107 résultats
réf. BN638441Die Welt von Ladurée Paris Die Welt von Ladurée Paris Serge Gleizes unknown
2015réf. 42231Stewart Tabori & Chang. Fine in Fine dust jacket. 2015. First Edition. Hardcover. White hardcover first edition is fine in fine jacket. ; 4to 11" - 13" tall . Stewart, Tabori & Chang hardcover
2013réf. 083968Chene 2013. First Edition. Hardcover. Collectable - Very Good Condition. VG- 1st ed 2013 Chene hardback with 3D pop-up model ribbon tie along side of book a terrific and delightful tribute volume immersive and tactile. Corners a little pushed with some rubbing wear to edges of boards front board a little bowed due to storage pressure bright and unmarked. Size: 7.82 x 1.25 x 10.56 inches. 184 pages. Quantity Available: 1. Shipped Weight: Under 2kg. Category: Art & Design; Professional Interior Design; ISBN: 2812309237. ISBN/EAN: 9782812309236. Dewey Code: 747.8521094436. 84cxrarebooks is the trading name of Cambridge-based bookseller Marino Guida with 25 years experience in the trade. We guarantee the condition of all our books. Further images or a short video presentation of any book can be arranged on request. We send tax-free and tariff-free to EU US/Canada and Australia/NZ with insurance included for peace of mind. Inventory No: 083968. 9782812309236 Chene hardcover
1920réf. GLEIZESA002124Edouard-Joseph Paris. 1920. First edition thus: illustrated with ten Cubist woodcuts by Albert Gleizes. Small octavo. 162 pages. Wrappers. Out of a total numbered edition of 1000 this is one of 800 ''sur verg� d'Arches''. Satirical verse by an anarchist who in 1894 was injured in the so-called Foyot bombing around which various theories as to responsibility have arisen; he himself was not the perpetrator but possibly the intended target. Albert Gleizes was the self-styled founder of Cubism having co-written the first book on the subject.Some spotting to edges. Very good indeed. Edouard-Joseph, Paris. unknown
réf. GOR002232492Paperback. Very Good. paperback
réf. 452728Hachette Livre. Hardcover. Very Good. Ladure's brand and books are highly successful around the worldThe unique ribbon-tied packaging and 3-sided pop-up make this a special giftLadure's style is distinctive and recognizable. What makes it so What are their inspirations How can we reproduce this style in rooms or parts of our homes Three decorative styles combine to make up Ladure style: 18th century Second Empire and Madeline Castaing reinterpreted by Ladure.Today Ladure is more than just a tea shop and macaroons. It is a desirable environment that unites customers from all over the world. It is created from historical inspiration and feminine styles that inspired the decorative arts of their times: Madame de Pompadour in th Hachette Livre hardcover
2015réf. SKU-0345AD05003244Stewart Tabori & Chang Press 2015. 1. Hardcover. Very Good. Very Good in a Very Good dust jacket; Hardcover; Dust jacket is clean and glossy with no tears and has not been price-clipped Now fitted with a new Brodart jacket protector; Unmarked boards with “straight" edge-corners; The textblock edges are unblemished; The endpapers and all text pages are clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Large Format 11.75" - 12.75" tall; 4.5 lbs; White dust jacket with multi-color design pattern and title in black lettering; 2015 Stewart Tabori & Chang Press; 240 pages; "Pierre Frey: Inspiring Interiors: A French Tradition of Luxury" by Serge Gleizes. Stewart, Tabori & Chang Press hardcover
réf. 126392Stewart Tabori & Chang 2014-01-01. hardcover. Like New. 0x0x0. Signed by Other. Patrick Frey inscribed to previous owner and signed on the title page. Looks unread with tiny bit of shelf wear to the jacket. oversized and overweight. B75 Please email for photos. Stewart, Tabori & Chang hardcover
1912réf. 65860Paris : Eugène Figuière 1912. GLEIZES Albert. - METZINGER Jean.Du “Cubisme”. Neuvième édition. Collection : “Tous les Arts”. Paris Eugène Figuière1912 230x185mm 44 pages 26 planches en n/b demi-percaline couverture d’origine contrecollée sur le plat supérieur Achevé d’imprimé 27 décembre 1912. indiquation ”neuvième édition”. Neuvième édition probablement fictive. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Eugène Figuière unknown
