635 Ergebnisse
1980Best.-Nr. V100737Gent, Vlaams Verbond voor het Poppenspel 1980-1985 Volledige collectie van alle 22 verschenen nummers, ca. 40pp. per nummer, samen ca. 800pp., met zw/w ills., 27cm., gebroch. (enkele roestplekjes), goede staat, gewicht: 2.2kg., zeldzame volledige reeks (wordt enkel in zijn geheel aangeboden, dus niet per los nummer!), V100737
1980Volledige collectie van alle 22 verschenen nummers, ca. 40pp. per nummer, samen ca. 800pp., met zw/w ills., 27cm., gebroch. (enkele roestplekjes), goede staat, gewicht: 2.2kg., zeldzame volledige reeks (wordt enkel in zijn geheel aangeboden, dus niet per los nummer!), V100737
1890Best.-Nr. ARC-113557Lyon, 1890, Vve Monavon. Grand in-8°, XVI, 530 pages et 1 feuillet non chiffré (tables) ; demi veau à coins marron, tête dorée. Tirage à 500 exemplaires numérotés. Celui-ci N° 94 sur Japon, seul grand papier. Illustrations in texte par Enas d'Orly (Ferdinand LUIGINI) ; 8 hors-texte monochromes.
1970Best.-Nr. 216170Indonesia. Before1970s. Water buffalo hide and pigment 42 x 16 cm painted both sides affixed to a spliced horn baton some surface wear and loss of pigment overall in good condition. Figure of a Pocong used in the Javanese and Balinese 'wayang kulit' or leather shadow puppet theatre tradition. A pocong is a ghost in the form of a corpse wrapped in its burial shroud. The deceased are typically wrapped in a white cloth which is tied at several places including feet torso and neck. Burial is often without a casket. Before closure of a grave the ties must be loosed so that the spirit of the person is released. If not they are doomed to wander the world haunting the living and places at will. Belief has it that they sometimes haunt bamboo or bannana tree groves in order to befriend the living. During early Covid lockdown in Java neighbourhoods would block road access to enforce curfew with one or two people dressed as pocongan as a warning to trespassers. Purchased in Java in the early 1970s. . hardcover
Best.-Nr. 8416Beijing, Peoples Art Publishing House, 1953. 1 large in-plano (50*36 cm) portfolio, silk-covered hard boards spine damaged with small tears, [6] folded leaves, [15] folded leaves of mounted plates, illustrated by fifteen large size shadow puppets color reproduction, a very good copy.
1900Best.-Nr. V91726Paris, Félix Juven s.d. [ca. 1900] [viii] + 381pp. illustré de 8 planches en couleurs et de 148 planches ou figures en noir d'après les documents originaux, 29cm., reliure cart (plats marbrés, dos en toile, titre doré au dos, peu usé), texte et intérieur en très bon état, rare, V91726
1900[viii] + 381pp. illustré de 8 planches en couleurs et de 148 planches ou figures en noir d'après les documents originaux, 29cm., reliure cart (plats marbrés, dos en toile, titre doré au dos, peu usé), texte et intérieur en très bon état, rare, V91726
1970Best.-Nr. 216677Indonesia. Before1970s. Water buffalo hide and pigment elaborately gilt 38 x 56 cm painted both sides minor surface wear and loss of pigment without the baton in very good condition. Figure of Jatayu a demi-god who takes the form of a vulture or an eagle used in the Javanese and Balinese 'wayang kulit' or leather shadow puppet theatre tradition. According to the Ramayana epic Jatayu died while trying to thwart the kidnapping of Dewi Sinta by Rahwana the king of Alengka. A very attractive example. Purchased in Java in the early 1970s. . hardcover
1970Best.-Nr. 216720Indonesia. Before1970s. Water buffalo hide gilt and pigment chiselled and cut out 34 x 54 cms fully extended painted both sides affixed to a spliced horn baton some fading and minor loss of pigment. This puppet represents the supreme being Sang Hyang Wenang power holder of all gods in the Javanese 'wayang kulit' or leather shadow puppet theatre tradition. In Old Javanese the term Hyang means "god" "goddess" "deified being" or "divinity". Purchased in Java in the early 1970s. See: Joko Susilo Eisler Shadow-Puppet Collection Catalogue Bates College Lewiston Maine . hardcover
1970Best.-Nr. 216164Indonesia. Before1970s. Water buffalo hide and pigment 28 x 40 cm painted both sides affixed to a spliced stick some surface wear but in vey good condition. Vivid example of the Wayang kulit Celeng/Babi Hutan or wild boar possibly the character Batara Kalagumarang. In Hindu lore the boar is an avatar of the god Vishnu and symbolizes courage strength and tenacity See: Joko Susilo Eisler Shadow-Puppet Collection Catalogue Bates College Lewiston Maine Purchased in Java in the early 1970s. . unknown
1900Best.-Nr. 142351900 Paris, Félix Juven éditeur, 1900. Édition originale, illustrée de 8 planches en couleurs dont une en frontispice, de 24 planches en noir et de nombreuses figures dans le texte. Petit in-4, 28 x 19 cm., 381 pp. Reliure demi basane havane, dos à nerfs, lettres dorées. Reliure insolée au dos, sinon bon état, intérieur très frais.
