Jay A EtchingsBiblio.com
Strategies in Biomedical Data Science
rif. ria9781119232193_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
Ria Christie Collections · Regno Unito54,93 £≈ 65,61 €
1072 risultati
rif. 20668259Thames & Hudson London 1956 first UK edition . 29.0 x 23.0cms 100 b/w plates very good hardback & dustwrapper Ambroise Vollard the art dealer and publisher commissioned Picasso to execute these etchings between 1930 and 1937. The first 27 are on heterogenous subjects and the rest fall into specific groups: the battle of love: Rembrandt; the sculptor's studio; the minotaur; the blind minotaur 3 portraits of Vollard. Scarce edition Thames & Hudson London 1956 (first UK edition) hardcover
rif. 20715519Odana Editions & Josef Lebovic Gallery Sydney 1998. 32.0 x 25.0cms 480pp b/w & colour illusts fine hardback & dustwrapper author's inscription: Helen Glad's signature The contents cover: the Mitchell Library folios & copper plates; Norman & Rose; unpublished etchings; etched bookpltes; books illustrated with original etchings; notes on the unpublished etchings catalogue raisonne; unpublished etchings catalogue raisonne; published etchings; notes on the published etchings catalogue raisonne; published etchings catalogue raisonne; galleies exhibitions & reviews; sales & marketing; facsimile etchings; glossary of etching terms; selected exhibitions; private collections; selected bibliography. Odana Editions & Josef Lebovic Gallery Sydney 1998 hardcover
rif. 20434021James Taylor & Mongene Thirroul NSW 2006 . 33.0 x 24.0cms 144pp 32 b/w & colour plates including a double gate wing foldout fine hardback with black cloth boards artist's inscription reads"" For Greg & Carol Weight with love & thanks for mates rates Gary' with a hand drawn ink sketch of a female nude This is no 54 of 100 signed and numbered copies and a further 20 artist's proof copies. NO Solander box or individual etchings. Grishin argues that Malley's poems are 'greater than the conscious pettty intrigues of their authors and have created in the Australian psyche the image of the creative individual and his precarious path in a materialistic world'. Furthermore he argues that the American-led invasion of Iraq was the catalyst for Shead's sensuou and preciously lyrical etchings. James Taylor & Mongene Thirroul NSW 2006 hardcover
rif. ria9781119232193_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
1945rif. 018525Valencia Del Cid Spain: Maria Amparo Soler and Vicente Soler Tipografia Moderna 1945. Soft cover. Very Good/No Jacket. 4to - over 9¾ - 12" tall. Andres Lambert. Number 145 of f150 copies printed in English. The Spanish edition was 250. The French Edition 150. Edition based on the translation of Jmaes Mabbe made in 1640 and edited in 1900 by S. W. Orson. Ten etchings by Andrea Lambert tissues present. Many pages still uncut. Separate Spanish test of 55 pages also present. In box which is a little worn and has fosing. No foxing in the book. One small quarter inch tear to joint of spine and front cover. Maria Amparo Soler and Vicente Soler Tipografia Moderna paperback
rif. A9781119232193Hardback. New. An essential guide to healthcare data problems sources and solutions Strategies in Biomedical Data Science provides medical professionals with much-needed guidance toward managing the increasing deluge of healthcare data. hardcover
rif. 63-2084Northampton MA: Gehenna Press 1994. Prospectus. Folio. Folded Sheet. Very Good with minor creasing. Letterpress on Laid Paper Ochre & black ink used for text. Color etchings. This is an advertisement for the book not the book itself. Northampton, MA: Gehenna Press, 1994. unknown
