3 937 résultats
réf. B171323-1Paris Éditions de LEffort Moderne Léonce Rosenberg n.d. 8pp. 10 titled woodcut plates. Signatures loose as issued. Oblong lrg. 4to. Self-wraps. New fitted cloth clamshell case. One of 124 numbered copies on Hollande van Gelder signed by the artist in the justification from the limited edition of 175. Paris (Éditions de LEffort Moderne Léonce Rosenberg), n.d. hardcover
réf. B171323-2Paris Éditions de LEffort Moderne Léonce Rosenberg n.d. 8pp. 10 titled woodcut plates. Signatures loose as issued. Oblong lrg. 4to. Self-wraps. New fitted cloth clamshell case. One of 124 numbered copies on Hollande van Gelder signed by the artist in the justification from the limited edition of 175. Paris (Éditions de LEffort Moderne Léonce Rosenberg), n.d. hardcover
réf. B171323-1Paris Éditions de LEffort Moderne Léonce Rosenberg n.d. 8pp. 10 titled woodcut plates. Signatures loose as issued. Oblong lrg. 4to. Self-wraps. New fitted cloth clamshell case. One of 124 numbered copies on Hollande van Gelder signed by the artist in the justification from the limited edition of 175. Paris (Éditions de LEffort Moderne Léonce Rosenberg), n.d. hardcover books
réf. B171323-2Paris Éditions de LEffort Moderne Léonce Rosenberg n.d. 8pp. 10 titled woodcut plates. Signatures loose as issued. Oblong lrg. 4to. Self-wraps. New fitted cloth clamshell case. One of 124 numbered copies on Hollande van Gelder signed by the artist in the justification from the limited edition of 175. Paris (Éditions de LEffort Moderne Léonce Rosenberg), n.d. hardcover books
1682réf. 51316London: G. Wells 1682. First edition. Hardcover. Very good-. Two parts small octavo. Collation: A2 star8 B-O8 P2; second series K-2H8 2I4 = 296 leaves. 20 211 1 blank 129-487 1 blankpp. Index of letters bound between the reader's preface and the Life of Morin. Texts in Latin with occasional passages in Hebrew Arabic Syriac and Greek. Contemporary vellum lightly stained with old manuscript label faded and blurred at spine. Occasional light toning and a few oxidation spots else a very good copy with crisp text. First edition of this important collection of letters chiefly between the orientalist and member of the Oratorian order Jean Morin 1591-1659 and Cardinal Francesco Barberini 1597-1679. Occasioned by the attempt of Pope Urban VIII to unite the eastern churches with the Roman Catholic Church they document an important early attempt to address the relations between Rome and the Christian communities of the Levant and Near East. The first two letters from the Samaritan community in Egypt are addressed to Joseph Scaliger and discuss the differences between their luni-solar calendar and that employed by the mainstream Jewish community; originally written in Hebrew the present Latin versions were prepared by Morin. Fourteen letters contain the correspondence between Morin and Pietro Della Valle 1586-1652 on Samaritan matters and Islamic chronology. Purchased from the heirs of the French scholar Amelot de la Houssaye the 94 letters were edited by the pioneering biblical critic Richard Simon 1638-1712 who may be credited with the "first attempt to write a history of the Bible as a piece of literature" Schaff-Herzog. Focusing his analyses on the text versions and commentaries Simon critically discussed the Septuagint and the Vulgate and defended the translation of the Bible into the vernacular. He affirmed the critical value of the Masoretic text while acknowledging the late origin of the Hebrew vocalization system. In his Histoire Critique du Vieux Testament Paris 1678 he also dared to suggest "that Moses cannot be the author of all the books attributed to him." Too radical for its time the work was suppressed and nearly all copies of the first print run were destroyed. A transcription of one of the surviving copies served as the basis of the 1680 Rotterdam edition and an English version published at London in 1682. Simon was expelled from the Oratorians. It thus comes as no surprise to observe that his substantial biography of Morin which precedes the letters "amounts to a diatribe against not only Morin but the entire Oratorian Congregation" Wetzer & Welte. Provenance: Stamp of Collegii Albertini Bonnae at recto and verso of the title; from the library of Old Catholic theologian J. H. Reinkens 1821-96 with his manuscript entry at the front endleaf. References: ESTC R-5020; Ingold Essai de bibl. oratorienne 150; Orme Bibl. Biblica 301; Wetzer & Welte Kirchenlexikon VIII p.1919; Wing M-2764 & S-3795. Full title and imprint: Antiquitates Ecclesiae Orientalis clarissimorum virorum Barbarini Allatii Holstenii Morini Ecchellensis Peirescii à Valle Comberi Buxtorfii Hottingeri &c. Dissertationibus epistolicis enucleatae; nunc ex ipsis autographis editae. Quibus praefixa est Morini Congr. Orat. Paris. PP. Vita. Londini: Prostant apud Geo. Wells ad insigne Solis in Coemeterio D. Pauli. 1682. G. Wells hardcover
