DUFOURT, Jean - DREVET, JoannyLivre Rare Book
1.055 Ergebnisse
Best.-Nr. 107857Grenoble, Editions Didier Richard, 1929, 1 volume in-4 de 280x195x30 mm environ, 132 pages, reliure signée Trinckvel, demi maroquin à coins aubergine, dos à nerfs portant titres dorés, tranche de tête dorée, gardes marbrées, couvertures et dos conservés. Eaux-fortes et dessins de Joanny Drevet. Exemplaire N° 19/2150, un des 12 exemplaires sur Japon Impérial, contenant un frontispice et 18 eaux-fortes de Joanny DREVET, avec le dessin original de bandeau (Cheval de bronze p.69), la suite des épreuves d'état et la suite avant la lettre tirées en sanguine, sur Montval, numérotées de 8 à 19, ainsi que le cuivre rayé. Quelques rousseurs sur la tranche de gouttière, infime petit accroc sur un mors-peau, sinon bel exemplaire bien conservé.
1929Best.-Nr. 20991Paris, Floury, 1929 ; grand in-4° (337 mm), broché ; 98, [2] pp. 12 aquarelles 4 eaux-fortes hors texte , couverture grise rempliée, plats décorés de compositions tirées en couleurs, 105 dessins in-texte.
1945Best.-Nr. 001590Paris La Tradition 1945
1867Best.-Nr. 30999A Paris et à Bordeaux, chez Léon Gaucherel / chez Léon Drouyn, 1867. Un vol. au format in-plano (503 x 373 mm) de 2 ff. n.fol., 1 frontispice gravé n.fol., iii pp. + 19 planches et 19 ff. n.fol. Reliure de l'époque de demi-chagrin glacé noisette, dos lisse orné de filets gras en noir, doubles filets dorés, larges fleurons dorés, titre doré, roulette dorée en queue, tranches mouchetées.
1867Best.-Nr. 309991867. A Paris et Bordeaux chez Lon Gaucherel / chez Lon Drouyn 1867. Un vol. au format in-plano 503 x 373 mm de 2 ff. n.fol. 1 frontispice grav n.fol. iii pp. 19 planches et 19 ff. n.fol. Reliure de l'poque de demi-chagrin glac noisette dos lisse orn de filets gras en noir doubles filets dors larges fleurons dors titre dor roulette dore en queue tranches mouchetes. Edition originale rare de cette soigneuse publication ; prsente dans un format des plus attractifs. Exemplaire agrment en tÂte de la page de titre d'un envoi autographe sign de Jules de Verneilh. L'ouvrage recÂle 20 sur 20 ; dont frontispice ''magnifiques'' in Linfort planches graves l'eau-forte montes sur onglets et tires sur Chine ; chacune lgende et signe dans la plaque Lon Gaucherel. Gaucherel ''obtint plusieurs mdailles. Il fut dcor de la Lgion d'Honneur. Il exposa au Salon de 1847 1879. Ses gravures figurent dans de nombreux muses.'' in Bnzit.''Gaucherel se rvÂle vitre Âtre un prcurseur dans la technique de l'eau-forte et occupe de ce fait une place intressante dans la gravure.Lon Gaucherel que l'on surnomme le ''pÂre de l'eau-forte'' ou ''le prcurseur'' fut un des membres fondateurs de la Socit des aquafortistes laquelle il a donn trois planches dont Nature morte. L'intrÂt de l'artiste pour l'architecture et l'archologie se produit la suite d'un voyage en Italie en 1836. Il a donn vingt planches pour Le Vieux Prigueux''. in Bailly-Herzberg. ''La conscience archologique du grandiose qui s'ouvre l'altrit du Prigord avec Lon Drouyn fut partage par Jules de Verneilh. Le Prigord province romaine retrouvait ses airs antiques dans les dessins publis par Verneilh ; et le Bulletin de la Socit historique et archologique du Prigord la naissance de laquelle il participa s'orna d'un bel album d'eaux-fortes du Vieux Prigueux. Jacques Lassaigne de souligner en 1969 combien l'artiste avait alors fait revivre l'tat de triste abandon dans une puret architecturale altre depuis. L'ouvrage de Verneilh se proposait de poser un tat des lieux qui garantirait la conscience monumentale d'un riche patrimoine. La plume face l'altration de la pierre allait ainsi promouvoir son altrit dans l'inachev.'' Bnzit IV Dictionnaire des peintres p. 633 - Bailly-Herzberg Dictionnaire de l'estampe en France p. 130 - Linfort Le Prigord des peintres pp. 16 et suivantes sont reproduites cinq compositions extraites de l'ouvrage reproduites. Angles mousss. Coupes lgÂrement limes. Quelques claires rousseurs dans le texte ainsi que dans la marge des planches trÂs bien conserves et contrastes. Dchirure affectant l'onglet du frontispice grav entranant une dsolidarisation partielle de la planche. Nonobstant ce rare recueil demeure dans une condition satisfaisante. b42961 unknown
