961 resultados
ref. 25970Paris, Bibliothèque artistique et littéraire, 1895, in-8, broché, 81 pages. Edition originale illustrée de deux lithographies symbolistes hors-texte par Albert-E. Sterner ainsi que de jolies vignettes. Tirage limité à 300 exemplaires, 1/46 ex. num. sur Hollande, tirage de tête avec 4 Japon. Bel exemplaire.
1898ref. LFA-12673918411 plaquettes de 50, 12, 35, 22, 22, 14, 54, 22, 24, 54 et 38 pages, reliées dans un même volume format 165 x 250 mm, reliure cartonnage dos cuir à nerfs ornée d'un dauphin, publiées entre 1898 et 1930, bon état, rare
1729ref. 18058A Paris: chez Gregoire Dupuis 1729. Cm. 19 pp. 36 xii 250 2 112 2. Con molte figure ed una tavole ripiegata fuori testo. Solida legatura coeva in piena pelle dorso a nervi con titoli e fregi in oro. Tagli rossi. Minime tracce d'uso ben conservato. Si tratta del testo delle lezioni che l'enfant prodige Malezieu impartiva al Delfino Louis duca di Borgogna avendo il compito della sua educazione scientifica. Interessante e non comune. chez Gregoire Dupuis unknown
1827ref. 24631Paris Méquignon-Havard et Compagnie 1827 -in-8 demi-veau un volume, reliure demi-veau glacé vieux rose in-octavo (binding half calfskin in-8)(22,4 x 14 cm), RELIURE D'ÉPOQUE SIGNÉE DAUPHIN (Pierre Dauphin relieur à Lyon à partir de 1822), dos à faux-nerfs (spine with raised bands), décorations "or" et à froid (gilt and blind stamping decoration), Titre frappé "or", pièce de titre sur fond rouge avec 3 filets "or" de part et d'autre du titre (label of title with gilt lines), entre nerfs à fleuron à froid fumé avec un double filet fin à froid de part et d'autre, roulette large "or" en place des nerfs avec un filet large à froid fumé de part et d'autre des nerfs, roulette "or" avec un filet fin "or" et un filet ,large "or" et à froid fumé en tête, 2 roulettes large tête-bêche "or" avec un filet large "or" de part et d'autre en pied, nom du relieur : "DAUPHIN" frappé "or" en pied, toutes tranches non-rognées, marque-page en tissu(bookmark in tissue), pages de garde peignées à motif "caillouté" (painting flyleaf), sans illustration (no illustration), 323 pages, 1827 à Paris Méquignon-Havard et Compagnie Libraires,
1990ref. 1450La revista del vigia ano 1 numero 1 primera edicion ediciones vigia matanzas cuba 1990 director alfredo zaldivar el numero 1 de la revista del vigia.publicada por la editorial del mismo nombre en matanzas cuba 1990rarisima publicacion.artesanal.con textos de Delfin pratsfina garcia marruzreynaldo garcia blancojuan jose arreolamaria elena hernandezalfredo zaldivarluis cernudarene suarez sevacarlos martinez rivasoctavio pazaristides vegaeugene ionescu.e ilustraciones de Carlos miguel olivaperla maria pinedo y rolando estevez. Ediciones Vigía creadas por el poeta >Alfredo Zaldívar su editor principal hasta 1998 y hasta la actualidad por Agustina Ponce adquieren su título de la >Plaza de la Vigía por el lugar geográfico donde se instala en la Casa del Escritor de Matanzas Río y Magdalena en la ciudad de Matanzas y que al cobijar bajo el mismo techo a la editorial y operar como un espacio de presentación de autores se convirtió en un centro de promoción cultural único. Bajo el emblema del >quinqué y caracterizadas por un riguroso criterio de selección el carácter inédito de sus publicaciones y un diseño singular las ediciones están dirigidas a un público intelectual sin distinción de edad sexo o nacionalidad. Surgen en 1985 con el propósito inicial de vincular a los escritores matanceros con la literatura universal y con las creaciones de escritores nacionales. Desde un inicio la idea estética de Vigía estuvo encaminada a acercar lo más posible el libro al trabajo humano. La política editorial ha sido celosa en resguardar ese distintivo especial y para ello ha disfrutado del raro privilegio de poseer desde su fundación un mismo diseñador >Rolando Estévez Jordán artista pintor poeta diseñador En tiradas de 200 ejemplares Vigía publica literatura cubana y extranjera en nueve colecciones y dos revistas. Haciendo de los 200 ejemplares de cada edición verdaderas obras de arte en las cuales la palabra en su empeño de arboladura literaria está trenzada con eficaces soluciones plásticas. Las obras son mimeografiadas con iluminación hecha a mano firmadas por sus autores numeradas en fin totalmente manufacturadas. Ediciones vigia paperback
