Caubói

Caubói — marelibri

African American Western History Black Cowboy Portraits and Youth Horsemanship in the Post Emancipation West Late 19th Century

1890ref. 202841890. Photographers unknown. African American cowboy photographs late 19th century. These images document Black participation in ranching and frontier life in the decades following emancipation when a significant proportion of working cowboys in the American West were African American. The photographs record both labor and self-presentation through an outdoor riding scene and a formal studio portrait providing evidence of how Black men and youth engaged with western occupations mobility and dress during a period when new economic opportunities emerged alongside persistent racial constraints. The material supports research into African American labor history western expansion and the social formation of Black life in the post-Civil War United States. Two photographs comprising one albumen print and one tintype each approximately 2.5 x 3.5 inches. The albumen image depicts a young African American boy mounted on a bucking horse holding a cowboy hat and riding crop dressed in a buttoned shirt trousers and lace-up boots; a tipi structure is visible in the background situating the scene within a western or plains environment. The tintype presents a studio portrait of a young African American man wearing a striped three-piece suit and a wide-brimmed hat associated with late nineteenth-century western fashion indicating the circulation of frontier dress within formal portrait settings. Together the images contrast lived outdoor activity with constructed studio identity documenting both labor and presentation. These photographs align with broader patterns of African American migration and employment in the American West after the American Civil War when formerly enslaved individuals sought work in ranching cattle driving and related trades. Historians have noted that a substantial number of cowboys in the late nineteenth century were Black though their presence has often been underrepresented in popular narratives of the West. Visual documentation of African American riders and western dress provides primary evidence for the study of labor identity and mobility in this period particularly in relation to how individuals navigated new economic roles following emancipation. Minor corrosion affecting a portion of one image primarily in a blank area; remaining details clear and legible. Overall very good condition. unknown books