Albert GLEIZES - Laurent TAILHADEBiblio.com
218 resultados
1920ref. 85669Paris: Edouard Joseph 1920. Fine. Edouard Joseph Paris 1920 13 x 16.50 cm relié Edition illustrated with 10 original Cubist illustrations by Albert Gleizes one of 800 numbered copies on laid Arches paper. Bradel binding in half vellum-style boards smooth spine decorated with black undulating vertical fillets and red horizontal fillets marbled paper boards marbled endpapers and pastedowns covers and spine preserved contemporary binding. Endpapers entirely shaded otherwise handsome copy. Edouard Joseph hardcover
1920ref. GLEIZESA002124Edouard-Joseph Paris. 1920. First edition thus: illustrated with ten Cubist woodcuts by Albert Gleizes. Small octavo. 162 pages. Wrappers. Out of a total numbered edition of 1000 this is one of 800 ''sur verg� d'Arches''. Satirical verse by an anarchist who in 1894 was injured in the so-called Foyot bombing around which various theories as to responsibility have arisen; he himself was not the perpetrator but possibly the intended target. Albert Gleizes was the self-styled founder of Cubism having co-written the first book on the subject.Some spotting to edges. Very good indeed. Edouard-Joseph, Paris. unknown
1920ref. 1714151920. GLEIZES Albert. Au Pays du Mufle. By Laurent Tailhade. 162 pp. Includes a frontispiece and 10 woodcuts plus a suite of the 11 woodcuts printed in red on Japon bound at the end. Small 8vo. 175 mm. x 150 mm. bound in contemporary calf over boards with the original illustrated wrappers preserve in a new gold cloth folding box with a navy label. Paris: Edouard-Joseph 1920. A fine copy of this example of Cubism in book illustration by this influential member of the Cubist circle. Following a period of relative neglect several recent exhibitions have generated considerable demand for Cubist books which have consequently become increasingly hard to find. This particular volume is not cited in any of the standard references on modern illustrated books. One of 100 copies on yellow paper with the suite in red which is not called for from a total edition of 1000. hardcover
1920ref. 85669Edouard Joseph | Paris 1920 | 13 x 16.50 cm | relié
1920ref. 19226Paris Edouard-Joseph 1920
1920ref. GIT00944Paris Edouard-Joseph 1920. In-12 carré broché 161pp. Orné de 11 bois dessinés et gravés par Albert Gleize dans le texte et hors texte. Exp numéroté sur papier vergé d'Arches. Dos bruni.
ref. ORD-10200Édition définitive augmentée de pièces et strophes inédites et rehaussée de onze bois dessinés et gravés par Albert Gleizes. Petites Curiosités Littéraires. Paris. Edouard-Joseph. 1920. Petit in-12 carré (130 x 168mm), broché, couverture imprimée noir et rouge, 161 pages. Bois en noir dans et hors texte et bois de couleur rouge sur la dernière de couverture. Tiré à 1000 exemplaires, celui-ci N°50/800 sur vergé d'Arches. 1°plat un peu sali et lgt plié dans le coin inférieur droit, 1°page de garde uniformément jaunie mais bel état intérieur. Edition en partie originale de ce charmant petit ouvrage.
1920ref. AUB-7432Paris, Edouard-Joseph 1920. Bel exemplaire broché, in-8 carré no 182/800 sur vergé d'Arches, 161 pages.
1929ref. 117865Paris François Bernouard 1929 1 vol. broché in-8, broché, LXXXII + 282 pp. Un des exemplaires sur vergé, non justifié. Couverture un peu défraîchie, sinon bon exemplaire.
1929ref. 117865Paris François Bernouard 1929 1 vol. broché in-8, broché, LXXXII + 282 pp. Un des exemplaires sur vergé, non justifié. Couverture un peu défraîchie, sinon bon exemplaire.
ref. 44515Academie Minotaure In-8 25 cm 50pp. illustr. bois de Robert Pouyraud Puissance du Cubisme - La lente progression du cubisme vers l'art traditionnel unknown
ref. GOR002232492Paperback. Very Good. paperback
1970ref. R100050073Présence. 1970. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 161 pages.. . . . Classification Dewey : 700-LES ARTS
1956ref. 215056London: Marlborough Fine Art Ltd 1956. First edition. Softcover. Exhibition catalog for a show that ran September through October 1956. Features text by Juliette Roche-Gleizes. Includes 10 black and white illustrations and a checklist. A very good copy in stapled wrappers and from the library of the Marlborough Gallery with their marks. A nice copy with an interesting provenance. Marlborough Fine Art Ltd unknown books
2001ref. 64433Paris: Réunion des Musées Nationaux 2001. Paperback. Very good. Paperback. 235pp. Lightly edgeworn ex-Guggenheim library stamp on half-title page else very good. Réunion des Musées Nationaux paperback books
1928ref. 54706Munich: Albert Langen Verlag 1928. First edition. Hardcover. Near fine condition. Small Quarto. 101 3pp. Original yellow cloth with red lettering and design on covers red lettering on spine protected by modern mylar. Black endpapers. Typography and design by Moholy-Nagy. A cutout 7 7/8 x 5 3/8" of original dustjacket in three colors laid in containing the descriptive text. Contains two essays by Albert Gleizes: "The History of Cubism 1928" with 47 full page reproductions of artwork and "Cubism A New Conscience of Form" an attempt of generalization 1926. The artwork presented in this volume includes works by Georges Braque 4 Robert Delauny 2 Albert Gleizes 5 Juan Gris 2 Auguste Herbin 2 Le Fauconnier 2 Fernand Léger 6 Louis Marcoussis 3 Jean Metzinger 3 Pablo Picasso 4 Jacques Villon 2 Georges Valmier 2 Marcelle Cahn 1 Otto Carlsund 1 Franciska Clausen 1 Emil Filla 1 Florence Henry 1 E. Hone 1 M. Jellett 1 Yanaga Posnansky 1 and Robert Pouyaud 1. Contains two pages of advertisements at rear. One page with 14 Bauhaus books and one page for the Bauhaus magazine. Slight bump at lower foredge corner throughout first essay and first three art plates. Minor wear to binding. Albert Langen Verlag hardcover books
ref. 91065Paris, Galerie Francoise Tournié / Carennac, Galerie du Prieuré o. J. Mit einigen Abbildungen. 12 Bll. 8vo. OBrosch. mit hs. RSch.