2016ref. 306272Holguín: Casa Editora Cuadernos Papiro 2016. 33 leaves. 12-1/2 by 13-3/4 inches. An edition of 100 copies issued with at least two cover designs and typefaces. Poems printed letterpress with the text set on a linotype. Bound Japanese-style. The paper is handmade from various plant and fiber sources. Six of the leaves have minimalist serigraphs made jointly by Freddy García Azze and Wiskelmis Rodríguez González. Each is titled signed "Freddy-Wiskelmis" and numbered in pencil at the bottom of the sheet. The text block variants are 1a poems black ink with a sans serif typeface for the poem titles and the initial letters or 1b poems in green ink with a black-letter typeface used for the poem titles and the initial letters. The cover variants are 2a the cover title printed in red using a script typeface with the author's name in a linocut and the binding done using thin rope and 2b the cover title printed from a linocut and the author's name printed using a serif typeface all in black and the binding done with coarse jute twine. A comparison of several copies also indicates that there is variation in the positioning of the images both their placement within the text and their position on the sheet of paper. The poems were selected by Manuel García Verdecia and Gilberto González Seik from throughout Prats's career. Prats's work was banned in Cuba between 1968 and 1987. OCLC: DEIAI DLC FQG FXG GZM IND LRU NOC NYP VWM. Near fine. With a "certificado de autenticación" dated January 30 2016 and numbered 070 of 100 laid in. This copy has sans-serif poem titles and the cover in black 1a and 2b. Casa Editora Cuadernos Papiro unknown
2023ref. 2-0850145163IntechOpen 2023. Hardcover. New. 340 pages. 7.00x0.99x10.00 inches. IntechOpen hardcover
ref. DADAX0073532266New unknown
2024ref. x-303169208XSpringer Nature 2024. Hardcover. New. 250 pages. 6.14x0.44x9.21 inches. Springer Nature hardcover
1982ref. Q-9027714444Springer 1982-07-31. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Springer hardcover
ref. 21735839-nnew. unknown
ref. 21735839like new. unknown
ref. 028574Np./Nd Los Angeles: Np. Octavo. 75 pages. As automobile use and streetcar ridership skyrocketed the city introduced the Hill Street tunnels. By 1913 the tunnel had been built and was a fate accomplished but the issue in the case asks: whether the city had the right to do so. Once the subterranean shortcut shaved tens of minutes off travel time between Hollywood and downtown Los Angeles when it opened. A few days later local citizens celebrated its opening with a Tunnel Day joyride down Sunset Boulevard motorcars and horse-drawn carriages racing alongside the Los Angeles Pacific's streetcars. Once the 101 became the solution to the traffic issue with construction beginning in 1949 the Hill Street Tunnel came to an end. The only recorded copy is in the Huntington Library OCLC: 77975582. Our copy has extensive staining though the entire text and footnotes but can easily be read corners torn away to first few leaves not affecting text with its wide margins. One of the major documents and the legal issues in the early 20th century history of Los Angeles. Np unknown
1889ref. 136591889 Paris, s.n., 15 avril 1889. PREMIER NUMÉRO de cette revue littéraire bimensuelle fondée et dirigée par Léon Deschamps. Fidèle à son ambitieux programme placé en introduction : "Faire à elle seule ce que tous les autres n'ont ni su ni voulu faire", cette revue d'avant-garde très éclectique connut rapidement un essor considérable, multiplia ses activités et continua de paraître jusqu'en 1914. Le tirage de ce premier numéro n'est pas précisé mais l'écrivain Ernest Raynaud, dans ses "Souvenirs", note qu'il est "fort restreint". Plaquette in-8 de 10 pp. Exemplaire bien complet de l'illustration tirée à part, représentant un portrait du poète Émile Goudeau, par Uzès. Bon état, dos restauré, tampon d'ex-libris sur la première page.