1970Best.-Nr. 216154Indonesia. Before1970s. Water buffalo hide and pigment 29 x 44.5 cms affixed with cotton to a baton 41 cms. A folk puppet depicting Nyi Brayut and her husband Ki Brayut the small lead figure in red jacket and pants who have a great many children. Kyi Brayut is carrying on his shoulder a support which connnects the children to the basket like base on which the children are being carried. The term "brayut" comes from the word "brayat" meaning offspring. Of ancient origin this shadow puppet was traditionally used for the ritual ceremony held at the 7th month of pregnancy to safeguard the mother and baby during its birth. The display of the puppet would symbolically "bring down" Nyi and Ki Brayut and so magically intervene to assist in a safe birth. This puppet was often used from the early 1970s onwards in government campaigns urging the use of birth control to limit family size. Purchased in Java in the early 1970s. . unknown
1970Best.-Nr. 216244Indonesia. Before1970s. Water buffalo hide 66 x 24 cms body pigment jointed arms painted both sides intricately punctured the jointed arms and body affixed to horn and wooden batons slight wear and rubbing with some loss of pigment to the top of the shoulder of one arm but in very good bright condition. This puppet represents the figure of Batara Yamadipati the god of death. Son of Semar he is responsible for collecting the souls of mortals when their time comes. In the Javanese Wayang he dwells with mortals and is invited to joke by the Punakawans. This example is brightly coloured joyful almost flesh-coloured rather than gilt and black--symbolically death hiding in plain sight. Purchased in Java in the early 1970s. Also see: Joko Susilo Eisler Shadow-Puppet Collection Catalogue Bates College Lewiston Maine . unknown
1970Best.-Nr. 216722Indonesia. Before1970s. Water buffalo hide gilt and pigment chiselled and cut out 30 x 40 cms fully extended without batons painted both sides jointed arms one affixed to a horn baton the other bamboo the body affixed to a spliced horn baton minor loss of pigment. Dewa Ruci is the representation of Bima in miniature form. It is used in the story of the young Bima called Bratasena who goes in search of the meaning of life/the water of life. At the end of his journeys he finds it in a miniature of himself representing his true self. The story of Dewa Ruci thus represents the search for perfection and union with the divine and is thus important in Javanese mysticism. Purchased in Java in the early 1970s. See also: Joko Susilo Eisler Shadow-Puppet Collection Catalogue Bates College Lewiston Maine . unknown
1970Best.-Nr. 216719Indonesia. Before1970s. Water buffalo hide gilt and pigment chiselled and cut out 34 x 54 cms fully extended painted both sides two jointed arms affixed to horn batons another spliced horn baton holding the body some minor loss of pigment. This puppet represents the goddess Dewi Naganini in the Javanese 'wayang kulit' or leather shadow puppet theatre tradition. She is the daughter of the serpent god Antaboga and is known for her virtues of loyalty love and devotion to her fellow creatures. Purchased in Java in the early 1970s. See: Joko Susilo Eisler Shadow-Puppet Collection Catalogue Bates College Lewiston Maine . hardcover
Best.-Nr. 99262Paris, Editions de la Très Illustre Compagnie des Petits Comédiens de Bois, A La Soupente de Guignol, 1926, 1 volume in-8 de 255x165 mm environ, 99 pages, demi-basane aubergine, dos à nerfs portant titres dorés, orné de petits fers dorés. Un des 250 exemplaire sur vélin Alfa blanc (N° 21). Edition originale de la première bibliographie exhaustive, illustrée de 9 compositions d'Eugène LEFEBVRE (couverture, bandeaux). Des rousseurs, petits frottements sur les angles de la couverture, sinon bon état.
Best.-Nr. 35502388Paris, Felix Juven, in-4, Broché 381 pp.Fameux ouvrage sur les marionnettes et autres automates. Illustré par 8 planches hors textes et 148 gravures. Ouvrage sans sa couverture, et recouvert d'une couverture cartonnée beige. Quelques rousseurs, dos légèrement décollé.
