3.265 Ergebnisse
1825Best.-Nr. elala1112Montreal: James Lane 1825. 1825. 8vo. pp. 16. original plain blue wrs. removed from a bound volume. Inscribed on front wr.: from the author M. Morin & with early ownership entry illegible. First Edition. Morin a seventh generation Canadian was still a law student when he wrote the present work assailing Judge Bowens refusal of a writ of summons drawn up in French and reminding him of French language rights in Lower Canadian courts. Morin went on to practise law and journalism and entered politics in 1830 becoming a supporter of Louis Joseph Papineau. He was the author in 1834 of the Ninety-Two Resolutions and the same year was deputed with Denis Benjamin Viger to lay before the British parliament the views of the Lower Canadian Assembly. A warrant was issued for his arrest for his involvement in the Rebellion but the charges of high treason were so ill-founded that he was not brought to trial. He remained active in politics until his appointment in 1855 as a judge of the Superior Court of Lower Canada.TPL 1360. Casey I 1185. Dionne I 163. Gagnon I 2107. Lande 661. 1st Edition. Montreal: James Lane, 1825. unknown
Best.-Nr. 10485En feuilles sous emboitage, 31X22 cm, 1947, non paginé, exemplaire nominatif, tirage strictement limité à 25 exemplaires, chaque exemplaire est écrit par Paul Fort lui-même à l'encre de chine, les trentes illustrations de Jorge Morin (Jorj Morin) ont été recomposées à la gouache sur chaque exemplaire par l'artiste lui-même et constituent autant d'originaux, le papier de l'ouvrage est le vergé pur fil "au fou" fabriqué à la main spécialement pour cette édition par le maitre-papetier Henri Lacombe au moulin à papier du Verger de Puymoyen en Angoumois. Etui avec quelques frottements sans gravité, rare ouvrage en très bon état.
1898Best.-Nr. 74875Paris: Librairie L. Conquet 1898. Fine. Librairie L. Conquet Paris 1898 18 x 26.50 cm relié Edition illustrated with 41 original etchings by Auguste Lepère including a frontispiece 20 headpieces 20 tailpieces as well as 20 historiated initials printed in two colors The work is printed in 250 numbered copies on vélin du Marais justified by the publisher. Half chocolate brown morocco binding with corners spine with five raised bands gilt date at foot marbled paper boards endpapers and pastedowns of pebbled paper covers and spine preserved top edge gilt retaining deckled edges contemporary binding signed by Stroobants. Some minor foxing affecting mainly the last leaves at head. Handsome copy perfectly established. Librairie L. Conquet hardcover
2023Best.-Nr. SBBI-mon0000140448William Morrow & Company 2023. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. William Morrow & Company paperback
1914Best.-Nr. 41582Massachusetts: n.p. 1914. Very good plus. Hand-accented gift scrapbook of religious iconography created and presented by Julia Morin to her brother Reverend William Morin upon the occasion of his ordination. Populated with reproductions of the masterworks of Christian art by Bellini Gaddi Titian Correggio Raphael Del Sarto Renni Rubens Rembrandt Hoffman among others each page is carefully engrossed with exquisite titles and borders. Plates likely clipped from THE PERRY MAGAZINE FOR SCHOOL AND HOME a Boston-based periodical of the era which reproduced fine works of art for use in education. Several instances of hand-colored covering-over an otherwise nude baby Jesus add a note of reverential modesty. Julia's inscription to the cover identifies her as a 1914 graduate of St. Ann's Convent presumably of Readville MA. Historical references cite William as having ministered to congregations near Boston Fitchburg and North Adams. A touching and lovingly-assembled folk book. Commercial string-tied album. Cloth covered limp card boards. Gilt lettering to front. 50 leaves holding a single portrait photograph and 194 clipped artwork reproductions within hand-cut corner mounts at rectos and versos. Each page with ornate outlining and calligraphic titling in white album pen. Loose tissue guards between leaves intact. Mild handling wear. One clipped element perished. Overall clean well preserved. In a custom archival clamshell box. n.p. unknown