1926rif. 28373n.p.: Privately Printed. 1926. Limited Edition. Hardcover. Near Fine. quarter-bound light blue cloth over marbled boards; gilt-stamped lettering and small nude figure illustration on spine; no dust jacket a lovely copy with just the slightest wear to the extremities including a very slight exposure of the board at the lower tips; some of the pages remain unopened. B&W etchings A nice copy of this desirable edition of the French poet's scandalous first novel originally published in 1896 which recounts the tortured relationship of the courtesan Chrysis and the sculptor Démétrios the latter driven to commit theft and ultimately murder by the former's resistance to his desire for her. A sensation in France it was reported to have already had 35 printings within a few months of its first publication an English translation was printed in Paris as early as 1900 but the book drew the attention of American censors and customs officials and remained difficult to obtain in the U.S. for many years. When Louys's brother-in-law lectured at Harvard in 1900 one prominent and widely-syndicated literary critic opined that "he ought to be ashamed of the relationship" because "Aphrodite" was "written printed and bound nastiness and unadulterated filth." Eventually a theatrical adaptation had a five-month run in New York in late 1919 and early 1920 and got the bluenoses' panties in a bunch all over again. The nekkid-lady illustrations in this edition "limited to 650 copies of which which 600 copies are for sale" this being no. 499 are by Clara Tice the so-called "Queen of Greenwich Village"; this was one of a dozen or so books Tice illustrated during the 1920s when she was at the height of her fame and in great demand as a magazine and theatrical illustrator. . Privately Printed hardcover
rif. 70852Paris France: A. Ferroud Editeur; E. Benezit-Constant Editeur. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE & UNMARKED - Rare. ND Circa 1891 . NUMBERED COPY FROM LIMITED EDITION of 550 COPIES. 164 pages; text in French. Original etchings by Frederic Jacque. Description: "Grand in-4 broché 164 pages un portrait une vignette au titre 3 bandeaux 3 eaux-fortes 9 planches sous serpentes le tout gravé à l'eau-forte." -- with a bonus offer--; T-Milami; Un Ancien Ami; Frederic Jacque etchings Le Livre D'Or De J.-F. Millet Par Un Ancien Ami Illustre De Dix-Sept Eaux-Fortes Originales Par Frederic Jacque - NUMBER 504 OF 550 COPIES / The Gold Book of J. F. Millet By an Old Friend with 17 Original Etchings By Frederic Jacque . A. Ferroud, Editeur; E. Benezit-Constant, Editeur paperback
1977rif. 71157Chatham NY: Sagarin Press 1977. Limited edition signed and hand-numbered #155 of 200 copies. Hardcover. Near Fine. Signed by the author and the illustrator in ink on the colophon. 48 pp. Quarto 27 cm; full tan colored cloth with title blind stamped on the front board and printed in brown on the spine. Forest green endpapers. No dust jacket as issued. Only hints of shelfwear and the boards are very subtly bowed at their fore-edges. A nice copy. With the signed and numbered etching by Brauer titled "Offering" and tissue guard laid-in at the front. Four etchings printed and bound within the text by Bauer alongside the twenty-four poems by Fox. The colophon reads: "This is the special limited edition of The Juggler by Siv Cedering Fox. It is printed on 70 lb. Mohawk Soft White Superfine text paper and set in Optima type. Printed at the Studley Press and bound by hand at the Bridgeport National Bindery. This edition is limited to 200 copies of which this is #155 hand-numbered Siv Cedering Fox signed Bill Brauer signed. Sagarin Press hardcover
rif. 09200277.expVery Good. VG. Signed and numbered 52/200 from the deluxe slipcased edition. Slipcase is still largely in the original publisher shrink wrap. Very minor rubbing to corners of boards. Text remains crisp clean and unmarked. hardcover
2000rif. 55192Rochester New York: The Black Bird Press 2000. First limited edition. Hardcover. Very good to fine condition. 29/100. 30 6pp. Original gray cloth with black lettering on cover with small drawings on covers housed in same color slipcase. Half-title with drawing and black and blind-stamped lettering. Signed by poet and artist hand-numbered on colophon. Contains thirty poems and is illustrated with three full page etchings one sepia toned initialed by artist. Designed and produced by The Black Bird Press with text hand set in 18 point Centaur and Arrige with titles in Goudy Old Style on Rives BFK paper. Etchings and type are printed by the artist. The edition is numbered one through one hundred. An additional ten copies numbered I through X contain an original graphite drawing. All copies are hand sewn and bound at Olde Ridge Bookbindery Rochester N.Y. Slipcase with very light wear book in fine condition. The Black Bird Press hardcover
