1 269 résultats
2000réf. 33335New York: William Morrow / HarperCollinsPublishers 2000. Near Fine/Very Good. New York: William Morrow an Imprint of HarperCollinsPublishers 2000. First Edition with full number line. Octavo; publisher's two-toned boards in white photo-illustrated dust jacket lettered in red and gilt; xvi2238pp. Light rubbing to dust jacket margins else Very Good and sound. Signed by seven of the profiled Senators lacking only the signatures of Dianne Feinstein and Mary Landrieu. William Morrow / HarperCollinsPublishers unknown books
2000réf. 33335New York: William Morrow / HarperCollinsPublishers 2000. Near Fine/Very Good. New York: William Morrow an Imprint of HarperCollinsPublishers 2000. First Edition with full number line. Octavo; publisher's two-toned boards in white photo-illustrated dust jacket lettered in red and gilt; xvi2238pp. Light rubbing to dust jacket margins else Very Good and sound. Signed by seven of the profiled Senators lacking only the signatures of Dianne Feinstein and Mary Landrieu. William Morrow / HarperCollinsPublishers unknown
2004réf. LFA-126739783Revue de 82 pages, format 220 x 280 mm, illustrée, brochée couverture couleurs, bon état
2003réf. 22044Christian Pirot, collection Maison d'écrivain, 2003. In-8 broché, couverture illustrée. En belle condition.
réf. 12689Brion Gysin (« Dream machine »), Ian Sommerville, Julio Cortazar, etc. Cartes postales licencieuses de la collection de Robert Giraud. Très bon état.
réf. 12690William Burroughs, Gregory Corso, Claire Rabe, Charles Simmons, etc. Très bon état.
1968réf. 53078NY: Olympia Press c. 1968. 11 x 8 1/2 inch flyer. Two old folds from mailing else fine. Press release for this unrealized monthly literary journal. “O is conceived primarily as a house organ and we don’t feel we have to apologize for the fact.” NY: Olympia Press unknown books
1956réf. 1262231956. Paris: The Olympia Press 1956. 8vo 173 3 pp. Original publisher's stiff green wrappers. A near fine copy with sharp corners and clean pages; light spotting to top text block edge and just a hint of shelfwear to the foot of the spine. § Number 32 in the Olympia Press Traveller's Companion series with "Francs 900" on lower cover. A pornographic story of two male house burglars who share a women co-authored by two American women novelists living in Paris. Marilyn Meeske wrote one other book for the Olympia Press Flesh and Bone 1957 and also served briefly as an associate editor before the press was shuttered due to censorship legal troubles in 1965. Iris Owens wrote four other erotic novels in three years for the Olympia Press all under the pseudonym of Harriet Daimler. "Daimler struggles against her impossible tendency to write more explicitly than the courts will tolerate" the editor Girodias wrote approvingly in the Olympia catalogue of 1957. Owens later gave her pseudonym to the protagonist of the first of two books published under her own name. A dark and intriguing figure - no feminist but a survivor - her work has been reappraised since the reissue in 2010 of her novel After Claude. Her papers are now at Columbia University. unknown books
1957réf. 1262221957. Paris: The Olympia Press 1957. 8vo 172 pp. Original publisher's stiff green wrappers. A near fine copy with sharp corners and clean pages; light spotting to top text block edge. § Number 33 in the Traveller's Companion series with "Francs 1.200" above "Francs 900" blacked out on lower cover. Iris Owens wrote five erotic novels in three years for Maurice Girodias's Olympia Press under the pseudonym of Harriet Daimler. "Daimler struggles against her impossible tendency to write more explicitly than the courts will tolerate" Girodias wrote approvingly in the Olympia catalogue of 1957. Owens later gave her pseudonym to the protagonist of the first of two books published under her own name. A dark and intriguing figure - no feminist but a survivor - her work has been reappraised since the reissue in 2010 of her novel After Claude. Her papers are now at Columbia University. unknown books
1957réf. 1262221957. Paris: The Olympia Press 1957. 8vo 172 pp. Original publisher's stiff green wrappers. A near fine copy with sharp corners and clean pages; light spotting to top text block edge. § Number 33 in the Traveller's Companion series with "Francs 1.200" above "Francs 900" blacked out on lower cover. Iris Owens wrote five erotic novels in three years for Maurice Girodias's Olympia Press under the pseudonym of Harriet Daimler. "Daimler struggles against her impossible tendency to write more explicitly than the courts will tolerate" Girodias wrote approvingly in the Olympia catalogue of 1957. Owens later gave her pseudonym to the protagonist of the first of two books published under her own name. A dark and intriguing figure - no feminist but a survivor - her work has been reappraised since the reissue in 2010 of her novel After Claude. Her papers are now at Columbia University. unknown
réf. 1938Paris: Olympia Press 1957. 12mo pp. 181. Original green stiff paper wrappers printed in black on front and rear panel and spine. Printed price on rear panel inked out very light edgewear but a near fine unread copy. First edition suppressed by the French authorities in 1959. No. 45 in the Traveller's Companion series. Robert Desmond Thompson was one of the more prolific Olympia authors with eight titles to his credit. Kearney: 5.45.1 Paris: Olympia Press, 1957
réf. 2099Paris: Olympia Press 1962. 12mo pp.193. Original stiff paper wrappers lettered in black. First edition. No.89 in the Traveller's Companion series. A very nice copy. Kearney 5.89.1 Paris: Olympia Press, 1962
1956réf. 1262231956. Paris: The Olympia Press 1956. 8vo 173 3 pp. Original publisher's stiff green wrappers. A near fine copy with sharp corners and clean pages; light spotting to top text block edge and just a hint of shelfwear to the foot of the spine. § Number 32 in the Olympia Press Traveller's Companion series with "Francs 900" on lower cover. A pornographic story of two male house burglars who share a women co-authored by two American women novelists living in Paris. Marilyn Meeske wrote one other book for the Olympia Press Flesh and Bone 1957 and also served briefly as an associate editor before the press was shuttered due to censorship legal troubles in 1965. Iris Owens wrote four other erotic novels in three years for the Olympia Press all under the pseudonym of Harriet Daimler. "Daimler struggles against her impossible tendency to write more explicitly than the courts will tolerate" the editor Girodias wrote approvingly in the Olympia catalogue of 1957. Owens later gave her pseudonym to the protagonist of the first of two books published under her own name. A dark and intriguing figure - no feminist but a survivor - her work has been reappraised since the reissue in 2010 of her novel After Claude. Her papers are now at Columbia University. unknown
réf. 25258P., Ducloux, 1850, in 8° broché, 240 pages ; qq. rousseurs ; couverture fanée avec infimes manques.
