215 resultados
1983ref. 21636Madison: The University of Wisconsin Press 1983. First printing. Hardcover. vg. 4to. xviii 346pp. Sienna cloth with gilt lettering on spine. The essays in this volume illustrate the changing modes of storytelling and of style in ancient Greek art from the Bronze Age to the 15th Century B.C through the Greco-Roman period. They were presented as papers in 1981 at the University of Wisconsin. Illustrated with b/w reproductions of photographs of ancient Greek art and Iconography. Tail of spine slightly bumped. Corners rubbed. Very good condition. The University of Wisconsin Press hardcover books
1983ref. 156193Madison Wisconsin: The University of Wisconsin Press 1983. Hardcover. G Of average age overall; dj has a few tears along with one taped at heel of outer spine; former owner name and year on first page; pages are otherwise generally clean. Red-orange cloth gilt letters on spine white & color illus. dust jacket 346 pp. many BW illus. A collection of 18 illustrated essays emanating from a 1981 symposium on the subject. "Their presentations assembled here embrace a variety of themes and a range of methologies from the strictly iconographical to the stylistic and sociological. There are perceptive studies of classical painters and sculptors and analyses of the historical mythological and social influences on the various artistic media; there are fresh assessments of major Greek monuments and interpretations of previously unknown or unfamiliar vase-paintings murals sculptures and bronzes." dj And much more. The University of Wisconsin Press hardcover books
1983ref. 235809Madison: University of Wisconson Press 1983. First. hardcover. fine/near fine. Hundreds of black & white photographic illustrations. 346pp. 4to rust cloth d.w. Madison: Wisconsin 1983. A fine copy in a near fine dust jacket. University of Wisconson Press unknown books
1987ref. 111456Birmingham: Classics of Ophthalmology 1987. hardcover. fine. Illustrated. 2 vols. in one. Thick 8vo full rust leather decoratively gilt spine and covers a.e.g. Birmingham: Privately Printed for the Classics of Ophthalmology 1987. Fine. Facsimiles of the 1894 and 1877 editions respectively. Classics of Ophthalmology unknown books
1991ref. 69104Boston: Shambhala 1991. First edition. Hardcover. Near Fine/Near Fine. 510pp. Quarto 31.5cm. Bound in blue cloth with gilt lettering on the spine. In an illustrated dust jacket and an illustrated slipcase. There are a few small scratches to the slipcase. With 120 full-page color photographs of ancient and modern art and artifacts of the sacred traditions of the world. All images are sourced at the ARAS which housed more than 13000 pictures and scholarly materials at the time of this publication. Shambhala hardcover books
2012ref. 209635Milan: Mousse Publishing 2012. Hardcover. As new. Octavo. Hardcover. Red cloth boards with gilt stamped titles and illustration. 215 pages : illustrations ; 24 cm. No jacket as issued. Contains texts in English and Spanish. "This publication has been produced on the occasion of the exhibition cycle 'Amikejo' . with exhibitions by Pennacchio Argentato 29 January - 3 April 2011 Iratxe Jaio & Klaas van Gorkum 9 April - 12 June 2011 Uqbar Irene Kopelman & Mariana Castillo Deball 25 June - 11 September 2011 and Fermín Jiménez Landa & Lee Welch 24 September 2011 - 15 January 2012"--Colophon./ Includes bibliographical references. Mousse Publishing hardcover books
2008ref. 212253Chicago IL: Bad Press Books 2008. First edition and first printing. Features texts by Maia M. Rigas Perra Loca and Hernandez de Luna. A fascinating monograph that examines at American politics and culture through the prism of the postal system. Hernandez de Luna offers a biting look by creating stamps and likely envelopes and mailing them. Includes numerous color illustrations. A fine copy in illustrated boards with a gatefold opening and in a fine black cloth slipcase. No dust jacket as issued. Signed by Hernandez de Luna on the verso of the front board. Also includes a signed note by Hernandez de Luna to art collector Cleve Carney thanking him for his support that has been inserted via photo corners to the rear of the book. Carney is the first person thanked in the printed acknowledgements of the book. An attractive production with a terrific provenance. Bad Press Books unknown books
1949ref. 188141949. Moon Bucklin. The Darker Brother 1949 brought Moon's 1943 novel of a Black Florida family's migration to Harlem into the postwar mass-market paperback trade centering the racial discrimination Ben encounters after moving North. The novel follows Ben from Florida to Harlem where expectations of greater freedom confront housing employment and interpersonal racism; his later military service returns him to the segregated South. Published originally during World War II the narrative placed these experiences within the movement of African Americans from the South to northern cities and the persistence of racial discrimination beyond the Jim Crow South. Moon Bucklin. The Darker Brother. New York City: Bantam Books November 1949. Bantam edition. First paperback printing. 