1912rif. 52175Essen Germany: Krupp A. G. 1912. First edition. Hardcover. Very good condition. Inscribed to "Max von . in friendship Krupp Bohlen Halbach Herbst 1912" on front free endpaper. Folio. 416 2pp. 4 plates 2 foldouts. Original ochre cloth with brown lettering and publisher's device on cover brown lettering and ruling on spine. Black edges. Title page with publisher's device. Green ribbon marker. Head and endpieces with drawings and woodcuts by Robert Engels and C. Thiemann throughout depicting factories factory grounds and company products of the manufacturer. Three full page etchings of Alfred Krupp and one of Friedrich Alfred Krupp by W. Conz. Contains twofold color lithograph of the cast steel factory and a twofold color lithograph with plans of Krupp factories from different years in pocket at rear. Text in German. Light water-staining along bottom of front cover and spine. Imprint at rear with light foxing at top near spine and some water stains at bottom of back free endpapers. Krupp A. G. hardcover
1925rif. 48170Berlin: Eigenbrödler Verlag 1925. First limited edition. Hardcover. Fine condition. 36/525. Signed by Kyser and Oppler on colophon. All etchings signed by Oppler. Quarto 32 2pp. 10 plates with original etchings with tissue guards. Spectacular original hand-bound green gilt decorated morocco with gilt lettering and decor on spine raised bands in plain original tan dustwrapper protected by modern mylar; housed in original plain cardboard slipcase handwritten lettering on spine. Gilt top edge. Ribbon marker. Printed on Japan paper. Cover design by Ernst Nicolas. One of one hundred copies of the deluxe edition. Novella by the German author screen and audio-play author Hans Kyser war reporter and author of the first German "Talkie" Das Mädchen mit den Schwefelhölzern The Girl with the Matchsticks. Kyser directed a Luther biography and was head dramaturge at the German movie production firm Bavaria Film. The ten sensuous etchings illustrating the stage performance of a dancer are by Ernst Oppler a German impressionist painter and etcher. After studying at the Academy of Arts in Munich he went to England to study Whistler and then the Netherlands to practice the pleinair method. Back in Munich he joined the Munich Secession and on invitation of Max Liebermann moved to Berlin and joined the Berlin Secession. He became an important chronicler of the history of ballet in Germany. The numbers I-XXV and 1-100 are printed by hand and signed by the artist. This is number 36. Text in German. Light wear and age-toning of protective dustjacket and slipcase. Eigenbrödler Verlag hardcover
1929rif. 44148Paris: Devambez 1929. Limited edition. Softcover. g to vg. 1/20. Folio 13 1/2 x 11". 137 5pp. Original glassine over decorative dust-jacket and blind wrappers. Book housed in its original chemise with title label to spine. Chemise itself housed in its matching slipcase. Color illustrated title page. Originally published in 1895 "Les Villages illusoires" by Belgian symbolist Émile Verhaeren is one of two works the other being "Les Villes tentaculaires" expressing the writer's growing concern for social problems based on the 'illusory character' of human perception. This striking limited edition is splendidly illustrated by Belgian artist Julien van Santen who studied under Brussels engraver Jeff Codron. Our copy contains 50 of the 51 etchings 17 etchings in 3 states as the 17th etching is in two states only. One of 20 artist copies after 40 copies on japon impérial 30 on japon and 130 on Vélin d'Arches total edition 220. Minor shelf wear and age-toning to spine. Minor and sporadic foxing along paper edges not affecting lettering or illustrations. Text in French. Slipcase and chemise in overall good to good condition glassine dust-jacket wrappers and interior in very good condition. Émile Verhaeren 1855-1916 foremost among the Belgian poets who wrote in French. The vigor of his work and the breadth of his vision have been compared to those of Victor Hugo and Walt Whitman. Devambez unknown