1970réf. 23422Flammarion. Collection “Les Maîtres de la peinture moderne” 1970 In-4, pleine toile blanche, sous jaquette illustrée, 76 illustrations dont une majorité à pleines pages en noir et en couleurs, photographie page de titre encollée, 96 pp. Assez bon état d’occasion, jaquette légèrement déchirée n’entravant pas la lecture.
1962réf. 1353BParis, The Olympia Press, 1962. Fourth edition. 8°. Nicht paginiert, zus. [112] S. Illustr. (von Savignac) engl. Orig.-Broschur.
1961réf. 10222AParis, The Olympia Press, 1961. Fourth edition. 8°. 126 S., davon 9 S. Vlgsanz. Illustr. (von Savignac) engl. Orig.-Broschur.
A Leyde, chez Iean Du Val, 1666, in-12 piccolo, legatura coeva in piena pelle, titolo in oro al dorso, pp. 213, [1]. Olimpia Maidalchini in Pamphilj (1591-1657) fu figura avida, ambiziosa e potente - caratteristiche che le valsero anche il soprannome di Papessa - nella corte papale di Innocenzo X. Prima edizione. Ex-libris Caproni. Qualche forellino di tarlo al dorso e lungo le cerniere. Note manoscritte coeve alla carta di guardia anteriore e al verso del frontespizio.
1913réf. 64331Olympia WA: Recorder Press 1913. Oblong 8vo. 9.3 x 6.9 in. 24 pp unpaginated. w/ photo illustrations throughout. Printed textured brown softcovers blue raised embossed lettering front cover light foxing and minor offset toning to first couple leaves very slight curling to a couple corners still a VG- copy. First edition of this uncommon land promotion for Olympia WA touting the berry fields orchards mining operations sawmills and logging in and around the lower Puget Sound region. Also featured are the oyster farming operations hotels municipal buildings public parks and other amenities. Worldcat locates 2 copies Princeton WA State Lib. Recorder Press, paperback
1821réf. 100416HBBerlin o.V., 1821. 63 Seiten, schlichte Rückenstreifenbroschur der Zeit, 15,5 x 9 cm.
réf. 201212660Paris, Albin Michel, 1987 ; in-4, 149 pp., br.
réf. 201414310Paris, Christian pirot , 1999 ; in-8, 175 pp., br.
1971réf. 4316BNew York, Olympia Press, 1971. 8°. 190 S., 1 Bl. Verlags-Werbung. Illustr. Orig.- Broschur mit Front- und Rückentitel. (= OPS-41).
réf. 16850P., Olympia Press, 1953 et 1954, 2 fasc. in-12, agrafés, couv. ill. en couleurs, resp. 60 photos de nus et 19 p. de texte et 34 photos de nus, 24 p. de texte. Ces albums érotiques sont en fait des fascicules de promotion des éditions Olympia Press. The Stripteaser présente des extraits de “Plexus” de Miller, “Justine et “The Bedroom’s Philosopher” de Sade, “The Memoir of Fanny Hill” de Cleland et “A Tale of Satisfied Desire” de P. Angelique, pseudonyme que Bataille avait pris pour signer “Madame Edwarda”. The Teaser présente “Adults” de R. Desmond, “Watching the Girls” de Th Peachum, “Young Adam” de Frances Lengel (pseudonyme d’ Alexander Trocchi), “Gwen” de R. Desmond.
1925réf. List1311Olympia 1925. . Limp pebbled calf portfolios measuring 12 ½ x 10 ½ inches with 106 illustrations nearly all photographic of furniture. Interior fine some wear to portfolios overall quite well preserved. Near Fine. The Henry McCleary residence in Olympia was built in 1923 sparing no expense. The mansion still stands today on 21st Ave. and is listed on the National Register of Historic Places. McLeary a timber baron and president of the Henry McCleary Timber Company also spared no expense in his furniture choices for his new residence as this pair of portfolios by the decorator E.R. Bradford shows. With furniture proposals for each room of the new house the portfolios showcase in great detail the fine furniture of the era. Some of the companies represented are the Munago and Tobey companies of Chicago both of which have letters sent to McCleary included in the group. McCleary married Mrs. Hildur D. Simons during this period an event that was covered locally and in lumber trade journals. Overall the group provides a photographic record of fine furniture of the 1920s with McCleary’s taste for timber perhaps coming across in the fine Midwestern furniture he chose to furnish his new residence. We find no record of the decorator an E.R. Bradford who was responsible for assembling the albums. unknown books
