765 resultados
1997ref. 4189Niedernhausen/Ts. : Falken, 1997. 111 S., 27 cm Großformat, illustrierter Pappband
2002ref. 200116Club Reiseführer Dorling Kindersley, 2002. 144 Seiten mit zahlreichen Farbfotos und Karten Softcover/Paperback
1973ref. 42982A & W Visual Library 1973. 192 Seiten mit Abb. , Eigentümersignatur auf Vorsatzblatt Softcover/Paperback, leichte Gebrauchsspuren am Einband, sonst guter Zustand
ref. 58366New York, Wehman Bros., o. J. (um. Kl.-8°. Mehrf. gefalt. farb. Stadtplan (ca. 66,5 x 89,5 cm) in OKart.-Umschlag.
1978ref. 144163J. A. Allen & Co Ltd, London 1978. XXV, 401 pages. With a lot of illustrations and some folded maps. Red Original hardcover binding. 22x14 cn
1960ref. 63162Wien. 1960). 34 n. n. Seiten. Mit zahlr. Abbildungen. Farbig ill. Originalbroschur.(Geringe Gebrauchsspuren). 29x21 cm
1903ref. BK0104Jacksonville Illinois: E. L. Young 1903. Original silver gelatin photograph of a Native American dancer in elaborate performance dress mounted on the studio card of E. L. Young. The sitter is shown in an animated pose before what appears to be a temporary canvas or exhibition structure holding dance implements and wearing ankle ornaments. Mount approximately 4 ¼ x 6 inches photograph 3 x 4 inches. Pencil identification of Young's Jacksonville studio to verso. Excellent. A photograph of an Indigenous American dancer likely made during the appearance of a traveling Wild West or related exhibition company in Jacksonville. Although the sitter has not been identified the Jacksonville location and apparent temporary showground setting suggest that the image records a performer from a traveling show rather than a western ethnographic portrait. In fact Pawnee Bill's Wild West appeared in the city in 1903;1 Pawnee Bill's company was among the largest touring Wild West groups of the period and employed Native performers as a major component of its program. We find no other examples and scant record of the photographer E.L. Young though a surviving cabinet card dated 1900 was offered online at the time of writing. 1 "PAWNEE BILL" Jacksonville Journal Courier October 16 1903 7. . E. L. Young unknown books
1912ref. List38127Chicago Illinois: Will Rossiter 1912. 16 pp songbook measuring 10 x 13 ½ inches in paper wraps. Wraps worn especially at edges with wrinkling and several large folds; very good minus. Contents toned with some wrinkling folds and spots of rubbing with one larger tear; very good minus. Overall very good minus. A novelty songbook for the combined Wild West shows of Buffalo Bill and Pawnee Bill Buffalo Bill's Wild West and Pawnee Bill's Great Far East also called the "Two Bills Show." The alternate title on the back cover is Buffalo Bill's and Pawnee Bill's Big Minstrels Song and Joke Book. The inside cover contains "Cracker-Jack Conundrums" a collection of two-line jokes and the back has "A Dictionary of Dreams and Their Meanings." The songbook's cover illustration shows a caricature of a Native American chief on horseback with an inset portrait of "Buffalo Bill" Cody and "Pawnee Bill." Born Gordon Lillie in Bloomington Illinois Pawnee Bill got his start in Wild West shows working as Buffalo Bill's Pawnee interpreter. He launched his own show in 1888 with his wife May Manning which expanded to include the "eastern" element mentioned in this songbook's title with Mexican cowboys such as the popular "Mexican Joe" Jose Barrera and Pawnee performers alongside Japanese and Arab acts. We find no copies of the songbook on OCLC. Will Rossiter unknown books
ref. 167954N.p.: N.p. 1990. Archive of approximately 570 vernacular color photographs of the Chicago Auto Show housed in two generic photograph albums with plastic overlays covering every year from 1979 through 1990 lacking 1981. The first photograph album a blue 3-ring binder of 58 leaves with a "Chicago Auto Show Pictures" label on the front board contains approximately 320 photographs housed on the rectos and versos of the leaves and has ink annotations on the verso of the front board noting the years 1979 1980 1982 1983 1984 and "David Hasslehoff" a guest at the 1983 Chicago Auto Show. The vast majority of photographs in this album are 5 x 3.5 inch photographs with approximately 40 3.5 x 3.5 inch photographs. The second photograph album a green 3-ring binder of approximately 53 leaves with a "Chicago Auto Show Pictures" label on the front board contains approximately 250 photographs housed on the rectos and versos of the leaves and has ink annotations on the verso of the front board noting the years 1985 1986 1987 1988 1989 1990 and "William Perry The Refrigerator" a guest at the 1986 Chicago Auto Show. The vast majority of photographs in this album are 5 x 3.5 inches with eleven 4.25 x 3.5 inch photographs. A sizable photographic archive documenting eleven years of a devoted fan's annual trips to the Chicago Auto Show throughout the 1980s. The majority of the photographs depict the displayed vehicles with their attending female models and performers as