1902Best.-Nr. 53698London: Freemantle & Company 1902. Hardcover. Collectible: Good. Full leather with five raised bands on the spine. #12 of 150. Interior is VG. Mild wear to the edges this has been stored properly throughout its existence. Not musty or moldy. The gutters were cracked in both volumes: they have been properly preserved/restored professionally. The interior hinges have been reinforced with appropriately colored tape. Signed by Strang and Cameron. Board tips are slightly through on a few of the tips. Mild wear only. Not bowed. Gilt leather VG interior. 11 lbs. Freemantle & Company hardcover
1950Best.-Nr. 4034Paris, La Belle édition, 1950. 4 volumes in-4 en feuilles de [6 ff.], 313 p., [1 f.] + 278 p., [2 ff.] + 395 p., [2 ff.] + 380 p., [3 ff.]. En partie non coupé. Couvertures à rabats, sous chemises de percaline bordeaux et étui cartonné illustré en noir. Belle condition.
1993Best.-Nr. 37567San Francisco: Arion Press 1993. Hardcover. Fine. Hardcover. Number 126 of 250 numbered copies signed by the artist on his artist's statement preceding the text. There were also 26 lettered copies for private distribution. This was the forty-first publication of the Press. The text of this book is "From the History of an Infantile Neurosis" that was reprinted in The Standard Edition of the Complete Psychological Works of Sigmund Freud Volume XVII pages 7-122 translated from the German under the editorship of James Strachey. The Wolf-Man was the pseudonym given by Freud to his patient a young Russian man named Sergei Pankejeff. Freud's analysis of the Wolf-Man became his most famous case centering on the interpretation of dreams and childhood sexuality. In addition to the text of Freud's study this book includes an erudite and detailed discussion of Freud's work and influence by Richard Wollheim. Wollheim was a British philosopher noted for original work on mind and emotions especially as related to the visual arts specifically painting. The striking woodcuts and etchings illustrating the book were done by Jim Dine b. 1935. He is a well-known American artist who rose to prominence in late-1950's New York. He was closely associated with the Pop Art movement. An innovator throughout his long career Dine's extensive output includes paintings assemblages sculptures drawings prints and over twelve books of poetry. He has been the subject of more than 300 solo exhibitions around the world including eleven major surveys and retrospectives since 1970. The book was designed printed and bound at the Arion Press under the direction of Andrew Hoyem. Bound in gray cloth with a black cloth spine with titling in silver. The front cover has an image by Dine of a young boy confronting a wolf. Printed in Century Old Style type for the text with Century Expanded italic and Miller & Richard Old Style capitals for display. The text paper is Johannot mouldmade in France. The etchings and woodcuts are on T.H. Saunders Drawing paper mouldmade in England. The intaglio prints were editions by Pace Editions in New York. The book is housed slipcase covered in black paper with gray cloth trim with a black title label to spine. Accompanied by prospectus. Book is in fine condition in a near fine slipcase. Measures 10 x 12.5 inches. 114 pages plus illustrations. PRI/103024. Arion Press hardcover
1993Best.-Nr. 37567San Francisco: Arion Press 1993. Hardcover. Fine. Hardcover. Number 126 of 250 numbered copies signed by the artist on his artist's statement preceding the text. There were also 26 lettered copies for private distribution. This was the forty-first publication of the Press. The text of this book is "From the History of an Infantile Neurosis" that was reprinted in The Standard Edition of the Complete Psychological Works of Sigmund Freud Volume XVII pages 7-122 translated from the German under the editorship of James Strachey. The Wolf-Man was the pseudonym given by Freud to his patient a young Russian man named Sergei Pankejeff. Freud's analysis of the Wolf-Man became his most famous case centering on the interpretation of dreams and childhood sexuality. In addition to the text of Freud's study this book includes an erudite and detailed discussion of Freud's work and influence by Richard Wollheim. Wollheim was a British philosopher noted for original work on mind and emotions especially as related to the visual arts specifically painting. The striking woodcuts and etchings illustrating the book were done by Jim Dine b. 1935. He is a well-known American artist who rose to prominence in late-1950's New York. He was closely associated with the Pop Art movement. An innovator throughout his long career Dine's extensive output