3 210 résultats
1898réf. 22478Paris L. Conquet 1898 In-8, maroquin jansniste vert bouteille, dos quatre nerfs, filets dors sur les coupes; doublures de maroquin rouge serties d'un filet dor, gardes de soie verte, doubles gardes de papier mouchet, tranches dores sur brochure, couverture imprime. Etui (Ren Aussourd).41 eaux-fortes originales d'Auguste Lepre, dont un frontispice et 40 in-texte. Tirage unique limit 250 exemplaires numrots sur vlin du Marais.
1895réf. 6998Paris: L. Conquet 1895. Tall 8vo approx. 10 1/2 x 6 1/4 in. 26.5 x 16 cm 166pp 2pp contents. 100 Copies Only Printed on Japan Vellum this is copy #93 signed by publisher with initials. Beautifully bound by Paul-Romain Raparlier in crushed dark blue morocco with lavish all-over design on both covers framed by double gilt fillets with dotted inner rules and small floral corner tools. On the center field repeating floral motifs with alternating rose and blossom forms form a vertical rectangle all set within a gilt foliate border. Spine with five raised bands gilt compartments and floral inlays; turn-ins decorated with gilt rules floral rolls and corner ornaments. Pale blue silk moirÈ doublures and endpapers. Original wrappers bound in. All edges gilt. Signed ìP. R. Raparlierî at the foot of the front turn-in. Edges of boards strikingly adorned with closely spaced gilt dots. Binder: Paul-Romain Raparlier 1858ñ1900 trained at the .cole des Beaux-Arts and earned a gold medal at the 1892 Exposition Internationale du Livre distinguishing himself for refined painterly surface design rather than heavy architectural tooling. His signed bindings from the fin-de-siËcle period are prized for their disciplined ornament subtle color inlay and precise finishing placing him among the more accomplished Parisian decorative binders of the 1890s. A very attractive binding. In fine condition. L. Conquet unknown
réf. LCS-18234Bel exemplaire conservé dans son vélin souple de l’époque. Paris, Charles de Sercy, 1658. In-12 de (12) ff. dont 1 frontispice, 222 pp., (1) f. d’Avis au curieux. Doublon dans la pagination p. 80 et saut ds. la pagination p. 206 sans manque. Plein vélin souple, dos lisse, titre manuscrit à l’encre en tête du dos, inscription manuscrite à l’encre sur le plat inférieur. Reliure de l’époque. 161 x 105 mm.
1920réf. 172104Bangalore: no stated publisher 1920. Found in just two institutional libraries First edition of this detailed unit history held by the Imperial War Museum and the Australian War Memorial Library only including eight folding maps and three original photographs concerning the campaign in Mesopotamia. "The narrative is based directly upon the War Diaries other official sources and the authors' own experiences. The result is authoritative" Perkins. "The campaign in Mesopotamia was one of the chief subsidiary operations of the Great War and it was in this campaign that Indian Troops in general and the Madras Sappers in particular played their largest part" Part I p. 1. The first section "The Madras Sappers in the Campaign in Mesopotamia 1914-1918" by Lieutenant-Colonel R. Hamilton Royal Engineers narrates the early phase of the campaign including operations on the Tigris and operations around Kut before turning to the post-Kut British reorganization the crossing of the Tigris the capture of Baghdad and the 1917-18 advance into Persia and Upper Mesopotamia. The eight maps illustrate operations near Nasiriya 1915 the relief of Kut 1917 operations in the vicinity of the Tigris British and Turkish trench systems in January 1917 near the River Hai and the advance on Baghdad. Part II Hamilton's "The Madras Sappers in the Arab Insurrection in Iraq 1920" describes "the withstanding and suppressing of an insurrection in a very extensive area where the British Forces were widely scattered the lines of communication highly vulnerable and the inhabitants warlike and well armed" p. 1. The final section "The 2nd Field Troop. The 2nd Q.V.O. Sappers and Miners in France and Mesopotamia. 