MORIN, PIERREBiblio.com
1686réf. CRB13MORIN Pierre. Remarques necessaires pour la culture des fleurs. Charles Amy: Lyon 1686. La maniere avec laquelle il les faut cultiver & les ouvrages qu'il faut faire selon chaque mois de l'année. Avec une méthode facile pour faire toutes sortes de palissades bosquets & autres ornemens qui servent à l'embellissement des jardins de plaisir & un catalogue des plantes les plus rares. New edition first published 1658. Catalogue of Plants with its own title-page. Pierre Morin 17th century French florist. Text French. Popular handbook on the cultivation of flowers including details of monthly tasks in the garden when particular flowers bloom which soils and climates they prefer. With a treatise on Carnations pp 93-164 and a Catalogue of Plants including anemones ranoncules de Tripoly tulipes and iris bulbeaux. viii 224 8 pp.12mo contemporary full calf rubbed/scuffed raised bands and gt tooling to spine wormhole to foot of spine; rear joint partly split but firm. Some foxing; old book-label for "Sappey médecin a Cerdon Ain" with shelf-number in ink to front pastedown. A very pleasing copy of a rare work on flowers. Hunt 375 Charles Amy hardcover
1961réf. mon0000142307Evergreen Books LTD. 1961-01-01. Paperback. Good. in x in x in. NOT ex-library. Clean copy in good condition. Evergreen Books LTD. paperback
1895réf. 001393Paris: Librairie A. Rouquette 1895. First Limited Edition. Half Morocco. Near Fine. One of 100 copies issued on Japon paper with extra suite of illustrated plates on chine paper. 8vo 21 by 14 cm 41 pp not counting the extra suite. With superb vignette color illustrations by Morin depicting characters at a masque described by Vaucaire's witty verse. Many of the characters derive from the Commedia dell'Arte Pantalon Arlequin. The entirety of the production captures the spirit of the Belle Epoque or Fin de Siecle at least as we like to remember it. Complementing the work itself is the spine decoration of masked figures linked by a floreate vine. Some foxing on the chine extra suite leaves. The half morocco leather is sunned. Spine gilt decorations though remain vividly bright. Librairie A. Rouquette unknown
1895réf. 001393Paris: Librairie A. Rouquette 1895. First Limited Edition. Half Morocco. Near Fine. One of 100 copies issued on Japon paper with extra suite of illustrated plates on chine paper. 8vo 21 by 14 cm 41 pp not counting the extra suite. With superb vignette color illustrations by Morin depicting characters at a masque described by Vaucaire's witty verse. Many of the characters derive from the Commedia dell'Arte Pantalon Arlequin. The entirety of the production captures the spirit of the Belle Epoque or Fin de Siecle at least as we like to remember it. Complementing the work itself is the spine decoration of masked figures linked by a floreate vine. Some foxing on the chine extra suite leaves. The half morocco leather is sunned. Spine gilt decorations though remain vividly bright. Librairie A. Rouquette unknown books
2001réf. BN127897ibidem 2001. 2001. Softcover. Kundenzufriedenheit in der ambulanten Pflege. Kundenzufriedenheit in der ambulanten Pflege. Gabriele Morin Elias ibidem paperback
1885réf. 9567Paris, Librairie illustrée, 1885. In-8 (211 x 140 mm), (3) ff. dont faux-titre, titre, 240-(2) pp., frontispice, vignette de la page de titre et 7 illustrations en couleurs, nombreux dessins n/b de l'auteur. Reliure de l'époque demi-maroquin orange à coins, dos lisse orné d'un fleuron doré, couvertures et dos illustrés couleurs conservés, décharge sur quatrième de couverture (V. Champs). Deuxième volume de cette trilogie. Très bel exemplaire.
