2 897 résultats
1941réf. 1168991941 Douzième année - N° 508 - 18 avril 1941 - In-folio (format journal) - Illustré - 8 pages
1941réf. 1169431941 Douzième année - N° 507 - 11 avril 1941 - In-folio (format journal) - Illustré - 8 pages
1939réf. 1168831939 Dixième année - N° 452 - 21 Juillet 1939 - In-folio (format journal) - Illustré - 10 pages
2009réf. 797772009 Paris, Albin Michel, 2009, in 8° broché, 268 pages ; illustrations hors-texte ; couverture illustrée.
1979réf. 952921979 André Leson, collection agir et connaître coordonnée par Gérard Germain - 1979 - In-12 broché - 176 pages - nombreuses reproductions photographiques
1963réf. 1216181963 Editions Charles E. Tuttle Co - 1963 - In-8, cartonnage toilé violet avec décors blancs - 359 pages - Ouvrage en anglais - Nombreuses illustrations en N&B in et hors-texte
1963réf. 001981Rutland VT: Charles E. Tuttle Co. 1963. Beautifully printed and bound with over 140 illustrations many in color; 374 pages including index. In lovely condition except as noted: fine slightly wrinkled first free endpaper in very good dust jacket price-clipped 2 closed tears by spine protected by Brodart cover in near fine slipcase stapled cardboard pictorial box. See scans/photos. 1st Edition. Hard Cover. Charles E. Tuttle Co. hardcover
2010réf. __8173048800Manohar Publications 2010. Hardcover. New. 189 pages. 9.70x6.40x0.90 inches. Manohar Publications hardcover
Hardcover fort vol. in-8°, 564 pp., notes, index, cartonnage editeur sous jaquette illustree. Bel exemplaire (papier leg. jauni). [TX-1]
réf. 8253Paris, Éditions de La Martinière, 2005. 1 volume in-8, 627 pp., broché, couvertures illustrées, un tampon chinois sur la page de titre, enrichi de 55 encadrés, 14 tableaux et 11 cartes in texte, très bon état.
réf. 52060, Somogy Editions d'Art, 2018 cartonnage illustre de l'editeur, Pages : 272, Illustrations : 800, : 24,6 x 28 cm, Langue : Francais. , neuf !. ISBN 9782757210406.
réf. BN388297J.J.J. RIGAL CATALOGUE RAISONNE GRAVURES MONOTYPES. J.J.J. RIGAL CATALOGUE RAISONNE GRAVURES MONOTYPES. Lydia Harambourg - Avec la collaboration de Denise et Nicole Rigal unknown
réf. 52060Somogy Editions d'Art 2018. cartonnage illustre de l'editeur Pages : 272 Illustrations : 800 : 246 x 28 cm Langue : Francais. neuf !. ISBN 9782757210406. Reconnu graveur des l'age de 8 ans par Andre Malraux Jean Cassou et Claude Roger-Marx Jacques- Joachim-Jean Rigal 1926-1997 J.J.J. Rigal de sa signature est un artiste eclectique mais surtout le promoteur emerite de la gravure en couleurs. Ses gravures revelent son monde interieur a partir de la contemplation meditative des sujets les plus communs : arbres fruits fleurs insectes mais aussi villes dans leur representation silencieuse souvent insolite. «Poete de limage» il est aussi lillustrateur de nombreux livres de bibliophilie romans classiques inedits poemes notamment ceux de ses amis Andre Dhotel et Jean Grosjean. Produit des recherches minutieuses effectuees par Denise et Nicole Rigal son epouse et sa fille cet ouvrage eclaire par un texte de Lydia Harambourg presente pour la premiere fois la totalite des gravures et monotypes de J.J.J. Rigal Somogy Editions d'Art 2018 unknown
2008réf. 013341Paris Michel Lafon 2008 Grand In 8 Longue traversée de la Méditerranée en Juillet 1947 , de Sète à Haïfa de 4545 juifs réfugiés des camps nazis , candidats à l'émigration clandestine . Histoire Moyen et Proche Orient .- 262 p. , 550 gr.
2000réf. 765992000 Paris, Editions Godefroy de Bouillon (Collection "Seconde Guerre Mondiale"), 2000, in 8° broché, 423 pages ; couverture illustrée ; quelques passages surlignés ou soulignés et quelques traits de stylo noir marginaux.
1980réf. 45101980 Paris, Acropole, 1980, volume in-8 broché, 283 pages, couverture illustrée, bon état
1950réf. 25777Editions du Conquistador, 1950, pt in-8°, 301 pp, 5 pl. de photos hors texte, index des noms cités, broché, couv. illustrée lég. salie, état correct
réf. 5174PARIS, Touring Club de France - 1957 - In-4 Broché - 1 carte PP du canal de Nantes à Brest, de la vilaine Maritime, de la vilaine Canalisée et du canal d'Ille-et-Rance -57 pages - Propre -RARE
1955réf. 312611Jerusalem: Ben-Dor Israel Publishing Co. Ltd 1955. Paperback. Respectively 129 xxvi 127-280 xxiv 281-398 xxiv. Matching small softbounds in upright paper covers 6.5x3.5 inches diverse monochrome colors for each installment. Later issues were bound together in a singleton booklet. Our set a second printing and two firsts are edgeworn with faint abrasion to outer joints. These volumes are quite sound but the text paper is acidic toned and beginning to get fragile. We detect a line of penciling to terminal leaf of v.I else good copies of this complete set all in about the same shape. Ben-Dor Israel Publishing Co. Ltd paperback books
1964réf. 1624BEYROUTH. IMPRIMERIE CATHOLIQUE. 1964. FORT IN-4 (20,5 X 27,5 CENTIMETRES ENVIRON) DE (4) + 1151 PAGES, RELIURE DE L'EDITEUR A LA BRADEL PLEINE PERCALINE BEIGE, TITRE EN BISTRE SUR LE PLAT SUPERIEUR ET SUR DOS LISSE. ILLUSTRE DE 42 FIGURES. COMPLETE PAR UNE BIBLIOGRAPHIE ET UN IMPORTANT INDEX. EDITION ORIGINALE PEU COURANTE. CACHET EX-LIBRIS SUR UNE PAGE DE GARDE, QUELQUES PETITES ROUSSEURS EXTERIEURES SANS GRAVITE, SINON BEL EXEMPLAIRE.
