7393 risultati
1893rif. 43643Chicago: Charles H. Kerr and Company 1893. First Edition. 12mo 18.5cm.; publisher's white gilt-lettered cloth; 103pp. Cloth a bit soiled especially at spine with a few shallow surface scratches corners gently bumped else Very Good internally fine. Quite scarce collection of poems by a near-unknown poet. Despite the imprint the poems are inspired mostly by nature and Greek mythology rather than socialist politics. We find one contemporary review whose critic rightly strips the work of any literary merit stating that "Much of his work shows no idea of the meaning of words" providing as evidence the following line: "A dreamer fair and bland!" San Francisco Chronicle August 13 1893. Charles H. Kerr and Company unknown books
2010rif. 670012010. ISBN-13: 9781616190514; ISBN-10:1616190515. Landmark in the Development of Analytical Jurisprudence Hohfeld Wesley. Fundamental Legal Conceptions as Applied in Judicial Reasoning. Edited by Walter Wheeler Cook with a New Foreword by Arthur L. Corbin. Originally published: New Haven: Yale University Press 1964. xv 114 pp. Reprinted 2010 by The Lawbook Exchange Ltd. ISBN-13: 9781616190514; ISBN-10:1616190515. Paperback. Covers bent and soiled with small tears. Page edges lightly soiled. Internally fine. $9.95 This edition is distinguished by the foreword by Arthur L. Corbin author of the renowned Corbin on Contracts. Since his death Hohfeld's essays on the concepts of right and duty have been increasingly recognized for their significance as a foundation of thought on analytical jurisprudence. Posthumously collected and published by Yale University Press in 1964 the essays were originally published as two articles in the Yale Law Journal in 1913 and 1917 and are ".now a standard part of legal thinking." Walker Oxford Companion to Law 575. unknown books
1952rif. 21275Warrenton VA: The Virginia Horsemen's Association 1952. First Edition. Map. Printed in brown ink on textured ivory paper 22" x 27-3/4" ca 56cm x 71cm. Map size within neat-lines 14" x 25" decorated with insets of horses and riders by Wesley Dennis. Legend identifying farms by breeder farm name map location and county occupies lower third of sheet. Few tiny edge-nicks else a fine unmarked unsoiled copy never folded. An uncommon Wesley Dennis item. The Virginia Horsemen's Association unknown books
1959rif. 134256Los Angeles: Pad-Ram Enterprises 1959. A Eight vintage still photographs from the 1959 film. Included are 4 stills from the US release and 4 stills from the UK release under the title "Mr. Teas and His Playthings." From a cursory glance one can immediately see the differences with regard to nudity paid by both US and UK publicists the UK stills decidedly more liberal with regard to the "forbidden flesh." The US stills were taken directly from scenes of the film and the UK stills appear to be from either a deleted scene or a mock setup designed for foreign publicity with Mr. Teas seen in a bathhouse with the "Buxom Bath House Beauties" Baby Dahl Chicky Fricase Frenchie Tost Teri Clawthe that were not seen in the final cut. The UK stills purport "Monstrous Murder!" and "Sizzling Suspense!" taglines however the final cut features neither murder nor suspense. The story finds the shy Mr. Teas played by William Ellis Teas a door-to-door dental appliance salesman who has a chemical reaction with an anesthetic that allows him to have X-ray vision as in "seeing through women's clothes." He also overcomes all of his inhibitions leading to ribald encounters with his dental nurse his therapist his secretary a girl in a bar etc. Russ Meyer's first feature produced by Pad-Ram Enterprises a monogram using the initials of director Russell Albion Meyer and producer Peter A. DeCenzie and the film that basically launched the lighthearted "nudie" pictures of the early 1960s. The film was immediately touted as "ribald" and "Frenchy" with regard to the "genuinely sexy sequences with generous expanses of attractive flesh" that used to be seen strictly in foreign films. At a time when Hollywood moguls were losing audiences to