réf. 11503Librairie L. Conquet. 1895. Grand in-8°, reliure demi-chagrin marron à coins, filets dorés sur les plats, dos à nerfs, tranche supérieure dorée, couverture conservée. 21 compositions, in et hors texte, dessinées et gravées à la pointe sèche par Henry Somm. 165 pages. E.O. Tirage unique à 100 exemplaires sur japon à la forme.
réf. 2151Edition Librairie Ollendorff 1921. In-4 relié de 278 pages au format 17 x 25,5 cm. Magnifique reliure demi chagrin marron avec plats en papier marbré. Dos rond à 4 nerfs avec titre, filets, fleurons dorés et gravés et petite illustration mosaïquée. Pages de garde en papier marbré. Couvertures conservées. 70 magnifiques illustrations par Georges Jauneau in-texte, gravées sur bois par G. Lemoine dont 6 sublimes hors-texte en couleurs. Préface de Pierre Louÿs. Tirage unique à 322 exemplaires numérotés de cette première édition de luxe, qui ne sera jamais réimprimée. Le nôtre est un des 250 sur vélin d'arches ( n° 79 ), après 50 sur japon et 22 nominatifs. La plus belle édition jamais réalisé de ces excellents contes de drogue et de terreur. Rare édition, surtout dans un tel état de fraicheur, proche du parfait.
1809réf. 24849A Paris de l'Impr. de Giguet et Michaud 1809 in-8 veau caramel, dos orné à petits nerfs plats, palettes et fleurons à froid, titre en lettres dorées, plats décorés d'une large plaque poussée à froid, tranches marbrées (rel. second quart du XIXe)
réf. 9906Paris, Bachelier, 1832.
1678réf. 43697Paris, Charles de Sercy, 1678. In-12 de (12)-171-(4) pp., frontispice, vélin souple, dos lisse muet (reliure de l'époque).
1900réf. 13262Paris, Ollendorff, 1900-1901. 4 vol. in-12. 80pp par volume, soit 320 pages pagination continue. Paris, Ollendorff, Reliure à la Bradel, demi maroquin bleu, dos orné de filets dorés en encadrement, couvertures illustrées et dos conservés [CARAYON].
1819réf. 20714J.G. Guilhaume Delaunay Goeury | Le Puy & Paris 1819 | 12.50 x 20 cm | relié
réf. 16465694-nnew. unknown
réf. 756963Eyre & Spottiswoode. hardcover. Very Good. 0x0x0. Binding tight.Hardcover.Dust Jacket included and in fair condition. Minor wear to page edges and corners. No writing highlighting or marks in text. Eyre & Spottiswoode hardcover
réf. EXE-225Paris, L. Carteret, 1913. In-8° en feuilles, couverture rempliée illustrée; chemise cartonnée illustrée en noir. Illustré de 56 aquarelles. Tiré à 150 exemplaires, celui-ci sur vélin du Marais. Il est joint UN GRAND DESSIN À LA PLUME AQUARELLÉ ET SIGNÉ, ainsi qu'une lettre autographe destiné à Pierre Guerquin, signée.
réf. EXE-228Paris, A. Rouquette, 1895. In-8° broché, couverture rempliée illustrée. Illustré de 34 compositions en couleurs dans le texte. Tiré à 100 exemplaires sur Japon Impérial, exemplaire offert à Mr. Rouquette, le père de l’éditeur. Contient UN DESSIN AQUARELLÉ ORIGINAL signé par Louis Morin.
