VIALA EugèneLivre Rare Book
1064 risultati
1900rif. 194042Sans nom Eau-Forte entre 1897 et 1901. Suite Intime Patrie, n°10. Format 25.5*32.5cm (feuille). Epreuve isolée, impression à l'encre brune sur un papier de couleur crème. Au verso, à l'encre au composteur "15". Costecalde - N°106. page 157. Très bon état
1900rif. 194048Sans nom Eau-Forte entre 1897 et 1908. Paysages et Divers. La Vallée Profonde , suite Geste de la terre, N°18. Coins du monde (pour la similitude du cloche fortifié dans le deuxième état). Format 25.4*32.8cm (feuille). Epreuve isolée, impression à l'encre noire sur un papier filigrané Rives de couleur crème. Au verso, à l'encre au composteur "9". Costecalde - n°389.3. page 500. Troisième état, cette même réduction augmentée de travaux divers : la silhouette du clocher, d'abord pointue, est maintenant fortifiée et beaucoup plus massive, avec juste un reste de pointe qui emmerge. Deux arbres secs, traités à la pointe, sont ajoutés au bord de la rivière. L'ensemble est mieux défini. Très bon état
1898rif. 194371Sans nom Eau-Forte entre 1898 et 1905. De l'encre de l'acide de la souffrance Format 24*31.4cm (feuille). Impression à l'encre noire sur papier vergé de couleur crème, filigrane aux majuscules entrelacées. Signée et titrée ; signée à gauche E. Viala ; titré en suivant, vers le centre "Saturnien" Costecalde - N°153. page 219. Bon état
1900rif. 194045Sans nom Eau-Forte entre 1897 et 1901. Suite Intime Patrie, n°20. Format 25.3*32.6cm (feuille). Epreuve isolée, impression à l'encre brune sur un papier filigrané B.F.K de couleur crème. Au verso, à l'encre au composteur "22". Costecalde - N°118. page 170. Très bon état
1898rif. 194374Sans nom Eau-Forte entre 1898 et 1906. De l'encre de l'acide de la souffrance. Format 24.2*31cm (feuille). Impressions à l'encre noire sur papier vergé Arches de couleur crème. Signée à gauche, titrée à la mine de plomb sou le sujet à droite. Costecalde - N°160. page 226. Bon état
1899rif. 49449Philadelphia: The Walpole Press 1899. Grand Edition De Luxe. Hardcover. Very good condition. 7/1000. Octavo. 365pp. 10 plates in two states with printed tissue guards. Three-quarter red leather over red cloth with gilt ruling on covers gilt lettering on spine; raised bands. Top edge gilt. Decorative endpapers. Frontispiece in two states with tissue guards. Title page printed in red and black Beautiful publication of this novel by Alphonse Daudet 1840-1897. Delightfully illustrated with reproductions of etchings by Eugene Abot and Albert Duvivier as well as b/w reproductions of drawings by Stanislas Rejchan. Engravings in two states protected by captioned tissue guards. This edition printed on Japanese vellum paper. Some scuffing along edges of binding. Ex-libris of Seymour Nebenzal on inside of front cover. Block lightly age-toned. The Walpole Press hardcover
1899rif. 49449Philadelphia: The Walpole Press 1899. Grand Edition De Luxe. Hardcover. Very good condition. 7/1000. Octavo. 365pp. 10 plates in two states with printed tissue guards. Three-quarter red leather over red cloth with gilt ruling on covers gilt lettering on spine; raised bands. Top edge gilt. Decorative endpapers. Frontispiece in two states with tissue guards. Title page printed in red and black Beautiful publication of this novel by Alphonse Daudet 1840-1897. Delightfully illustrated with reproductions of etchings by Eugene Abot and Albert Duvivier as well as b/w reproductions of drawings by Stanislas Rejchan. Engravings in two states protected by captioned tissue guards. This edition printed on Japanese vellum paper. Some scuffing along edges of binding. Ex-libris of Seymour Nebenzal on inside of front cover. Block lightly age-toned. The Walpole Press hardcover books
1985rif. 39383Torino Turin: Edizioni d'Arte Tuttografica Torino 1985. Giacomo Soffiantino. A privately-printed livre d'artiste in which the author recounts one of his experiences as a hunter. ILLUSTRATED WITH TWO FULL-PAGE HORS TEXTE ETCHINGS BY GIACOMO SOFFIANTINO BOTH OF WHICH ARE SIGNED BY THE ARTIST. Edition limited to 120 numbered copies printed on extremely fine wove paper this copy printed for noted artist Franco Ghisotti and his wife Carla. Folio. Bound in the original handmade paper boards and dustjacket. Housed in the original folding board slipcase. FINE AND BRIGHT with no defects. Edizioni d'Arte Tuttografica Torino hardcover
