1 059 résultats
réf. 35988Guenrouet France: Pre Nian Editions 2005. Very Good . Guenrouet France: Pre Nian Editions 2005. Limited Edition of 10 copies numbered and signed by Bracaval and Ferlinghetti at limitation this being No. AC VI; from a full print run of 45 copies. Nine loose sheets laid into heavy paper wrapper and including title page colophon two sheets featuring Ferlinghetti's poem and five etchings with tissue guards each signed by Bracaval and numbered 05. Housed in hand-made box designed by Frere. Shelfwear and a few scuffs to box; a couple minor smudges to paper wrapper; Very Good or better. An attractive and scarce collaboration between poet and artist. Pre Nian Editions unknown
réf. 42463Paris: Georges Fall 1975. Limited First edition. Hardcover. vg. 1/150. Folio 15 1/2 x 11 3/4". 30 6 loose pages as issued. Original printed wrappers with blue and black lettering to front cover. Portfolio housed in a red cloth chemise with blue lettering to spine. Chemise housed in its matching burgundy cloth slipcase. Hand-signed etched frontispiece. Accompanying a text by Arturo Schwarz this portfolio contains four striking color etchings including frontispiece by André Masson one of the pioneers of Surrealism. Each etching is tissue-guarded and hand-signed by the artist in pencil at lower right margin. One of 150 numbered copy on Vélin d'Arches paper of which this copy is. unnumbered! Text in French. Slipcase chemise wrappers and interior in overall very good condition. Arturo Schwarz born in 1924 is an Italian scholar art historian poet writer lecturer art consultant and curator of international art exhibitions. He lives in Milan where he has amassed a large collection of Dada and Surrealist art including many works by personal friends such as Marcel Duchamp André Breton Man Ray and Jean Arp. Georges Fall hardcover
1961réf. 39362Paris: André Dérue 1961. Lars Bo. A STUNNING LIVRE D'ARTISTE with 12 haunting etchings with aquatint by Lars Bo. From a total edition of 200 numbered copies this is one of 150 printed on fine Lana wove paper. 4to. GORGEOUSLY BOUND BY R. MARCHAL signed IN FULL MOROCCO WITH "REPAIRED TEARS" ON FRONT AND BACK COVER IN IMITATION OF THE TORN OVERCOAT IN THE STORY. Watered silk endleaves. Original wraps and backstrip preserved. Top edge gilt other edges uncut. Silk ribbon page marker. Housed in a matching half-leather chemise and slipcase. FINE AND BRIGHT WITH NO DEFECTS. A WONDERFUL BOOK IN A WONDERFUL and unique MASTER BINDING. André Dérue paperback
1960réf. 39092Paris: Pierre Lecuire 1960. A stunning livre de peintre featuring previously unpublished poems by Pierre Lecuire and 22 ORIGINAL ETCHINGS BY LANSKOY his very first etchings. From a total edition of 190 copies this is one of 145 printed on extremely fine Auvergne laid paper and SIGNED BY LECUIRE AND LANSKOY. Folio 33.5 x 18 cm. Loose as issued in the original wraps with the front cover adorned with an original etching. FINE AND BRIGHT WITH NO DEFECTS. A beautiful production. Pierre Lecuire paperback
1981réf. 6136New York: Sweetwater 1981. Limited Edition. Hardcover. Fine. Quarto 163pp. illustrated. A fine copy in the publisher's full chieftain deep red morocco with gilt detail. In the publisher's slipcase also fine. Of a total limitation of 475 copies SIGNED by Singer and Moskowitz this is the best edition being number 18 of just 50 copies in the full morocco binding accompanied by a suite of ten signed etchings and also an original ink drawing by Moskowitz. These artworks are housed in a slim clamshell box itself housed in the slipcase. Rare and with no other copies of this most prized limitation in commerce as of this listing. An elegant production; and a high spot in any collection of Judaica or illustrated fine press books. Sweetwater hardcover
1982réf. 642039Winchester School of Art Press 1982. 1st Edition. Hardcover. Near Fine/No Jacket. quarto. Numbered XVI 16 of 50 copies signed by both poet and artist with ten initialled original etchings inserted into loose sections contained in a hand-made solander box blind embossed with the title. Crease and some very slight marks to 'spine' of outer title page which is wrapped around the loose sections. Slight bump to leading corners of solander box and very minor wear and some faint scuffs to cloth. Otherwise a clean bright set. Winchester School of Art Press hardcover
réf. 21784Paris, Dalibon (Jules Didot l'Aîné) puis T.8 et 9, G. Doyen, 1823 ; 9 tomes in-8, demi-maroquin rouge à coins, dos à nerfs, titre doré, tête dorée (Raparlier). Portrait de Rabelais par Devéria, gravé par Leisnier et Forster, carte dépliante du Chinonois, 10 figures par Devéria dont un deuxième portait, gravées à l'eau-forte, et 120 dessins de Rabelais gravés sur bois.