1926rif. 44185Paris: Éditions de l'Intermédiaire du Bibliophile 1926. Limited edition. Softcover. vg. 1/705. Quarto 9 x 7". 220 4pp. Uncut and unopened. Original glassine over printed dust-jacket and blind wrappers. Tissue-guarded etched frontispiece in two states. Publisher's device on title page. "Le Spleen de Paris" is a collection of 50 short prose poems by Charles Baudelaire the iconic author of "Les Fleurs du Mal" The Flowers of Evil. The collection was published posthumously in 1869 and is associated with the modernist literary movement. This limited edition is splendidly illustrated throughout with 10 tissue-guarded etchings by Édouard Chimot. One of 705 numbered copies of which this is No. 622. Some age-toning to glassine. Text in French. Dust-jacket wrappers and interior in very good condition. Éditions de l'Intermédiaire du Bibliophile unknown
1883rif. 44485Paris: E. Plon et Cie 1883. First edition. Hardcover. g to vg. Folio 14 3/4 x 11 1/4". 8 414 2pp. Uncut and unopened copy. Later 3/4 brown cloth over marbled paper covered boards with gold-lettered title label to spine. Original wrappers bound in. Front cover and title page in red and black lettering. Frontispiece. Monumental monograph on the life and work of Benvenuto Cellini 1500-1571 the renown Italian goldsmith sculptor and draftsman of the Renaissance. Cellini is one of the most important artists of Mannerism and is remembered for his skill in making pieces such as the Cellini Salt Cellar and Perseus with the Head of Medusa both reproduced in this book. This work is splendidly illustrated throughout with 16 eaux-fortes by Paul le Rat one by Baudran 25 heliogravures by Dujardin 4 by Lemercier 40 b/w illustrations by Kreutzberger and 2 woodcuts by Peulot. Some fraying and moderate abrasion to tail of spine. Minor foxing to very first leaves. Fore-edge of pages 321 to 348 slightly and partly water-stained not affecting text or illustrations. Plate 61 detached but present. Text in French. Binding in overall good interior in good to very good condition. E. Plon et Cie hardcover
rif. 42463Paris: Georges Fall 1975. Limited First edition. Hardcover. vg. 1/150. Folio 15 1/2 x 11 3/4". 30 6 loose pages as issued. Original printed wrappers with blue and black lettering to front cover. Portfolio housed in a red cloth chemise with blue lettering to spine. Chemise housed in its matching burgundy cloth slipcase. Hand-signed etched frontispiece. Accompanying a text by Arturo Schwarz this portfolio contains four striking color etchings including frontispiece by André Masson one of the pioneers of Surrealism. Each etching is tissue-guarded and hand-signed by the artist in pencil at lower right margin. One of 150 numbered copy on Vélin d'Arches paper of which this copy is. unnumbered! Text in French. Slipcase chemise wrappers and interior in overall very good condition. Arturo Schwarz born in 1924 is an Italian scholar art historian poet writer lecturer art consultant and curator of international art exhibitions. He lives in Milan where he has amassed a large collection of Dada and Surrealist art including many works by personal friends such as Marcel Duchamp André Breton Man Ray and Jean Arp. Georges Fall hardcover
rif. 41901Berlin: Guido Moriell 1991. Limited edition. Hardcover. Fine condition. Signed by the artist on each etching and colophon. A15/50. Small Folio. 55 1pp. Original hand bound blue Morocco with geometric cover design by bookbinder Guido Moriell and black-stamped lettering on spine housed in blue cloth clamshell box with gilt lettering on spine. Every binding of the deluxe edition is a unique copy. Includes the video documenting the production of this anniversary edition housed in separate compartment of clamshell box as issued. Bibliophile edition on the occasion of the 25th anniversary of the bookbinder Guido Moriell Radolfzell released in two Deluxe Editions A and B of 50 copies each and a standard edition of 100. This is No. 15 of the deluxe edition A printed on handmade paper. With 10 signed and hand colored original etchings by Rudolf Stuckert printed on the hand press of the artist. Top edge blue. Blue shaded endpapers. Blue initials. Text revised by John Loram based on the translation by Wilhelm Cremer 1922. Beautiful hand press production on firm handmade paper by the Steinort paper mill. An artistic