7 409 résultats
réf. 1490375368.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1490576215.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1490581065.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0983140820.Gspiral_bound. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
2001réf. 858Zürich: Diogenes Verlag, 2001. 285 Seiten , 18 cm, kart.,
réf. 651436269Heritage Books Inc. . Papeback. New. pp. 508 Index Heritage Books Inc. unknown
réf. 24011258like new. unknown
réf. 651437436Heritage Books Inc. . Papeback. New. pp. 574 Index Heritage Books Inc. unknown
réf. B9780788437502Paperback / softback. New. paperback
1940réf. 148993Culver City CA: Columbia Pictures 1940. Vintage borderless reference photograph from the 1940 film showing actors Harry Davenport Melvyn Douglas and Jean Arthur. Based on W. Somerset Maugham's 1919 play which was in turn based on his 1864 poem "Enoch Arden." A man declared dead after disappearing in a boating accident returns home several months later only to find his wife married to his best friend. 8.75 x 7.75 inches. Very Good plus overall with light adhesive residue to the verso. Columbia Pictures unknown
1940réf. 150548N.p.: N.p. 1940. Vintage reference photographs of director Wesley Ruggles on the set of the 1940 film by photographer Irving Lippman. Mimeo snipe and photographer "Irving Lippman" stamp on verso. Based on the 1919 play by W. Somerset Maugham which was based on the 1864 poem "Enoch Arden" by Alfred Tennyson. Soon after presumed window Vicky Jean Arthur marries her late husband's friend and business partner Henry Melvyn Douglas her first presumed dead husband Bill Fred MacMurray shows back up and now she's got one too many. Nominated for an Academy Award. 10 x 8 inches. Near Fine. Byrge and Miller The Screwball Comedy Films A History and Filmography 1934-1942. N.p. unknown
1940réf. 148993Culver City CA: Columbia Pictures 1940. Vintage borderless reference photograph from the 1940 film showing actors Harry Davenport Melvyn Douglas and Jean Arthur. Based on W. Somerset Maugham's 1919 play which was in turn based on his 1864 poem "Enoch Arden." A man declared dead after disappearing in a boating accident returns home several months later only to find his wife married to his best friend. 8.75 x 7.75 inches. Very Good plus overall with light adhesive residue to the verso. Columbia Pictures unknown books
1940réf. 150548N.p.: N.p. 1940. Vintage reference photographs of director Wesley Ruggles on the set of the 1940 film by photographer Irving Lippman. Mimeo snipe and photographer "Irving Lippman" stamp on verso. Based on the 1919 play by W. Somerset Maugham which was based on the 1864 poem "Enoch Arden" by Alfred Tennyson. Soon after presumed window Vicky Jean Arthur marries her late husband's friend and business partner Henry Melvyn Douglas her first presumed dead husband Bill Fred MacMurray shows back up and now she's got one too many. Nominated for an Academy Award. 10 x 8 inches. Near Fine. Byrge and Miller The Screwball Comedy Films A History and Filmography 1934-1942. N.p. unknown books
1960réf. 010622-SThe Pareil Press 1960 Hardcover bound in grey cloth. Prior owner penned on ffep. Bumped spine edges & corners. Light staining to lower corner of pages and some throughout. Signed by author on title page. Revised edition. No foxing but some points of cracked hinge. The Pareil Press hardcover
1991réf. BK-PXBQK3University of Virginia Press 1991. 1st published 1991. Hardcover. collectible_like_new. collectors copy - unread - like new In this analysis of the language of totalitarianism John Wesley Young examines the manipulation of language by Nazi and Communist regimes. Relating the language of totalitarian regimes to the language Newspeak in George Orwell's satirical novel 1984 Young addresses the similarities and differences between the real and fictional languages demonstrates the accuracy of Newspeak and explores the degree of control that language can exert over the thought and behaviour of a people. University of Virginia Press hardcover
2025réf. C102718Croydon London: C R Group 2025. Facsimile Reprint. Paperback . Fine. Facsimile Reprint 8vo. pp xi 335. Large format paperback. Reprint attractively done of the 1991 University of Virginia edition. Prescient and still very relevant. 'In this analysis of the language of totalitarianism John Wesley Young examines the manipulation of language by Nazi and Communist regimes. Relating the language of totalitarian regimes to the language Newspeak in George Orwell's satirical novel ""1984"" Young addresses the similarities and differences between the real and fictional languages demonstrates the accuracy of Newspeak and explores the degree of control that language can exert over the thought and behaviour of a people. Based on Orwell's own perceptions of political literary and linguistic practices Newspeak is used in the novel by a totalitarian dictatorship to create a distorted view of reality and to control the thought and behaviour of its subjects. It is a language in which heretical ideas cannot be expressed or even conceived. Young's analysis of the speeches and writings of actual dictators particularly in Nazi Germany and the Soviet Union reveals a similar propagandistic