1914Best.-Nr. 41582Massachusetts: n.p. 1914. Very good plus. Hand-accented gift scrapbook of religious iconography created and presented by Julia Morin to her brother Reverend William Morin upon the occasion of his ordination. Populated with reproductions of the masterworks of Christian art by Bellini Gaddi Titian Correggio Raphael Del Sarto Renni Rubens Rembrandt Hoffman among others each page is carefully engrossed with exquisite titles and borders. Plates likely clipped from THE PERRY MAGAZINE FOR SCHOOL AND HOME a Boston-based periodical of the era which reproduced fine works of art for use in education. Several instances of hand-colored covering-over an otherwise nude baby Jesus add a note of reverential modesty. Julia's inscription to the cover identifies her as a 1914 graduate of St. Ann's Convent presumably of Readville MA. Historical references cite William as having ministered to congregations near Boston Fitchburg and North Adams. A touching and lovingly-assembled folk book. Commercial string-tied album. Cloth covered limp card boards. Gilt lettering to front. 50 leaves holding a single portrait photograph and 194 clipped artwork reproductions within hand-cut corner mounts at rectos and versos. Each page with ornate outlining and calligraphic titling in white album pen. Loose tissue guards between leaves intact. Mild handling wear. One clipped element perished. Overall clean well preserved. In a custom archival clamshell box. n.p. hardcover
1914Best.-Nr. 41582Massachusetts: n.p. 1914. Very good plus. Hand-accented gift scrapbook of religious iconography created and presented by Julia Morin to her brother Reverend William Morin upon the occasion of his ordination. Populated with reproductions of the masterworks of Christian art by Bellini Gaddi Titian Correggio Raphael Del Sarto Renni Rubens Rembrandt Hoffman among others each page is carefully engrossed with exquisite titles and borders. Plates likely clipped from THE PERRY MAGAZINE FOR SCHOOL AND HOME a Boston-based periodical of the era which reproduced fine works of art for use in education. Several instances of hand-colored covering-over an otherwise nude baby Jesus add a note of reverential modesty. Julia's inscription to the cover identifies her as a 1914 graduate of St. Ann's Convent presumably of Readville MA. Historical references cite William as having ministered to congregations near Boston Fitchburg and North Adams. A touching and lovingly-assembled folk book. Commercial string-tied album. Cloth covered limp card boards. Gilt lettering to front. 50 leaves holding a single portrait photograph and 194 clipped artwork reproductions within hand-cut corner mounts at rectos and versos. Each page with ornate outlining and calligraphic titling in white album pen. Loose tissue guards between leaves intact. Mild handling wear. One clipped element perished. Overall clean well preserved. In a custom archival clamshell box. n.p. unknown books
1914Best.-Nr. 41582Massachusetts: n.p. 1914. Very good plus. Hand-accented gift scrapbook of religious iconography created and presented by Julia Morin to her brother Reverend William Morin upon the occasion of his ordination. Populated with reproductions of the masterworks of Christian art by Bellini Gaddi Titian Correggio Raphael Del Sarto Renni Rubens Rembrandt Hoffman among others each page is carefully engrossed with exquisite titles and borders. Plates likely clipped from THE PERRY MAGAZINE FOR SCHOOL AND HOME a Boston-based periodical of the era which reproduced fine works of art for use in education. Several instances of hand-colored covering-over an otherwise nude baby Jesus add a note of reverential modesty. Julia's inscription to the cover identifies her as a 1914 graduate of St. Ann's Convent presumably of Readville MA. Historical references cite William as having ministered to congregations near Boston Fitchburg and North Adams. A touching and lovingly-assembled folk book. Commercial string-tied album. Cloth covered limp card boards. Gilt lettering to front. 50 leaves holding a single portrait photograph and 194 clipped artwork reproductions within hand-cut corner mounts at rectos and versos. Each page with ornate outlining and calligraphic titling in white album pen. Loose tissue guards between leaves intact. Mild handling wear. One clipped element perished. Overall clean well preserved. In a custom archival clamshell box. n.p. hardcover books