1914 to 1916" is ascribed by a tipped-in slip to Major A. H. Morin Indian Army Reserve Officer who commanded the troop. Two pasted-in photographs show bridges constructed during Mesopotamia operations while a third shows boat equipment and an experimental raft. Octavo. With 7 gelatin silver photographs and photographic half-tone pasted in 8 folding maps at end laid-down map with red outlining; slip tipped to table of contents as issued. Original brown cloth front cover lettered in black. Occasional pencil annotations internally. Damp stain at upper corner text unaffected binding light worn front free endpaper with small loss cockling caused by pasted-in material: very good. Perkins p. 439. hardcover
1898réf. 39440Paris Librairie Conquet 1898 In-8, maroquin vert bouteille, dos quatre nerfs orn d'une grande feuille mosaque en maroquin beige; doublures de maroquin brun ornes d'un large encadrement de filets dors, gardes de soie moire vert bouteille, doubles gardes de papier peigne, tranches dores sur brochure, couverture imprime. Etui (Ch. Meunier).41 eaux-fortes originales d'Auguste Lepre, dont un frontispice, 20 en-ttes et 20 culs-de-lampe, et 20 lettrines histories imprimes en deux couleurs. Tirage unique limit 250 exemplaires numrots sur vlin du Marais. Trs bel exemplaire enrichi d'une rare suite de 10 gravures inutilises sur vlin en double tat dont l'eau-forte pure, runies sous un titre gnral illustr d'une gravure originale de Lepre, et d'une double suite de toutes les gravures du livre galement sur vlin et en double tat dont l'eau-forte pure.
1898réf. 73269Sous étui bordé cuir. Reliure plein maroquin bleu nuit janséniste. Dos à nerfs avec date au talon. Toutes tranches dorées. Doublures de maroquin citron orné d'un encadrement de filets, arabesques et bouquets de fleurs mosaïqués de maroquin bleu, bleu ciel et vert. Gardes de soie multicolore à dominante de vert de jaune. Couverture et dos conservés. Non rogné. Reliure signé Ch. LANOE suc. de P. Ruban. Intérieur parfait. Illustré de 41 belles eaux-fortes originales d'Auguste Lepère.
réf. 04779Paris: Chez Aubert & Cie. Editeurs 1842. 'The Parisians at Play' Twenty Superb Hand Colored Lithograph Plates by Edmond Morin MORIN Edmond illustrator. Ces Bons Parisiens. These Good Parisians. Paris: Chez Aubert & Cie. Editeurs ca. 1842. Folio 13 3/16 x 9 5/8 inches; 335 x 245 mm. Twenty highly amusing hand colored lithograph plates all heightened with gum arabic. A few plates with light marginal foxing. Publisher's black paper over boards covers elaborately stamped in gilt with "1842 Album" in the center. Covers a little worn at joints and corners some old 'tape' stains on endpapers. An excellent example of a super rare album. This is only the second time in over 50 years that we have ever seen this suite of colored lithographs. According to OCLC there are just two copies located in libraries and institutions worldwide: The Morgan Library & Museum and the New York Public Library NY USA. Note: Neither of these copies are recorded as having color plates. The plates - all with the headline "Ces Bons Parisienes!": 1. Est-ce que vous návez pas peur d'être volé Monsieur dans un endroit aussi écarte. Are not you afraid of being robbed sir in a place so remote 2. Chasseur Chassé. Que diable me veulent-elles ces vilaines bêtes la. Hunted Hunter. What the hell do they want these ugly beasts 3. Sapristi! Quel poisson!! Damn! What a fish !! 