Gaister, Aron IzrailevichLivre Rare Book
2936 risultati
rif. 8680315Short description: In Russian. Fridman, Mikhail Isidorovich. Modern Indirect Taxes on Consumption Items. St. Petersburg: Type Public Benefit, 1908-. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time, no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order.SKU8680315
rif. 3784118Short description: In Russian. Rosenbaum, Aron Borisovich. Fatal Gender Issues: St. Petersburg: P.P. Soikin, 1911. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time, no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order.SKU3784118
rif. 3784118Short description: In Russian. Rosenbaum Aron Borisovich. Fatal Gender Issues: St. Petersburg: P.P. Soikin 1911. The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU3784118 unknown
rif. 38019Providence RI: Silver Bullet Gallery 1983. Near Fine. Providence RI: Silver Bullet Gallery 1983. First Edition Limited to 100 copies. Elephant folio 54cm; original blue cloth clamshell box portfolio front cover lettered in silver foil; contents loose as issued including bifolium title page with introductory text and table of contents and twelve 12 original mounted photographs some in color but chiefly halftone. Light wear and dust-soil to clamshell box contents in Fine condition. Portfolio of photographs by artists chiefly associated with the Rhode Island School of Design RISD. Signed by contributors Bill Aron Barnaby Evans and Arno Minkkinen in margin of their photographs. A beautiful collection of late 20th century photography. No examples separately catalogued in OCLC as of August 2026. Silver Bullet Gallery unknown
rif. 38019Providence RI: Silver Bullet Gallery 1983. Near Fine. Providence RI: Silver Bullet Gallery 1983. First Edition Limited to 100 copies. Elephant folio 54cm; original blue cloth clamshell box portfolio front cover lettered in silver foil; contents loose as issued including bifolium title page with introductory text and table of contents and twelve 12 original mounted photographs some in color but chiefly halftone. Light wear and dust-soil to clamshell box contents in Fine condition. Portfolio of photographs by artists chiefly associated with the Rhode Island School of Design RISD. Signed by contributors Bill Aron Barnaby Evans and Arno Minkkinen in margin of their photographs. A beautiful collection of late 20th century photography. No examples separately catalogued in OCLC as of August 2026. Silver Bullet Gallery unknown books
1928rif. 55257Leipzig: Verlag Karl W. Hiersemann 1928. Limited edition. Hardcover. Very good condition. 1/350 copies. This is #326 hand-numbered on the colophon at the rear of the facsimile volume. This set provides a stunning full reproduction of the beautiful and notable late medieval illuminated manuscript Haggadah held at the State Library of Darmstadt along with critical text discussing the work. Originally produced by the scribe Israel Ben Meir of Heidelberg in conjunction with an unidentified artist this fascinating Passover Haggadah has been noted for its unique illustrations. Scholars have remarked on its inclusion of egalitarian images of men and women and have noted that it visually seems to have more in common with non-Jewish works from the period. The last two leaves of the manuscript are not connected with the Passover text but instead depict a hunting scene and the Fountain of Youth. All though the scholarly text of this edition written by German Rabbi Bruno Italiener 1881-1951 along with German art historian August L. Mayer 1885-1944 historian Aron Freimann 1871-1948 and Adolf Schmidt dates the manuscript to the 14th century superseding scholarship has now ruled out that possibility for stylistic reasons. The manuscript is now believed to have been produced sometime around 1430. Vol.1 text: Octavo. xi 1 313 1pp. 16 plates. Pebbled leather over decorative paper boards with gilt ruling tooling and lettering on the spine. Top edge in gilt. Frontispiece b/w photographic reproduction of the binding of the original manuscript. German and Hebrew text throughout critically discusses the Haggadah manuscript and analyses a number of other related manuscripts from the period. The final leaves contain 16 plates of high quality b/w photogravure reproducing pages of various manuscripts mentioned in the text. Vol. 2 "tafelband" facsimile volume: Folio. 