1891Best.-Nr. 00007755Paris: Librairie L. Conquet 1891. First edition. Hardcover. Near Fine. 12mo. 10 1-51 9 pp. Full contemoprary red morocco with gold borders on each board spine with gold tooling gold-tooled borders around the red-silk doublures; top edge gilt. Red silk floral endpapers. Bound by the well-known French artisan and bookbinder Leon Gruel. With a light blue silk ribbon bookmark bound in. Vignette title page in color along with a frontispiece and eleven plates and numerous decorations all by the author. This is the publisher's presentation issue on vellum signed by publisher and bookseller Leon Conquet with his indication that this copy is for Monsieur Legrand. This almost certainly was the well-known French illustrator Louis Legrand. Legrand moved to Paris in 1884 and began studying printmaking with the Belgian artist Felicien Rops who was under exclusive contract to Conquet from 1883 to 1885. Conquet's bookshop in Paris was a kind of salon for Parisian bibliophiles and illustrators and Conquet Rops Morin and Legrand would have been well-acquainted by the time of this book's publication in 1891. Although there are no other ownership markings the foregoing and Conquet's eschewal of using initials or a first name to identify the intended recipient suggests that there was only one person named Legrand who could be the intended recipient of a presentation copy of this book Louis Legrand himself See W. Z. Silverman The New Bibliopolis for illuminating discussion of each of these individuals and the Parisian book world during this era. A beautiful copy of this wonderful confluence of associations in the world of late nineteenth-century French book arts and illustration. A Near Fine book with offsetting from the bound in bookmark on pages 22 - 23 where it presumably laid for many years and a faint dampspot on the endpapers. Librairie L. Conquet hardcover
1895Best.-Nr. 12974Paris, Librairie Léon Conquet, 1895. 1 vol. in-8. Plein maroquin havane janséniste, dos à nerfs, titre, auteur, date et lieu dorés, dentelle intérieure dorée, tranches dorées, couvertures conservées. [CHAMBOLLE-DURU].
1891Best.-Nr. 3453Paris: Librairie L. Conquet 1891. First edition presentation issue on vellum paper signed by the publisher. Hand-tinted title page 12 drypoint plates and 20 ornaments by the author. 51 3 pp. 1 vols. 12mo. Contemporary citron morocco by Bretault sides elaborately gilt spine in six compartments lettered on one raised bands gilt turn-ins satin endpapers with embroidered roses a.e.g. Front joint repaired. First edition presentation issue on vellum paper signed by the publisher. Hand-tinted title page 12 drypoint plates and 20 ornaments by the author. 51 3 pp. 1 vols. 12mo. With a charming original watercolor and pen and ink drawing of 9 characters from the book by the author/artist on the recto of the half-title inscribed beneath: "à mon ami Pelletan Louis Morin Librairie L. Conquet unknown
1891Best.-Nr. 3453Paris: Librairie L. Conquet 1891. First edition presentation issue on vellum paper signed by the publisher. Hand-tinted title page 12 drypoint plates and 20 ornaments by the author. 51 3 pp. 1 vols. 12mo. Contemporary citron morocco by Bretault sides elaborately gilt spine in six compartments lettered on one raised bands gilt turn-ins satin endpapers with embroidered roses a.e.g. Front joint repaired. First edition presentation issue on vellum paper signed by the publisher. Hand-tinted title page 12 drypoint plates and 20 ornaments by the author. 51 3 pp. 1 vols. 12mo. With a charming original watercolor and pen and ink drawing of 9 characters from the book by the author/artist on the recto of the half-title inscribed beneath: "à mon ami Pelletan Louis Morin Librairie L. Conquet unknown books
Best.-Nr. EXE-226Paris, Librairie Henri Floury, 1899. Grand in-4° broché, couverture rempliée illustrée. Edition Originale. Illustré de nombreuses compositions aquarellées. Tiré à 500 exemplaires, celui-ci sur Japon Impérial imprimé spécialement pour M. Jules Claretie. NOTRE EXEMPLAIRE CONTIENT : dessin original à la plumé rehaussé a l’aquarelle sur le faux-titre, 3 projets de page de titre, 5 croquis à la mine de plomb, plusieurs prospectus réalisés par Louis Morin.