the comfort of in-home cinema through television Meyer and DeCenzie who spent years on the burlesque and night club circuits released an independent naturally sexy endeavor in the tradition of the great Chaplin films. The bigger productions companies would never have made a film as far overboard on sex. For his debut Russ Meyer did even more of the crew work than usual shooting in four days during the spring of 1958 with a budget of $24000 ultimately making over $1.5 million worldwide. The film was marketed as a "nudist" film with a "French" sensibility but exhibited all the distinctive traits for which Meyer would soon become known including large bosoms insane plots a somewhat feminist perspective campy dialogue and guerilla cinematography. Shot on location in various California destinations including Malibu Lagoon State Beach. Meyer even shot various scenes at his beach-front home in Los Angeles. All stills 8 x 10 inches some differ slightly in size. Two US stills Very Good plus others Near Fine. UK stills Near Fine. Pad-Ram Enterprises unknown books
1961rif. 134255Los Angeles: Pad-Ram Enterprises 1961. Original pressbooks two variants for 1961 re-releases of the 1959 film. Featured are the two most commonly seen layouts used for publicity: the full-color illustrated "hat" variant and the other with Mr. Teas surrounded by a bevy of well-developed women the female leads of the film from left to right: Ann Peters Michele Roberts Dawn Danielle and Marilyn Wesley. The story finds the shy Mr. Teas played by William Ellis Teas a door-to-door dental appliance salesman who has a chemical reaction with an anesthetic that allows him to have X-ray vision as in "seeing through women's clothes." He also overcomes all of his inhibitions leading to ribald encounters with his dental nurse his therapist his secretary a girl in a bar etc. Russ Meyer's first feature produced by Pad-Ram Enterprises a monogram using the initials of director Russell Albion Meyer and producer Peter A. DeCenzie and the film that basically launched the lighthearted "nudie" pictures of the early 1960s. The film was immediately touted as "ribald" and "Frenchy" with regard to the "genuinely sexy sequences with generous expanses of attractive flesh" that used to be seen strictly in foreign films. At a time when Hollywood moguls were losing audiences to the comfort of in-home cinema through television Meyer and DeCenzie who spent years on the burlesque and night club circuits released an independent naturally sexy endeavor in the tradition of the great Chaplin films. The bigger productions companies would never have made a film as far overboard on sex. For his debut Russ Meyer did even more of the crew work than usual shooting in four days during the spring of 1958 with a budget of $24000 ultimately making over $1.5 million worldwide. The film was marketed as a "nudist" film with a "French" sensibility but exhibited all the distinctive traits for which Meyer would soon become known including large bosoms insane plots a somewhat feminist perspective campy dialogue and guerilla cinematography. Shot on location in various California destinations including Malibu Lagoon State Beach. Meyer even shot various scenes at his beach-front home in Los Angeles. Both pressbooks 11 x 17 inches folded horizontally. "Hat" variant includes a 9 x 12 ad mat dated "Fri. Aug. 18 1961." Light rubbing overall rubber stamps from "Sack Amusement Enterprises" in Dallas Texas and a few light creases and tiny closed tears else Near Fine. Pad-Ram Enterprises unknown books
1953rif. 132111London: Eagle-Lion Distributors 1953. Vintage black-and-white still photograph from the 1953 UK film. Features Tessie O'Shea. Mimeograph snipe affixed to the verso. Rubber-stamped on the verso by the distributors and the photography studio Cannons. An aging stage performer heads to London to be the star of a new show but when another performer is given the lead role his daughter sets up a scheme to get him back in the limelight. 7.5 x 9.5 inches. Very Good plus with discoloration from the glue on the verso. Eagle-Lion Distributors unknown books