rif. 20668211Thames & Hudson London 1956 first UK edition . 29.0 x 23.0cms 100 b/w plates very good hardback with very good dustwrapper small chips at top of spine and edges Ambroise Vollard the art dealer and publisher commissioned Picasso to execute these etchings between 1930 and 1937. The first 27 are on heterogenous subjects and the rest fall into specific groups: the battle of love: Rembrandt; the sculptor's studio; the minotaur; the blind minotaur 3 portraits of Vollard. Scarce edition Thames & Hudson London 1956 (first UK edition) hardcover
rif. 20668259Thames & Hudson London 1956 first UK edition . 29.0 x 23.0cms 100 b/w plates very good hardback & dustwrapper Ambroise Vollard the art dealer and publisher commissioned Picasso to execute these etchings between 1930 and 1937. The first 27 are on heterogenous subjects and the rest fall into specific groups: the battle of love: Rembrandt; the sculptor's studio; the minotaur; the blind minotaur 3 portraits of Vollard. Scarce edition Thames & Hudson London 1956 (first UK edition) hardcover
1859rif. 6725Paris, Magnin, Blanchard et Cie, 1859. In-4 de [6]-318-[2] p., demi-maroquin vert, plats de percaline ornés de filets à froid, dos à 4 nerfs orné de caissons, filets, fleurons et titres dorés, tranches dorées, gardes moirées. Quelques épidermures.
First Edition, large 4to, ix,36pp., number 44 of a limited edition of 200 copies, large paper copy printed on hand-made paper, 96 full-page plates printed on one side only of which several are heliogravure facsimiles each with protective tissue with short descriptive text, orig. full vellum, some lightly soiled, title stamped in gilt on upper cover, label to spine, uncut, a fine copy. An important work on Whistler's etchings with a 448 item list of his etchings reprinted from Kennedy's 1910 catalogue.
1878rif. 8454Paris, Damascène Morgand & Charles Fatout, 1878. In-4 de [2]-270 pages, demi-maroquin vert à coins, dos à 5 nerfs orné de filet, titre et encadrements dorés, couverture conservée. Dos passé, pour le reste, belle condition.
1945rif. 3223Paris, A l’Astrolabe, 1945. 1 vol. en feuilles (247 x 190) de 71-[6] pages. Couverture mauve à rabats, pièce de titre papier au 1er plat, sous chemise et boîtier carton. mauve.
1932rif. 3538Paris, Le Vasseur et Cie, 1932. 1 vol. in-8 de 138-[4] pages. Demi-maroquin bleu à coins, dos à 4 nerfs orné, tête dorée, couvertures et dos conservés. Sous étui carton. couvert de papier bleu marbré. Dos passé, 1ff. de garde déchiré, sans manque.
1930rif. 042244Paris: G. Cres 1930. First Edition Thus . Hardcover. Near Fine/Slipcase. Fine B/W Illustrations. 201 Ii Pp. Full Black Niger Gilt And Blind-Stamped In An Art Deco Design Top Edge Gilt Black Gilt And Blindstamped Turns With Blue Silk Doublures And Additional Blue Marbled Endpapers Matching Leather And Marbled Paper On Slipcase. Front Board Neatly Detached Long Ago Reattached With Nearly Invisible Silk Now Again Detached But Can Be Invisibly Reattached Using New Cords Without Any Rebinding. Slipcase With Wear At Corners Split Along One Top Edge. Tipped In Is A Calling Card Of Emile Rossignol With Handwritten Message "Avec Tous Les Voeux De Bonheur Pour L'an Qui Vient" Rossignol." Very Faded Abbreviated Signature At End Of Contents Page. Roland Dorgelès 1885 - 1973 Was A French Novelist And A Member Of The Académie Goncourt. Born In Amiens Somme Under The Name Roland Lecavelé He Adopted The Pen Name Dorgelès To Commemorate Visits To The Spa Town Of Argelès He Spent His Childhood In Paris. A Prolific Author He Is Most Renowned For The Prix Femina-Winning Wooden Crosses Les Croix De Bois A Moving Study Of World War I In Which He Served. It Was Published In 1919 In English By William Heinemann In 1920. Dorgelès Served As A Juror With Florence Meyer Blumenthal In Awarding The Prix Blumenthal A Grant Given Between 1919 And 1954 To Painters Sculptors Decorators Engravers Writers And Musicians. G. Cres hardcover
rif. 104184Paris, La Tradition, 1941, 1 volume in-4 de 292x202 mm environ, 206 pages, pleine basane racinée fauve, dos à nerfs portant titres doré, sous étuit recouvert de papier marbré, gardes marbrées, tête dorée, couvertures et dos conservés. Exemplaire N° 329/450, un des 376 exemplaires, sur vélin d'Arches, numérotés de 75 à 450, illustré de 24 eaux-fortes originales in-texte de Joseph Hémard. Quelques rousseurs, cuir insolé sur le dos avec petits frottements sur les coins et les coiffes, étui frotté, sinon bon état.