Best.-Nr. 014846Louis Morin, La revue des Quat'Saisons - n°1 à 4. Paris, Ollendorff, 1900-1901. 4 tomes en 1 volume in-12, 326p. Ensemble complet des 4 numéros parus, un des 150 exemplaires du tirage de tête, n°122, un des 100 japon (les 50 autres étant sur chine), chaque numéro étant justifié. Morin présent ainsi sa revue : « Cette revue ne sera ni pessimiste, ni réaliste, ni grave, comme la plupart de ses consoeurs. L'art n'est-il pas un jeu, le jeu des bons esprits, qu'il faut ranger au nombre des choses pas bien sérieuses dont parle Renan ? La fantaisiste revue des Quat'Saisons tâchera d'y jouer légèrement, pour le passe-temps des gens décidés d'y jouer légèrement, pour le passe-temps des gens décidés à lutter contre le spleen qui nous envahit, et à arrêter le moins possible leur pensée sur les misères de la vie laide que nous font les lois, les préjugés, les modes et le snobisme » (p.1). Il y évoque : Les souvenirs des deux derniers quat'zarts et d'un bal du courrier français, Le bal de l'internat, Les fantaisistes à l'Exposition (Exposition universelle de 1900), La joie d'autrefois (Le soir de Venise), l'influence du Chat Noir, La mode, Les fêtes de caractère, Les danses d'Espagne et les danses d'Orient, Mme Sada Yacco, Cléo de Mérode et les danseurs du diable, L'heure du berger Terpsichore, La rue des Enfants, Le soir de Venise, La bourgeoisie marche, L'Art moderne sculpture (Le raid Rodin), Montmartre (Histoires de modèles), L'amour de l'art, Carnaval de Nice, Les masques rouges.. L'ouvrage est illustré par Louis Morin, de 400 dessins et 28 planches, en noir et en couleurs, certaines planches sont dépliantes. Reliure signée « Reliure exécutée pour la librairie Conard » (il semble que Canape reliait pour Conard), demi-maroquin havane à coins, tête dorée, premières couvertures des quatre numéros conservées et reliées en début de chacun, second plat et dos de la couverture du numéro 4 reliée à la fin. Quelques rares rousseurs sur les gardes, quelques légers frottements à la reliure. Très bel exemplaire.
1838Best.-Nr. 008148London: 17 Warwick Lane Paternoster Row: William Mark Clark 1838. 1st Edition . Hardcover. Good. 8vo - over 7¾ - 9¾" tall. LIZARS D. 119 Weekly parts 2 columns per page bound into 2 volumes 1838 & 1840. In worn half calf faded gilt tooling over worn blue marbled boards. Spines worn some loss to both faded gilt tooling & titles. Internally Vol 1 half title 5 vi-viii 1 2-480 pp. from No 1 Jan 6 1838 to No 60 Dec 29 1839 blue marbled endpapers small edge chip with loss of a few words p103/4 occasional light water stain p384. Vol 2 Nelson portrait frontis 3 iv-viii 2 adverts 1 2-464 pp No 62 Jan 5 1839 to No 119 no date vertical tear with page loss p167/8 corner of p305/6 printed by W. Brace. ink owners details to feps Smith 1872 ink name to tps Hutchinson 1870 blue marbled endpaper lacking to ep V2. Issues 24 & 25 describe the Mutiny of the Bounty & with the all important portrait & memoir of Nelson. 241185 mm. Ferguson JA Bibliography of Australia 2456/57. Uncommon 2 sets in UK BL & Nat Lib 8 in the US 4 Australia & 1 in Sweden! A fascinating read!! William Mark Clark hardcover
1895Best.-Nr. 43125Sous étui bordé. Reliure plein maroquin havane foncé. Dos à nerfs. Plats mosaïqués de feuillages et de masques. Tranches dorées sur témoins. Encadrements intérieurs dorés doublés. Gardes de moire rose. Couverture et dos conservés. Reliure signée P. RUBAN 1896. Charmante édition de ces poèmes de Maurice Vaucaire illustrée de 35 dessins de Louis MORIN rehaussés de couleurs à l'aquarelle.