58 double-sided leaves. Pebbled leather over decorative paper boards with gilt ruling tooling and lettering on the spine. Top edge in gilt. This volume gorgeously reproduces in full the content of the illuminated manuscript Haggadah. The reproduction utilizes what was at the time state of the art full color photography highlighted with lustrous gilt overprinting. The visual reproduction is surprising in its faithful accurate and vibrant reproduction of the leaves text and imagery. The resulting facsimile is successfully able to replicate the look and feel as well as the physical aspects of the interior of the original manuscript. Text volume with very minor rubbing to extremities of the binding and some minor foxing to the bottom and foredges of the book block. Interior with minor sporadic foxing to the pages usually confined to the margins. Facsimile volume with some very minor rubbing to the extremities of the binding. Interior clean and vibrant. Book blocks tight. Bindings in very good to near fine interiors in very good to near fine condition overall. Full title page: Die Darmstädter Pessach - Haggadah codex orientalis 8 der Landesbibliothek zu Darmstadt aus dem vierzehnten Jahrhundert herausgegeben und erläutert von Bruno Italiener unter Mitwirkung von Aron Freimann August L. Mayer und Adolf Schmidt; mit einer Gesamtbibliographie der illustrierten Haggadah Bibliographic references: Yaari 2064 Yudlov 3094; Mayer 1147. Verlag Karl W. Hiersemann hardcover
1928rif. 55257Leipzig: Verlag Karl W. Hiersemann 1928. Limited edition. Hardcover. Very good condition. 1/350 copies. This is #326 hand-numbered on the colophon at the rear of the facsimile volume. This set provides a stunning full reproduction of the beautiful and notable late medieval illuminated manuscript Haggadah held at the State Library of Darmstadt along with critical text discussing the work. Originally produced by the scribe Israel Ben Meir of Heidelberg in conjunction with an unidentified artist this fascinating Passover Haggadah has been noted for its unique illustrations. Scholars have remarked on its inclusion of egalitarian images of men and women and have noted that it visually seems to have more in common with non-Jewish works from the period. The last two leaves of the manuscript are not connected with the Passover text but instead depict a hunting scene and the Fountain of Youth. All though the scholarly text of this edition written by German Rabbi Bruno Italiener 1881-1951 along with German art historian August L. Mayer 1885-1944 historian Aron Freimann 1871-1948 and Adolf Schmidt dates the manuscript to the 14th century superseding scholarship has now ruled out that possibility for stylistic reasons. The manuscript is now believed to have been produced sometime around 1430. Vol.1 text: Octavo. xi 1 313 1pp. 16 plates. Pebbled leather over decorative paper boards with gilt ruling tooling and lettering on the spine. Top edge in gilt. Frontispiece b/w photographic reproduction of the binding of the original manuscript. German and Hebrew text throughout critically discusses the Haggadah manuscript and analyses a number of other related manuscripts from the period. The final leaves contain 16 plates of high quality b/w photogravure reproducing pages of various manuscripts mentioned in the text. Vol. 2 "tafelband" facsimile volume: Folio. 58 double-sided leaves. Pebbled leather over decorative paper boards with gilt ruling tooling and lettering on the spine. Top edge in gilt. This volume gorgeously reproduces in full the content of the illuminated manuscript Haggadah. The reproduction utilizes what was at the time state of the art full color photography highlighted with lustrous gilt overprinting. The visual reproduction is surprising in its faithful accurate and vibrant reproduction of the leaves text and imagery. The resulting facsimile is successfully able to replicate the look and feel as well as the physical aspects of the interior of the original manuscript. Text volume with very minor rubbing to extremities of the binding and some minor foxing to the bottom and foredges of the book block. Interior with minor sporadic foxing to the pages usually confined to the margins. Facsimile volume with some very minor rubbing to the extremities of the binding. Interior clean and vibrant. Book blocks tight. Bindings in very good to near fine interiors in very good to near fine condition overall. Full title page: Die Darmstädter Pessach - Haggadah codex orientalis 8 der Landesbibliothek zu Darmstadt aus dem vierzehnten Jahrhundert herausgegeben und erläutert von Bruno Italiener unter Mitwirkung von Aron Freimann August L. Mayer und Adolf Schmidt; mit einer Gesamtbibliographie der illustrierten Haggadah Bibliographic references: Yaari 2064 Yudlov 3094; Mayer 1147. Verlag Karl W. Hiersemann hardcover books