includes paintings assemblages sculptures drawings prints and over twelve books of poetry. He has been the subject of more than 300 solo exhibitions around the world including eleven major surveys and retrospectives since 1970. The book was designed printed and bound at the Arion Press under the direction of Andrew Hoyem. Bound in gray cloth with a black cloth spine with titling in silver. The front cover has an image by Dine of a young boy confronting a wolf. Printed in Century Old Style type for the text with Century Expanded italic and Miller & Richard Old Style capitals for display. The text paper is Johannot mouldmade in France. The etchings and woodcuts are on T.H. Saunders Drawing paper mouldmade in England. The intaglio prints were editions by Pace Editions in New York. The book is housed slipcase covered in black paper with gray cloth trim with a black title label to spine. Accompanied by prospectus. Book is in fine condition in a near fine slipcase. Measures 10 x 12.5 inches. 114 pages plus illustrations. PRI/103024. Arion Press hardcover books
1950Best.-Nr. 1179Sans lieu (Paris), sans nom (l’Artiste), sans date (1950), grand in-4, broché en feuillets sous couverture rempliée ; chemise étui crème, pièce de titre bordeaux ; (38) feuillets, 14 eaux-fortes dont sept hors-texte, toutes les pages ont des décors gravés dorés, nombreuses lettrines et majuscules rehaussées de gouache pourpre, portrait de Musset gravé à l’eau-forte sur la couverture.Tiré à 350 exemplaires (dont 20 sur Japon) ; celui-ci sur vélin d’Angoumois pur fil, demi à la main du moulin du Verger du Puy Moyen, signé par l’artiste.
2000Best.-Nr. CNJL795Baltimore Maryland: Dolphin Press / Maryland Institute College of Art 2000. Limited Edition. Hardcover. Fine. Lorenz Hilary. No. 7 of 40 copies of the deluxe edition total edition 100 elephant folio size 40 pp. signed by Albert Mobilio and Hilary Lorenz. "The Handbook of Phrenology" is a collaboration between artist Hilary Lorenz an artist and printmaker whose work has been exhibited throughout the United States Europe and Asia and the co-founder of the Dolphin Press and writer Albert Mobilio a poet and literary critic whose work has appeared in The Village Voice Harper's Fortune and The New York Times Book Review n. b. artist bios from the book. The book is a collection of five prose fiction pieces that revolved around the nineteenth-century science of phrenology or "the reading of one's head shape to determine personality" n. b. from website of Hilary Lorenz and is a provocative examination of what is now recognised as a pseudoscience. ___DESCRIPTION: Full black Japanese Asahi cloth gilt vignette and lettering on the front board hand-marbled paste-down endpapers hand-sewn binding six etchings interspersed throughout the text both etchings and text printed on the rectos only; Dante monotype on Rives Heavyweight elephant folio in size 16" by 13.5" unpaginated with 20 leaves excluding front and back blank leaves per the colophon page a limited edition of 100 copies this being number 7 per the web site for Hilary Lorenz numbers 10-100 were for sale signed by Albert Mobilio and Hilary Lorenz on the colophon. The slipcase is covered in matching cloth gilt vignette and lettering on the front which mirrors the book lined with maroon paper. With a sheet with a description of the book serving as the prospectus one sheet printed on one side. ___CONDITION: Volume is fine with a strong square text block solid hinges perfectly straight corners with no rubbing the interior is clean and bright and it is entirely free of prior owner markings - crisp as new. Slipcase is also fine strong and sturdy clean without wear. The prospectus sheet is near fine clean with very light toning to the edges and light wear to the corners else fine. ___POSTAGE: Please note that this is an oversize book and additional postage may apply as the standard does not always cover costs; please contact us for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Dolphin Press / Maryland Institute, College of Art hardcover