Best.-Nr. 49748Composée en Latin par le R.P. Nicolas Trigaut de la Compagnie de Jesus. Et traduite en francois par le P. Pierre Morin de la mesme Compagnie. A Paris chez Sebastien Cramoisy ruë sainct Jacques aux Cicognes 1624. Quarto 240 x 180 mm contemporary limp vellum stained spine with old lettering in manuscript; illustrated title-leaf engraved by Michel van Lochom with depiction of the martyrs being watched over by angels 19th-century stamp of the Société des Prêtres de Saint-Irénée Lyon founded in 1833 to bottom margin; pp. 20 638 2 blank 26 1 1 blank; illustrated with 2 engraved plates and 3 full-page engravings by I. Picart in the text serving as frontispieces to each of the five Livres depicting tortures and executions of Christians in Japan; woodcut initials and headpieces; light browning and scattered spotting pale water-staining to top corners of preliminary leaves including the title and Plate I marginal water stain to Plate II and to half-a-dozen leaves in the final section; otherwise a very good copy from the library of Mexican bibliophile Florencio Gavito viscount of Alborada and Villarubio 1882-1960 his ex libris to the front pastedown. First French translation made by the Jesuit Father Pierre Morin of the De Christianis apud Iaponios Triumphis 1623 of fellow Jesuit Nicolas Trigault 1577-1628 one of the most prominent of the early Catholic missionaries in China. It is an account of the persecutions of missionaries and Japanese Kirishitan in the early years of the Tokugawa Shogunate based on missionary letters. Father Morin augments his translation with his own Supplement des cinq livres du R. Pere Nicolas Trigaut pp. 613-631 as well as a Catalogue des martyrs iaponnais qui ont endure pour Jesus-Christ depuis l'an 1612 iusques a 1620 pp. 632-636 and a Catalogue des maisons et residences de la Compagnie de Jesus ont esté contraints de quitter durant cette persecution pp. 637-638. The book's publisher Sébastien Cramoisy is associated with numerous Jesuit printings. Cordier BJ 295 hardcover
Best.-Nr. 014847Louis Morin, La revue des Quat'Saisons - n°1 à 4. Paris, Ollendorff, 1900-1901. 4 volumes in-12, 326p. Ensemble complet des 4 numéros parus, un des 150 exemplaires du tirage de tête, n°58, un des 100 japon (les 50 autres étant sur chine), chaque numéro étant justifié. Morin présent ainsi sa revue : « Cette revue ne sera ni pessimiste, ni réaliste, ni grave, comme la plupart de ses consoeurs. L'art n'est-il pas un jeu, le jeu des bons esprits, qu'il faut ranger au nombre des choses pas bien sérieuses dont parle Renan ? La fantaisiste revue des Quat'Saisons tâchera d'y jouer légèrement, pour le passe-temps des gens décidés d'y jouer légèrement, pour le passe-temps des gens décidés à lutter contre le spleen qui nous envahit, et à arrêter le moins possible leur pensée sur les misères de la vie laide que nous font les lois, les préjugés, les modes et le snobisme » (p.1). Il y évoque : Les souvenirs des deux derniers quat'zarts et d'un bal du courrier français, Le bal de l'internat, Les fantaisistes à l'Exposition (Exposition universelle de 1900), La joie d'autrefois (Le soir de Venise), l'influence du Chat Noir, La mode, Les fêtes de caractère, Les danses d'Espagne et les danses d'Orient, Mme Sada Yacco, Cléo de Mérode et les danseurs du diable, L'heure du berger Terpsichore, La rue des Enfants, Le soir de Venise, La bourgeoisie marche, L'Art moderne sculpture (Le raid Rodin), Montmartre (Histoires de modèles), L'amour de l'art, Carnaval de Nice, Les masques rouges.. L'ouvrage est illustré par Louis Morin, de 400 dessins et 28 planches, en noir et en couleurs, certaines planches sont dépliantes. Demi-chagrin brun à coins, dos lisse orné, tête dorée, couvertures et dos conservés. Quelques petites épidermures aux coiffes inférieures et à un coin. Très bel exemplaire.
