tomes reliés en 2 volumes in-16 de 140x90 mm environ, Tome 1-2 : 1f.blanc, xvj-246-1-241 pages, 1f.blanc, - Tome 3-4 : xij-202-1-218-36, 1f. blanc, demi chagrin aubergine, titres et tomaisons dorés sur dos lisses, ornés de filets et motifs romantiques, gardes de couleurs, tranches finement mouchetées. Dos insolés, des rousseurs par endroits, quelques pages tachées, moulliure dans la marge interne p.29 à 33 (tome 3-4), rares petites défauts de marge, sinon bon état.
réf. 222042Paris, iouxte la copie imprimée par Jean Brunet, 1614; petit in-8, 16 pp., demi-toile cerise (reliure moderne).
1865réf. PHO-1031Paris et Lyon, Toulouse, J.-B. Pélagaud, et Ed. Privat, 1865. 2 vol.In-8 ,iii-464pp,480pp , relié demi-chagrin vert d'ép., dos à nerfs ornés avec auteur et titre ,bon exemplaire.
réf. 5244Paris, Ed. Bernard Grasset, Coll. Vivre libre, 1938 – in-12, 94 pp. – broché, couv. rose.
réf. 99401A Privas, chre F. Agard, Imprimeur de la Préfecture, 1811, 1 volume in-12 de 195x120 mm environ, xv-449 pages, demi basane caramel, dos lisse portant titres dorés sur pièce de titre rouge, orné de fers dorés, tranches finement mouchetées de rouge, gardes de couleurs. Infime manque de papier p. 32 (sans gêne pour la compréhension du texte), des feuillets tachés en fin de volume (p. 435 jusqu'à la fin), petits frottements sur le cuir et le cartonnage, manque de matière sur la pièce de titre, sinon bon état. Edition originale.
1873réf. 1226871873 Editions Librairie de la Bibliothèque ouvrière - 1873 - deuxième édition - In-18, broché - 185 pages - Feuillets non coupés (jamais lu)
1984réf. 12411984 - cartonné - Editions Ebeling - 1984 - In-4 (30 x 23 cm) cartonné, sous jaquette de l'éditeur - 360 pages - Illustrations en noir et blanc - Texte intégral et notice de Théophile Gautier
réf. 8767pseudo. d’Alfred GUELENNEC 1826 1866. Les filles du Böer-Souvenirs du Cap de Bonne-espérance. In 12 demi-toile chagrinée, titre et filets dorés. faux-titre, titre 299 pages, Paris Librairie L. Hachette & Cie 1859. Envoi manuscrit autographe de l’auteur. Edition originale, rousseurs éparses habituelles, plus concentrées en début et fin de volume
1941réf. 1261261941 Nouvelles Editions Françaises, Paris - février 1941 - Noté "19e Edition" sur la couverture - In-8 broché - 222 pages
1973réf. 968171973 Editions 10/18, N°775 - 1973 - In-12, broché - 317 p.
réf. 19655Paris, Librairie Hachette et Cie, 1878-1880. 4 vol. in-8, 543 pp. + 506 pp. + 510 pp. + 542 pp., demi-maroquin vert de Petit & Trioullier, srs de Simier, dos à nerfs orné de filets à froid, tête dorée (épidermures, rares rousseurs, les pp. 449-510 reliés à l'envers et 2 cahiers intervertis au 3e volume).
2006réf. SPN-164Mayenne : Éditions régionales de l'Ouest, 2006, EO. Tirage limité à 500 exemplaires : 1 des 25 exemplaires hors-commerce numérotés en chiffres romains (HC XI), dédicace de l'autrice en page avant-titre. Broché 24x16, couverture illustrée en noir, 409 pages, cahier photographique en noir au centre du livre, état des manifestations populaires contre la loi de Séparation de l’Église et de l’État en 1906, dans le département de la Sarthe + Total des manifestations en Pays chouan.
1965réf. 3542Le cercle du nouveau livre 1965 378 pages in8. 1965. reliure éditeur pleine toile sous rhodoïd. 378 pages. Les Rebelles de Jean-Pierre Chabrol est une fresque romanesque qui suit le destin de personnages cévenols notamment Clémence et sa famille entre 1900 et 1944. À travers leurs vies le roman explore les thèmes de la révolte de la résistance (des Camisards aux maquisards) et peint le portrait d'une région les Cévennes avec ses paysages ses traditions et son humanité particulière tout en évoquant la disparition d'un monde
réf. 500331670Sans date.
réf. 5017in-8, br., couv. ill. coul., X-318 pp. Réimpression de l'édition de 1811. Valence La Bouquinerie 1991Louis de Charbonnel de Vinezac serait l'auteur des "Commentaires du soldat du Vivarais" pendant les guerrres civiles.absolument neuf