1856rif. 38134Chicago: Keen and Lee 1856. Fourth edition. Lithographic frontispiece A View of St. Paul and title page View of the Falls of St. Anthony. Three plates. Colored folding map Fine tipped in at back. 412 pp. 1 vols. 8vo. Original blue blind stamped cloth with an elaborate gilt stamped spine. Spine ends gently bumped minor rubbing to extremities. Fourth edition. Lithographic frontispiece A View of St. Paul and title page View of the Falls of St. Anthony. Three plates. Colored folding map Fine tipped in at back. 412 pp. 1 vols. 8vo. Howes 1014 Keen and Lee unknown books
1934rif. 32179Salem MA: Marine Research Society 1934. No. 48 of a limited edition of 97 copies printed on Bruce Rogers rag paper. Illustrated by the author. 1 vols. 8vo. Marbled paper boards black cloth spine. Fine copy in slipcase. No. 48 of a limited edition of 97 copies printed on Bruce Rogers rag paper. Illustrated by the author. 1 vols. 8vo. Marine Research Society unknown books
1974rif. 220182Provo Utah: Brigham Young University 1974. First edition Number 71 of 250 copies. Frontispiece. port. 83 figs. 32 color plates bibliog. index. xvi 237pp. 1 vols. Oblong 4to. Brown airbrush Sanigal Bucksyn faux leather & Bolton Natural Finish Canvas. In Bucksyn slipcase. First edition Number 71 of 250 copies. Frontispiece. port. 83 figs. 32 color plates bibliog. index. xvi 237pp. 1 vols. Oblong 4to. Brigham Young University unknown books
1853rif. 38133New York: Redfield 1853. First edition. Lithographi frontispiece A View of St. Paul and t.p View of the Falls of St. Anthony WITH FINE COPY OF FOLDING MAP LAID IN. 364 pp. 1 vols. 8vo. Original cloth spine faded else fine. First edition. Lithographi frontispiece A View of St. Paul and t.p View of the Falls of St. Anthony WITH FINE COPY OF FOLDING MAP LAID IN. 364 pp. 1 vols. 8vo. Not in Howes or Graff Redfield unknown books
1982rif. 91216Berkeley: Arif Press 1982. First edition. Two upper corners very lightly tapped else fine in printed paper-covered boards. Three signatures of 24 pages each bound in such a way that the pages can be turned as in a standard book or the boards be accordioned away from each other to create an entirely different experience of the text. Introduction by Tanner printed inside the front cover. One of 125 copies printed in two colors on Caslon Mi-Teintes paper. Berkeley: Arif Press, hardcover books
1970rif. 85765Berkeley: Arif 1970. First edition. 8 pp. Fine in sewn wrappers. One of 60 numbered copies. A collage poem. Berkeley: Arif, unknown books
1987rif. 8620New York: Penguin Books 1987. Paperback. Fine. Introduction by Wallace Stegner. Later Printing. Near Fine. Wraps with a faint crease on the front cover. Square and firmly bound clean internally. Powell's classic account of his expedition through America's western canyons. Penguin Books paperback books
2012rif. 9320gcsPensacola Florida: First Methodist Church Pensacola 2012. First Edition. Quarto black & white photo. illus. slick boards hardcover x 753 pp. Good with edgewear. Illustrations throughout. From lower cover: Established in 1821 Florida’s First Methodist Church has a remarkable story. It survived fires thefts wars hurricanes epidemics debts deaths terminations schisms and scandals. Despite the hardships God never abandoned the congregation but guided the church onward. Over 100 ministers served there. For some the appointment was a burden; for others it was a labor of love. They all improved their congregation’s understanding of the Word and provided comfort. Because of talented ministerial and lay leadership the church moved beyond a small rural pastorate and progressively risked larger facilities that would broaden its outreach. Eventually it mothered other churches launched missions elsewhere and became one of the most significant churches in its Conference. Historian Wesley Odom traces the development of this unique Pensacola institution in a masterful way incorporating social economic and political influences detailed analysis and thorough research. He habitually relied upon primary sources and conducted dozens of interviews. His “buttom-up” approach creates an exciting inspirational and fascinating story that reads easily and contains many surprises. Both the casual reader and professional historian can appreciate this epic manuscript. First Methodist Church, Pensacola, (2012). First Edition. hardcover books