2000Best.-Nr. CNJL795Baltimore Maryland: Dolphin Press / Maryland Institute College of Art 2000. Limited Edition. Hardcover. Fine. Lorenz Hilary. No. 7 of 40 copies of the deluxe edition total edition 100 elephant folio size 40 pp. signed by Albert Mobilio and Hilary Lorenz. "The Handbook of Phrenology" is a collaboration between artist Hilary Lorenz an artist and printmaker whose work has been exhibited throughout the United States Europe and Asia and the co-founder of the Dolphin Press and writer Albert Mobilio a poet and literary critic whose work has appeared in The Village Voice Harper's Fortune and The New York Times Book Review n. b. artist bios from the book. The book is a collection of five prose fiction pieces that revolved around the nineteenth-century science of phrenology or "the reading of one's head shape to determine personality" n. b. from website of Hilary Lorenz and is a provocative examination of what is now recognised as a pseudoscience. ___DESCRIPTION: Full black Japanese Asahi cloth gilt vignette and lettering on the front board hand-marbled paste-down endpapers hand-sewn binding six etchings interspersed throughout the text both etchings and text printed on the rectos only; Dante monotype on Rives Heavyweight elephant folio in size 16" by 13.5" unpaginated with 20 leaves excluding front and back blank leaves per the colophon page a limited edition of 100 copies this being number 7 per the web site for Hilary Lorenz numbers 10-100 were for sale signed by Albert Mobilio and Hilary Lorenz on the colophon. The slipcase is covered in matching cloth gilt vignette and lettering on the front which mirrors the book lined with maroon paper. With a sheet with a description of the book serving as the prospectus one sheet printed on one side. ___CONDITION: Volume is fine with a strong square text block solid hinges perfectly straight corners with no rubbing the interior is clean and bright and it is entirely free of prior owner markings - crisp as new. Slipcase is also fine strong and sturdy clean without wear. The prospectus sheet is near fine clean with very light toning to the edges and light wear to the corners else fine. ___POSTAGE: Please note that this is an oversize book and additional postage may apply as the standard does not always cover costs; please contact us for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Dolphin Press / Maryland Institute, College of Art hardcover books
1927Best.-Nr. UDG-227[DYL (Yan Bernard)]. REGNIER (Henri de). Le miracle du fil. Paris, Simon Kra, 1927. In-folio en feuilles sous couverture éditeur illustrée et chemise demi-toile éditeur à rabats noués par un ruban. Édition originale de ce recueil de 16 sonnets d'Henri de Régnier imprimé sur les presses de Coulouma, illustré de 16 planches hors-texte en couleurs rehaussées d'or et d'argent de Yan Bernard Dyl reproduites par Daniel Jacomet. Tirage limité à 350 exemplaires numérotés, celui-ci n°106, un des 334 sur papier Canson Montgolfier. Yan Bernard Dyl est un des plus grands illustrateurs du mouvement Art Déco. D'abord publiciste et caricaturiste, il crée ensuite son agence de publicité après avoir été lourdement blessé durant la première guerre mondiale. Il travaille notamment pour Roger & Gallet et Lenthéric et plusieurs de ses créations sont publiées dans l'annuaire du luxe Pan, dirigé par Paul Poiret. Il reçut alors plusieurs commandes pour des ouvrages de bibliophilie dont celui-ci est un parfait exemple. Les illustrations de Dyl permettent d'apprécier le lien entre les motifs et formes Art Déco et la mode de l'époque, par la déclinaison des motifs traditionnels de dentelles. On y retrouve notamment les motifs régionaux de Cluny, Gênes, Bruges, Alençon, Chantilly mais également la dentelle de la Renaissance Espagnole, les Ténérife et les Paraguay. Très bel exemplaire dans sa chemise d'origine en excellente condition. (infimes salissures à la chemise, décharges des gravures comme toujours sinon très bel exemplaire)
Profusely-illustrated monograph which provides the only catalogue raisonne of the work of Lunois, an important late-19th-century French artist fascinated by Spain, the Maghreb, and Scandinavia. ONE OF ONLY 50 NUMBERED COPIES PRINTED ON FINE OLD JAPAN PAPER. Illustrated with about 100 text illustrations and 26 full-page plates, each in two states. Most of the full-page plates are original etchings or lithographs by Lunois (some printed in color). Also includes the etching "Dame turque", which appears ONLY in this deluxe edition. 4to, original illustrated wraps. Uncut and unopened. With the prospectus. A bright, excellent copy of a rare book.
1907Best.-Nr. 210771907 1 Eau-forte en couleurs au repérage, tirée à 60 exemplaires, monogrammée et datée dans la plaque, signée au crayon sous le trait carré, titrée et numérotée sous le coup de plaque (N°15), 1907, 30 x 24.5 cm.
