1 274 résultats
réf. 33689247-nnew. unknown
réf. 33689247like new. unknown
réf. 33689248like new. unknown
2019réf. x-1138090492Taylor & Francis 2019. Hardcover. New. 199 pages. 9.25x6.25x0.75 inches. Taylor & Francis hardcover
2019réf. x-1138090506Taylor & Francis 2019. Paperback. New. 199 pages. 9.00x6.00x0.75 inches. Taylor & Francis paperback
1957réf. 10213AParis, Mediterranean Press, 1957. Kl.8°: 17,5 x 11 cm. Titel 1, S.9-100; Titel 2, S. 103-184. Broschur. Kearney, Paris Competitors of the Olympia Press, 31. Mit sehr langer Nachdruck / Reprint Geschichte. Einband berieben, leicht verzogen. Schwach angestaubt. Kapitale lädiert.
1964réf. V763Hamburg (Hoffmann und Campe) 1964. 4°, Ohln mit farbigem Deckblatt, ca. 100 S.,
1965réf. 3520BParis, Olympia Press, (1965). 8°. 181 S. Grüne Orig.-Broschur. (= The Traveller's Companion Series No. 45).
1970réf. 10973AFrankfurt, Olympia Press, 1970. 12 x 18 cm. 247 S. Rotes Orig.Leinen mit RTitel. Gelber illustrierter Umschlag. (Olympia Press Sonderreihe)
1970réf. 10908AFrankfurt, Olympia Press, 1970. 12 x 18 cm. 208 S. Blaues Orig.-Leinen mit rotem Umschlag. (= Olympia Press Buchclub. Titelnummer 720)
1993réf. ABE-1548602248189EN COUVERTURE "DINOSAURES EN RELIEF"-ESTELLE HALLYDAY, 3P-LE TESTAMENT DE JEAN CAU, 1P, PHOTO-BORIS VIAN ECRIVAIN MUSICIEN PEINTRE INGENIEUR ACTEUR, 3P-LES PETITS ENFERS DU JEU, PAR DOMINIQUE MULLER-SHARON STONE PARIS LUI OFFRE SA PREMIERE ROBE DE MARIEE, 4P-MICHEL FUGAIN, 4P-JEAN ROCHEFORT, 4P-CAMARGUE: LE MAS ENGLOUTI, 6P-LA FOLIE DINOSAURE, 6P, SPECIAL RELIEF, LUNETTES, "JURASSIC PARK", 14 PAGES, COUVERTURE-MONICA SELES "J'AI PEUR", 4P-NAOMI, CINDY, CLAUDIA, SIRENES DE PARIS, 4P-FABERGE: SES TRESORS EN LIBERTE, 7P-FAUT-IL CROIRE AUX ANGES GARDIENS?, 3P-ANNONCE JULIEN CLERC A L'OLYMPIA, GROS PLAN COULEURS
2023réf. 213012Turnhout Belgium: Brepols 2023. Hardcover. VG. Book itself is in great shape besides small stamp inside stating it was withdrawn from an art museums library. Quarto. Hardcovr. Green matte illustrated boards with white titles. No jacket as issued. 2 volumes 1003 pages : illustrations some color maps ; 29 x 22 cm. "While the funerary portraiture of Palmyra is rightly world-renowned up to now the corpus of sarcophagi from the ancient city has received relatively little attention as a cohesive group in their own right. Comprising sarcophagi banqueting reliefs and founder reliefs as well as sarcophagus reliefs most of these objects share a common iconographic motif that of the banquet although other scenes mostly drawn from the daily life of the citys caravan leaders and their families also appear. The emphasis on the banqueting scene in particular reveals the crucial importance of dining in ancient Palmyrene society: for the living banquets were a marker of social standing and gave hosts a chance to honour the gods and offer an ephemeral benefaction to their fellow citizens while for the dead the banquet motif offered the opportunity for the entire family to be depicted together and showcase their wealth and sophistication as well as their connections outside the city. This single corpus of material gathered through the Palmyra Portrait Project is presented in this beautifully illustrated two-volume monograph. Through careful analysis of the portraits and the costumes and attribute choices that appear in these images the authors explore how the sarcophagi were used by Palmyrenes to project an image of local pride while at the same time participating in the visual cultures of the Roman and Parthian Empires between which their city was situated."--. Brepols hardcover books
2023réf. 213012Turnhout Belgium: Brepols 2023. Hardcover. VG. Book itself is in great shape besides small stamp inside stating it was withdrawn from an art museums library. Quarto. Hardcovr. Green matte illustrated boards with white titles. No jacket as issued. 2 volumes 1003 pages : illustrations some color maps ; 29 x 22 cm. "While the funerary portraiture of Palmyra is rightly world-renowned up to now the corpus of sarcophagi from the ancient city has received relatively little attention as a cohesive group in their own right. Comprising sarcophagi banqueting reliefs and founder reliefs as well as sarcophagus reliefs most of these objects share a common iconographic motif that of the banquet although other scenes mostly drawn from the daily life of the citys caravan leaders and their families also appear. The emphasis on the banqueting scene in particular reveals the crucial importance of dining in ancient Palmyrene society: for the living banquets