réf. 111445Clermont-Ferrand Cedex 1, Presses Universitaires Blaise Pascal 2000, 220x140mm, 403pages, broché. Exemplaire à l'état de neuf.
1973réf. 20788Leiden: Brill 1973. First edition. Hardcover. Very good. Octavo standard size. Slight wear to edges of boards. No dust jacket. xi 225 p. w/footnotes addenda index and additional LXXVIII plates Brill hardcover
réf. 604161Paris, Les Belles Lettres, 2016. In-8 broché, XXX-230 pp., texte en français et en latin, notes, index.
1999réf. 59574London England: Jonathan Cape. Near Fine in Very Good dust jacket. 1999. First Edition; First Printing. Hardcover. First Edition 1999. Very Near Fine in a Very Good DJ: The Book shows a very faint ripple at the top edge of the text pages; else flawless; the binding is square and secure; the text is clean. Free of creased or dog-eared pages in the text. Free of any underlining hi-lighting or marginalia or marks in the text. Free of ownership names dates addresses notations inscriptions stamps or labels. A handsome nearly-new copy structurally sound and tightly bound showing a minor unobtrusive imperfection only. Bright and clean. Corners sharp. The DJ shows noticeable rubbing to the panels; else flawless; price intact £50.00. Remains attractive and intact. NOT a Remainder Book-Club or Ex-Library. 4to 12.8 x 11. 15 x 0.9 inches. Language: English. Weight: 61 ounces. Greyish wheat-toned buckram over boards with black titles at the back-strip. Hardback with DJ. This work springs from the high regard fashion photographer Irving Penn has for has for the Japanese designer Issey Miyake who has said that Penn's photographs allow him to see his own designs. Issey Miyake 1938 2022 was a Japanese fashion designer. He was known for his technology-driven clothing designs exhibitions and fragrances such as L'eau d'Issey which became his best-known product. In 1969 Miyake moved from Japan to New York City where he met Christo Robert Rauschenberg Joe Eula and Donna Jordan. He was enrolled in English classes at Columbia University and worked on Seventh Avenue for designer Geoffrey Beene. Returning to Tokyo in 1970 he founded the Miyake Design Studio a high-end producer of women's fashion. From a young age Miyake had respected artist Isamu Noguchi whose novelty and sense of fun in his designs inspired Miyake. He was also inspired by fashion designer Madeleine Vionnet's use of geometric calculations and "a single piece of beautiful cloth". In Paris he visited several museums and he mentioned that he was influenced by sculptors such as Constantin Brâncusi And Alberto Giacometti. In the late 1980s Miyake began to experiment with new methods of pleating that would allow both flexibility of movement for the wearer as well as ease of care and production. The garments are cut and sewn first then sandwiched between layers of paper and fed into a heat press where they are pleated. The fabric's 'memory' holds the pleats and when the garments are liberated from their paper cocoon they are ready-to wear. For his part Irving Penn 1917 2009 was an American photographer known for his fashion photography portraits and still lifes. Penn's career included work at Vogue magazine and independent advertising work for clients including Issey Miyake and Clinique. His work has been exhibited internationally and continues to inform the art of photography. During his early years at Vogue as the magazine's art director Penn developed a bold graphic sensibility that complemented his chic images and embodied modern taste. His use of monochromatic backdrops of black white or gray allowed him complete control of natural lighting conditions and enhanced the visual simplicity of his photographs. In an era when elaborate artificial lighting was the norm his work stood out from the rest and influenced subsequent fashion photography. Expanding his austere studio surroundings Penn constructed a set of upright angled backdrops to form a stark acute corner. Subjects photographed with this technique included John Hersey Martha Graham Marcel Duchamp Pablo Picasso Georgia O'Keeffe W. H. Auden and Igor Stravinsky. 'Irving Penn Regards the Work of Issey Miyake' displays the wordless harmony of the artistic relationship between Irving Penn one of the great photographers of the twentieth century and the designer Issey Miyake one of the few figures to have taken clothing design into the realm of art. For more than a decade and across different continents the work of one has provided a mirror for the work of the other. Miyake offers Penn the forms and textures that have been the substance of much of his long career. Penn's photographs allow Miyake to look again at his designs as if they were completely new. This is an invaluable representation of the intuitive partnership between two artists that Miyake describes as a "silent understanding." ; 4to 11" - 13" tall; 184 pages . Jonathan Cape hardcover
1971réf. 100092394Centre national de la recherche scientifique 1971. Bon état intérieur propre tranche un peu ternie bonne tenue avec hommage de l'auteur sur le fascicule 1. in4. 1971. Cartonné. 3 volumes. Centre national de la recherche scientifique unknown