4. Au voleur! Au voleur!!.arrétez! Thief! thief! . stop! 5. Premiére leçon de chasse First hunting lesson 6. Il rêve qu'il s'amuse. He dreams he's having fun . 7. Ouverture de la chasse dans la plaine St. Denis Opening of the hunt in the plain St. Denis 8. Monsieur voici ma carte! Sir here is my card! 9. Ce qu'on appelle un renfoncement. What is called a recess . 10. Si je tenais le gueux qui dèvalise mon ètang il passerait un fichu quart d'heure. If I got the beggar who devours my pond he would spend an awful quarter of an hour . 11. Vue prise de la marre d'Auteuil!!! View taken of the embarrassed student!!! 12. Le Retour de la Chasse. Accommodez nous ça avec beaucoup de choux beaucoup beaucoup. Le cuisinier oui ce sera un plat de choux blanc. The return of Hunting. Accommodate us with a lot of cabbage a lot a lot . The cook yes it will be a dish of white cabbage . 13. Par où faut-il passer pour aller au. Allez au diable Where do I go to go to . Go to the devil 14. STATU QUO fort dèsagrèable STATUS QUO very unpleasant 15. La Friture manquée tableau en un petít acte. La scène se passe sur la Seine. Missed the frying pan - because of a small mistake. The scene is on the Seine. 16. Partie de Campagne. Le dimanche est un jour de plaisir. et de repos Into the countryside. Sunday is a day of fun . and rest 17. Chien de Chasse Parisien. Va Cherche Azor va chercher! Parisian hunting dog. Go find it Azor go get it! 18. Pêcheur a repêcheur!. The fish has a fisherman! 19. Une Journée de Plaisir. De St. Cloud à Paris par terre. et par eau A day of pleasure. From St. Cloud to Paris on the ground . and by water 20. Une Bonne Farce. Pousse á l'eau Cadet pousse! A good joke. Push in the water Cadet push! Edmond MORIN 1825-1882 "was a French painter illustrator and engraver of some fame in his day. Wood engravings after his designs appeared in L'Illustration and Le monde illustré as well as in many books." Gordon Ray. The Art of the French Illustrated Book 1700-1914 pp. 353-354. Hennri Beraldi. Les Graveurs du XIXe Siècle volume X p. 131. Frederik Muller. La Lithographie. Ecoles Francaise Néerlandaose Allemande Anglais & Russe. No. 357. Lucien Monot. Le Prix des Estampes Anciennes et Modernes volume V p. 112. Paris: Chez Aubert & Cie. Editeurs, 1842 unknown books
1898réf. 68998Sous étui bordé et sous chemise en demi-maroquin vert. Reliure plein maroquin vert céladon. Listel d'encadrement de maroquin vert sombre accompagné de nombreux filets dorés et à froid, dos à nerfs décoré dans le même style. Doublure de maroquin havane clair orné d'une importante bordure de fleurs et feuillages stylisés mosaïqués, délimitée par des listels de maroquin grenat et filets dorés, gardes de reps céladon. Tranches dorées sur témoins. Couverture et dos conservés. Reliure signée MERCIER, succ. de Cuzin. Dos de la chemise passé, ayant légèrement coloré l'or du dos.Belle édition, ornée de 41 eaux-fortes originales d'Auguste LEPÈRE. C'est le dernier livre publié par Conquet, il fut achevé après son décès, par Léopold Carteret.