structure in the use or misuse of language the purpose of which was to enslave and control the populace. Young's analysis of the effects of these languages on the subjects of totalitarian dictatorships reveals that although Orwell's Newspeak was a potent instrument of control over the thought and behaviour of the citizens the language of actual totalitarian regimes was not nearly so successful. When official rhetoric and reality did not agree the skepticism and cynicism of the people gave rise to the phenomenon of counterlanguages that attempted to reinscribe the reality of life under dictatorial rule. Young evaluates the extent to which thought control succeeded under the Nazi and Soviet regimes and considers the implications that these findings offer for linguistic determinism.' Fine C R Group paperback
1986réf. Q-0310362717Zondervan 1986-08-28. Paperback. New. New. In shrink wrap. Looks like an interesting title! Zondervan paperback
réf. 53760403like new. unknown
réf. 1026042011.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1927réf. MSS15883Longmans Green & Company. Good with no dust jacket. 1927. Second Printing. Hardcover. Signed inscribed and dated by Amos Alonzo Stagg on front endpaper. First edition. Hard cover published by Longmans Green and Co. in 1927. No dust jacket. Red covers with black lettering. Covers have stains and some scuffing and spine is darkened some. Upper corners of covers are bumped and worn some and bottom corners are slightly bumped with some wear. Endpapers have some tanning. Book is in good condition. 8vo 352 pages 1.1 lb.; 8vo 8" - 9" tall; 352 pages; Signed by Author . Longmans, Green & Company hardcover
1927réf. 046689New York: Longmans Green and Co. 1927. First Edition . Soft cover. Near Fine/Good. Stated first edition. Three one inch chips to jacket at spine ends and upper corner. Price clipped. Email for pics. Owner gift inscription. Longmans Green and Co. paperback
1927réf. 1579940194Longmans Green and Co. 1927. First Edition. Hardcover. Good. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket missing. First edition second printing. SIGNED and inscribed by the author. Shelf and handling wear to cover and binding with general signs of previous use. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Longmans, Green and Co. hardcover
1927réf. 140942599New York: Longmans Green and Co 1927. First Edition. Near Fine/Very Good. First edition first printing. Signed by Amos Alonzo Stagg on the front free endpaper. Bound in publisher's original maroon ribbed cloth lettered in gilt. Near Fine with light mottling and wear to cloth small puncture to rear board small abrasion to front paste down and pages toned. In a Very Good unclipped dust jacket perhaps supplied as trimmed slightly shorter than the book with chipping and wear. Stagg was the first to be inducted into the Football Hall of Fame as both a player and a coach. Longmans, Green and Co unknown
1927réf. 019614New York: Longmans Green & Co. 1927. First Edition. Hardcover. Owner inscription on the half-title page. Near Fine lacking the scarce dustwrapper. Cloth. Illustrated with photographs. SIGNED on the front endpaper "Sincerely/Amos Alonzo Stagg/December 1927." A scarce early inscription before his writing became shaky by one of the most important figures in American sports. Stagg the first to be elected to the Football Hall of Fame as both player and coach was active in the sport until the age of 98. He is credited with originating more plays and formations than any other man and among other developments is responsible for the forward pass the huddle and numbered uniforms. Stagg also invented the indoor batting cage and pioneered the headlong slide in baseball. In addition Stagg participated in the first public basketball game on 11 March 1892 scoring his team's only basket and the first intercollegiate basketball game on 18 January 1896. He is said to be responsible for the concept of five-man basketball. Of the Grand Old Man of the Game Knute Rockne once said "All football comes from Stagg." Longmans, Green & Co. hardcover
1927réf. 019614New York: Longmans Green & Co. 1927. First Edition. Hardcover. Owner inscription on the half-title page. Near Fine lacking the scarce dustwrapper. Cloth. Illustrated with photographs. SIGNED on the front endpaper "Sincerely/Amos Alonzo Stagg/December 1927." A scarce early inscription before his writing became shaky by one of the most important figures in American sports. Stagg the first to be elected to the Football Hall of Fame as both player and coach was active in the sport until the age of 98. He is credited with originating more plays and formations than any other man and among other developments is responsible for the forward pass the huddle and numbered uniforms. Stagg also invented the indoor batting cage and pioneered the headlong slide in baseball. In addition Stagg participated in the first public basketball game on 11 March 1892 scoring his team's only basket and the first intercollegiate basketball game on 18 January 1896. He is said to be responsible for the concept of five-man basketball. Of the Grand Old Man of the Game Knute Rockne once said "All football comes from Stagg." Longmans, Green & Co. hardcover books