rif. 9911427Untersuchungen zur Erlaeuterung der aelteren Geschichte Russlands In French/Untersuchungen zur Erlaeuterung der aelteren Geschichte Russlands. In French. Lehrberg, Aron Christian. Untersuchungen zur Erlaeuterung der aelteren Geschichte Russlands. Saint Petersburg: 1816, The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time, no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order.SKU9911427
rif. 9911427In French. Short description: Lehrberg Aron Christian. Untersuchungen zur Erlaeuterung der aelteren Geschichte Russlands. Saint Petersburg: 1816 The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU9911427 unknown
1523rif. 39382Venice: Impressa in Vinegia per maestro Bernardino et maestro Mattheo di uitali fratelli Venitiani 1523. Full vellum with titling gilt to spine. 1f. early manuscript on vellum with decorative initials in red ink and decorative penwork in red and blue decorative pointers in black 1f. recto title printed in red within highly decorative woodcut border verso privilege 1f. dedication to Sebastiano Michele with historiated initial 2ff. contents and full-page woodcut portrait of Aron 21ff. Libro Primo 1f. recto full page plate "Coligatio Notvlar" verso blank 28ff. Libro Secondo 1f. early manuscript. With occasional decorative and historiated initials. With numerous finely-printed musical examples and diagrams throughout. Unpaginated but 54ff. in total with L4 blank as issued. In Italian. The fine full-length portrait of Aron depicts the author seated surrounded by his pupils with a viol lute recorder and books on a table in the foreground all within a densely floriated border incorporating small figures playing musical instruments. Binding slightly worn and soiled; ties lacking. Minor internal wear and soiling; occasional foxing and staining; staining to many lower blank margins and gutters; title slightly trimmed and frayed at lower and outer edges; minor annotation to one page with inking to several notes on following page resulting in staining to preceding and following leaves. First Edition. This edition not in Cortot Gregory-Bartlett or Wolffheim. Cowden: A Collector's Journey: Notable Music Books Written Prior to 1800 no. 12. Davidsson: Bibliographie der Musiktheoretischen Drucke des 16. Jahrhunderts p. 11. Gaspari 1 185. Reese: Fourscore Classics of Music Literature 36. Hirsch I no. 2. RISM Écrits Imprimés p. 97. "Born in tenuous circumstances Toscanello preface Aaron seems to have been largely self-taught; this may be the reason for his less systematic approach and questionable statements especially in his first treatise but also for his valuable insights into contemporary practice: from his first treatise onwards he promises to divulge 'many of the secret chambers of this art never heretofore revealed'. He is especially informative on counterpoint and compositional process distinguishing older and newer procedures the modal system in polyphonic music and the application of musica ficta. He is one of the first theorists to discuss mean-tone temperament. His Toscanello among the earliest vernacular music treatises was highly successful and ran to four editions." Bonnie J. Blackburn in Grove Music Online First published in 1523 "Toscanello . is probably the best general treatise of its generation invaluable for its clever and progressive discussions of musical practice particularly counterpoint. . Aron wrote extensively about practice scarcely ever touching on speculative theory. His ideas are derived from earlier writers notably Tinctoris Gaffurius and Spataro but he frequently extended or modified traditions." TNG 6 Vol. 1. pp. 2-3. "Aron's published works on musical theory comprise the Libri III de institutione harmonica 1516 the Trattato della natura e cognizione di tutti gli toni di canto figurato 1525 the Lucidario in musica 1545 and the Compendiolo di molti dubbi without date. His chief writing however is the Toscanello in musica 1523 and four later editions which contains the best exposition of contrapuntal rules to be found before Zarlino. Aron is the first theorist to recognize the practice of composing all voices of a composition simultaneously." Strunk: Source Readings in Music History p. 205 The full-page woodcut of Aron instructing his pupils with musical instruments in the foreground represents a significant record of the history of the student/teacher relationship of the period. See Kinsky: A History of Music in Pictures p. 109 no. 2. An important work and a fine example of a very early treatise in the vernacular. Impressa in Vinegia per maestro Bernardino et maestro Mattheo di uitali fratelli Venitiani unknown