1929In -folio grande (cm. 50 x 35), 35 grandi tavv. con un totale di 53 incisioni indicizzate e numerate.
réf. 25611Paris Compagnie Française des Arts Graphiques, 1943-1944 1944 in 4 (30x25) 1 volume broché en faux-feuillets sous couverture rempliée (légèrement et uniformément jaunie), 268 pages [4] (composition typographique en caractère français dessinés par Bernard Naudin), chemise, étui de l'éditeur (toutes petites usures sur l'entrée de l'étui). Cet ouvrage est illustré de 6 eaux-fortes originales par Michel Ciry (tirées par le Maitre-Imprimeur en taille-douce E. Brunel, les cuivres ont été rayés en fin de tirage). Notre exemplaire est enchichi d'un grand dessin original à la plume signé et dédicacé par Miche Ciry (beau profil de Pierrot au trait, dessin à pleine page). Tirage limité à 315 exemplaires, celui-ci un des 233 exemplaires numérotés sur vélin pur chiffon de lana. Michel Ciry, né à La Baule en 1919, peintre-graveur, écrivain et compositeur français. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1795réf. 21682Paris, imprimerie de Didot Jeune ; Janet ; Hubert, an troisième (1795); 4 tomes in-8°, veau porphyre, dos à nerfs décoré de fleurons et roulettes dorés, pièces de titre et de tomaison vert foncé, large dentelle à décor de vigne et pommes de pin, roulette intérieure de feuilles dorées, tranches dorées (reliure de l’époque) ; 398 pp., [1bl.]f. ; 333 pp., [1bl.]f. ; 382 pp., [1bl.]f. ; 368 pp. et 100 figures par Bornet, Charpentier et Duplessi-Bertaux, gravées par J.J. Hubert.
réf. 5481Les chats dans les arts,l’histoire,la littérature, histoire naturelle du chat,les races de chats,chats sauvages,chats domestiques,les maladies des chats,le chat devant les tribunaux,chats modernes.Préface de François COPPEE.In 8 reliure muette demi chagrin vert,plats cartonné décorés de deux chromos chats musiciens.Faux-titre,titre,XXIV 264 pages,non rogné,200 illustrations dans le texte,bandeaux culs de lampe et pleine page,par MM Adam,Breughel,Bruner, Burbank,Mme Champfleury,Eugène Delacroix,JJ Grandville, Fou-sou-kai etc. et cinq eaux-fortes hors–texte par Edouard MANET "Le chat et les fleurs", sous serpente. Eugène Lambert,Crafty,A Gautier,Marie C .J Rothschild éditeur 1899.Edition originale.Couverture et dos conservés; (premier plat de couverture très incomplet).Etui cartonné à décor de chromos chattes en costumes.Bon exemplaire Bien complet de l’eau-forte de Edouard MANET
1893réf. 46400367Société Artistique du Livre Illustré, 1893 ; in-plano, en ff. sous chemise en percaline d’éditeur.Paris, Bureaux de la Société artistique du livre illustré, 1893; in-folio en ff. sous chemise percaline verte titrée. 2 ff (titre, justif, table), 25 eaux-fortes montées dans des passe-partout.25 vues gravées à l'eau-forte par le dessinateur et graveur H. PAILLARD (1844-1912). Imprimées sur fond teinté, env. 21 x 27 cm. sur des feuilles de 27 x 36 cm. cachet de l’artiste sur chaque planche. Elles son présentées sous cache replié à fenêtre. SUITE TRÈS RARE, elle ne fut tirée en tout qu'à 100 exemplaires numérotés. Celui-ci, n° 6 est enrichi d'un envoi autographe de l'artiste " à mon ami Léon Ballet, mon premier souscripteur…" Vue d'Alger - L’Amirauté d’Alger - Mosquée d'El Djedid.- Mosquée de la Marine - Mosquée de Sidi Abderrhaman - Cimetière Arabe (Alger) - Rues de la Casbah.- Palais de Mustapha - Pointe Pescade - Ravin d’El Biar, Fontaine des Platanes - Bouzareah - Gorges de Palestro - Porte Sarrazine à Bougie - Constantine.- el Kantara - Le Ravin (Constantine) - Pont du Diable, Arcades naturelles - Village arabe.- Cascade de Rhummel - Gorges d’El Kantara - Mosquée de Biskra - Rue Sidi Barka - Rue des Ouled Naïl, le soir, Marché de Biskra - Mosquée et Zaouïa de Sidi Obka. Bel exemplaire.
1944réf. 009047Paris Albert Messein 1944 En feuilles, couverture rempliée, chemise et étui éditeur
Portfolio of 10 exquisite landscape etchings by Pierre Bazire, each of which is JUSTIFIED (10/15) AND SIGNED IN PENCIL. These etchings evoke the rustic, pastoral landscapes of southern France, bathed in soft sunlight. Additionally there is a title/justification leaf (signed by Gustave Arthur Dassonville, for whom the edition was printed) with an eleventh etching, and another signed proof of that etching (so 12 etchings in all, of which 11 are full-page, loose, signed, and justified). Printed on fine Arches wove paper. Folio. Loose as issued in cloth portfolio with paper label. FINE AND BRIGHT, with no defects. Very rare (only 20 sets were printed: 1-15 and I-V).
réf. 15078Genève, Aux dépends d'un amateur, 11 décembre 1978. In-4 presque carré, de [104] pages, couverture rempliée, chemise, étui (marouflé de papier violet) de tissu brun, étiquette de titre imprimée sur papier Japon, vignette au premier plat itou.