1815ref. 24105Paris Didot jeune 1815 in-4 de 46 pp. dérelié
ref. 33818In-8, plein veau de l'époque, dos à 5 nerfs orné de compartiments fleuronnés, (34), xij, 250 p. et (2), 112 p. [Introduction à l'application de l'algèbre à la géométrie], rousseurs, nombreux graphiques, figures géométriques dans le texte et une planche dépliante. Paris, Estienne Ganeau, Jean Boudot et Laurent Rondet, 1722.
19448vo., First Edition; handsomely bound in green full morocco, back gilt with five raised bands, second and fourth compartments lettered and ruled in gilt, all other compartments tooled and ruled in gilt, uncut, a most attractive copy ideal as a gift or for presentation.
2013ref. x-9400978847D. Reidel Publishing Company 2013. Paperback. New. 536 pages. 9.25x6.10x1.21 inches. D. Reidel Publishing Company paperback
1888ref. 8363New Orleans Louisiana: Louisiana State Lottery Company 1888. Very good. 6 7/8” x 5 3/8”. Stapled illustrated wrappers. Pp. 16. Very good: wrappers with some soil spots and a touch of corner wear; scattered spotting and soiling to margins and edges lightly affecting two images. This is a rare promotional composed of drawings and poems for the 1888 “Mammoth Drawing” of the Louisiana State Lottery Company LSLC. A scholarly article published in The Southwestern Social Science Quarterly Vol. 20 No. 4 March 1940 detailed the fascinating history of the LSLC which was chartered in 1868 “as an aftermath of the War Between the States. The necessity of financial reconstruction was one of the impelling forces. The gambling concerns in New Orleans were corrupting officers and bribing the police and it was thought these evils could be reduced by making gambling legitimate . . . LSLC was an important force in the economic social and religious life of the State . . . It was stated that the company had every legislature in its power from 1868 to 1892 . . .” LSLC was said to be “generous to charity and to public enterprises” with donations to the Howard Memorial Library and the Confederate Memorial Building among other New Orleans foundations. In 1890 the company sent Governor Francis T. Nicholls a check for $100000 “to be used in your discretion to protect the people of Louisiana against the inundation now apparently so imminent in consequence of the threatening condition of the river.” Nicholls staunchly anti-lottery returned the check and the money was “distributed by the company directly to the people to relieve the distress when the levees broke.” LSLC was abolished by federal law in 1892. This small volume in charming caricature and verse poses various ways one could lose all one's money whether through stocks cards or poor choice of banks. It suggests playing the lottery to recoup one's funds. The tale was followed by an announcement for the “Great Mammoth Drawing” of December 1888 featuring “three capital prizes” “45 grand prizes” and “3000 additional prizes together aggregating over two millions of money.” It listed the prices of the various tickets available from whole and halves down to “fortieths” for $1 as well as instructions and a form to obtain tickets by writing to M.A. Dauphin president of the LSLC. The final page ran a “fac-simile – full size” of “one of Washington's tickets still preserved” for a lottery in 1768. A rare advertisement for the Louisiana lottery. OCLC shows one holding. [Louisiana State Lottery Company] unknown
1888ref. 8363New Orleans Louisiana: Louisiana State Lottery Company 1888. Very good. 6 7/8” x 5 3/8”. Stapled illustrated wrappers. Pp. 16. Very good: wrappers with some soil spots and a touch of corner wear; scattered spotting and soiling to margins and edges lightly affecting two images. This is a rare promotional composed of drawings and poems for the 1888 “Mammoth Drawing” of the Louisiana State Lottery Company LSLC. A scholarly article published in The Southwestern Social Science Quarterly Vol. 20 No. 4 March 1940 detailed the fascinating history of the LSLC which was chartered in 1868 “as an aftermath of the War Between the States. The necessity of financial reconstruction was one of the impelling forces. The gambling concerns in New Orleans were corrupting officers and bribing the police and it was thought these evils could be reduced by making gambling legitimate . . . LSLC was an important force in the economic social and religious life of the State . . . It was