réf. mon0000301717Editions du Ch�ne 2014-08-27. Hardcover. New. HARDBACKrnNew unread copy with ribbon tiern1st 2014 Edition du Chene English Editions du Ch�ne hardcover
1920réf. 92334n. l. Paris: Edouard-Joseph 1920. Fine. Original engravings by a theorist of Cubism Edouard-Joseph n. l. Paris s. d. 1920 14.2 x 17 cm En feuilles Suite of eleven original woodcuts by Albert Gleizes printed in red on Japon paper created to accompany the deluxe issue limited to thirty copies on Japon of Au pays du mufle by Tailhade. Wood engraving lends itself admirably to the plastic demands of Cubism: its large flat colour planes and the discipline of gesture it imposes on the engraver find a natural echo in the angular forms and geometrisation of volumes then sought by Albert Gleizes. Illustrating Laurent Tailhade's text in 1920 with eleven original woodcuts one of the very theorists of the movement thus transposed his pictorial vocabulary into the medium of the wood engraving making Au pays du mufle one of the most accomplished examples of the application of Cubism to book illustration. Rare suite of wood engravings from a Cubist livre d'artiste. Edouard-Joseph unknown
2015réf. SKU-1484AF01404253Stewart Tabori & Chang Press 2015. 1. Hardcover. Very Good. Very Good in a Very Good dust jacket; Hardcover; Dust jacket is clean and glossy with no tears and has not been price-clipped Now fitted with a new Brodart jacket protector; Unmarked boards with "straight" edge-corners; Unblemished textblock edges; The endpapers and all text pages are clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Large Format 11.75" - 12.75" tall; 4.5 lbs; White dust jacket with multi-color design pattern and title in black lettering; 2015 Stewart Tabori & Chang Press; 240 pages; "Pierre Frey: Inspiring Interiors: A French Tradition of Luxury" by Serge Gleizes. Stewart, Tabori & Chang Press hardcover
1913réf. mon0000061011T. Fisher Unwin 1913T. hardcover. Acceptable. in x in x in. Ex-library hardcover. No dust jacket. Library stickers labels and stamps on cover and inside. Cover is damaged at the corners see photos. Spine is tight. Pages are clean free of markings notes or stains. Ships from Friends bookstore to benefit Beaverton Oregon library. T. Fisher Unwin hardcover
1958réf. stela1341Dundalk: Dundalgan Press Limited 1958. 1958. 8vo. pp. 120. introduction by Albert Gleizes in French. 6 double sided b/w plates. 8 colour plates. chronology. index. cloth. chip to head of spine bit scuffed at edge spine bit sunned. First Edition. 1st Edition. Hardcover. Dundalk: Dundalgan Press Limited, 1958. Hardcover
1913réf. 106627T. Fisher Unwin 1913. Hardcover. Good/No jacket. Covers worn. Gift inscription on front flyleaf. Water damage on the top left corner of the glossy plates. Occasional pencil marks in text. As-Is. This is the first book to use the term "Cubism. T. Fisher Unwin hardcover
1913réf. 020032London: T. Fisher Unwin 1913. Book. Good condition. Hardcover. First Edition. Octavo 8vo. 133 pages. Original hardcover binding is heavily worn with the entirety of the front exterior hinge cracked minor cracking to the rear exterior hinge moderate chipping to the spine and rubbing to the extremities; protected in custom-fitted archival Mylar. Complete with 25 black and white illustrations of works by Paul Cezanne Pablo Picasso Derian Jean Metzinger Marie Laurencin Albert Gleizes Fernand Leger Marcel Duchamp Juan Gris and Francis Picabia. A few pages with minor creasing minor soiling to a few pages and page 18-19 with numerous spots of discoloration. Previous owner's name neatly on the front endpaper. First edition. When first published in France in 1912 as "Du Cubisme" it was the first major text on Cubism predating "Les Peintres Cubistes" by Guillaume Apollinaire which was first published in 1913. T. Fisher Unwin Hardcover
1913réf. 198077London: T. Fisher Unwin 1913. First English Edition. Hardcover. Good- Boards are edgeworn/scuffed/smudged/foxed; corners are worn through; spine strip is heavily worn at both ends; there is an additonal example of cubism which appears to be cut out of a newspaper mounted inside the back cover; endpapers and non-glossy pages are heavily foxed and toned; plates are bright and clear; occasional margin notes are present. Black cloth with gilt embossed title and border on front cover. Top edge gilt 133 4 pp. including 25 bw glossy plates Single leaf advertisement at the endfor the Galerie Clovis Sagot Paris advertising "Oeuvres de Fauves at Cubistes". Rear of this page with age-toning in the form of a square. A very scarce title containing many plates. T. Fisher Unwin hardcover
