55 resultados
1989ref. 160819Cologne Koln: N.p. 1989. Vintage poster for the 1989 dance performance choreographed by Louis Falco held at the Tanz-Forum der Oper der Stadt Köln on May 9 1989. Featuring music by Bruce Springsteen arranged by Hajo Stahl libretto by Falco and Kitty Troll and set costume and poster design by Jack Brusca. SIGNED and dated in the year of the production by Brusca. Louis Falco began his distinguished dance career in the late 1950s while in his late teens under Charles Weidman and José Limón. He would go on to perform with Flower Hujer Alvin Ailey and Donald McKayle and in 1967 made his debut as a choreographer with the dance piece "Argot." In 1972 Falco formed his acclaimed Louis Falco Dance Company and through the 1980s worked with various other repertory companies as well as collaborations with Giorgio Armani Andy Warhol Tom Waits John Lurie and others. The first choreographer to work in commercials Falco also choreographed for film and music videos in the 1980s and is perhaps best remembered today for his work on the film "Fame" 1980 directed by Alan Parker. Jack Brusca was a New York artist whose work sat at the intersection of surrealism pop art and neo-realism. Brusca won critical praise in 1991 for his set and costume designs for Falco's ballet "Escarpot" performed by the Alvin Ailey Dance Theater at City Center in New York. His work is today held by the Whitney Museum and others. Both Falco and Brusca died of complications from AIDS during the height of the HIV/AIDS epidemic in New York in 1993 at the ages of 51 and 56 respectively. 23.25 x 33 inches. Very Good plus. N.p. unknown
1989ref. 160819Cologne Koln: N.p. 1989. Vintage poster for the 1989 dance performance choreographed by Louis Falco held at the Tanz-Forum der Oper der Stadt Köln on May 9 1989. Featuring music by Bruce Springsteen arranged by Hajo Stahl libretto by Falco and Kitty Troll and set costume and poster design by Jack Brusca. SIGNED and dated in the year of the production by Brusca. Louis Falco began his distinguished dance career in the late 1950s while in his late teens under Charles Weidman and José Limón. He would go on to perform with Flower Hujer Alvin Ailey and Donald McKayle and in 1967 made his debut as a choreographer with the dance piece "Argot." In 1972 Falco formed his acclaimed Louis Falco Dance Company and through the 1980s worked with various other repertory companies as well as collaborations with Giorgio Armani Andy Warhol Tom Waits John Lurie and others. The first choreographer to work in commercials Falco also choreographed for film and music videos in the 1980s and is perhaps best remembered today for his work on the film "Fame" 1980 directed by Alan Parker. Jack Brusca was a New York artist whose work sat at the intersection of surrealism pop art and neo-realism. Brusca won critical praise in 1991 for his set and costume designs for Falco's ballet "Escarpot" performed by the Alvin Ailey Dance Theater at City Center in New York. His work is today held by the Whitney Museum and others. Both Falco and Brusca died of complications from AIDS during the height of the HIV/AIDS epidemic in New York in 1993 at the ages of 51 and 56 respectively. 23.25 x 33 inches. Very Good plus. N.p. unknown books
1933ref. 19820Lausanne, Editions Centrales, 1933 ; in 8 carré, bradel cartonné recouvert d’une magnifique pièce de damas en soie argentée d’un décor floral à compartiments, pièce de titre noisette, couverture crème dessinée par Nathalia Gontcharova, conservée (reliure de l’époque) ; 78 pp., [1] f. blanc ; [26] ff. comprenant 1 page de notation chrorégraphique d’Alexandre Sakharoff et 25 photographies montées sur papier, protègées par des serpentes légendées, [3] ff. achevé d’imprimer et 2 blancs.
1974338 pages. Chronology. Selected bibliography. Many black and white photos. Printed upon glossy stock. "So here I am, in a sense, trying to 'replace' my performances with a book, greedily pushing language to clarify what already was clear in other terms. But, alas, gone. This has seemed one good reason to compile a book 'out of' the remains of my performances, letting the language fall where it may. Let it be said simply 'She usually makes performances and has also made a book.' There can be no comparison, therefore no need for apology." - Introduction. Unmarked. Binding tight. Silverfish markings to publisher's black cloth. Openings to top and central portion of backstrip. Somewhat above-average external wear. Somewhat above-average wear and minimal library markings to dust jacket which is now preserved in archival-grade Brodart. Book
1807ref. 19815Paris, Léopold Collin ; La Haye, Immerzeel ; (Imprimerie de la Vve Jeunehomme) 1807 ; 2 tomes in 8, demi veau marbré, dos lisse très décoré et doré, pièces de titre rouge et de tomaison vert-empire ; [4], XVI, 468 pp., 16 pp. de Catalogue ; 520 pp., portrait de Noverre par Guérin, gravé à la manière noire par B. Roger.
