1 075 résultats
1939réf. 241180Paris: Hyperion 1939. hardcover. very good-/very good-. Translated by Eveline Byam Shaw. Illustrated with 160 Reproductions including some in mounted color plates. 167pp. Tall & wide 4to beige cloth sunned and rubbed d.w. Paris: Hyperion Press 1939. Wear along hinge with discoloration along edges still a very good- copy in a very good- dust wrapper. Hyperion unknown books
1914réf. 222825Paris: Delagrave 1914. First. paperback. very good. Illustrated with 32 sepia heliogravures. Tall 8vo 198 pages untirmmed stiff pictorial wrappers ends of spine rubbed. Paris: Delagrave 1914. Very good. Delagrave unknown books
réf. 90283Paris: Librairie Renouard. paperback. very good. Illustrated. 124pp. thin 8vo original printed wrappers. Paris: Librarie Renouard n.d. A very good copy. Les Musiciens Celebres. Librairie Renouard unknown books
réf. 124647paperback. Pict. wrs. Paris 1936. Presentation copy. Owner's name removed by cutting off 3/4 inch strip from top of flyleaf. unknown books
1922réf. 146246Paris: Librairie Renouard Henri Laurens 1922. Hardcover. Near Fine. 128pp. Text in French. Illustrated. Red buckram with gilt-stamped spine. Very short tear on page foredges spine slightly age-toned near fine. Librairie Renouard, Henri Laurens hardcover books
1927réf. 270582Boston: Houghton Mifflin 1927. Hardcover. Very Good. Very good. Some light rubbing to board egdes spine ends and corners. Pages are browned lightly. Houghton Mifflin hardcover books
1910réf. 141911Paris: H. Floury 1910. half black crush morocco over marbled-paper covered boards five raised bands top edge gilt original wrappers bound in. Legrand Louis. small 4to. half black crush morocco over marbled-paper covered boards five raised bands top edge gilt original wrappers bound in. 274 pages. First Edition. With the private bookplate of the H.P. Kraus Reference Library on the front pastedown. Front hinge cracked through wear to head of the spine mild shelfwear. Textblock in near fine condition. Work is illustrated with 23 plates including 5 in color numerous engravings in the text. H. Floury unknown books
1900réf. 120198Paris: Editions Nilsson 1900. Hardcover. Good. Good book has rubbing of spine and corners of cover slight separation of hinges minor aging of pages nice marbled cover. Editions Nilsson hardcover books
1955réf. 003030Paris: Editions d'Art H. Piazza 1955. Limited Edition. Wraps Chemise Slipcase. Fine. No. 1500 of 1600 limitation on Prioux velin blanc. 8vo. 24 by 18 cm. 181 1 pp. Wraps in glassine with titled board chemise and matching slipcase. The impressionistic watercolors capture the magical dreaminess of Venice superbly. A beautiful copy of a beautiful book. Editions d'Art H. Piazza unknown books
1931réf. 22924Paris: Henry Babou. 1931. First Edition; First Printing. Softcover. No. 110 of 650 copies unbound signatures laid into wraps fine but for offsetting to front and rear blanks. 17 plates including a self-portrait frontispiece. Included is a bibliography of works illustrated by the artist. ; Small 4to 9" - 11" tall . Henry Babou paperback books
réf. 55533Paris Laurens 1934. Gr.-8°. 171 S. 3 Bl. zahlr. farb. Abb. Kapitelvignetten OLdr. geprägt Interimseinband beigebunden Exlibris a. Vors. Deckel min. fleckig Camille Mauclair 1872-1945 französischer Dichter Reiseschriftsteller Kunstkritiker Novellist. 010 Paris, Laurens, 1934 unknown
1926réf. 110858Grenoble: B. Arthaud 1926. Hardcover. Good in boards. Scuffing to panels. Toning throughout. Scuffing to page edges. Chip to crown. Bumped corners.; 8vo - over 7¾" - 9¾" tall. B. Arthaud hardcover
réf. 47147Bruxelles G. Van Oest 1909. Broche 90pp. ills. en n/b. bon etat. Rare. Bruxelles G. Van Oest 1909 unknown
réf. 7004Paris l' Edition d' Art H. Piazza 1931. . Jouas Charles. Nouveau relie demi - chagrin noir a coins plats marbres 16x215cm couverture d' editeur illustre en couleur par Jouas 124pp illustre en couleur. Illustrations en couleur de Charles Jouas. N° 490 de 1000 exemplaires numerote sur Japon Imperial. Paris, l' Edition d' Art H. Piazza, 1931.** unknown
1903réf. 57976Paris: Librairie des Amateurs A. Ferroud 1903. Number 49 of 60 copies printed on Japan Paper with the etched plates in three states two of which are colored by hand with an ORIGINAL WATERCOLOR FOLLOWING THE TITLE SIGNED BY ROCHEGROSSE. 18 compositions de Georges Rochegrosse gravés à l'eau-forte en couleurs par E. Decisy. iii 82 pp. 1 vols. 4to. Bound in full blue crushed levant gilt stamped spine in 6 compartments covers decorated in an open double fillet border interlaced to form lozenges of various shapes outer border of 4 fillets; doublures of brown levant morocco decorated with fan shaped gilt tooling endpapers of brocade silk gilt over rough edges original covers bound in each leaf mounted on separate hinge by Affolter. In half blue morocco slipcase and chemise. Bookplate of Thomas B. Lockwood. Number 49 of 60 copies printed on Japan Paper with the etched plates in three states two of which are colored by hand with an ORIGINAL WATERCOLOR FOLLOWING THE TITLE SIGNED BY ROCHEGROSSE. 18 compositions de Georges Rochegrosse gravés à l'eau-forte en couleurs par E. Decisy. iii 82 pp. 1 vols. 4to. Carteret IV p. 268 "Une des bonnes illustrations de Rochegrosse très estimée Librairie des Amateurs, A. Ferroud unknown