were a marker of social standing and gave hosts a chance to honour the gods and offer an ephemeral benefaction to their fellow citizens while for the dead the banquet motif offered the opportunity for the entire family to be depicted together and showcase their wealth and sophistication as well as their connections outside the city. This single corpus of material gathered through the Palmyra Portrait Project is presented in this beautifully illustrated two-volume monograph. Through careful analysis of the portraits and the costumes and attribute choices that appear in these images the authors explore how the sarcophagi were used by Palmyrenes to project an image of local pride while at the same time participating in the visual cultures of the Roman and Parthian Empires between which their city was situated."--. Brepols hardcover
2023réf. 1662991Brepols Publishers 2023. 1st. hardcover. New. 8x2x11. Brepols Publishers hardcover
réf. BN382036Palmyrene Sarcophagi Palmyrene Sarcophagi Olympia Bobou Rubina Raja unknown
réf. 63525Brepols 2023. Hardback 2 vols 1003 pages Size:216 x 280 mm Illustrations:722 b/w 95 col. 1 tables b/w. 2 maps b/w 9 maps color Language: English. ISBN 9782503604664. Summary While the funerary portraiture of Palmyra is rightly world-renowned up to now the corpus of sarcophagi from the ancient city has received relatively little attention as a cohesive group in their own right. Comprising sarcophagi banqueting reliefs and founder reliefs as well as sarcophagus reliefs most of these objects share a common iconographic motif that of the banquet although other scenes mostly drawn from the daily life of the city's caravan leaders and their families also appear. The emphasis on the banqueting scene in particular reveals the crucial importance of dining in ancient Palmyrene society: for the living banquets were a marker of social standing and gave hosts a chance to honour the gods and offer an ephemeral benefaction to their fellow citizens while for the dead the banquet motif offered the opportunity for the entire family to be depicted together and showcase their wealth and sophistication as well as their connections outside the city. This single corpus of material gathered through the Palmyra Portrait Project is presented in this beautifully illustrated two-volume monograph. Through careful analysis of the portraits and the costumes and attribute choices that appear in these images the authors explore how the sarcophagi were used by Palmyrenes to project an image of local pride while at the same time participating in the visual cultures of the Roman and Parthian Empires between which their city was situated. TABLE OF CONTENTS Volume 1 List of Figures Colour Plates Acknowledgements Chapters 1. Palmyra and its Funerary Sphere 2. The Portrait Habit in Palmyra and the Funerary Sphere 3. Dated Objects 4 In situ Contexts 5. Iconography Appendix: The Costume of Reclining Figures 6. Conclusion: Sarcophagi as Vehicles of Elite Identity Works Cited Catalogue Dated by Inscription Cat. 1-12 Objects from Tower Tombs Cat. 13-59 Objects from Hypogea Cat. 60-179 Objects from Temple Tombs Cat. 180-277 Credits Text Image Credits Catalogue Image Credits Volume 2 Colour Plates Catalogue Objects with Indication of General Context Cat. 278-288 Sarcophagi with No Known Provenance or from Secondary Contexts Cat. 289-444 Sarcophagi Reliefs Cat. 445-450 Fragments from either Sarcophagus Lids or Boxes Cat. 451-476 Possible Sarcophagus Fragments Cat. 477-488 Heads from Sarcophagi Cat. 489-683 Banqueting Reliefs Cat. 684-729 Appendix 1. Lost Dated Reliefs Appendix 2. Lost Reliefs from Tower Tombs Appendix 3. Lost Reliefs from Temple Tombs Appendix 4. Marble Sarcophagi from Attica Appendix 5. Sarcophagi without Portraits Appendix 6. Objects Known Only through Publications Appendix 7. Reliefs with Frame without Portraits Credits Catalogue Image Credits Brepols 2023 hardcover
2018réf. 052138Golden Lion Publishing. 2018. Hardcover. Very Good in No Dust Jacket dust jacket. Hardcover in slipcase. SIGNED Collectors Edition by author Olympia Devine on title page. Clean pale orange cloth boards. Text pages are crisp and clean. Great photos throughout. Very nice photo illustrated slipcase. Always carefully wrapped and shipped in cardboard boxes to protect your purchase.; 4to 11" - 13" tall . 0692152016 . Golden Lion Publishing hardcover
réf. 63525, Brepols, 2023 Hardback, 2 vols, 1003 pages, Size:216 x 280 mm, Illustrations:722 b/w, 95 col., 1 tables b/w., 2 maps b/w, 9 maps color, Language: English. ISBN 9782503604664.