réf. 050301913 Moscow Contemporary Problems - knigoizdatel'stvo sovremenn ya problemy'. O.E. - translation of Du Cubisme - 185 x 13 cm - 128 pgs - original soft cover - illustrated bl/wh - very early translation of Gleizes' book 'Du Cubisme in Russian - Compton mentions 2 translations in 1913 p 21 the world bachwards there is one edited in St Petersburg 1 copy in OCLC and one in Moscow 1 copy in KVK - this is the Moscow edition - the inside is fine but the back is damaged lacking a part of it image available in all very accetable considering the rarety - not in Getty not in Moma 1913 Moscow Contemporary Problems - knigoizdatel'stvo sovremenn ya problemy' paperback
1988réf. BN517894Frankfurt Main : R. G. Fischer 1988. 1988. Über den Kubismus Übertragung aus dem Französischen von Fritz Metzinger nach der Ausgabe der Édition Présence 1980 A. Gleizes und J. Metzinger DU "CUBISME Über den Kubismus Übertragung aus dem Französischen von Fritz Metzinger nach der Ausgabe der Édition Présence 1980 A. Gleizes und J. Metzinger DU "CUBISME" Gleizes Albert und Jean Metzinger Frankfurt (Main) : R. G. Fischer unknown
1922réf. 48009Paris.: Collection d'Art "La Cible" /Jacques Povolozky et Cie. 1922. Original publisher's printed wrappers with titles in black and vignette illustration to front cover vignette to rear. Small folio. 334 x 257 mm. Printed pictorial title matching the wrapper with different text copy number with vignette verso half-title and Mercereau's text with 24 monochrome wood-engravings executed by Gallien after compositions by Albert Gleizes 22 full-page three including the colophon and achevé d'imprimer also with text opening 8-line initial and vignette to final copyright page 28 in total including those for the wrappers; also included inserted loose is an additional page with a list of works by Mercereau. Albert Gleizes illustrating Mercereau's tale 'La Conque Miraculeuse'.This is copy number 254 from the unspecified edition.The combination of the bold typeface and monochromatic woodcuts many of which are full page makes for a striking publication.'An example of Gleizes' early style; the drawings for this book were made in 1910 but not cut on the blocks until 1921.' The Artist and the Book.The Artist and the Book 123. Collection d'Art "La Cible" /Jacques Povolozky et Cie. unknown
1928réf. 54706Munich: Albert Langen Verlag 1928. First edition. Hardcover. Near fine condition. Small Quarto. 101 3pp. Original yellow cloth with red lettering and design on covers red lettering on spine protected by modern mylar. Black endpapers. Typography and design by Moholy-Nagy. A cutout 7 7/8 x 5 3/8" of original dustjacket in three colors laid in containing the descriptive text. Contains two essays by Albert Gleizes: "The History of Cubism 1928" with 47 full page reproductions of artwork and "Cubism A New Conscience of Form" an attempt of generalization 1926. The artwork presented in this volume includes works by Georges Braque 4 Robert Delauny 2 Albert Gleizes 5 Juan Gris 2 Auguste Herbin 2 Le Fauconnier 2 Fernand Léger 6 Louis Marcoussis 3 Jean Metzinger 3 Pablo Picasso 4 Jacques Villon 2 Georges Valmier 2 Marcelle Cahn 1 Otto Carlsund 1 Franciska Clausen 1 Emil Filla 1 Florence Henry 1 E. Hone 1 M. Jellett 1 Yanaga Posnansky 1 and Robert Pouyaud 1. Contains two pages of advertisements at rear. One page with 14 Bauhaus books and one page for the Bauhaus magazine. Slight bump at lower foredge corner throughout first essay and first three art plates. Minor wear to binding. Albert Langen Verlag hardcover