246 pp. Original pictorial wrappers. 8vo. No dust jacket as issued. The front wrapper depicts Ben and his fiancée Birdie on a Harlem street confronted by a white man clutching papers with buildings and street activity visible behind them. Red blue and gold dominate the illustration. Across the upper margin appears the publisher's line "He came up North for freedom and got---Harlem!" The rear wrapper announces "Born the Wrong Color" in red lettering and summarizes Ben's experiences of racial prejudice. The cover's language and confrontation scene recast Moon's novel for the postwar paperback market by emphasizing racial conflict as its principal selling point. First published by Doubleday Doran in 1943 The Darker Brother follows Ben his mother and sister from Florida to Harlem and traces the consequences of racial violence and discrimination as Ben searches for work plans a future with Birdie and enters military service. Contemporary reviews recognized race relations as the novel's central subject while Moon continued addressing racial discrimination in A Primer for White Folks 1945 and The High Cost of Prejudice 1947. The 1949 Bantam edition is particularly revealing for the history of African American representation in popular publishing: its wrapper converts a novel about Black migration and racism into the visual and promotional vocabulary of the mid-century paperback juxtaposing the promise of northern freedom with the publisher's stark Harlem street scene. Minor creasing to the lower right corner of the front wrapper and minor chipping to the spine neither affecting text or illustration; internally clean and overall very good condition. unknown books
1972ref. 252390London: Rider 1972. Hardcover. Very Good/Good. Later. Very good in good dust jacket. Hardcover Later Edition. Book has light rub of spine ends and cover edges clean text. Dustwrapper has wear and tear of spine ends and panel edges price clipped. Rider hardcover books
1972ref. 025631London: Rider and Company. 1972. The first British edition of the second book by this non-Native Jungian psychologist a "poetic and psychological study of the Navajo emergence myth." Small abrasion front flyleaf and erasure first blank; else fine in a very good price-clipped dust jacket with a diagonal tear at the upper front spine fold. Unless otherwise noted our first editions are first printings. First Edition. Hardcover. Near Fine. Rider and Company hardcover books
1962ref. 208451Garden City NY: Doubleday 1962. Hardcover. Very Good/Very Good. First edition. Very good in very good dust jacket. Hardcover and dust jacket both lightly rubbed at spine ends and corners book has writing on front endpaper dust jacket lightly worn with browned spine and ink scribble on front flap. Doubleday hardcover books
1962ref. 222263New York: Doubleday 1962. Hardcover. Very Good/Very Good. Book club. Very good in an about Very good dust jacket. Foxing browning on fine edges. Dustwrapper rubbed with tearing some wear. Doubleday hardcover books
1863ref. 30892London: Hatchard & Co 1863. First edition 8vo pp. 27 1; bound with: Moon A Second Defence of the Queen's English. London: Hatchard & Co. 1863; pp. 38; bound with: Opinions of the Press for both of the foregoing 1 leaf each; bound with: Just published . Poems: by G Washington Moon pp. 4 ostensibly an advertisement but including two poems one entitled "Deeds not Words." Later wrappers; very good. Apt criticism of the Dean's infamous essay which Moon found to be riddled with structural and grammatical inaccuracies. This pamphlet had no small influence was later expanded with A Second Defense. Hatchard & Co unknown books
1932ref. 193948Los Angeles: Phoenix Press 1932. Hardcover. VG Boards have shelf/edgewear and some soiling; corners are worn; interior is clean; binding is solid. Half-bound green cloth-and-paper boards with red lettering; 68 pp.; frontispiece. Introduction by Manly Hall. Phoenix Press hardcover books
1971ref. 167739Beverly Hills CA: United Artists 1971. Vintage reference photograph from the 1971 "surrealist documentary" rock film showing Frank Zappa. In 1970 Zappa completely re-formed the Mothers of Invention to include drummer Aynsley Dunber jazz keyboardist George Duke and three members of The Turtles. Zappa began to write a film for the new lineup and recorded "Chunga's Revenge" 1970 with them as a "preview." Subsequently Zappa met conductor Zubin Mehta and worked with him to produce a concert in May 1970 wherein the Los Angeles Philharmonic was augmented by the Mothers or vice versa as you like and referred to this as "the second preview." The film itself shot in a week at Pinewood Studios outside London was a tripped-out documentary about life as a musician on the road and Zappa characteristically chose an eclectic group of celebrities to join the proceedings including Theodore Bikel Ringo Starr and Keith Moon. The resulting soundtrack is a matter of debate among Zappa enthusiasts but is notable for its orchestral finale "Strictly Genteel" a touchstone for the variety of classical music experimentations Zappa would subsequently pursue. 8 x 10 inches. Near Fine. United Artists unknown books