réf. 51046München Georg Müller 1914. Halbleder gebunden; gemustertes Überzugspapier verstärkte Ecken Kopfgoldschnitt Rückengoldprägung / Anz. Seiten: 267 / 16 x 25 cm / mit 84 Schwarzweisstafeln / Zustand: gut leichte Gebrauchsspuren; Ecken etwas bestossen Kanten berieben Vorsätze randgebräunt Abfärbung der Lederecken München, Georg Müller, 1914 unknown
1930réf. 4254Paris: L'Édition D'Art H. Piazze 1930. A lovely first edition copy of this work. Illustrated with 16 beautiful full colour engravings by Henri Cassiers including 4 hors textes. Half leather with brown marbled boards and simple gilt titles. Spotless binding. gold and brown end papers. The original covers are bound in with spine to rear. Also immaculate. The book itself is in perfect condition throughout. The smooth paper highlights the fabulous colour of the illustrations. Text in french. 148 pages. 210 by 160mm 8¼ by 6¼ inches. . Très bel exemplaire de la première édition de cet ouvrage. Illustré de 16 belles gravures en couleurs d'Henri Cassiers dont 4 hors textes. Demi-cuir avec des planches marbrées brunes et des titres dorés simples. Reliure impeccable. Papiers de garde dorés et bruns. Les couvertures d'origine sont reliées avec le dos à l'arrière. Elles sont également impeccables. Le livre lui-même est en parfait état. Le papier lisse met en valeur les fabuleuses couleurs des illustrations. Texte en français. 148 pages. 210 x 160 mm L'Édition D'Art H. Piazze hardcover
1928réf. 33047Paris: Galerie Georges Petit Henry Floury 1928. 1st Edition. Henri Le Sidaner. Henri Le Sidaner. 1st Edition. Henri Le Sidaner 1862-1939 a painter and pastelist was known for his interiors and quiet street scenes. His style is a combination of Impressionism and Pointillism. This beautifully crafted book with "untrimmed" pages features his work written by his friend the writer and art critic Camille Mauclair. 262 pp. 2 original dry-point etchings by Le Sidaner 4 tipped-in colour plates frontis. portrait & numerous text illustrations. In very good condition spine a bit faded and aged. A great example of the wonderful art of this period. View the lovely dry-point etchings "Le Pavillon dans les arbres" et "La Nappe rose"in the attached photos. Galerie Georges Petit, Henry Floury unknown
réf. 45180245-nnew. unknown
1931réf. 92111Paris: L'Edition d'art H. Piazza 1931. Fine. L'Edition d'art H. Piazza Paris 1931 15.7 x 21 cm Relié Illustrated edition with 15 colour plates by Charles Jouas one of 650 numbered copies printed on Imperial Japan paper.Contemporary brown half morocco-grained shagreen over corners spine with four raised bands ruled in black moiré paper-covered boards endleaves and pastedowns wrappers and spine preserved top edge gilt.A handsome copy attractively bound. L'Edition d'art H. Piazza hardcover
1930réf. 92108Paris: L'Edition d'art H. Piazza 1930. Fine. L'Edition d'art H. Piazza Paris 1930 15.7 x 21 cm Relié Illustrated edition with 16 colour engravings by Henri Cassiers including 4 plates hors texte one of 650 numbered copies on Imperial Japan paper.Contemporary-style burgundy half morocco-grained shagreen over corners spine with four prominent raised bands ruled in black moiré-effect paper sides endpapers and pastedowns wrappers and spine preserved top edge gilt.A handsome copy attractively bound. L'Edition d'art H. Piazza hardcover
1926réf. 954T89Grenoble: Editions J. Rey 1926. First edition. Leather. Very Good Indeed. 8.5" by 6.5". None. Two smartly bound first edition travel guides from Editions J. Rey with illustrations throughout. French. Two volumes. Editions J. Rey was a French publishing house known for publishing beautifully illustrated books on various regions and countries particularly before 1930. This set contains: En Touraine et Sur Les Bords de la Loire Chateaux et Paysages 1926. Illustrated with one hundred and eighty heliogravures. A guide to Touraine one of the traditional provinces of France with chapters on the river Loire Sologne the Cher Valley the valleys of the Indre and the Vienne and the Loire of Angers. Written by Henry Debraye a French archivist and historian. La Normandie 1926. Illustrated with one hundred and eighty-three heliogravures. A guide to Normandy a geographical and cultural region in northwestern Europe mainly comprised in France. With chapters on the Seine valley the Caux and its beaches Rouen Mont Saint-Michel and the Christian land. Written by Camille Mauclair the pen name of Severin Faust a French poet novelist biographer travel writer and art critic. Bound in half crushed morocco with paper covered boards. Externally very smart with minor wear to the extremities and fading to the spines. Internally firmly bound. Pages are very bright with light spotting to the endpapers. Very Good Indeed Editions J. Rey hardcover