1900rif. 155031900. WISHART ALFRED WESLEY. A Short History of Monks and Monasteries. Trenton: Albert Brandt 1900. 454 p. Plates. Bound in full red crushed levant all edges gilt by Trenton's Ralph Brandt. Extremities a bit rubbed and discolored front free endpapers browned. One of the more handsome books printed on Albert Brandt's short-lived Trenton press. A smaller-format less expensive edition was printed by Brandt two years later. unknown books
1975rif. 136078London: The Keepsake Press 1975. First edition. Softcover. 37 pages. A fine copy in wrappers in a fine dust jacket. A very fresh copy. The Keepsake Press unknown books
1993rif. 132254Richmond VA: Key Gallery 1993. First edition. Oblong softcover. 12 pages. Exhibition catalog for a show that ran May 14 through June 26 1993. Essay by Wesley Gibson. A close to near fine copy in stapled wrappers from the Cranbrook Academy of Art Library with their stamp to the last page. Otherwise a very clean copy. Key Gallery unknown books
1977rif. 129208Washington D.C.: Smithsonian Institution Press 1977. First edition. Softcover. 159 pages. Foreword by Joshua C. Taylor. Includes numerous black and white illustrations. A very good plus copy in wrappers with some minor wear but an internally a clean copy. Smithsonian Institution Press unknown books
1990rif. 49798NY & Los Angeles: Vantage Press 1990. First edition. 261 pp. Fine in very near fine dust jacket. Review slip laid in. Three short novels. NY & Los Angeles: Vantage Press unknown books
1915rif. 48701915. WISHART ALFRED WESLEY. A Memorial of Garret Dorset Wall Vroom. Trenton 1915. 20 p. Cloth. Distinguished attorney and judge. unknown books
1900rif. 81691900. WISHART ALFRED WESLEY. A Short History of Monks and Monasteries. Trenton: Albert Brandt 1900. 454 p. Plates. Cloth spine lettering dulled. One of the more handsome books printed on Albert Brandt's short-lived Trenton press. A smaller-format less expensive edition was printed by Brandt two years later. unknown books
1964rif. 10351964. CRAVEN WESLEY FRANK. New Jersey and the English Colonization of North America. Princeton 1964. xiii 114 p. Illus. Cloth. unknown books
1972rif. 5301Berkeley: Arif Press 1972. First edition. 4 pp. Fine in sewn wrappers with pasted-on cover label. One of 200 copies. A single poem. Berkeley: Arif Press, unknown books
2000rif. 13901Seattle: University of Washington Press 2000. First edition. Fine in fine dust jacket. Essays on Northwest U.S. artists painters and musicians including Mark Tobey Morris Graves Theodore Roethke Elizabeth Bishop Ernest Bloch etc. Seattle: University of Washington Press, unknown books
1927rif. 019614New York: Longmans Green & Co. 1927. First Edition. Hardcover. Owner inscription on the half-title page. Near Fine lacking the scarce dustwrapper. Cloth. Illustrated with photographs. SIGNED on the front endpaper "Sincerely/Amos Alonzo Stagg/December 1927." A scarce early inscription before his writing became shaky by one of the most important figures in American sports. Stagg the first to be elected to the Football Hall of Fame as both player and coach was active in the sport until the age of 98. He is credited with originating more plays and formations than any other man and among other developments is responsible for the forward pass the huddle and numbered uniforms. Stagg also invented the indoor batting cage and pioneered the headlong slide in baseball. In addition Stagg participated in the first public basketball game on 11 March 1892 scoring his team's only basket and the first intercollegiate basketball game on 18 January 1896. He is said to be responsible for the concept of five-man basketball. Of the Grand Old Man of the Game Knute Rockne once said "All football comes from Stagg." Longmans, Green & Co. hardcover books