1682réf. 51316London: G. Wells 1682. First edition. Hardcover. Very good-. Two parts small octavo. Collation: A2 star8 B-O8 P2; second series K-2H8 2I4 = 296 leaves. 20 211 1 blank 129-487 1 blankpp. Index of letters bound between the reader's preface and the Life of Morin. Texts in Latin with occasional passages in Hebrew Arabic Syriac and Greek. Contemporary vellum lightly stained with old manuscript label faded and blurred at spine. Occasional light toning and a few oxidation spots else a very good copy with crisp text. First edition of this important collection of letters chiefly between the orientalist and member of the Oratorian order Jean Morin 1591-1659 and Cardinal Francesco Barberini 1597-1679. Occasioned by the attempt of Pope Urban VIII to unite the eastern churches with the Roman Catholic Church they document an important early attempt to address the relations between Rome and the Christian communities of the Levant and Near East. The first two letters from the Samaritan community in Egypt are addressed to Joseph Scaliger and discuss the differences between their luni-solar calendar and that employed by the mainstream Jewish community; originally written in Hebrew the present Latin versions were prepared by Morin. Fourteen letters contain the correspondence between Morin and Pietro Della Valle 1586-1652 on Samaritan matters and Islamic chronology. Purchased from the heirs of the French scholar Amelot de la Houssaye the 94 letters were edited by the pioneering biblical critic Richard Simon 1638-1712 who may be credited with the "first attempt to write a history of the Bible as a piece of literature" Schaff-Herzog. Focusing his analyses on the text versions and commentaries Simon critically discussed the Septuagint and the Vulgate and defended the translation of the Bible into the vernacular. He affirmed the critical value of the Masoretic text while acknowledging the late origin of the Hebrew vocalization system. In his Histoire Critique du Vieux Testament Paris 1678 he also dared to suggest "that Moses cannot be the author of all the books attributed to him." Too radical for its time the work was suppressed and nearly all copies of the first print run were destroyed. A transcription of one of the surviving copies served as the basis of the 1680 Rotterdam edition and an English version published at London in 1682. Simon was expelled from the Oratorians. It thus comes as no surprise to observe that his substantial biography of Morin which precedes the letters "amounts to a diatribe against not only Morin but the entire Oratorian Congregation" Wetzer & Welte. Provenance: Stamp of Collegii Albertini Bonnae at recto and verso of the title; from the library of Old Catholic theologian J. H. Reinkens 1821-96 with his manuscript entry at the front endleaf. References: ESTC R-5020; Ingold Essai de bibl. oratorienne 150; Orme Bibl. Biblica 301; Wetzer & Welte Kirchenlexikon VIII p.1919; Wing M-2764 & S-3795. Full title and imprint: Antiquitates Ecclesiae Orientalis clarissimorum virorum Barbarini Allatii Holstenii Morini Ecchellensis Peirescii à Valle Comberi Buxtorfii Hottingeri &c. Dissertationibus epistolicis enucleatae; nunc ex ipsis autographis editae. Quibus praefixa est Morini Congr. Orat. Paris. PP. Vita. Londini: Prostant apud Geo. Wells ad insigne Solis in Coemeterio D. Pauli. 1682. G. Wells hardcover books
2025réf. x-0197602754Oxford Univ Pr 2025. Hardcover. New. 2nd edition. 1388 pages. 7.48x2.42x10.27 inches. Oxford Univ Pr hardcover
1869réf. 18240Paris, Rothschild, 1869 ; in-12, demi-cuir de Russie fauve, dos à nerfs, caissons à froid, titre et fleurons dorés, tête marbrée et dorée (Petit successeur de Simier) ; XVI, 287 pp.
réf. 19154P., Radot, A l'Enseigne du "Chardon d'Or", 1927, In-4, en feuilles, sous chemise à rabat de l'éditeur et étui décoré de motifs africains.