1947rif. 005468Paris Editions de la Galerie Charpentier 1947 In-4 En ff. chemise et étui
rif. 14608La légende des siècles quatre tomes en quatre volumes in 4 carré demi chagrin marron à nerfs et à coins, titre, tomaison dorés. Tête dorée, non rogné. Couverture conservée. Tome 1 : faux titre, titre, frontispice sous serpente (le Titan d’après CABANEL) titre, 372 pages. Août 1886. Tome 2 : faux titre, titre, frontispice sous serpente les chevaliers errants d’après ROCHEGROSSE. Titre, 391 pages 15 septembre 1886. Tome 3 : faux-titre, titre, frontispice sous serpente le satyre d’après CORMON, 349 pages, 15 novembre 1886. Tome 4 : faux titre, titre, frontispice sous serpente le cimetière d’Eylau d’après LE BLANT. 366pages, 15 décembre 1886. Les 10 compositions hors texte sont de CABANEL, Jean Paul LAURENS, De RICHEMOND, ROCHEGROSSE, CORMONT, HENNER, RODIN, etc. gravées à l’eau forte par BRAQUEMOND, CHAMPOLLION, LE RAT etc. 149 vignettes d’en têtes en tille douce s’après les compositions de MATHIS etc. paris TESTAR édition nationale 1886. Très bon état Poids 2,5kg
1923rif. 212181923. S.l. Les Bibliophiles comtois 1923. Un fort vol. au format in-4 292 x 226 mm de 258 pp. en feuilles sus couverture titre rabats remplis et tui-chemise cartonn dos lisse piÂce de titre contrecolle. Tirage unique 140 exemplaires seulement dont 15 seulement furent mis dans le commerce. Celui-ci comptant parmi les 115 sur Arches seul papier rservs aux membres de la Socit et ce titre imprims nominativement pour Charles EstÂve. ''Edition bien illustre''. L'ouvrage renferme - ici en premier tirage - les eaux-fortes originales de Lucien Madrassi. ''ElÂve des peintres Raphal Collin Gervais et Grme Madrassi exposa au Salon des Artistes franÂais. En 1924 il est Cracovie o il tudie sur place les moeurs et les types juifs pour Un Royaume de Dieu des frÂres Tharaud dont l'diteur Lapina lui avait confi l'illustration. Il fit cette occasion 86 eaux-fortes''. in Osterwalder. ''Membre de la Socit des Artistes FranÂais depuis 1906 Madrassi a entre autres illustr Un royaume de Dieu de Jean et Jrme Tharaud''. in Bnzit. ''Lamartine peint avec une apparente justesse l'tat des esprits en 1814 et pendant la premiÂre Restauration. Oeuvre mconnue dont l'intrÂt documentaire est certain.'' Absent de Mah Rpertoire des ditions de luxe - Carteret IV Le Trsor du bibliophile / Illustrs modernes p. 230 - Osterwalder II Dictionnaire des illustrateurs p. 732 - Bnzit VII Dictionnaire des peintres p. 55 - Tulard Bibliographie critique des Mmoires sur le Consulat et l'Empire pour l'originale de 1870. Petites marques d'usage affectant le dos de la chemise ainsi que les angles et coupes du coffret ; dont un plat prsente quelques marques d'eau sans gravit. Quelques rousseurs affectant les trois premiers et derniers feuillets. Nonobstant belle condition. Peu courant. b42961 unknown
1923rif. 21218S.l., Les Bibliophiles comtois, (1923). Un fort vol. au format in-4 (292 x 226 mm) de 258 pp., en feuilles, sus couverture titrée à rabats rempliés et étui-chemise cartonné, dos lisse, pièce de titre contrecollée.