1926réf. 5327Paris, Editions Marcel Seheur, 1926. 1 vol. in-4 broché de 218-[6] pages, couverture imprimée rempliée. Infimes déchirures en tête et en queue, les rabats ont déposé légèrement sur les gardes, pour le reste en très belle condition.
1935réf. 17177Paris, Le livre contemporain, 1935. In-folio en feuille, sous chemise.
1926réf. 20445Paris, Éditions de la Roseraie, 1926. In-folio, en feuilles de [4]-16-[4] pages et 20 planches, sous cartable d'éditeur vert à rabats, attaches.
1895réf. 3967Paris, Georges Petit, 1895. 1 vol. in-folio en feuilles de 142 p., [4 ff.], couverture blanche à rabats, plats illustrés, sous chemise de carton sable. Mors fendus sur la couverture et la chemise. Intérieur en belle condition.
1941réf. 11782Lausanne et Zurich, André Gonin et Louis Grosclaude, 1941. In-folio en feuilles de 119-[5] pages, couverture rempliée imprimée en bordeaux, sous chemise grise, dos de vélin avec titre doré.
1989réf. 20420Paris, André et Pierre Gonin, 1989. Grand in-8 en feuilles de [80] pages. Couverture rosée à rabats imprimée en rose, chemise en demi-vélin blanc et étui cartonnage vert marbré. Belle condition.
réf. H9223Montauk NY: Monument Press 2003. First printing. No. 20 of 30 copies signed by Brendel with each of the etchings signed by Nama of a total edition of 60 copies. Tall dark blue silk clamshell box 20 inches tall housing loose folded sheets hand printed by Darrell Hyder at the Sunhill Press in North Brookfield MA on Arches Velin with thirteen etchings and accompanying poems in German and English with two smaller tinted etchings for the title bifolium and for the colophon. Fine but for the slightest fading to box: contents perfect. Brendel known as a world class pianist is also a gifted author as these works reveal. Nama who grew up and lived for a long time in Pittsburgh is now located in Montauk and is a nationally known artist and print-maker whose work is in many of the best museums. A lovely collaboration rarely on the market with no recent copies at auction. Monument Press unknown
1793réf. 140941779London: John Stockdale 1793. First Thus. First Stockdale edition first issue with the long "s" throughout and list of subscribers. xi 1 225; 2 vii 187 1 pp. Two engraved title-pages with vignette "Gay Monument" frontispiece and 68 illustrations including 12 etchings by William Blake. Later full calf polished with gilt borders gilt decorated spines; marbled endpapers and edges. Very Good with joints expertly repaired and strengthened some general light wear and scuffing to calf offsetting to endpaper edges illustrated bookplates of author and bibliophile Louise Ward Watkins and Frances and Jourdan Hoyt scattered light foxing to interiors. The first edition of Gay's classic Fables to have etchings by William Blake who is listed as one of the subscribers at the rear. John Stockdale unknown
1939réf. 35481Baltimore: The Etchcrafters Art Guild 1939. Hardcover. Very Good. Hardcover. Number 69 of 200 copies. The 100 etchings in these two volumes are all artist proofs individually signed by Don Swann. Inscribed from the artist and author: "Aunt 'Madge' and Uncle 'Ed'. December 25th 1941 with Best Wishes. From Don Sr. & Don Jr." Don Swann Sr. 1889 - 1954 grew up in Baltimore attending Maryland Institute College of Art and is known for his etchings of colonial and Neo-classical American architecture. In addition to houses he also did multiple etchings of Baltimore cityscapes. His son Don Swann Jr. 1911 - 1998 followed in his father's footsteps to become a master etcher. He continued to operate the Etchcrafters Art Guild after the death of his father. Both volumes are bound in blue leather over blue leatherette boards with gilt titles to spines. Minor scuffing to both spines and light stain to spine of second volume. Minor foxing to interiors heaviest on tissue guards and browning to endpapers. All etchings have the original tissue guards bound in. Bound by the Elliott Bookbinding Company in Baltimore. Printed on Rives Woven Imported paper with Old Style Caslon type at the Monumental Printing Company in Baltimore with typography by Norman T.A. Munder. Continously paginated - 425 pages. Size: Folio. MD/122121. The Etchcrafters Art Guild hardcover
1951réf. 39403Paris: Ambroise Vollard / Georges Leblanc 1951. André Derain. An outstanding copy of this important livre d'artiste illustrated with 33 HORS-TEXTE ETCHINGS BY ANDRE DERAIN. Derain executed the etchings in 1934 but they were not published until this livre d'artiste appeared in 1951. Large folio 45 x 35 cm. ENTIRELY UNTRIMMED WITH WIDE MARGINS IN ABSOLUTELY PERFECT CONDITION. Housed in the original chemise and slipcase. Johnson 184; Rauch 40; MoMa 57; Strachan p. 330; Stern 33. Rare and important. Ambroise Vollard / Georges Leblanc unknown