Best.-Nr. DADAX0415890969New unknown
1970Best.-Nr. 216160Indonesia. Before1970s. Water buffalo hide and pigment elaborately gilt and cut out 58 x 25 cm painted both sides a spliced horn baton holds the body some abrasions and fading to the painted surface in good condition overall. This puppet represents the dewa Bathara Guru in the Javanese 'wayang kulit' or leather shadow puppet theatre tradition. Bathara Guru the Javanese name for the deity Shiva symbolized the imperfection of man represented in the bodily defects of the puppet: four arms small feet marks on the throat and often though not here depicted with fangs. Purchased in Java in the early 1970s. See: Joko Susilo Eisler Shadow-Puppet Collection Catalogue Bates College Lewiston Maine . hardcover
1970Best.-Nr. 216711Indonesia. Before1970s. Water buffalo hide gilt and pigment chiselled and cut out 40 x 39 cms fully extended painted both sides one arm jointed and affixed to a bamboo baton the other arm stationary holding a staff another spliced bamboo baton holding the body some fading and loss of pigment. This puppet represents the seer or sage Durwasa in the Javanese 'wayang kulit' or leather shadow puppet theatre tradition. Resi Durwasa Durvasa in the Indian Mahabharata was known as a bestower both of curses and boons. He invested Krishna with partial invulnerability. To Dewi Kunti he bestowed a mantra to invoke gods by whom she could beget sons. Unwisely trying this out she became pregnant by the Sun God Surya. Resi Druwasa enabled the birth of her son Karna via her ear and the infant was put into a basket and floated down a river to be found and adopted by others. In modern Wayang this story has reputedly been employed to address issues of gender equality. Purchased in Java in the early 1970s. See: Joko Susilo Eisler Shadow-Puppet Collection Catalogue Bates College Lewiston Maine . hardcover
1970Best.-Nr. 216717Indonesia. Before1970s. Water buffalo hide gilt and pigment elaborately chiselled and cut out 49 x 72 cms arms fully extended painted both sides jointed arms each affixed to bamboo batons and another spliced horn baton holding the body; some fading and loss of pigment; stamped "H N" at the base of the puppet. This puppet represents the King/Knight Raden Astadarma in the Javanese 'wayang kulit' or leather shadow puppet theatre tradition. This character appears in the Wayang Madya stories. These stories were originally sponsored by the princely poet Mangkunegara IV 1811–1881 the fourth ruler of Mangkunegaran a principality based in Surakarta Java ruling from 1853 to his death in 1881. In recent times these stories are intended to retell 19th century heroic poems reflecting on 20th Century events linking Wayang Purwa with Wayang Gedog. Purchased in Java in the early 1970s. See: Joko Susilo Eisler Shadow-Puppet Collection Catalogue Bates College Lewiston Maine . hardcover
1864Best.-Nr. 5987Paris, Dubuisson et Cie, 1864. In-4 de [4]-II-387-[3]p., demi-chagrin rouge, dos à nerfs orné de filets et fleurons dorés, tranches dorées (quelques rousseurs à la première et dernière page, premier cahier légèrement déboîté, coins à peine émoussés). Ex-libris moderne d'un collectionneur genevois.
1970Best.-Nr. 216682Indonesia. Before1970s. Water buffalo hide 63 x 90 cms extended pigment and gilt jointed arms painted both sides intricately punctured the jointed arms and body affixed to horn and wooden batons slight wear and rubbing with some loss of pigment overall in good condition. This impressive large puppet represents Bima /Werkadura / Bratasena the incarnation of the god who became the ruler of the wind in the Javanese 'wayang kulit' or leather shadow puppet theatre tradition. "Werkadura is the most feared of warriors creating havoc with his terrible club and atrocious fingernails…Merciless to his enemies gigantic ungainly heavily muscled hairy with protruding eyes and thunderous voice…Nevertheless his unswerving honesty loyalty fortitude and military skill make him among the most admired figures in wayang." Benedict R. O'G. Anderson Mythology and the Tolerance of the Javanese" Cornell 1965 Purchased in Java in the early 1970s. See also: Joko Susilo Eisler Shadow-Puppet Collection Catalogue Bates College Lewiston Maine . hardcover
1970Best.-Nr. 216715Indonesia. Before1970s. Water buffalo hide gilt and pigment elaborately chiselled and cut out 43 x 69 cms arms fully extended painted both sides jointed arms each affixed to horn batons and another spliced horn baton holding the body. This puppet represents Suryatmaja or Suryaputra son of Dewi Kunti in the Javanese 'wayang kulit' or leather shadow puppet theatre tradition. A particularly fine example. Purchased in Java in the early 1970s. Also see: Joko Susilo Eisler Shadow-Puppet Collection Catalogue Bates College Lewiston Maine . hardcover
1970Best.-Nr. 216718Indonesia. Before1970s. Water buffalo hide gilt and pigment chiselled and cut out 50 x 41 cms fully extended painted both sides one arm jointed and affixed to a bamboo baton the other arm stationary another spliced bamboo baton holding the body some minor loss of pigment. This puppet represents the priestly hermit Resi Gotama or Gotama Rishi in the Javanese 'wayang kulit' or leather shadow puppet theatre tradition. In this tradition Resi Gotama is married to a beautiful angel Dewi Indradi and despite his royal heritage spurns kingship for life as a hermit. A particularly attractive example. Purchased in Java in the early 1970s. See: Joko Susilo Eisler Shadow-Puppet Collection Catalogue Bates College Lewiston Maine . hardcover