1889Best.-Nr. 71857Reliure de l'époque bradel plein parchemin. Dos lisse avec titre manuscrit en rouge. Couverture et dos conservés. Illustré de 178 dessins par l'auteur en noir et blanc et en couleurs.
2012Best.-Nr. 903278Thames & Hudson. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 432 pp. ; over 600 illustrations most in color. -- with a bonus offer--; Celebrates a major retrospective of the designer’s work at the Musée des ArtsDécoratifs in Paris. Jean-Paul Goude is one of the world’s most brilliant and unorthodox image makers. This book assembles the biggest collection of his work ever seen: sketches paintings magazine spreads storyboards art-directed and elaborately staged photography and photographic documentation as well as preliminary sketches for stage and street shows. From his New York days with Esquire to his latest work for Galéries Lafayette in Paris Goude has consistently surprised provoked and delighted those who have encountered his work. He was Grace Jones’s Pygmalion creating unforgettable images of her from andryogyne to cyber-superwoman to supreme diva. One of advertising’s most sought after stars Goude masterminded memorable campaigns for Chanel Perrier and Kodak among others. Around 500 images including many working documents are on show here from inspired doodles to final images. Selected and arranged by Goude himself they present a gallery of artworks that have redefined advertising and brand photography as we know them. The book includes contributions by Jean-Paul Gaultier Edgar Morin Eric Troncy George Lois and Jérôme Sans. 500 illustrations . 2012. 0500516049 . Thames & Hudson paperback
2008Best.-Nr. 132082Flammarion. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer--; 10.12 X 1.52 X 14.4 inches; 320 pages . 2008. 208030061X . Flammarion hardcover
2007Best.-Nr. 128197Somogy. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 472 pp. With 438 ills. 310 col. . 31 x 24 cm. -- with a bonus offer-- . 2007. 2757200267 . Somogy hardcover
1991Best.-Nr. 67859Museum. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 240 pp. With 117 ills. 28 col. . 25 x 25 cm. Description: "attitudes toward mortality in Western society this catalogue surveys metaphorical and graphic images of death embodied in an eclectic array of chiefly contemporary photographs installations sculptures videos and other works by 42 artists including Nauman Beuys Warhol Boltanski Calle Wojnarowicz and many lesser-known figures. Nine interviews in which a child a doctor a minister and others describe their personal views of death supplement ten diverse texts exploring such topics as the tradition of postmortem portraiture in 19th-century America the treatment of death in architecture and documentary photography the themes underlying Peter Greenaway's recent video project Death in the Seine and approaches to death in African American culture." -- with a bonus offer--; 0.75 x 9.75 x 9.75 Inches . 1991. Museum paperback
Best.-Nr. 31501Paris chez Victor Havard en 1878. In-4 illustré par Edmond Morin.Portrait de l'auteur en frontispice gravé par L.Flameng. N° 40/50 sur papier de Chine. Reliure signée en plein maroquin bleu de Marius Michel. Plats ornés d'un encadrement de cinq filets dorés, de fleurs mosaïquées dans les angles. Dos à cinq nerfs décorés à l'identique. Doublures et gardes de soie brochée. Doubles gardes. Tranches dorées, couverture et dos conservés. Tirage à 260 exemplaires. Magnifique exemplaire.
1898Best.-Nr. 45396Paris Librairie L. Conquet 1898 In-4, chagrin havane, encadrement d'un filet dor sur les plats, dos sans nerfs; doublures et gardes de papier marbr, tte dore, non rogn, couverture imprime.41 eaux-fortes originales d'Auguste Lepre, dont un frontispice, 20 en-ttes, 20 culs-de-lampe et 20 lettrines histories imprimes en deux couleurs. Tirage unique limit 250 exemplaires numrots sur vlin du Marais. Un des quelques exemplaires hors commerce nominatifs (imprim pour Eugne Conquet).