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1982Foxing through pages and textblock. Yellowing to wraps. ; 8.2 X 5.7 X 0.8 inches; 216 pages
1934Upper corners a bit bumped. Lower corners slightly edgeworn. Minor darkening to boards. Very minor bumping along top edges. ; 545 pages
1995Very faint shelfwear to DJ. ; Long overshadowed by Greek mythology or treated peripherally in general texts on the ancient Roman world, Roman religion is finally accorded its due and set in its full context as no other reference source has done before. While perhaps most familiar in the context of Greek-influenced gods, Roman religious life in fact encompassed a tremendous variety of deities, rites, and belief systems. From the Celtic god Abandinus to the pagan historian Zosimus, Dictionary of Roman Religion contains more than 1,400 entries, covering topics such as festivals, sacrifices, temples, burial rites, deities and spirits, and historical religious events. The different religions are also covered: Mithraism, Druidism, Judaism, and Christianity, which were all part of the Roman religious world. Entries range from brief definitions to concise essays reflecting important aspects of religious practice, and most include suggestions for further reading in addition to a complete bibliography. Complete with illustrations and helpful cross-references, this dictionary is both comprehensive and essential for students and researchers. For those interested in ancient religions, myths and legends, Roman society, and classical studies, this dictionary is a welcome and novel edition to the vast library on ancient Roman life. ; 288 pages
1999Upper corner a bit bumped. DJ spine sunned. Else minor shelfwear. ; The Papers and Monographs of the American Academy in Rome Vol. XXVII; 368 pages; Recent years have seen a welcome growth of interest in the history of early Rome. Libri Annales Pontificum Maximorum: the Origins of the Annalistic Tradition contributes important information on this period by focusing on the earliest stages of Roman historical writing. The book is once again available, with a new Introduction by the author that brings the work up to date and helps place it in its current context. This book remains the starting point for study of the pre-annalistic tradition of Roman history. When first published, the volume sparked a lively debate among classicists and historians of the ancient world. Previous scholarship had often assigned the pontifical chronicle a central role not only in preserving the history of the early Republic, but also in shaping the form of the annalistic tradition. But the author showed that these assumptions rested on insecure foundations; to a large extent, they misrepresented the historiographic development of the annalistic tradition as we know it from, above all, Livy and Dionysius of Halicarnassus. Perhaps the book's most controversial contention was that the final eighty-book edition of the chronicle, which previous scholars had dated to the later second century BCE, is more probably a massive reworking of materials in the Augustan period. This finding will likely require a considerable revision in our understanding of the development of the annalistic tradition. In the course of making these innovative arguments, the author offers extensive information about the origins of the annalistic tradition and about the early history and historiography of Rome. Bruce W. Frier is Professor of Classics and Roman Law, and Henry King Ransom Professor of Law, University of Michigan. He has published numerous books and articles on classical and legal topics, and has won the Charles J. Goodwin Award of Merit from the American Philological Association.
1979Book has very light shelfwear. ; This book brings together a wealth of out-of-the-way information both on the national peculiarities of the Romans and on their views of the peculiarities of others; the topics range from food and sex habits to astrology and the seven day week, from slavery, snobbery and the problems of exile to ritual murder, euthanasia and suicide. ; 10.25 x 1.25 x 6.5 Inches; 310 pages
1996Very light shelfwear to book and DJ; 1996 Sandpiper reprint of 1978 Edition. ; 399 pages; Hesiod was an ancient Greek poet whose Works and Days discusses agricultural practices and society in general. Classicists and ancient historians have turned to Works and Days for its insights on Greek mythology and religion. The poem also sheds light on economic history and ancient agriculture, and is a good resource for social scientists interested in these areas. This translation emphasizes the activities and problems of a practicing agriculturist as well as the larger, changing political and economic institutions of the early archaic period. The authors provide a clear, accurate translation along with notes aimed at a broad audience. The introductory essay discusses the changing economic, political and trading world of the eighth and seventh centuries B. C. E. , while the notes present the range and possible meanings of important Greek terms and references in the poem and highlight areas of ambiguity in our understanding of Works and Days.
