781 risultati
rif. 12614« Ecrivains grecs daujourdhui ». Numéro spécial, dirigé par Jacques Lacarrière. Nanos Valaoritis, Georges Séféris, Stratis Tsirkas, Vassili Vassilikos, Nikos Engonopoulos, Yannis Ritsos, Odysseus Elytis, Spyros Plascovitis, etc. Illustrations in et hors texte de Christophoros, Fassianos, Katrakis, Moralis, Pierrakos, Theophilos, Zographos. Bon état.
rif. 12615Marc Bernard, Georges Perec (« Histoire du lipogramme »), John Berger, Jean Metellus, etc. Bon état.
rif. 12616Numéro largement consacré à la publication de textes inédits de Georges Limbour. Jean-Paul Clébert (« Georges Bataille et André Masson »), Maurice Roche, Virgilio Piñera, etc. Bon état.
rif. 12617Edmond Jabès, John Cage, Charles Duits, Jürgen Becker, etc. Bon état.
rif. 12618Henry James, Maurice Roche, François Pacquereau (« Lire Bataille »), Charles Duits, Guy de Bosschère, etc. Bon état.
rif. 12619Gershom Scholem (« Walter Benjamin, mon ami »), Malcolm Lowry, Bernard Noël, Giovanni Lista (« Marinelli et Tzara »), Claude Fournet (« Pierre Klossowski »), etc. Bon état.
rif. 10198SPECTACLES. Collection complète du n° 1 (mars 1958) au n° 4 (décembre 1958). Bon état. Textes d'Albert Camus (" Dostoïevski, le prophète du XXe siècle "), Jacques Tati, Françoise Sagan, Roland Barthes, Eugène Ionesco, Georges Schéhadé, Henry de Montherlant, Jacques Audiberti, Roger Vailland, etc. Dossiers sur Ubu roi, Don Juan, les festivals, l'actualité des théâtres, etc. Bonne revue, proposant une approche très littéraire du spectacle scénique.
rif. 228487S.l., s.d. (1772) in-16, 52 pp., demi-veau havane à coins, dos lisse, tranches rouges (reliure moderne).
rif. 10228VERGER. N° 5. (Sans date [1948]). Michel Manoll (" Le Souvenir de Max Jacob au Bouquet de Montmartre "), Lucien Becker (" Georges Grosz ", avec un hors-texte), Albrecht Haushofer (" Sonnets de la prison de Moabit "), " Jean-Paul Sartre à Berlin ", compte-rendu d'un débat public autour des Mouches, Ernst Wiechert, etc. Bon état.
rif. 238489Paris, au Palais-Royal, chez Lelong Delaunay [Imprimerie de A. Dubray], 1818 2 vol. in-12, [3] ff. n. ch., 216 pp. ; [2] ff. n. ch., 280 pp., un f. n. ch. d'errata, demi-veau fauve, dos lisses ornés à l'imitation de guirlandes, hachurés et filets dorés, pièces de titre et de tomaison noires, tranches mouchetées de rouge (reliure moderne). Rousseurs.
rif. 171169Paris, Laplace, Sanchez et Cie, 1872 in-8, VIII-674 pp., 20 planches en couleurs, demi-chagrin caramel, dos orné de fleurons dorés et de filets à froid (A. Lasneret (Angers)). Rousseurs. Petit travail de ver sur les quinze dernières pages, dans les marges supérieures, sans atteinte au texte.
rif. 58366New York, Wehman Bros., o. J. (um. Kl.-8°. Mehrf. gefalt. farb. Stadtplan (ca. 66,5 x 89,5 cm) in OKart.-Umschlag.
1875rif. List3681Cincinnati: F.W. Helmick 1875. Quarto 14 x 10 ½ inches 5 pp. Binding split some marginal chips good condition. Sentimental minstrel-era ballad associated with the touring repertory of J.H. Haverly’s Mastodon Minstrels one of the largest and most commercially successful minstrel organizations of the 1870s with an illustrated cover using the trope of an elderly African American man which was popular in Uncle Tom’s Cabin-era touring shows. The song is attributed to John Rutledge a performer and songwriter active within late nineteenth-century minstrel circuits whose compositions circulated primarily through stage performance and regional sheet music publication. The title was originally sung by Milton G. “Milt” Barlow 1843–1882 a prominent minstrel comedian and vocalist frequently billed as a “Dutch” or character performer and long associated with Haverly’s troupe. Published in Cincinnati by F.W. Helmick a regional music publisher active in issuing popular songs minstrel pieces and theatrical repertory during the 1870s. The sheet has four holdings in OCLC as well as Vassar’s Harriet Beecher Stowe collection. F.W. Helmick unknown books
1875rif. List3681Cincinnati: F.W. Helmick 1875. Quarto 14 x 10 ½ inches 5 pp. Binding split some marginal chips good condition. Sentimental minstrel-era ballad associated with the touring repertory of J.H. Haverly’s Mastodon Minstrels one of the largest and most commercially successful minstrel organizations of the 1870s with an illustrated cover using the trope of an elderly African American man which was popular in Uncle Tom’s Cabin-era touring shows. The song is attributed to John Rutledge a performer and songwriter active within late nineteenth-century minstrel circuits whose compositions circulated primarily through stage performance and regional sheet music publication. The title was originally sung by Milton G. “Milt” Barlow 1843–1882 a prominent minstrel comedian and vocalist frequently billed as a “Dutch” or character performer and long associated with Haverly’s troupe. Published in Cincinnati by F.W. Helmick a regional music publisher active in issuing popular songs minstrel pieces and theatrical repertory during the 1870s. The sheet has four holdings in OCLC as well as Vassar’s Harriet Beecher Stowe collection. F.W. Helmick unknown
rif. 8795Paris, 1904-1910.