réf. 04779Paris: Chez Aubert & Cie. Editeurs 1842. 'The Parisians at Play' Twenty Superb Hand Colored Lithograph Plates by Edmond Morin MORIN Edmond illustrator. Ces Bons Parisiens. These Good Parisians. Paris: Chez Aubert & Cie. Editeurs ca. 1842. Folio 13 3/16 x 9 5/8 inches; 335 x 245 mm. Twenty highly amusing hand colored lithograph plates all heightened with gum arabic. A few plates with light marginal foxing. Publisher's black paper over boards covers elaborately stamped in gilt with "1842 Album" in the center. Covers a little worn at joints and corners some old 'tape' stains on endpapers. An excellent example of a super rare album. This is only the second time in over 50 years that we have ever seen this suite of colored lithographs. According to OCLC there are just two copies located in libraries and institutions worldwide: The Morgan Library & Museum and the New York Public Library NY USA. Note: Neither of these copies are recorded as having color plates. The plates - all with the headline "Ces Bons Parisienes!": 1. Est-ce que vous návez pas peur d'être volé Monsieur dans un endroit aussi écarte. Are not you afraid of being robbed sir in a place so remote 2. Chasseur Chassé. Que diable me veulent-elles ces vilaines bêtes la. Hunted Hunter. What the hell do they want these ugly beasts 3. Sapristi! Quel poisson!! Damn! What a fish !! 4. Au voleur! Au voleur!!.arrétez! Thief! thief! . stop! 5. Premiére leçon de chasse First hunting lesson 6. Il rêve qu'il s'amuse. He dreams he's having fun . 7. Ouverture de la chasse dans la plaine St. Denis Opening of the hunt in the plain St. Denis 8. Monsieur voici ma carte! Sir here is my card! 9. Ce qu'on appelle un renfoncement. What is called a recess . 10. Si je tenais le gueux qui dèvalise mon ètang il passerait un fichu quart d'heure. If I got the beggar who devours my pond he would spend an awful quarter of an hour . 11. Vue prise de la marre d'Auteuil!!! View taken of the embarrassed student!!! 12. Le Retour de la Chasse. Accommodez nous ça avec beaucoup de choux beaucoup beaucoup. Le cuisinier oui ce sera un plat de choux blanc. The return of Hunting. Accommodate us with a lot of cabbage a lot a lot . The cook yes it will be a dish of white cabbage . 13. Par où faut-il passer pour aller au. Allez au diable Where do I go to go to . Go to the devil 14. STATU QUO fort dèsagrèable STATUS QUO very unpleasant 15. La Friture manquée tableau en un petít acte. La scène se passe sur la Seine. Missed the frying pan - because of a small mistake. The scene is on the Seine. 16. Partie de Campagne. Le dimanche est un jour de plaisir. et de repos Into the countryside. Sunday is a day of fun . and rest 17. Chien de Chasse Parisien. Va Cherche Azor va chercher! Parisian hunting dog. Go find it Azor go get it! 18. Pêcheur a repêcheur!. The fish has a fisherman! 19. Une Journée de Plaisir. De St. Cloud à Paris par terre. et par eau A day of pleasure. From St. Cloud to Paris on the ground . and by water 20. Une Bonne Farce. Pousse á l'eau Cadet pousse! A good joke. Push in the water Cadet push! Edmond MORIN 1825-1882 "was a French painter illustrator and engraver of some fame in his day. Wood engravings after his designs appeared in L'Illustration and Le monde illustré as well as in many books." Gordon Ray. The Art of the French Illustrated Book 1700-1914 pp. 353-354. Hennri Beraldi. Les Graveurs du XIXe Siècle volume X p. 131. Frederik Muller. La Lithographie. Ecoles Francaise Néerlandaose Allemande Anglais & Russe. No. 357. Lucien Monot. Le Prix des Estampes Anciennes et Modernes volume V p. 112. Paris: Chez Aubert & Cie. Editeurs, 1842 unknown
1898réf. 22515Paris L. Conquet 1898 In-8, maroquin rouge, encadrement d'un quadruple filet dor pouss or sur les plats, dos nerfs orn de filets dors,double filet dor sur les coupes; doublures de maroquin vert ornes d'un large encadrement compos d'un motif floral rptition pouss or et mosaqu en maroquin vert fonc et rouge serties d'un filet dor, gardes de soie tisse motif floral, doubles gardes de papier peign, tranches dores sur brochure, couverture imprime. Etui Adolphe Cuzin.41 eaux-fortes originales d'Auguste Lepre dont un frontispice et 40 in-texte. Tirage unique limit 250 exemplaires numrots sur vlin du Marais.Exemplaire enrichi d'un double tat de chaque illustration et d'une suite de toutes les illustrations. Ravissante reliure de Adolphe Cuzin, fils de Francisque Cuzin, il ouvrit en 1900 son propre atelier de reliure, passage Dauphine et finit sa vie comme professeur et doreur.