1985Creasing to lower rear corner of wraps and last few pages. Gift inscription in pencil to ffep. ; 9.8 X 7.9 X 0.6 inches; 395 pages
2001Light bumping to base of spine. Minor shelfwear to DJ. ; Getty Trust Publications: J. Paul Getty Museum; 12.4 X 9.2 X 0.8 inches; 182 pages
1997Digitally reprinted. Very light shelfwear else fine. ; Cambridge Classical Studies; 8.5 X 5.6 X 1.2 inches; 340 pages
1925Scholar's name to inner cover (Cedric Boulter). Endpapers browned. Spine has minor dampstaining and colour loss. ; 4to 11" - 13" tall; 316 pages
2007Some light creasing to DJ. ; In this sumptuously illustrated book, Joan Breton Connelly gives us the first comprehensive cultural history of priestesses in the ancient Greek world. Connelly presents the fullest and most vivid picture yet of how priestesses lived and worked, from the most famous and sacred of them--the Delphic Oracle and the priestess of Athena Polias--to basket bearers and handmaidens. Along the way, she challenges long-held beliefs to show that priestesses played far more significant public roles in ancient Greece than previously acknowledged. Connelly builds this history through a pioneering examination of archaeological evidence in the broader context of literary sources, inscriptions, sculpture, and vase painting. Ranging from southern Italy to Asia Minor, and from the late Bronze Age to the fifth century A. D. , she brings the priestesses to life--their social origins, how they progressed through many sacred roles on the path to priesthood, and even how they dressed. She sheds light on the rituals they performed, the political power they wielded, their systems of patronage and compensation, and how they were honored, including in death. Connelly shows that understanding the complexity of priestesses' lives requires us to look past the simple lines we draw today between public and private, sacred and secular. The remarkable picture that emerges reveals that women in religious office were not as secluded and marginalized as we have thought--that religious office was one arena in ancient Greece where women enjoyed privileges and authority comparable to that of men. Connelly concludes by examining women's roles in early Christianity, taking on the larger issue of the exclusion of women from the Christian priesthood. This paperback edition includes additional maps and a glossary for student use.; 10.1 X 7.4 X 1.3 inches; 415 pages
1995DJ Spine is sunned and very discolored. Very light shelfwear to book. ; This book offers a series of in-depth studies of the beliefs, attitudes, and rituals surrounding death in ancient Greece, from the Minoan and Mycenean period to the end of the classical age. Drawing on a wide range of evidence--from literary texts, to inscriptions, to images in art--Sourvinou-Inwood sheds light on many key, still problematic, aspects of Greek life, myth, and literature. She also looks at the problem of "reading" this material within the context of our own culturally-determined beliefs. ; 512 pages
19961.25 x 10 x 6.75 Inches; 288 pages; In recent years, the topic of ancient Greek hero cult has been the focus of considerable discussion among classicists. Little attention, however, has been paid to female heroized figures. Here Deborah Lyons argues for the heroine as a distinct category in ancient Greek religious ideology and daily practice. The heroine, she believes, must be located within a network of relations between male and female, mortal and immortal. Using evidence ranging from Homeric epic to Attic vase painting to ancient travel writing, she attempts to re-integrate the feminine into our picture of Greek notions of the hero. According to Lyons, heroines differ from male heroes in several crucial ways, among which is the ability to cross the boundaries between mortal and immortal. She further shows that attention to heroines clarifies fundamental Greek ideas of mortal/immortal relationships. The book first discusses heroines both in relation to heroes and as a separate religious and mythic phenomenon. It examines the cultural meanings of heroines in ritual and representation, their use as examples for mortals, and their typical "biographies." The model of "ritual antagonism," in which two mythic figures represented as hostile share a cult, is ultimately modified through an exploration of the mythic correspondences between the god Dionysos and the heroines surrounding him, and through a rethinking of the relationship between Iphigeneia and Artemis. An appendix, which identifies more than five hundred heroines, rounds out this lively work.
1976Wraps have heavy rubbing with creasing. Colour loss along spine. Wraps are a bit worn. Scholar's name to ffep (Jenifer Neils). Some underlining in ink to a few pages. ; Drawings; 0.81 x 9.25 x 5.95 Inches; 311 pages
1994Pencil Underlining or marginalia to some pages; 1 page with pen marginalia (line). Else minor shelfwear. Scholar's name to ffep (Jenifer Neils). ; 320 pages
1987American Excavations in Old Corinth. Corinth Notes No. 2; 8.2 X 5.3 X 0.5 inches; 32 pages
2010Creasing to book through lower section. ; Books Guides; 9.9 X 7.2 X 0.7 inches; 240 pages
1998Very minor shelfwear to book and DJ. ; Drawings; 9.8 X 7.5 X 0.8 inches; 224 pages
1976DJ spine a bit sunned. Some creasing to DJ. Signed by author to copyright page. Colour loss along spine. ; 159 pages; Signed by Author
1980Faint shelfwear. ; Excavations of the Athenian Agora Picture Book No. 19; 8.2 X 5.1 X 0.1 inches; 32 pages
1987American Excavations in Old Corinth. Corinth Notes No. 2; 8.2 X 5.3 X 0.5 inches; 32 pages
1995Review of book tipped in. Dustjacket has faint creasing; 0.85 x 9.32 x 6.32 Inches; 240 pages; Theseus is celebrated as the greatest of Athenian heroes. This work explores what he meant to the Athenians at the height of their city-state in the fifth century B. C. Assembling material that has been scattered in scholarly works, Henry Walker examines the evidence for the development of themyth and cult of Theseus in the archaic age. He then looks to major works of classical literature in which Theseus figures, exploring the contradictions between the archaic, primitive side of his character and his refurbished image as the patron of democracy. His ambiguous nature as outsider, flouting accepted standards of behavior, while at the same time being a hero-king and a representative of higher ideals, is analyzed through his representations in the work of Bacchylides, Euripides, and Sophocles. This is the only work of scholarship that examines the literary representation ofTheseus so thoroughly. It brings to life a literary character whose virtues, flaws, and contradictions belong in no less a degree to his creators, the people of Athens.
2003Light edgewear along top edge of DJ. Very faint shelfwear to book else fine. ; This book deals specifically with sixteenth-century depictions of the Olympian deities, the twelve supreme deities of ancient Greece and Rome. As the Renaissance revived several aspects of antiquity, some great works of art represented the Olympians in imitation of the classical style. These deities were rendered as autonomous figures, in the form of representation adapted for depicting saints and Christian rulers. This form of depicting the Olympians, or the pagan gods, was not unanimously accepted by sixteenth-century viewers. The book highlights the problematic framework surrounding the creation, display and acceptance of such thought-provoking works of art. ; 9.7 X 7.2 X 1.0 inches; 318 pages
1996Large stamp to verso of dedication page for the John Deyell company with number written in. Else book is fine. ; An important contribution to social history, linking the life and nature of the polis with its festivals and rituals and the legends which went with them and used for the elucidation of a state's self-identity. ; Phoenix Supplementary Volume; 1 x 9.5 x 6.5 Inches; 287 pages