réf. 16-4453Paris: Eugène Figuière 1912. . Original yellow wraps; repaired along spine and lower front corner; 19 x 24cm. 44pp and unnumbered plates by Paul Cézanne 1 Pablo Picasso 1 André Derain 1 Georges Braque 1 Jean Metzinger 5 Marie Laurencin 2 Albert Gleizes 5 Fernand Léger 5 Marcel Duchamp 2 Juan Gris 1 Francis Picabia; text pages foxed. Presentation copy from Gleizes to Paul Lombard.Christie's: "1912 was a halcyon year for French Cubism. It was the year that the French Cubist school formed their group La Section d’Or; it was the year of the first of three ground-breaking exhibitions that united the Cubists artists and presented them to the public; and it was the year that Jean Metzinger together with his colleague Albert Gleizes published Du Cubisme — the most comprehensive and coherent survey to date of the theories and aims of the new movement.Metzinger and Gleizes developed many of their ideas about the new painting from the weekly discussions held in the home of Jacques Villon in the Paris suburb of Puteaux where they were joined by Villon’s brothers Marcel Duchamp and Raymond Duchamp-Villon Robert Delaunay Henri Le Fauconnier Robert de la Fresnaye Juan Gris Fernand Léger and the Russian sculptor Alexander Archipenko.".GLEIZES et METZINGER. Du “cubisme”. Deuxième édition. Paris Figuière 1912. In-8. Envoi a. s. de Gleizes à Paul Lombard.Provenance Estate of Paul Lombard. Né en 1889 Paul Lombard a été rédacteur en chef de la revue L’Homme libre journal de Clémenceau et critique littéraire sous le pseudonyme de Louis Méritan. Paul Lombard est de ces critiques qui comme l’a montré Thierry Laget Proust Prix Goncourt Gallimard 2019 reprochaient à l’Académie Goncourt d’avoir décerné leur prix à un écrivain trop vieux trop riche : "Au lieu de cela cette année le prix Goncourt … échoit à M. Proust qui n’est pas jeune : il a conquis en peu de jours une notoriété dont j’ignore le secret ; le prix Goncourt même s’il l’a mérité ne lui sera d’aucune utilité" déplore-t-il dans L’Homme libre du 11 décembre 1919 p. 2. Probablement aurait-il préféré que Les Croix de bois de Dorgelès remportât de prix d’autant que l'écrivain avait été un collaborateur régulier de L’Homme libre.Expertise by Ségolène Beauchamp 86bis rue de Bellébat 45000 Orléans and Pierre Prévost 75 rue Michel Ange 75016 Paris. Paris: Eugène Figuière, 1912. paperback
1950réf. 39594Casablanca: Editions de la Cigogne 1950. Albert Gleizes. Gleizes' suite of 15 large "eaux-fortes préparatoires" Loyer 6-20 for Pascal's "Pensées sur l'homme et Dieu" the last great Cubist book. One of only 45 such suites all printed on extremely fine Montval laid paper. Folio. Loose as issued in the original folder. FINE AND BRIGHT WITH NO DEFECTS. Gleizes' most important work as a printmaker. Rare. Editions de la Cigogne unknown
1911réf. 39365Paris: The St. Catherine´s Press Bruges for Eugène Figuière 1911. Gleizes. ONE OF ONLY 40 SIGNED LARGE-PAPER COPIES OF ONE OF THE VERY FIRST CUBIST ILLUSTRATED BOOKS. 85 pp. 60 fine illustrations by Gleizes. From a total edition of 190 numbered copies this is one of only 35 copies printed on fine Dutch laid paper and SIGNED BY ALLARD AND GLEIZES. 4to. As issued in original wraps. Entirely uncut. Minor stain to corner of front cover else FINE AND BRIGHT. EXTREMELY RARE. The St. Catherine´s Press, Bruges, for Eugène Figuière paperback
2001réf. 82023Yale University Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- xi 1 334 pages 161 ills. 34 in color. -- with a bonus offer--; Few painters lived the intellectual adventures of the early twentieth century as intensely as Albert Gleizes. At the center of the public scandal over Cubism that broke out in Paris in 1911 he was with Marcel Duchamp and Francis Picabia in New York during the war and was one of the first European avant-garde artists to respond to the scale and vigor of New York life. Gleizes was also one of the few French painters of the 1920s to recognize non-representational painting as the logical development of Cubism. Gleizes' work as a painter is accompanied by an immense body of theoretical work addressing the question posed so starkly by Duchamp and Picabia: why should we paint What is the justification for the work of art This fascinating book follows Gleizes' argument as it evolves drawing on detailed analysis of works of art and both published and unpublished writings. It reveals Gleizes not just as a significant historical personality but as a man whose work and thinking remain astonishingly fresh and relevant to the needs of our own time. . 2001. 0300089643 . Yale University Press hardcover