1694réf. 2016A PARIS. CHEZ CHARLES DE SERCY. 1694. IN-12 (8,5 X 15,5 X 2 CENTIMETRES ENVIRON) DE (16) + 171 ET (5) PAGES, RELIURE D'EPOQUE PLEIN VEAU BRUN, DOS A CINQ NERFS ORNE DE CAISSONS A FLEURONS DORES, TITRE DORE. ILLUSTRE D’UN TITRE-FRONTISPICE DESSINE ET GRAVE SUR ACIER PAR FRANCOIS CHAUVEAU. PETITS DEFAUTS EXTERIEURS SANS GRAVITE, SINON BON EXEMPLAIRE.
1665réf. 12323Rouen, Chez Clément Mallassis, 1665. 1 vol. in-12. [7]ff, 192pp, [3]ff. Vélin postérieur, dos lisse, titre en noir.
réf. 113882Paris s.d. 1899. Suite de 24 chromolithographies. 315x45 Cm. En feuilles. Morin artiste impressionniste français né en 1873 nous offre une magnifique série de chromolithographies représentant les monuments célèbres de la capitale française. À travers ces images nous plongeons dans l'atmosphère pittoresque et emblématique du vieux Paris. Un petit commentaire historique accompagne chaque lithographie. Quelques rousseurs et taches. (Paris), s.d. (1899). unknown
1836réf. 32291Metz & Paris: Mme ThielLib. scientifique et industrielle de MathiasCarillan-Goeury 1836. Fine. Mme Thiel Lib. scientifique et industrielle de Mathias Carillan-Goeury Metz & Paris 1836 21 x 26.50 cm relié First edition. Half bronze sheep binding smooth spine decorated with quadruple gilt fillets and showing traces of rubbing trace of library shelf label at head of spine marbled paper boards contemporary binding. Work complete with its 3 folding plates at rear illustrated with figures. Some minor foxing light dampstain at head of leaves not affecting text. Rare. Mme ThielLib. scientifique et industrielle de MathiasCarillan-Goeury hardcover
1694réf. 60803Ultrajecti (Utrecht), Gulielmum Broedelet, 1694. 4to. In contemporary full calf with four raised bands and richly gilt spine. Small paper-label pasted on to top of spine. Small worm-tract in inner margin, affecting app. 20 leaves, not affecting text. 1 plates detached and a few leaves with marginal dampstain. Overall a very nice and clean copy. (14), 448, (8) pp. + 4 plates and 1 frontispiece.
1694réf. 60803Ultrajecti Utrecht Gulielmum Broedelet 1694. 4to. In contemporary full calf with four raised bands and richly gilt spine. Small paper-label pasted on to top of spine. Small worm-tract in inner margin affecting app. 20 leaves not affecting text. 1 plates detached and a few leaves with marginal dampstain. Overall a very nice and clean copy. 14 448 8 pp. 4 plates and 1 frontispiece. First edition of this linguistic work on the source and history of the first language with a focus on Hebrew. The Dutch philologist Etienne Morin 1624–1700 utilizes the Augustinian thesis in his discussion of the primeval language: "Quoting from Augustine City of God xvi. 5 and 10 he maintains that the world always ought to be divided into two antithetical communities. Of these two the patriarchs Shem and Heber belonged to the city of God while the crowd of rebels who conspired at Babel embodied the city of man. Morin concludes that this proves that Shem could not possibly have taken part in the conspiracy at Babel. Augustine could not have put forward a better argument he says. As the constant companion of true religion the original language was preserved in the family and among the pious descendants of Heber who transmitted it as a legacy to those practising piety." Eskhult Augustine and the Primeval Language in Early Modern Exegesis and Philology. hardcover
A charming livre d'artiste, the first of eleven published between 1904 and 1906 in the "Collection de l'Academie des Goncourt". THIS IS THE PUBLISHER'S COPY, aside from the edition of 350 numbered copies. Illustrated with a frontispiece portrait of the authors and ten charming original engravings (8 of which are full-page and hors-texte) by Louis Morin, a few lightly erotic. Beautifully printed in Auriol types (an art nouveau font) on fine wove paper. This copy includes: a complete set of page proofs, on the front of which Romagnol, the editor, has scrawled in ink his plan for the entire collection; two autograph letters signed by Morin to Romagnol, in which he discusses the illustrations for this book (and getting paid for them); 2 additional suites, in different states, of the eleven engravings in the book, including a suite in remarque state; 2 rejected engravings, each in 2 states (these are perhaps unique: according to the justification, no copies were issued with the "planches refusees"); a prospectus for the entire collection; 9 specimens of etchings by artists whose work would appear in the collection (Jouas, Vidal, etc.); a newspaper article (from Les annales politiques et litteraires, October 20, 1903) about the FIRST PRIX GONCOURT, which was to be given a few days later; and a newspaper ad announcing the Collection de l'Academie des Goncourt. 8vo. Book in original wraps, suites loose in wraps, as issued. Both are housed along with the other material in a contemporary custom-made cloth slipcase. In near fine to fine condition throughout. A unique item.