1899réf. 83424s. l.: S. n. 1899. Fine. S. n. s. l. s. d. 1899 15 x 19.50 cm 8 feuillets Autograph manuscript signed entitled ""La force et la destruction"" about Paul Adam's novel La Force which has just been published 8 leaves in blue ink with some corrections. The article was certainly published in the Revue Blanche. In this laudatory critique of the novel La Force published by Paul Ollendorff: "". c'est un très grand poème épique."" "". it is a very great epic poem."" as well as of Paul Adam's already prolific work: ""Un écrivain qui à trente-cinq ans avant ce livre en a signé vingt-trois autres dont aucun n'est médiocre et dont dix sont de premier ordre."" "". un inépuisable agitateur d'idées d'aperçus de rêves et de beautés."" ""A writer who at thirty-five before this book had signed twenty-three others none of which is mediocre and ten of which are first-rate."" "". an inexhaustible agitator of ideas insights dreams and beauties."" Camille Mauclair demonstrates to the readers of the Revue Blanche of socialist and anarchist allegiance that Paul Adam is one of them: ""Mais le peuple ne sait peut-être pas combien ce romancier cet artiste de style est près de lui dévoué à sa cause véritablement son apôtre en face de la bourgeoisie. c'est en luttant de front contre les iniquités les laideurs et les égoïsmes de la classe possédante que M. Adam a imposé son nom."" ""But the people perhaps do not know how close this novelist this artist of style is to them devoted to their cause truly their apostle in the face of the bourgeoisie. it is by fighting head-on against the iniquities ugliness and selfishness of the possessing class that Mr. Adam has established his name."" Despite success and unlike many of his fellow poets and novelists Paul Adam has not gone astray: "". un mandarin des lettres refugié dans des rêves compliqués et indifférents à l'époque aux souffrances et aux injustices."" "". les autres décadents égotistes ou symbolistes. se réfugiaient prudemment dans la tour d'ivoire ou dans les honteux culte du moi en attendant l'académisme ou le suffrage des snobs."" "". a literary mandarin taking refuge in complicated dreams and indifferent to the times to suffering and injustices."" "". the other decadents egoists or symbolists. prudently took refuge in the ivory tower or in the shameful cult of the self awaiting academicism or the approval of snobs."" and is animated by an acute political and social consciousness: "". sa voix fut une des plus éloquentes parmi celles qui saluèrent dans l'anarchisme les beaux côtés de sa morale civique l'idéal internationaliste la haine des castes le relèvement de l'individu considéré comme unité et commune mesure de la société."" "". Au moment où la panique multipliait autant les dénonciateurs que les poltrons M. Paul Adam signa résolument un magnifique éloge de Ravachol.""' "". his voice was one of the most eloquent among those who greeted in anarchism the beautiful aspects of its civic morality the internationalist ideal the hatred of castes the elevation of the individual considered as unit and common measure of society."" "". At the moment when panic multiplied denouncers as much as cowards Mr. Paul Adam resolutely signed a magnificent eulogy of Ravachol.""' Finally Camille Mauclair precisely analyzes the significance of ""La force"": Avec une frappante justesse Paul Adam oppose la force véritable la hauteur d'esprit à la suprématie de l'épée."" ""M. Paul Adam nous montre l'éternel symbole de Prométhée de l'intelligence créatrice enchaîné entre la Force et la Violence."" "". étant adversaire du chauvinisme et du militarisme. de mettre en lumière tous leurs motifs de gloire pour mieux en montrer l'écoeurant non-sens la nullité la débilité devant la vie pensante et l'action féconde."" ""With striking accuracy Paul Adam opposes true force elevation of spirit to the supremacy of the sword."" ""Mr. Paul Adam shows us the eternal symbol of S. n. unknown
1931réf. 80447Paris: Grasset 1931. Fine. Grasset Paris 1931 12 x 19 cm broché First edition one of 60 numbered copies on pur fil the only deluxe copies. Handsome copy despite a small shadow caused by a press cutting glued to a flap of the crystal paper protecting the work. Grasset unknown
1931réf. 75243Paris: L'Edition d'art H. Piazza 1931. Fine. L'Edition d'art H. Piazza Paris 1931 15.50 x 21 cm broché First edition one of 650 numbered copies on Japon impérial paper. Work illustrated with 17 original color compositions by Charles Jouas. Handsome copy despite light marginal foxing of no consequence on the first cover. L'Edition d'art H. Piazza unknown