2007réf. Alibris.0017415Paris France: Somogy. 2007. Hard cover. Very good in very good dust jacket. Near fine in a near fine dust jacket in mylar. Sewn binding. Paper over boards. With dust jacket. 470 p. Contains: Illustrations. Audience: General/trade. . Somogy hardcover
2004réf. BN554803Dunod 2004. 2004. Softcover. Programmateurs pour microcontrôleurs et mémoires Web Programmateurs pour microcontrôleurs et mémoires Web Morin Dunod paperback
2009réf. BN705384CARISCH MUSICOM 2009. 2009. Softcover. MORIN CHRISTIAN V.2 MORIN CHRISTIAN V.2 MORIN CHRISTIAN CARISCH MUSICOM paperback
2011réf. BN526511Canopé - CRDP de Poitiers 2011. 2011. Softcover. Arts visuels & musique : Cycles 1 2 3 & Collège Arts visuels & musique : Cycles 1 2 3 & Collège Philippe Morin Olivier Branchereau Nadège Fourcot et Marc Bourget Canopé - CRDP de Poitiers paperback
réf. BN104629Canopé - CRDP de Poitiers. Softcover. Arts visuels & cultures du monde Cycles 1 2 3 & collège: Volume 2 Communiquer le sacré se déplacer l'environnement vivre ensemble Arts visuels & cultures du monde Cycles 1 2 3 & collège: Volume 2 Communiquer le sacré se déplacer l'environnement vivre ensemble Canopé - CRDP de Poitiers paperback
A charming livre d'artiste, the first of eleven published between 1904 and 1906 in the "Collection de l'Academie des Goncourt". THIS IS THE PUBLISHER'S COPY, aside from the edition of 350 numbered copies. Illustrated with a frontispiece portrait of the authors and ten charming original engravings (8 of which are full-page and hors-texte) by Louis Morin, a few lightly erotic. Beautifully printed in Auriol types (an art nouveau font) on fine wove paper. This copy includes: a complete set of page proofs, on the front of which Romagnol, the editor, has scrawled in ink his plan for the entire collection; two autograph letters signed by Morin to Romagnol, in which he discusses the illustrations for this book (and getting paid for them); 2 additional suites, in different states, of the eleven engravings in the book, including a suite in remarque state; 2 rejected engravings, each in 2 states (these are perhaps unique: according to the justification, no copies were issued with the "planches refusees"); a prospectus for the entire collection; 9 specimens of etchings by artists whose work would appear in the collection (Jouas, Vidal, etc.); a newspaper article (from Les annales politiques et litteraires, October 20, 1903) about the FIRST PRIX GONCOURT, which was to be given a few days later; and a newspaper ad announcing the Collection de l'Academie des Goncourt. 8vo. Book in original wraps, suites loose in wraps, as issued. Both are housed along with the other material in a contemporary custom-made cloth slipcase. In near fine to fine condition throughout. A unique item.
1694réf. 60803Ultrajecti (Utrecht), Gulielmum Broedelet, 1694. 4to. In contemporary full calf with four raised bands and richly gilt spine. Small paper-label pasted on to top of spine. Small worm-tract in inner margin, affecting app. 20 leaves, not affecting text. 1 plates detached and a few leaves with marginal dampstain. Overall a very nice and clean copy. (14), 448, (8) pp. + 4 plates and 1 frontispiece.
1694réf. 60803Ultrajecti Utrecht Gulielmum Broedelet 1694. 4to. In contemporary full calf with four raised bands and richly gilt spine. Small paper-label pasted on to top of spine. Small worm-tract in inner margin affecting app. 20 leaves not affecting text. 1 plates detached and a few leaves with marginal dampstain. Overall a very nice and clean copy. 14 448 8 pp. 4 plates and 1 frontispiece. First edition of this linguistic work on the source and history of the first language with a focus on Hebrew. The Dutch philologist Etienne Morin 1624–1700 utilizes the Augustinian thesis in his discussion of the primeval language: "Quoting from Augustine City of God xvi. 5 and 10 he maintains that the world always ought to be divided into two antithetical communities. Of these two the patriarchs Shem and Heber belonged to the city of God while the crowd of rebels who conspired at Babel embodied the city of man. Morin concludes that this proves that Shem could not possibly have taken part in the conspiracy at Babel. Augustine could not have put forward a better argument he says. As the constant companion of true religion the original language was preserved in the family and among the pious descendants of Heber who transmitted it as a legacy to those practising piety." Eskhult Augustine and the Primeval Language in Early Modern Exegesis and Philology. hardcover