masterpiece of modern hand press printing and bookbinding. Rudolf Stuckert 1912-2002 was a German painter and gallerist. He studied at the Academies in Kassel and Düsseldorf and was a master student of Oskar Moll. Stuckert opened his first gallery in 1936 in Düsseldorf with an exhibitions of Bruno Goller. In 1949 Stuckert became a cofounder of the New Rhine Secession Neue Rheinische Sezession in Düsseldorf. He had moved to Lake Constance in 1947 where he became a cofounder of the artist group "Der kleine Kreis" and was considered one of the so-called Höri-Painters. His paintings are an interplay of figurative and abstract elements. Landscapes ballplayers and acrobats are his favorite motifs. Guido Moriell is a film enthusiast and bookbinder in Radolfzell Lake Constance. In 2008 his work as a bookbinder was featured in the prestigious exhibition "Kunst des Bucheinbandes Art of Bookbinding" at the Duchess Anna Amalia Library in Weimar. Emphasis of the exhibition was the bookbinding in historic fashion showing a video of Guido Moriell at work as an example of traditional bookbinding. Guido Moriell hardcover
1883rif. 41149Paris: E. Plon et Cie 1883. Limited First edition. Hardcover. g to vg. 1/100. Folio 14 1/2 x 11 1/2". 12 414 2pp. Contemporary 3/4 morocco over marbled paper covered boards with gold lettering to spine. Raised bands. Top edge gilt. Ribbon marker. Marbled endpapers. Title page in red and black lettering. Decorative head- tailpieces and initials. Illustrated with numerous in-text b/w illustrations and 82 full-page plates of etchings duo-tone heliogravures and b/w illustrations reproducing some splendid pieces of Benvenuto Cellini's artwork and designs this monograph introduces the reader to the fascinating world of one of the most important artists of Mannerism. Born in Florence in 1500 Cellini was a celebrated sculptor goldsmith and writer as well as one of the most picturesque figures of the Renaissance. Trained as a goldsmith and early proficient in that craft at 16 he had to leave Florence because of a street fight and spent some months in Siena. In 1519 he moved to Rome the center of his activity for the next two decades. In Rome Cellini served popes Clement VII and Paul III working chiefly on portrait medallions coins and jewels. By his own account Cellini was a notable fighter and in the sack of Rome 1527 he fought against the imperial troops. An increasingly tense relationship with Paul III and a series of violent incidents led to Cellini's imprisonment in the Castel Sant'Angelo from which he made a dramatic escape. Cellini spent the years 1540-1545 in France serving Francis I as sculptor decorator and designer of architectural projects for the royal château of Fontainebleau. In 1543 he completed the famous and elaborate Salt Cellar from a model prepared earlier for Cardinal Ippolito d'Este. Cellini made models for a series of 12 silver statues of gods and goddesses and executed two bronze busts and silver vases all now lost. He cast the bronze lunette of the Nymph of Fontainebleau 1545. Works of art such as these as well as Cellini's actual presence in France along with other artists working under the enthusiastic patronage of Francis I played an important part in forming the style of French art in the late 16th century and helped to create an international courtly style favored throughout Europe in this period. One of 100 Artist copies of which this is No. 9. Moderate and sporadic rubbing along edges of binding with some abrasion to leather. Previous owner's bookplate Occidental College Library on inside of front cover. Text in French. Binding in overall good to good interior in very good condition. Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520 lasting until about 1580 in Italy when the Baroque style began to replace it. Northern Mannerism continued into the early 17th century. E. Plon et Cie hardcover
