219 résultats
1964réf. 217114Paris: Musee National D'Art MOderne 1964. First edition. Softcover. 131 pages. Exhibition catalog for a show that ran December 15 1964 through January 31 1965. Text in French with an essay by Daniel Robbins. Includes numerous color and black and white illustrations and biographical information. A very good copy in wrappers with some bumping and wear and from the library of the Marlborough Gallery with their marks. Still a solid copy of this attractive catalog designed by Herbert Matter. Musee National D'Art MOderne unknown books
1964réf. 217281New York: The Solomon R. Guggenheim Museum in collaboration with Musee National D'Art Moderne 1964. First edition. Softcover. 131 pages. Exhibition catalog. Features an essay by Daniel Robbins. Includes numerous color and black and white illustrations list of previous exhibitions and an extensive bibliography A near fine copy in wrappers with some minor wear and from the library of the Marlborough Gallery with their marks and with laid in checklist that shows the difference in plates for the various different iterations of the show. An attractive catalog designed by Herbert Matter. The Solomon R. Guggenheim Museum in collaboration with Musee National D'Art Moderne unknown books
2001réf. 82023Yale University Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- xi 1 334 pages 161 ills. 34 in color. -- with a bonus offer--; Few painters lived the intellectual adventures of the early twentieth century as intensely as Albert Gleizes. At the center of the public scandal over Cubism that broke out in Paris in 1911 he was with Marcel Duchamp and Francis Picabia in New York during the war and was one of the first European avant-garde artists to respond to the scale and vigor of New York life. Gleizes was also one of the few French painters of the 1920s to recognize non-representational painting as the logical development of Cubism. Gleizes' work as a painter is accompanied by an immense body of theoretical work addressing the question posed so starkly by Duchamp and Picabia: why should we paint What is the justification for the work of art This fascinating book follows Gleizes' argument as it evolves drawing on detailed analysis of works of art and both published and unpublished writings. It reveals Gleizes not just as a significant historical personality but as a man whose work and thinking remain astonishingly fresh and relevant to the needs of our own time. . 2001. 0300089643 . Yale University Press hardcover
1928réf. 54706Munich: Albert Langen Verlag 1928. First edition. Hardcover. Near fine condition. Small Quarto. 101 3pp. Original yellow cloth with red lettering and design on covers red lettering on spine protected by modern mylar. Black endpapers. Typography and design by Moholy-Nagy. A cutout 7 7/8 x 5 3/8" of original dustjacket in three colors laid in containing the descriptive text. Contains two essays by Albert Gleizes: "The History of Cubism 1928" with 47 full page reproductions of artwork and "Cubism A New Conscience of Form" an attempt of generalization 1926. The artwork presented in this volume includes works by Georges Braque 4 Robert Delauny 2 Albert Gleizes 5 Juan Gris 2 Auguste Herbin 2 Le Fauconnier 2 Fernand Léger 6 Louis Marcoussis 3 Jean Metzinger 3 Pablo Picasso 4 Jacques Villon 2 Georges Valmier 2 Marcelle Cahn 1 Otto Carlsund 1 Franciska Clausen 1 Emil Filla 1 Florence Henry 1 E. Hone 1 M. Jellett 1 Yanaga Posnansky 1 and Robert Pouyaud 1. Contains two pages of advertisements at rear. One page with 14 Bauhaus books and one page for the Bauhaus magazine. Slight bump at lower foredge corner throughout first essay and first three art plates. Minor wear to binding. Albert Langen Verlag hardcover
2001réf. 64433Paris: Réunion des Musées Nationaux 2001. Paperback. Very good. Paperback. 235pp. Lightly edgeworn ex-Guggenheim library stamp on half-title page else very good. Réunion des Musées Nationaux paperback
réf. 42431777-nnew. unknown
réf. 73-6470New York: Leonard Hutton Galleries 1964. 4to. 25 pp. Color and Black and white plates. Soft cover. Very Good.Provenance: UC Berkeley Art Professor Peter Selz. New York: Leonard Hutton Galleries, 1964 paperback
1998réf. C86439Somogy. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- TWO 2 VOLUME SET. 832 pages nearly 2500 illustrations Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details; French Edition . 1998. 2850562866 . Somogy paperback
1998réf. 86439Somogy. New. 1998. Paperback. 2850562866 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- TWO 2 VOLUME SET. 832 pages nearly 2500 illustrations Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Somogy paperback
2001réf. 70662RMN. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 240 pp. With 223 ills. 131 col. . 30 x 24 cm. -- with a bonus offer-- . 2001. 2711841995 . RMN paperback
1970réf. 59715Saint-etienne France: Musee D'Art Et D'Industrie. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 32 pp. With 16 ills. 26 x 21 cm. -- with a bonus offer-- . 1970. Musee D'Art Et D'Industrie paperback
2011réf. x-3642192076Springer-Verlag New York Inc 2011. Paperback. New. 241 pages. 9.10x6.10x0.60 inches. Springer-Verlag New York Inc paperback
2011réf. x-3642226353Springer-Verlag New York Inc 2011. Paperback. New. 1st revised edition. 259 pages. 9.00x6.00x0.50 inches. Springer-Verlag New York Inc paperback
réf. 522248Zodiaque France 1974 In-8 carré ( 225 X 170 mm ) de 98 pages, broché sous couverture illustrée. Illustrations hors-texte. Pli sur la couverture, bon exemplaire.
1930réf. 2390# AUTEUR: Gleizes Albert # ÉDITEUR: Moly- Sabata - Sablons (Isère) # ANNÉE ÉDITION: 1930 # COUVERTURE: 1/2 chagrin marron - dos à nerfs - liserés et titre dorés # DÉTAILS: In 12° relié 2ff + XXXI + 2ff + 220pp. + 2ff. Ce livre contient trois études: Vie et mort de l'occident chrétien - La terre et les métiers manuels - Le mystère du pain et du vin. ” L'abus d'intellectualité a détruit la région humaine...le rêve du progrès finit en cauchemar.” # PHOTOS visibles sur www.latourinfernal.com
1969réf. 2391# AUTEUR: Gleizes Albert # ÉDITEUR: Présence - Le Tremblay Barberaz - Chambéry. # ANNÉE ÉDITION: 1969 # ENVOI, BEAUX PAPIERS: Offset Robertsau # COUVERTURE: 1/2 chagrin marron - dos à nerfs - liserés et titre dorés # DÉTAILS: In 8° relié 3ff + 357pp. + 1ff. N° 5 des 30 exemplaires hors commerce sur offset Robertsau. ”Les articles et les conférences qu'on va lire s'étagent sur le cours de quelques quinze années.” Cubisme et culture générale - Peinture et perspective descriptive - L' épopée de la forme immobile à la forme mobile - l'art et la notion de réalité - Retour à l'homme. Mais quel homme - Le cubisme et la crise de l'esprit - Le problème de la lumière - Cubisme et surréalisme - La signification humaine du cubisme - Spiritualité rythme et forme - L'arc-en-ciel, clé de l'art roman. # PHOTOS visibles sur www.latourinfernal.com
1974réf. RO30104174CHEZ L'AUTEUR. 1973-1974. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Paginée de 210 à 214. Quelques graphiques en noir et blanc dans le texte.. . . . Classification Dewey : 580-Botanique
1970réf. RO20240065Présence. 1970. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 161 pages.. . . . Classification Dewey : 700-LES ARTS
