Aron PhD, Elaine NBiblio.com
2 959 résultats
2010réf. Q-0316066990Little Brown Spark 2010-03-08. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Little, Brown Spark hardcover
réf. BN295151The Undervalued Self: Restore Your Love/Power Balance Transform the Inner Voice The Undervalued Self: Restore Your Love/Power Balance Transform the Inner Voice Elaine N. Aron PhD unknown
réf. B9780316066990Hardback. New. hardcover
réf. 955738New York American Academy for Jewish Research 19731964. Folio. Vol.1: XXXIV 280pp. Green cloth gilt lettering on spine. Index volume. Vol.2 4pp 462pp. Blue cloth with gilt lettering. Rare. l In vol.2 12.000 handwritten cards are photomechanically reproduced. It is the fruit of the work of the Jewish bibliographer Aron Freimann 1871-1948. It contains data from a variety of sources in private and public collections. Freimann started his work as a student in Germany he took his cards with him when he escaped the Nazi's in 1938. Some of the Hebrew manuscripts he described disappeared with their owners during the Holocaust. We only know them by the cards on this catalog. Vol. 1 is an index volume by Menahem Hayyim Schmelzer preceded by a tribute on Freimann by Shelomo Dov Goitein. Freimann was bibliographer. The volumes are in good condition. Tight binding. A paper sticker is pasted down at the bottom of the spines; in both volumes a small paper sticker is pasted down on the verso of the titlepage. Small signs of their former existence in a public library. Volume two a bit wear at the edges. hardcover
1969réf. Q-0807056634Beacon Press 1969-06-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Beacon Press paperback
réf. 1783821582.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2024réf. BN621160Swan Charm Publishing 2024. 2024. Hardcover. The Warmth of Smiling Tomorrows The Warmth of Smiling Tomorrows Aron Pilviste Swan Charm Publishing hardcover
2014réf. 21989Aron Wiesenfeld makes paintings and charcoal drawings in which he evokes a reality that is at once familiar and mysterious. These poetic and carefully composed fragments are windows into an autonomous world that continues off the edges of the canvas. They trigger stories in the imagination that can take the shape of fairy tales or more complex forms questioning modern-day alienation. References to art history mythology and pop culture converge without hierarchical order amid the cluttered remainders of manufactured landscapes or baroque scenes of nature in glorious overgrowth. The people that populate his work embark on secret errands into veils of falling snow and twilight. His works have a restrained and focused tone inviting contemplation of this intimate space silent but for murmurs of the ominous. Book is a nice clean copy with a tight binding. Large inscription signed by the artist. No dust jacket. IDW Publishing hardcover
2014réf. 07GW26-923-139IDW Publishing. Good. Hardcover. This book is in good condition; no remainder marks. It does have some shelfwear edge wear noticeable corner wear from light bumping. Inside pages have no writing.; 12 x 10 x 3 inches; 120 pages . 2014. 1631400746 . IDW Publishing hardcover
1990réf. 239799PN. New. 1990. Soft Cover. Date is original print. This is a reprint edition . PN paperback
réf. 68707162-6Taylor & Francis Group. Used - Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Taylor & Francis Group unknown
2020réf. x-1138539627Taylor & Francis 2020. Hardcover. New. 347 pages. 9.02x5.98x1.01 inches. Taylor & Francis hardcover
1997réf. x-1560009349Transaction Pub 1997. Paperback. New. reprint edition. 347 pages. 9.25x6.00x1.00 inches. Transaction Pub paperback
réf. 1560009349.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1997réf. DADAX1560009349Routledge 1997-02-28. Reprint. paperback. New. 6.00x1.10x8.90. Buy with confidence. Excellent Customer Service & Return policy. Routledge paperback
1997réf. SONG1560009349Routledge 1997-02-28. Reprint. paperback. Used: Good. 6.00x1.10x8.90. Buy with confidence. Excellent Customer Service & Return policy. Routledge paperback
réf. 42445507like new. unknown
réf. 42445507-nnew. unknown
réf. 2015661-nnew. unknown
réf. 2015661like new. unknown
réf. B9781560009344Paperback / softback. New. paperback
réf. A9781138539624Hardback. New. hardcover
1980réf. 159666Les éditeurs français réunis Les éditeurs français réunis, 1980. In-8 broché de 125 pages. Quelques passages soulignés au crayon de papier, un feuillet fragile sinon Bon état
réf. 29515Broché, 21X13 cm, 1980, 125 pages, collection entailles, les éditeurs français réunis. Une phrase au styo page de faux-titre (envoi ?), Bon état.