1925réf. List1311Olympia 1925. . Limp pebbled calf portfolios measuring 12 ½ x 10 ½ inches with 106 illustrations nearly all photographic of furniture. Interior fine some wear to portfolios overall quite well preserved. Near Fine. The Henry McCleary residence in Olympia was built in 1923 sparing no expense. The mansion still stands today on 21st Ave. and is listed on the National Register of Historic Places. McLeary a timber baron and president of the Henry McCleary Timber Company also spared no expense in his furniture choices for his new residence as this pair of portfolios by the decorator E.R. Bradford shows. With furniture proposals for each room of the new house the portfolios showcase in great detail the fine furniture of the era. Some of the companies represented are the Munago and Tobey companies of Chicago both of which have letters sent to McCleary included in the group. McCleary married Mrs. Hildur D. Simons during this period an event that was covered locally and in lumber trade journals. Overall the group provides a photographic record of fine furniture of the 1920s with McCleary’s taste for timber perhaps coming across in the fine Midwestern furniture he chose to furnish his new residence. We find no record of the decorator an E.R. Bradford who was responsible for assembling the albums. unknown books
1925réf. List1311Olympia 1925. . Limp pebbled calf portfolios measuring 12 ½ x 10 ½ inches with 106 illustrations nearly all photographic of furniture. Interior fine some wear to portfolios overall quite well preserved. Near Fine. The Henry McCleary residence in Olympia was built in 1923 sparing no expense. The mansion still stands today on 21st Ave. and is listed on the National Register of Historic Places. McLeary a timber baron and president of the Henry McCleary Timber Company also spared no expense in his furniture choices for his new residence as this pair of portfolios by the decorator E.R. Bradford shows. With furniture proposals for each room of the new house the portfolios showcase in great detail the fine furniture of the era. Some of the companies represented are the Munago and Tobey companies of Chicago both of which have letters sent to McCleary included in the group. McCleary married Mrs. Hildur D. Simons during this period an event that was covered locally and in lumber trade journals. Overall the group provides a photographic record of fine furniture of the 1920s with McCleary’s taste for timber perhaps coming across in the fine Midwestern furniture he chose to furnish his new residence. We find no record of the decorator an E.R. Bradford who was responsible for assembling the albums. unknown
2026réf. x-019783521XOxford University Press Inc 2026. Hardcover. New. 904 pages. 7.23x1.64x9.79 inches. Oxford University Press Inc hardcover
réf. 54155404like new. unknown
réf. 54155404-nnew. unknown
2026réf. __019783521XOxford University Press Inc 2026. Hardcover. New. 904 pages. 7.23x1.64x9.79 inches. Oxford University Press Inc hardcover
1938réf. 100071AG1938. Helsinki Finland A.B.Tilgmann 1938. Framed Poster measures: 32 cm x 44 cm. Poster itself measures: 255 cm x 387 cm. The original poster is still in its original frame. Some minor signs of foxing only to the original Poster. Very good condition in strong and bright colours. Very Rare in this condition. Ilmari Sysimetsä November 23 1912 Pori - September 26 1955 Helsinki was a Finnish advertising graphic artist. Sysimetsä enrolled as a student at Pori Lyceum and graduated in 1937 as a drawing teacher from the School of Art and Design. From 1936 to 1941 he worked in the advertising agency of Erva-Latvala and as a freelance artist after the wars. From 1949 he owned his own screen printing plant. Sysimetsä was the secretary of the Association of Art Drawers from 1948 to 1953. Sysimetsä designed the official poster for the Helsinki Olympics. Already for the 1940 Olympics a competition poster design competition was held in 1938 which Sysimetsä won. When the decision on the new Games was made in 1947 only the order number and dates of the Games and the map of Finland were updated on the poster. Translated Wikipedia-article unknown