1966ref. 217282Dortmund Germany: Museum Am Ostwall Dortmund 1966. First edition. Softcover. 79 pages. Exhibition catalog for a show that ran March 13 through April 25 1965. Text in German. Features an essay by Daniel Robbins. Includes numerous color and black and white illustrations list of previous exhibitions and an extensive bibliography A near fine copy in wrappers with some minor wear and from the library of the Marlborough Gallery with their marks and with laid in checklist. An attractive catalog designed by Herbert Matter. Museum Am Ostwall Dortmund unknown books
1964ref. 217114Paris: Musee National D'Art MOderne 1964. First edition. Softcover. 131 pages. Exhibition catalog for a show that ran December 15 1964 through January 31 1965. Text in French with an essay by Daniel Robbins. Includes numerous color and black and white illustrations and biographical information. A very good copy in wrappers with some bumping and wear and from the library of the Marlborough Gallery with their marks. Still a solid copy of this attractive catalog designed by Herbert Matter. Musee National D'Art MOderne unknown books
1964ref. 217281New York: The Solomon R. Guggenheim Museum in collaboration with Musee National D'Art Moderne 1964. First edition. Softcover. 131 pages. Exhibition catalog. Features an essay by Daniel Robbins. Includes numerous color and black and white illustrations list of previous exhibitions and an extensive bibliography A near fine copy in wrappers with some minor wear and from the library of the Marlborough Gallery with their marks and with laid in checklist that shows the difference in plates for the various different iterations of the show. An attractive catalog designed by Herbert Matter. The Solomon R. Guggenheim Museum in collaboration with Musee National D'Art Moderne unknown books
2001ref. 82023Yale University Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- xi 1 334 pages 161 ills. 34 in color. -- with a bonus offer--; Few painters lived the intellectual adventures of the early twentieth century as intensely as Albert Gleizes. At the center of the public scandal over Cubism that broke out in Paris in 1911 he was with Marcel Duchamp and Francis Picabia in New York during the war and was one of the first European avant-garde artists to respond to the scale and vigor of New York life. Gleizes was also one of the few French painters of the 1920s to recognize non-representational painting as the logical development of Cubism. Gleizes' work as a painter is accompanied by an immense body of theoretical work addressing the question posed so starkly by Duchamp and Picabia: why should we paint What is the justification for the work of art This fascinating book follows Gleizes' argument as it evolves drawing on detailed analysis of works of art and both published and unpublished writings. It reveals Gleizes not just as a significant historical personality but as a man whose work and thinking remain astonishingly fresh and relevant to the needs of our own time. . 2001. 0300089643 . Yale University Press hardcover
1928ref. 54706Munich: Albert Langen Verlag 1928. First edition. Hardcover. Near fine condition. Small Quarto. 101 3pp. Original yellow cloth with red lettering and design on covers red lettering on spine protected by modern mylar. Black endpapers. Typography and design by Moholy-Nagy. A cutout 7 7/8 x 5 3/8" of original dustjacket in three colors laid in containing the descriptive text. Contains two essays by Albert Gleizes: "The History of Cubism 1928" with 47 full page reproductions of artwork and "Cubism A New Conscience of Form" an attempt of generalization 1926. The artwork presented in this volume includes works by Georges Braque 4 Robert Delauny 2 Albert Gleizes 5 Juan Gris 2 Auguste Herbin 2 Le Fauconnier 2 Fernand Léger 6 Louis Marcoussis 3 Jean Metzinger 3 Pablo Picasso 4 Jacques Villon 2 Georges Valmier 2 Marcelle Cahn 1 Otto Carlsund 1 Franciska Clausen 1 Emil Filla 1 Florence Henry 1 E. Hone 1 M. Jellett 1 Yanaga Posnansky 1 and Robert Pouyaud 1. Contains two pages of advertisements at rear. One page with 14 Bauhaus books and one page for the Bauhaus magazine. Slight bump at lower foredge corner throughout first essay and first three art plates. Minor wear to binding. Albert Langen Verlag hardcover
2001ref. 64433Paris: Réunion des Musées Nationaux 2001. Paperback. Very good. Paperback. 235pp. Lightly edgeworn ex-Guggenheim library stamp on half-title page else very good. Réunion des Musées Nationaux paperback
ref. 42431777-nnew. unknown
ref. 73-6470New York: Leonard Hutton Galleries 1964. 4to. 25 pp. Color and Black and white plates. Soft cover. Very Good.Provenance: UC Berkeley Art Professor Peter Selz. New York: Leonard Hutton Galleries, 1964 paperback