1523réf. 39382Venice: Impressa in Vinegia per maestro Bernardino et maestro Mattheo di uitali fratelli Venitiani 1523. Full vellum with titling gilt to spine. 1f. early manuscript on vellum with decorative initials in red ink and decorative penwork in red and blue decorative pointers in black 1f. recto title printed in red within highly decorative woodcut border verso privilege 1f. dedication to Sebastiano Michele with historiated initial 2ff. contents and full-page woodcut portrait of Aron 21ff. Libro Primo 1f. recto full page plate "Coligatio Notvlar" verso blank 28ff. Libro Secondo 1f. early manuscript. With occasional decorative and historiated initials. With numerous finely-printed musical examples and diagrams throughout. Unpaginated but 54ff. in total with L4 blank as issued. In Italian. The fine full-length portrait of Aron depicts the author seated surrounded by his pupils with a viol lute recorder and books on a table in the foreground all within a densely floriated border incorporating small figures playing musical instruments. Binding slightly worn and soiled; ties lacking. Minor internal wear and soiling; occasional foxing and staining; staining to many lower blank margins and gutters; title slightly trimmed and frayed at lower and outer edges; minor annotation to one page with inking to several notes on following page resulting in staining to preceding and following leaves. First Edition. This edition not in Cortot Gregory-Bartlett or Wolffheim. Cowden: A Collector's Journey: Notable Music Books Written Prior to 1800 no. 12. Davidsson: Bibliographie der Musiktheoretischen Drucke des 16. Jahrhunderts p. 11. Gaspari 1 185. Reese: Fourscore Classics of Music Literature 36. Hirsch I no. 2. RISM Écrits Imprimés p. 97. "Born in tenuous circumstances Toscanello preface Aaron seems to have been largely self-taught; this may be the reason for his less systematic approach and questionable statements especially in his first treatise but also for his valuable insights into contemporary practice: from his first treatise onwards he promises to divulge 'many of the secret chambers of this art never heretofore revealed'. He is especially informative on counterpoint and compositional process distinguishing older and newer procedures the modal system in polyphonic music and the application of musica ficta. He is one of the first theorists to discuss mean-tone temperament. His Toscanello among the earliest vernacular music treatises was highly successful and ran to four editions." Bonnie J. Blackburn in Grove Music Online First published in 1523 "Toscanello . is probably the best general treatise of its generation invaluable for its clever and progressive discussions of musical practice particularly counterpoint. . Aron wrote extensively about practice scarcely ever touching on speculative theory. His ideas are derived from earlier writers notably Tinctoris Gaffurius and Spataro but he frequently extended or modified traditions." TNG 6 Vol. 1. pp. 2-3. "Aron's published works on musical theory comprise the Libri III de institutione harmonica 1516 the Trattato della natura e cognizione di tutti gli toni di canto figurato 1525 the Lucidario in musica 1545 and the Compendiolo di molti dubbi without date. His chief writing however is the Toscanello in musica 1523 and four later editions which contains the best exposition of contrapuntal rules to be found before Zarlino. Aron is the first theorist to recognize the practice of composing all voices of a composition simultaneously." Strunk: Source Readings in Music History p. 205 The full-page woodcut of Aron instructing his pupils with musical instruments in the foreground represents a significant record of the history of the student/teacher relationship of the period. See Kinsky: A History of Music in Pictures p. 109 no. 2. An important work and a fine example of a very early treatise in the vernacular. Impressa in Vinegia per maestro Bernardino et maestro Mattheo di uitali fratelli Venitiani unknown