1976rif. 50105Lincoln MA: Penmaen Press 1976. Fine/Very Good Condition. Lincoln MA: Penmaen Press 1976. First Trade Edition. Slim octavo 23cm; publisher's cloth in black photo-illustrated dust jacket; 45pp.; two full-paged etchings. Light edge wear to jacket margins else a Very Good to Near Fine copy. Inscribed by both authors though only signed by Eberhart to the late collector and bookseller Burt Britton on half title page: "For Burt Britton / from the Author with best wishes for his tranquility & prosperity / January 4 1979" and "For Burt too and with all best wishes Richard Eberhart / January 30 1979." Title page continues "An explanation by Allen Ginsberg of his publication Howl and Richard Eberthart's New York Times article 'West Coast Rhythms' together with comments by both poets and relief etching by Jerome Kaplan." . Penmaen Press unknown
1976rif. 50105Lincoln MA: Penmaen Press 1976. Fine/Very Good Condition. Lincoln MA: Penmaen Press 1976. First Trade Edition. Slim octavo 23cm; publisher's cloth in black photo-illustrated dust jacket; 45pp.; two full-paged etchings. Light edge wear to jacket margins else a Very Good to Near Fine copy. Inscribed by both authors though only signed by Eberhart to the late collector and bookseller Burt Britton on half title page: "For Burt Britton / from the Author with best wishes for his tranquility & prosperity / January 4 1979" and "For Burt too and with all best wishes Richard Eberhart / January 30 1979." Title page continues "An explanation by Allen Ginsberg of his publication Howl and Richard Eberthart's New York Times article 'West Coast Rhythms' together with comments by both poets and relief etching by Jerome Kaplan." . Penmaen Press unknown books
1896rif. 013618Edinburgh: T.C. and E. C. Jack 1896. First Edition Thus. Hardcover. Near Fine. The Centenary Burns four volumes 8vo tan cloth decorated in gilt in the MacKintosh/ Art Nouveau style volumes 1 and 2 published 1896 3 and 4 in 1897 gte sides untrimmed each in near fine condition. Set owned by Victorian author Ella Napier Lefroy 1854-1919 with her bookplate on the front pastedown of each volume. A Glasgow native and eldest daughter of merchant and politician Alexander Hastie of Luscar in 1873 she married Thomas Charles Perceval Lefroy an Irish businessman who worked for the brewers Guinness and Bass. The couple lived in London and had four children. In the 1890s Lefroy wrote two novels - "A Scots Thistle" 2 vols. London: Bentley 1892 and "Janet Delille" 2 vols. London: Hurst and Blackett 1894 under the pseudonym "E. N. Leigh Fry." Thereafter it appears she gave up literature. Her husband died in 1893 which may have influenced her decision. T.C. and E. C. Jack hardcover
1896rif. 013618Edinburgh: T.C. and E. C. Jack 1896. First Edition Thus. Hardcover. Near Fine. The Centenary Burns four volumes 8vo tan cloth decorated in gilt in the MacKintosh/ Art Nouveau style volumes 1 and 2 published 1896 3 and 4 in 1897 gte sides untrimmed each in near fine condition. Set owned by Victorian author Ella Napier Lefroy 1854-1919 with her bookplate on the front pastedown of each volume. A Glasgow native and eldest daughter of merchant and politician Alexander Hastie of Luscar in 1873 she married Thomas Charles Perceval Lefroy an Irish businessman who worked for the brewers Guinness and Bass. The couple lived in London and had four children. In the 1890s Lefroy wrote two novels - "A Scots Thistle" 2 vols. London: Bentley 1892 and "Janet Delille" 2 vols. London: Hurst and Blackett 1894 under the pseudonym "E. N. Leigh Fry." Thereafter it appears she gave up literature. Her husband died in 1893 which may have influenced her decision. T.C. and E. C. Jack hardcover books
