Marenco Romualdo (musica)MareMagnum
67 results
191120 cm, brossura editoriale illustrata a colori, p. 20.
1939ref. MASTER313789ISAN FRANCISCO CA.: CALIFORNIA AUDITORIUM. VG IN WRAPS WITH STAPLED BINDING IN ORIGINAL GLASSINE WRAP G. Pages: 20. . 1939. TRADE PAPERBACK. FAINT EDGEWEAR. SMALL STAINS & SMALL CHIPS & TEARS TO GLASSINE WRAP. ALL PAGES CLEAN BINDING TIGHT. . CALIFORNIA AUDITORIUM paperback
1948116p Hardcover Very good condition
1948118p Hardcover Very good condition good
1948118p., illus. (col. frontis.) Hardcover Very good condition, library pocket at end but no library markings
1948110p. Hardcover Very good condition, some pencilled marginalia
1948159p. Hardcover Very good condition good
1988Comes with letter from the author. Pages cocked.
195120 X 13,5 CM., 275-(5) PP., BROSS. EDIT., SOVR. ILL. A COL. (LIEVISSIME TRACCE D'USO), OTTIMO STATO (F/F), (LA VESPA ROSSA, 19). DALL'INDICE: MONACO DI BAVIERA FORESTA TURINGIA 1921 DIARIO DI JUANA BERLINO 1922 MAGDEBURGO 1923 RUHR 1924 BERLINO 1925 NEW YORK 1929 FL 129
1989ref. 160819Cologne Koln: N.p. 1989. Vintage poster for the 1989 dance performance choreographed by Louis Falco held at the Tanz-Forum der Oper der Stadt Köln on May 9 1989. Featuring music by Bruce Springsteen arranged by Hajo Stahl libretto by Falco and Kitty Troll and set costume and poster design by Jack Brusca. SIGNED and dated in the year of the production by Brusca. Louis Falco began his distinguished dance career in the late 1950s while in his late teens under Charles Weidman and José Limón. He would go on to perform with Flower Hujer Alvin Ailey and Donald McKayle and in 1967 made his debut as a choreographer with the dance piece "Argot." In 1972 Falco formed his acclaimed Louis Falco Dance Company and through the 1980s worked with various other repertory companies as well as collaborations with Giorgio Armani Andy Warhol Tom Waits John Lurie and others. The first choreographer to work in commercials Falco also choreographed for film and music videos in the 1980s and is perhaps best remembered today for his work on the film "Fame" 1980 directed by Alan Parker. Jack Brusca was a New York artist whose work sat at the intersection of surrealism pop art and neo-realism. Brusca won critical praise in 1991 for his set and costume designs for Falco's ballet "Escarpot" performed by the Alvin Ailey Dance Theater at City Center in New York. His work is today held by the Whitney Museum and others. Both Falco and Brusca died of complications from AIDS during the height of the HIV/AIDS epidemic in New York in 1993 at the ages of 51 and 56 respectively. 23.25 x 33 inches. Very Good plus. N.p. unknown
1989ref. 160819Cologne Koln: N.p. 1989. Vintage poster for the 1989 dance performance choreographed by Louis Falco held at the Tanz-Forum der Oper der Stadt Köln on May 9 1989. Featuring music by Bruce Springsteen arranged by Hajo Stahl libretto by Falco and Kitty Troll and set costume and poster design by Jack Brusca. SIGNED and dated in the year of the production by Brusca. Louis Falco began his distinguished dance career in the late 1950s while in his late teens under Charles Weidman and José Limón. He would go on to perform with Flower Hujer Alvin Ailey and Donald McKayle and in 1967 made his debut as a choreographer with the dance piece "Argot." In 1972 Falco formed his acclaimed Louis Falco Dance Company and through the 1980s worked with various other repertory companies as well as collaborations with Giorgio Armani Andy Warhol Tom Waits John Lurie and others. The first choreographer to work in commercials Falco also choreographed for film and music videos in the 1980s and is perhaps best remembered today for his work on the film "Fame" 1980 directed by Alan Parker. Jack Brusca was a New York artist whose work sat at the intersection of surrealism pop art and neo-realism. Brusca won critical praise in 1991 for his set and costume designs for Falco's ballet "Escarpot" performed by the Alvin Ailey Dance Theater at City Center in New York. His work is today held by the Whitney Museum and others. Both Falco and Brusca died of complications from AIDS during the height of the HIV/AIDS epidemic in New York in 1993 at the ages of 51 and 56 respectively. 23.25 x 33 inches. Very Good plus. N.p. unknown books
1968ref. 2092902140601249Kyogakusha 1968. Soft Cover. Fine. Size: A5 Number of books: 2 Kyogakusha paperback
ref. 11337N° 111 / Juillet 1988 - broché
2001ill.