stated that the company had every legislature in its power from 1868 to 1892 . . .” LSLC was said to be “generous to charity and to public enterprises” with donations to the Howard Memorial Library and the Confederate Memorial Building among other New Orleans foundations. In 1890 the company sent Governor Francis T. Nicholls a check for $100000 “to be used in your discretion to protect the people of Louisiana against the inundation now apparently so imminent in consequence of the threatening condition of the river.” Nicholls staunchly anti-lottery returned the check and the money was “distributed by the company directly to the people to relieve the distress when the levees broke.” LSLC was abolished by federal law in 1892. This small volume in charming caricature and verse poses various ways one could lose all one's money whether through stocks cards or poor choice of banks. It suggests playing the lottery to recoup one's funds. The tale was followed by an announcement for the “Great Mammoth Drawing” of December 1888 featuring “three capital prizes” “45 grand prizes” and “3000 additional prizes together aggregating over two millions of money.” It listed the prices of the various tickets available from whole and halves down to “fortieths” for $1 as well as instructions and a form to obtain tickets by writing to M.A. Dauphin president of the LSLC. The final page ran a “fac-simile – full size” of “one of Washington's tickets still preserved” for a lottery in 1768. A rare advertisement for the Louisiana lottery. OCLC shows one holding. [Louisiana State Lottery Company] unknown books
1961ref. SEXBLAKE10Amalgamated Press 1961. Soft Cover. VG - Very Good. First Edition. Collection of ELEVEN issues from the 4th series of The Sexton Blake Library published by Amalgamated Press in 1961. Featuring issues: #469: 'Shot From The Dark' by Philip Chambers 1961. #470: 'Pursuit To Algeria' by Arthur Maclean George Paul Mann 1961. #471: 'Something to Kill About' by Desmond Reid Robert C. Elliott 1961. #472: 'Assault and Pepper' by Jack Trevor Story 1961. #473: 'Suddenly it's Murder' by Jack Trevor Story 1961. #474: 'State of Fear' by Desmond Reid George Hamilton Teed 1961. #482: 'Murder By Moonlight' by Desmond Reid Wilfred McNeilly 1961. #483: 'Death Her Destination' by Warwick Jardine Francis Warwick 1961. #484: 'Trouble Is My Name!' by Rex Dolphin 1961. #485: 'Assignment Doomsday' by Martin Thomas Thomas Martin 1961. #489: 'Keep It Secret!' by Philip Chambers 1961. 64 pages. Black & White illustrations. 5" x 7" 135mm x 185mm. 3 Amalgamated Press paperback
2014ref. 1-0073532266McGraw-Hill Science Engineering 2014. Paperback. New. 10 spi edition. 468 pages. 10.50x8.75x1.00 inches. McGraw-Hill Science Engineering paperback
1991ref. Alibris.0018006American Association of Petroleum Geologists. 1991. Unabridged. Hard cover. Very good in good dust jacket. small tears to edges of dust jacket. 834 p. AAPG Memoir 47. American Association of Petroleum Geologists hardcover
1946ref. 130828Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1946. Draft script for the 1947 film. Copy belonging to actor Van Heflin with his manuscript signature on the front wrapper and his annotations throughout. A miscommunication leads to an ill-fated marriage in Victor Saville's 1946 film. Starring Lana Turner Van Heflin and Donna Reed and winner of one Academy Award. Goldenrod titled wrappers rubber-stamped as Complete on the front wrapper copy No. 93 dated 8-20-46 with credit for producer Wilson. 158 leaves mimeograph duplication with annotations throughout. Pages Near Fine wrapper Near Fine bound with two gold brads. Warner Archive. Metro-Goldwyn-Mayer [MGM] unknown
1946ref. 130828Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1946. Draft script for the 1947 film. Copy belonging to actor Van Heflin with his manuscript signature on the front wrapper and his annotations throughout. A miscommunication leads to an ill-fated marriage in Victor Saville's 1946 film. Starring Lana Turner Van Heflin and Donna Reed and winner of one Academy Award. Goldenrod titled wrappers rubber-stamped as Complete on the front wrapper copy No. 93 dated 8-20-46 with credit for producer Wilson. 158 leaves mimeograph duplication with annotations throughout. Pages Near Fine wrapper Near Fine bound with two gold brads. Warner Archive. Metro-Goldwyn-Mayer [MGM] unknown books