well as the lavish booths and fashions of the 1980s. A documentation of a transitional decade for the US automobile as the behemoths of the late 1970s evolved into the more compact and fuel-efficient Japanese-influenced models emergent by 1990. The Chicago Auto Show was begun in 1901 by bicycle show promoter Samuel Miles and quickly rose to prominence often regarded as the "National Auto Show" by the early 1930s. World War II curtailed the production of motor vehicles for consumers and as a result the Chicago Auto Show was not held between 1941 and 1949. In 1961 the Chicago Auto Show was moved from the International Amphitheatre to its current location at McCormick Place. It is currently the largest auto show in the United States. Photograph Albums 11.5 x 11 inches. Albums and photographs all Near Fine. N.p. unknown books
1875ref. List3681Cincinnati: F.W. Helmick 1875. Quarto 14 x 10 ½ inches 5 pp. Binding split some marginal chips good condition. Sentimental minstrel-era ballad associated with the touring repertory of J.H. Haverly’s Mastodon Minstrels one of the largest and most commercially successful minstrel organizations of the 1870s with an illustrated cover using the trope of an elderly African American man which was popular in Uncle Tom’s Cabin-era touring shows. The song is attributed to John Rutledge a performer and songwriter active within late nineteenth-century minstrel circuits whose compositions circulated primarily through stage performance and regional sheet music publication. The title was originally sung by Milton G. “Milt” Barlow 1843–1882 a prominent minstrel comedian and vocalist frequently billed as a “Dutch” or character performer and long associated with Haverly’s troupe. Published in Cincinnati by F.W. Helmick a regional music publisher active in issuing popular songs minstrel pieces and theatrical repertory during the 1870s. The sheet has four holdings in OCLC as well as Vassar’s Harriet Beecher Stowe collection. F.W. Helmick unknown books
1950ref. List2914Unknown location 1950. 7 x 11 inch poster. Some small marginal tears overall excellent. A small poster for Pearl Bailey with the Louie Bellson Quartet presented by the United Service Organizations and Department of Defense. Bailey 1918–1990 was a singer dancer and actress; she started her career performing at Black nightclubs on the east coast and later performed in several Broadway hits including an all-Black version of Hello Dolly! Louie Bellson 1924–2009 was Bailey’s husband a composer bandleader and jazz drummer credited with inventing the double bass drum setup. Bailey toured regularly with the USO beginning in 1941 though this poster is likely from later; the DOD was called the Department of War until 1949 and the USO was inactive between 1945 and 1950. unknown books
1972ref. 52381San Francisco: Nocturnal Dream Shows 1972. Postcard. 5x7 inch postcard with photo by Wren de Antonio of Rothermel in drag for the Palace Theatre show and show information. A Todd Trexler -designed card for the midnight live show by the ex-Cockette. Nocturnal Dream Shows unknown books
19704to., First Edition, with frontispiece and photographs in the text; blue cloth, gilt back, a near fine copy in unclipped dustwrapper.
1953Un fort volume broché de format in 8° carré de 342 pp.; couverture bleue illustrée. Bel état. 54 portraits de célébrités de l'époque.
1985Un volume broché au format poche de 352 pp.; couverture illustrée. Bon état. Voir photo.
1986Un volume broché de format in 8° de 152 pp.; couverture illustrée. Bon état. Voir photo. Peu fréquent.
1987Un volume broché de format in 8° de 168 pp.; couverture illustrée. Bon état. Voir photo.
1986Un volume de format in 8° de 208 pp.; cahier photographique au centre du volume; reliure cartonnée et illustrée de l'éditeur. Rousseurs sur les gardes; sinon parfait état. Voir les photos.
1977Un volume broché de format in 8° de 240 pp.; couverture illustrée. Bon état. Voir photo. Peu fréquent.
1988Un volume cartonné de format in 4° de 126 pp.; très nombreuses illustrations, le plus souvent sous forme de bandes dessinées par Tibet, Lejeune, Van Damme, Severin, Salemi, Ryssack, Jarry, Servais, De Brabanter, Jannin, Busschaert, Conrad, Geerts, Mitacq, Will, Peyo, Laudec, Bob de Moor, Hernu, Bédu. Reliure cartonnée illustrée. Discrètes traces de rongeurs sur la coupe du second plat; sinon bel état. Peu fréquent. Voir les photos.
1992Un très fort volume broché au format poche de 480 pp.; couverture illustrée. Bel état. Tout les textes ou presque de Brel réunis en un volume. Voir la photo.
1982Un volume broché de format in 8° de 244 pp.; nombreuses reproductions photographiques en hors texte. Bel état. Voir les photos.
2004Un volume broché au format poche de 224 pp.; couverture illustrée. Bel état. Voir photo.
1986Un volume broché de format petit in 8° carré de 96 pp.; nombreuses photographies dans le texte Bel état. Peu fréquent. Voir photos.
1976Un volume broché au format poche de 224 pp.; couverture illustrée. Comme neuf. Voir photo.