rif. 237148S.l., s.d. (1790) in-8, 11 pp., broché sous couverture factice de papier fantaisie XIXe. Mouillures claires infra-paginales.
rif. 160644Paris, Migneret, 1818 in-8, [4]-88 pp., demi-chevrette cerise, dos lisse orné de filets, ondulés et fleurons dorés, tranches jaunes (reliure de l'époque). Plats, coupes et coins frottés.
rif. 526153Roanne, Horvath, 1975. Fort vol. grand in-8 broché, [8] ff., 399 pp.
rif. 26523P., Rousseau, et Lyon, Cumin et Masson, 1907, in 8° broché, 127pp.
rif. 12008Mars 1956 . Souillac , In 8° br.Couv.rempliée .46 pp.illustrées.
rif. 99651890-1896. Green printed paper wraps 40pp. used 8vo contents detached and loose but complete. First page headed "Programme" followed by "1 Puss in Boots" with brief narrative with dialogue of nine slides 2.5 pp. Also "Weal Pies" just title - just one slide Jack the Giant Killer with narrative then 7 titles reflecting single slide subject including "Football Player" "Policeman and Cook" etc "The Bottle" 19 slides with narrative "The Arctic Expedition" 6 slides from No.1 'The ship is now frozen in the Arctic Ocean' to no.6 'An adventure with a polar bear and they are too young to kill it". Further individual slides followed by 13 for "Gulliver's Travels" followed by further individual slides concluding with one entitled "Good Night". This programme totals 14 pp. The following Programme is dated 29 Jan. 1890 and comprises a list of 42 subjects in two columns including "Arctic Expedition" but with several differences from the first programme. Perhaps part of the second programme title "Views in the Polar Regions" 6 slides described including one of inhabitants dresssed for the cold unloading a ship and landing cargo". One description "party of explorers travelling on the ice" has a line through it and the word "Funeral" added in red ink- I can offer no explanation. This is followed by a sequence of descriptions of slides with titles like "Salt Mines""Graham's Island" "Geyser" "Aurora". Other "Programmes" follow dating 1890 to 1896 some edited with ticks or crossings out including same or similar titles lengthy description of the 9 slides that make up "Red Riding Hood". Several programmes have a total number of slides and/or timing e.g. "60 Pictures occupying 1 hour". At the other end of the Notebook there is a "List of Slides" titles with numbers grand total with further technical information about shows "118 Pictures 1 hymn 1 Song Drawing slide . . . 12 ft fron Lens to Sheet 3 ft from Lens to Floor Long side of sheet across. Lantern 3.3 from floor Articles underlined Lantern slides Smoked Glass Sheet and Frame . . .items needed . . .Whistle Wedges . . ." Although presumably an amateur the show-man was obviously professional and thorough in his preparations as this manuscript reveals. The subjects also strongly indicate public taste and Arctic Exploraration seems to be a dominant interest at the time. [1890-1896] paperback
rif. 205247Paris, Charles Gosselin, 1833 2 vol. in-16, [4] ff. n. ch. (faux-titre, frontispice et titre-frontispice gravés sur bois par Porret et Cherrier d'après Chenavard et A. bouquet, titre), 145 pp. ; [4] ff. n. ch. (faux-titre, frontispice, titre-frontispice, titre), 163 pp., percaline Bradel violine, pièces de titre noires en long (rel. de la fin du XIXe). Bon exemplaire.
1903rif. BK0104Jacksonville Illinois: E. L. Young 1903. Original silver gelatin photograph of a Native American dancer in elaborate performance dress mounted on the studio card of E. L. Young. The sitter is shown in an animated pose before what appears to be a temporary canvas or exhibition structure holding dance implements and wearing ankle ornaments. Mount approximately 4 ¼ x 6 inches photograph 3 x 4 inches. Pencil identification of Young's Jacksonville studio to verso. Excellent. A photograph of an Indigenous American dancer likely made during the appearance of a traveling Wild West or related exhibition company in Jacksonville. Although the sitter has not been identified the Jacksonville location and apparent temporary showground setting suggest that the image records a performer from a traveling show rather than a western ethnographic portrait. In fact Pawnee Bill's Wild West appeared in the city in 1903;1 Pawnee Bill's company was among the largest touring Wild West groups of the period and employed Native performers as a major component of its program. We find no other examples and scant record of the photographer E.L. Young though a surviving cabinet card dated 1900 was offered online at the time of writing. 1 "PAWNEE BILL" Jacksonville Journal Courier October 16 1903 7. . E. L. Young unknown books
1903rif. BK0104Jacksonville Illinois: E. L. Young 1903. Original silver gelatin photograph of a Native American dancer in elaborate performance dress mounted on the studio card of E. L. Young. The sitter is shown in an animated pose before what appears to be a temporary canvas or exhibition structure holding dance implements and wearing ankle ornaments. Mount approximately 4 ¼ x 6 inches photograph 3 x 4 inches. Pencil identification of Young's Jacksonville studio to verso. Excellent. A photograph of an Indigenous American dancer likely made during the appearance of a traveling Wild West or related exhibition company in Jacksonville. Although the sitter has not been identified the Jacksonville location and apparent temporary showground setting suggest that the image records a performer from a traveling show rather than a western ethnographic portrait. In fact Pawnee Bill's Wild West appeared in the city in 1903;1 Pawnee Bill's company was among the largest touring Wild West groups of the period and employed Native performers as a major component of its program. We find no other examples and scant record of the photographer E.L. Young though a surviving cabinet card dated 1900 was offered online at the time of writing. 1 "PAWNEE BILL" Jacksonville Journal Courier October 16 1903 7. . E. L. Young unknown
rif. 205738Paris, Imprimerie de L. Portier de Lille, (1790) in-8, 14 pp., cousu.