1974rif. 39138Paris: Les Cent Une 1974. Limited edition. Softcover. vg. 1/122. Large quarto. 100 8 loose pages as issued. Uncut. Pages within printed wrappers in a decorative cloth chemise housed in a matching decorative slipcase. Illustrated with four tissue-guarded original etchings by Jean Jansem this striking edition of Jules Laforgue's "L'Imitation de Notre-Dame la Lune" The Imitation of Our Lady the Moon 1885 is a collection of 22 poems dedicated to Gustave Kahn and "to the memory of little Salammbô priestess of Tanit". Limitation page signed by Jansem and by the President and Vice-President of the société de femmes bibliophiles "Les Cent-Une." One of 122 copies on vélin d'Arches of which this is No. LIX 59. Slipcase chemise wrappers and interior in overall very good condition. About the artist: Hovhannes "Jean" Semerdjian 1920-2013 also known as Jean Jansem was a French-Armenian painter. Jansem's artworks are internationally known and are part of museum collections throughout France Japan and the United States. He was awarded by the Ordre des Arts et des Lettres in 1953 and by the Knight of the French Legion of Honor in 2003. The President of Armenia awarded Jansem a Medal of Honor for his "reinforcement of Armenian-French cultural ties.". Les Cent Une unknown
1977rif. 265828The Friends of Duke University Library 1977. First Edition. Hardcover. Unpaginated. 5-6/8 by 9-1/4 inches. One of 300 signed and numbered copies signed by Reynolds and Roquet. Gold pattern on red cloth binding based on a thirteenth century mosaic in the Church of S. Giovanni battista in Florence. First edition first printing. A touch of edge wear else a fine hardcover copy; no dust jacket. Signed by both the author and illustrator. Copy number 108. The Friends of Duke University Library hardcover
1793rif. 140941779London: John Stockdale 1793. First Thus. First Stockdale edition first issue with the long "s" throughout and list of subscribers. xi 1 225; 2 vii 187 1 pp. Two engraved title-pages with vignette "Gay Monument" frontispiece and 68 illustrations including 12 etchings by William Blake. Later full calf polished with gilt borders gilt decorated spines; marbled endpapers and edges. Very Good with joints expertly repaired and strengthened some general light wear and scuffing to calf offsetting to endpaper edges illustrated bookplates of author and bibliophile Louise Ward Watkins and Frances and Jourdan Hoyt scattered light foxing to interiors. The first edition of Gay's classic Fables to have etchings by William Blake who is listed as one of the subscribers at the rear. John Stockdale unknown
rif. 1119232198.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 015681Kalamazoo Michigan: Rarach Press 1989. Hardcover. Fine. No. 30 of 38 copies signed by the artist/publisher Ladislav Hanka. In a multi-textured binding by Jan Sobota stamp-signed on rear doublure covers of sueded calfskin printed with original etchings flat spine of brown catfish leather turn-ins and headbands covered in eel skin beige pigskin doublures covered with original etchings leather hinges. In an encapsulated pigskin slipcase covered with etchings beige linen pull-off spine with brown morocco label. With 16 etchings of flora and fauna by Ladislav Hanka. 333 x 248 mm. 13 1/8 x 9 3/4''. A fine copy. This is a handsomely-produced book arts collaboration celebrating the natural beauty of Kalamazoo County Michigan featuring a memorable binding by Czech master binder Jan Sobota. After studying with Karel Silinger in Pilsen and at the School for Applied Arts in Prague and then working in Switzerland Sobota came to the United States where hespend 15 years mostly working at Southern Methodist University. He returned to Loket Czech Republic in 1997 where he founded the Sobota family bookbinding studio and helped to organize the Society of Czech Bookbinders becoming its first president. He has won numerous awareds for his innovative and often whimsical work which has been exhibited worldwide. The present volume is equal parts inventiveness and elegance. Book artist and publisher Ladislav Hanka b. 1952 earned degrees in biology and zoology before receiving his MFA in printmaking and his background in the natural sciences obviously infuses his art which focuses on the flora and fauna of forest and lakes. This volume's collection of prose and poetry inspired by the natural landscape is enhanced by Hanka's dramatic etchings of twisted bare-limbed trees fossils and insects. The letterpress work was done by Amy Bollinger on heavy handmade paper. Rarach Press hardcover