1956ref. 17743Lausanne PAYOT 1956 In-8 110 pp, vignettes couleur contrecollées. album commémoratif
Firenze, Ente autonomo del Teatro Comunale, 1952-53, in-8, br. editoriale, pp. (16). Con 3 illustrazioni in b.n. nel testo (bozzetti di Gianni Polidori). Programma di sala con note illustrative di Rodolfo Paoli. L'eclettica Nives Poli, 1a ballerina alla Scala trasferitasi a Firenze nel 1937, fu anche attrice cinematografica negli anni '30 e '40, ballerina, regista e coreografa, oltre che esperta di musica antica.
1948Mm 130x180 "Bailes tradicionales argentinos". Brossura editoriale, 45 pagine con illustrazioni in bianco e nero nel testo. Illustrazioni di Araceli Vasquez Malaga. Opera in ottime condizioni. SPEDIZIONE IN 24 ORE DALL'ORDINE.
1899Riduzione dal francese. Con un capitolo aggiunto sulla coreografia italiana. Dono agli abbonati del Corriere della Sera. Edizione fuori commercio. Le danze antiche. La danza nel medio evo. Il principio delle grandi coreografie. La danza nel gran secolo. La danza sotto Luigi XV. Gli esordj della danza moderna. Danze campestri. Il valzer e la polka. Fuori di Francia. La danza moderna. La danza in teatro. Coreografia italiana. Moltissime illustrazioni in nero nel testo. Al fine 24 pagine pubblicitarie. Dorso ben restaurato. Ottimo esemplare. Brossura editoriale illustrata, pp. XII, 364, 24, in 4°
1899Cm. 29, mezza pelle (MA mancante del dorso), pag. XII, 364. Con numerosissime ill.ni nel testo. Difetti e mancanze alla leg. ma internamente buon esemplare.
In 4, pp. VIII + 206. Numerose tavv. a colori f. t. (4 tavv. a doppia pag. ripiegate). Br. in finta pl. Marmorizzature e tracce d'umido per discreta parte del testo. Coll. Il Secolo XIX nella vita e nella cultura dei popoli. Testo che consiste in: Musica Sacra, Musica Teatrale, Musica Strumentale, Musica da Camera, I grandi Interpreti, I Concerti e le Societa' Musicali, Scuole, Accademie, Stabilimenti musicali, Teorici, Storiografi e Critici. Appendice con: L'opera comica, Musica da Ballo, Musica educativa e Meccanica.
2021ill., ril. La ricerca presentata in questo volume mira a ricodificare la produzione teatrale di Oskar Schlemmer nell'ambito delle contemporanee esperienze avanguardistiche europee, con l'obiettivo di tracciare una "mitologia privata" che trova nell'icona del figurino "Astratto" il riferimento chiave alla dimensione dialettica dionisiaco-apollinea entro cui l'opera dell'autore si svolge. Il teatro di Schlemmer come esercizio astratto, utile a comprendere le possibili maniere di esperire lo spazio fisico, necessita altresì una necessaria rilettura delle sue coreografie in termini architettonici: una lezione, qui intesa in termini di "arte totale e teatro totale", che rivela la sua attualità nel progetto di architettura e nelle più recenti esperienze pedagogiche, che pongono alla base dell'apprendimento l'esplorazione dinamica dello spazio.
854In 16, pp. 15 + (1b). Br. ed. Sinossi di questo balletto di Giovanni Casati rappresentato al Teatro alla Scala.
1950ref. 007054Paris Théâtre des Champs-Elysées 1950 In-4 Broché Edition origianle
1807ref. 19815Paris, Léopold Collin ; La Haye, Immerzeel ; (Imprimerie de la Vve Jeunehomme) 1807 ; 2 tomes in 8, demi veau marbré, dos lisse très décoré et doré, pièces de titre rouge et de tomaison vert-empire ; [4], XVI, 468 pp., 16 pp. de Catalogue ; 520 pp., portrait de Noverre par Guérin, gravé à la manière noire par B. Roger.
1993A clean, unmarked book with a tight binding. Bumped top corner of cover. 7 1/4"w x 10 1/4"h. 306 pages. Many b&w photos.