1523rif. 39382Venice: Impressa in Vinegia per maestro Bernardino et maestro Mattheo di uitali fratelli Venitiani 1523. Full vellum with titling gilt to spine. 1f. early manuscript on vellum with decorative initials in red ink and decorative penwork in red and blue decorative pointers in black 1f. recto title printed in red within highly decorative woodcut border verso privilege 1f. dedication to Sebastiano Michele with historiated initial 2ff. contents and full-page woodcut portrait of Aron 21ff. Libro Primo 1f. recto full page plate "Coligatio Notvlar" verso blank 28ff. Libro Secondo 1f. early manuscript. With occasional decorative and historiated initials. With numerous finely-printed musical examples and diagrams throughout. Unpaginated but 54ff. in total with L4 blank as issued. In Italian. The fine full-length portrait of Aron depicts the author seated surrounded by his pupils with a viol lute recorder and books on a table in the foreground all within a densely floriated border incorporating small figures playing musical instruments. Binding slightly worn and soiled; ties lacking. Minor internal wear and soiling; occasional foxing and staining; staining to many lower blank margins and gutters; title slightly trimmed and frayed at lower and outer edges; minor annotation to one page with inking to several notes on following page resulting in staining to preceding and following leaves. First Edition. This edition not in Cortot Gregory-Bartlett or Wolffheim. Cowden: A Collector's Journey: Notable Music Books Written Prior to 1800 no. 12. Davidsson: Bibliographie der Musiktheoretischen Drucke des 16. Jahrhunderts p. 11. Gaspari 1 185. Reese: Fourscore Classics of Music Literature 36. Hirsch I no. 2. RISM Écrits Imprimés p. 97. "Born in tenuous circumstances Toscanello preface Aaron seems to have been largely self-taught; this may be the reason for his less systematic approach and questionable statements especially in his first treatise but also for his valuable insights into contemporary practice: from his first treatise onwards he promises to divulge 'many of the secret chambers of this art never heretofore revealed'. He is especially informative on counterpoint and compositional process distinguishing older and newer procedures the modal system in polyphonic music and the application of musica ficta. He is one of the first theorists to discuss mean-tone temperament. His Toscanello among the earliest vernacular music treatises was highly successful and ran to four editions." Bonnie J. Blackburn in Grove Music Online First published in 1523 "Toscanello . is probably the best general treatise of its generation invaluable for its clever and progressive discussions of musical practice particularly counterpoint. . Aron wrote extensively about practice scarcely ever touching on speculative theory. His ideas are derived from earlier writers notably Tinctoris Gaffurius and Spataro but he frequently extended or modified traditions." TNG 6 Vol. 1. pp. 2-3. "Aron's published works on musical theory comprise the Libri III de institutione harmonica 1516 the Trattato della natura e cognizione di tutti gli toni di canto figurato 1525 the Lucidario in musica 1545 and the Compendiolo di molti dubbi without date. His chief writing however is the Toscanello in musica 1523 and four later editions which contains the best exposition of contrapuntal rules to be found before Zarlino. Aron is the first theorist to recognize the practice of composing all voices of a composition simultaneously." Strunk: Source Readings in Music History p. 205 The full-page woodcut of Aron instructing his pupils with musical instruments in the foreground represents a significant record of the history of the student/teacher relationship of the period. See Kinsky: A History of Music in Pictures p. 109 no. 2. An important work and a fine example of a very early treatise in the vernacular. Impressa in Vinegia per maestro Bernardino et maestro Mattheo di uitali fratelli Venitiani unknown books