1948Best.-Nr. 16381Paris, Guillot, 1948 ; in-folio, en feuilles sous couverture gaufrée blanc-cassé rempliée, chemise-étui orange d’éditeur, titre en rouge ; (4), 123, [124], (4) pp., 15 eaux-fortes à pleine page, en couleurs, dont le frontispice, titre sang et or avec un fleuron d’arabesques, lettrine, rosace et cartouche de l’achevé d’imprimer de style hispano-mauresque sang et or.
1874Best.-Nr. 16893Paris, Cadard, 1874 ; grand in-folio, demi chagrin à coins prune, dos à nerfs, titre doré, tête dorée, non rogné (reliure de l'époque) ; (2) ff. blancs, XXXVIII pp. , 40 planches gravées à l'eau forte dont le portrait et l'auto-portrait, représentant ses tableaux et 84 pp. de catalogue qui répertorie 518 oeuvres (509+9 en N°bis) de l'artiste Bressan ; les planches d'eaux-fortes sont séparées par un feuillet blanc qui joue le rôle de serpente.
1948A charming livre d'artiste, with 26 ORIGINAL ANIMAL ETCHINGS (10 of which are hors-texte) BY ODETTE DENIS, granddaughter of Maurice Denis and one of the true masters of the genre, along with Paul Jouve and Maurice de BËcque. From a total edition of 250 numbered copies printed on fine Arches wove paper, this is one of 144 copies with all of the etchings in final state. SIGNED by the artist below the justification. Folio. Loose as issued in the original wraps. FINE AND BRIGHT, with no defects. Housed in the original (lightly worn) board chemise and slipcase.
Two huge color aquatint / etchings depicting surreal gnome-like musicians. Printed on fine Arches wove paper. Each of the prints is signed, titled, and justified by the artist in pencil. Plates measure 20 x 13 inches (51 x 33 cm), sheets measure 30 x 23 inches (76 x 58.5 cm). Printed in delicate tones of purple and orange. Originally, this set was to be published in an edition of 75, but the publisher died before the project was completed. Finally only a few impressions were actually printed and signed, and THESE PRINTS HAVE NEVER BEFORE BEEN OFFERED TO THE PUBLIC. In absolutely perfect condition, like new. Price is for the set of 2 prints together.
1970Best.-Nr. 001883Milan "Immagini e teste n°2", M'Arte Edizioni 1970 In-4 en feuilles Couv., chemise et étui Ed. originale
1927Best.-Nr. 190720Carrère A Rodez, de l'Imprimerie Carrère, 1927. Fort In-Folio broché, sous couverture d'attente à rabats. 611 pages. Bien complet des 22 eaux fortes hors texte sous serpentes par le Comte R. de Levezou de Vezins. Index des noms propres. Il s'agit du 1e volume paru concernant les cantons de Séverac, Laissac et Campagnac. Tiré à seulement 283 exemplaires, celui-ci un des 100 exemplaires sur papier vergé de Rives. La couverture d'attente est donc muette un peu défrâichie. Ce très rare et recheché ouvrage mériterait la reliure. Notre exemplaire en plus des 22 eaux fortes contient une gravure couleur volante non localisée. Très rare
Best.-Nr. 89757A Lyon, Cumin et Masson Editeurs, 1915, 1 volume in-4 de 220x270 mm environ, 120 pages, demi chagrin cerise, dos lisse portant titres et dates dorés, gardes marbrées, couvertures et dos conservés. Exemplaire N° 51/305, un des 50 exemplaires sur vélin du Marais numérotés de 16 à 65, contenant 28 eaux-fortes en un seul état. 84 reproductions dans le texte et hors texte. Petits frottements sur les coupes, sinon bon état.
1967Best.-Nr. 17063Montpellier, Fata Morgana, 1967. In-8 de [60] pages, plein maroquin bleu nuit, plats décorés d'un insert de beau papier, étui. Couvertures et dos d'origines conservés. Reliure signée Alix.
1970Best.-Nr. 20215Milano, M’Arte Edizioni, 1970. In-folio en feuilles de [34] pages. Sous couverture. bleue nuit imprimée en blanc, à rabats, chemise et étui bleu nuit bordé de blanc.
1934Best.-Nr. 6540Fontenay-aux-roses, Aux éditions de la Cigogne, 1934. In-4 en feuilles de [8]-198-[14] pages sous couverture ornée d'une eau-forte, chemise avec titre au dos et étui de papier fantaisie. Coins de l'étui un peu frottés, dos de la chemise un peu passé mais le livre est en bel état.