2004réf. BN554803Dunod 2004. 2004. Softcover. Programmateurs pour microcontrôleurs et mémoires Web Programmateurs pour microcontrôleurs et mémoires Web Morin Dunod paperback
2009réf. BN705384CARISCH MUSICOM 2009. 2009. Softcover. MORIN CHRISTIAN V.2 MORIN CHRISTIAN V.2 MORIN CHRISTIAN CARISCH MUSICOM paperback
2011réf. BN526511Canopé - CRDP de Poitiers 2011. 2011. Softcover. Arts visuels & musique : Cycles 1 2 3 & Collège Arts visuels & musique : Cycles 1 2 3 & Collège Philippe Morin Olivier Branchereau Nadège Fourcot et Marc Bourget Canopé - CRDP de Poitiers paperback
réf. BN104629Canopé - CRDP de Poitiers. Softcover. Arts visuels & cultures du monde Cycles 1 2 3 & collège: Volume 2 Communiquer le sacré se déplacer l'environnement vivre ensemble Arts visuels & cultures du monde Cycles 1 2 3 & collège: Volume 2 Communiquer le sacré se déplacer l'environnement vivre ensemble Canopé - CRDP de Poitiers paperback
2007réf. Alibris.0017415Paris France: Somogy. 2007. Hard cover. Very good in very good dust jacket. Near fine in a near fine dust jacket in mylar. Sewn binding. Paper over boards. With dust jacket. 470 p. Contains: Illustrations. Audience: General/trade. . Somogy hardcover
réf. EXE-225Paris, L. Carteret, 1913. In-8° en feuilles, couverture rempliée illustrée; chemise cartonnée illustrée en noir. Illustré de 56 aquarelles. Tiré à 150 exemplaires, celui-ci sur vélin du Marais. Il est joint UN GRAND DESSIN À LA PLUME AQUARELLÉ ET SIGNÉ, ainsi qu'une lettre autographe destiné à Pierre Guerquin, signée.
réf. EXE-228Paris, A. Rouquette, 1895. In-8° broché, couverture rempliée illustrée. Illustré de 34 compositions en couleurs dans le texte. Tiré à 100 exemplaires sur Japon Impérial, exemplaire offert à Mr. Rouquette, le père de l’éditeur. Contient UN DESSIN AQUARELLÉ ORIGINAL signé par Louis Morin.
réf. 756963Eyre & Spottiswoode. hardcover. Very Good. 0x0x0. Binding tight.Hardcover.Dust Jacket included and in fair condition. Minor wear to page edges and corners. No writing highlighting or marks in text. Eyre & Spottiswoode hardcover
réf. 11503Librairie L. Conquet. 1895. Grand in-8°, reliure demi-chagrin marron à coins, filets dorés sur les plats, dos à nerfs, tranche supérieure dorée, couverture conservée. 21 compositions, in et hors texte, dessinées et gravées à la pointe sèche par Henry Somm. 165 pages. E.O. Tirage unique à 100 exemplaires sur japon à la forme.