1.095 Ergebnisse
Best.-Nr. 96510Paris circa 1805 through 1814. . Very good. - A suite of 18 plates by Jean Duplessis-Bertaux engraved on creamy white stock measuring between 10-1/2 inches by 8 inches and 11 inches by 8-1/2 inches with large margins there is one smaller exception. The images depict the various cries of Paris merchants. All but three are signed "JDB" in the plate. Most of the images are identified and titled in French in pencil by a previous owner. The collection is as follows: "Marchand de gravures etalagiste" portrays street vendors of engravings offering their merchandise to customers some of whom are handling the prints. Several prints hang from a wire stretched between poles in the background and a large blank canvas hangs from the center of the pole. In some editions what is here a blank canvas bears the printed title "Suite de Marchands ambulants de Paris par J.D. Bertaux" and serves as frontispiece to the work. The image measures 3-1/4 inch high by 2-1/4 inch wide within 4 inch high by 3-1/4 inch wide plate marks. The edges are very slightly creased with two tiny tears to the left edge and a couple of tiny stains or spotting to the bottom margin of the page. "Decrotteur et ramoneur" portrays a man shining the shoes of an officer as chimney sweeps and other shoe-shiners are pictured in the background. A small dog stands at the side of the officer. The image measures 2-1/4 inches high by 3-1/4 inches wide within 3-1/4 inch high by 4 inch wide plate marks. There is some minor faint foxing. "Parade de comediens ambulants" portrays traveling actors performing and parading on the porch of a house with spectators in the foreground. The image measures 2-3/8 inch high by 3-3/8 inches wide within 3-1/2 inch high by 4-1/4 inch wide plate marks. There is light foxing throughout. "Colleur d'affiches" portrays a bill-poster perched on a ladder pasting a poster or bill to the corner wall of a building. Another worker stands around the corner and a family looks on with their dog. The image measures 2-3/8 inches high by 3-3/8 inches wide within 3 inch high by 3-7/8 inch wide plate marks. There are some minor faint stains and minor foxing to the margins. "Gagne petit" portrays a knife grinder or sharpener carrying his grinding wheel on his back with a dog at his side. Another knife grinder wheels his equipment in a wheelbarrow. A house and people are pictured in the background. The image measures 2-3/8 inches high by 3-1/4 inches wide within 3 inch high by 3-7/8 inch wide plate marks. There is minor foxing to the margins. "Remouleur" although the title differs the image is identical to the prior one. "Gagne petit" and "remouleur" both translate to knife grinder or sharpener. There is some scattered foxing and the paper is lightly darkened. "Titre" possibly the title page to the work. The image portrays men filling water containers from a city's monument fountain with water pouring from the mouth of a troll. The image measures 2-1/2 inches high by 3-3/8 inches wide within 3-1/8 inch high by 3-7/8 inch wide plate marks. The edges of the plate are darkened with a short tear to the top edge and just a hint of foxing to the margins. "Serrurier" portrays a locksmith grinding keys near the open gate leading to a mansion. The image measures 2-3/8 inches high by 3-3/8 inches wide within 3-1/8 inch high by 3-7/8 inch wide plate marks. There is a minor crease to the bottom right corner with just a hint of foxing to the margins. "Cardeuses de matelats" portrays mattress carders. 3 women are seated with their carding tools and sections of stuffed fabric. The image measures 3-3/8 inches high by 2-3/8 inches wide within 4-1/4 inch high by 3-1/4 inch wide plate marks. There are minor creases to the corners with a couple of faint specks to the margins. "Menuisiers" portrays carpenters working on furniture at their work table. The image measures 2-1/4 inches high by 3-1/4 inches wide within 3-1/8 inch high by 3-7/8 inch wide plate marks. There is light scattered foxing mostly to the margins. "Marchands de parapluies et de soufflets" portrays an umbrella merchant carrying several on his back and a bellows merchant with several fireplace bellows attached to this clothing. The image measures 3-1/4 inches high by 2-3/8 inches wide within 4 inch high by 3-1/4 inch wide plate marks. "Batteurs de platre" portrays plaster beaters. A man is beating away at plaster spread out upon the ground as another carries a basket of plaster to spread over it. The image measures 2-3/8 inches high by 3-3/8 inches wide within 3-1/4 inch high by 3-7/8 inch wide plate marks. There is some minor foxing to the margins. "Charrons" portrays wheel builders constructing wooden carriage wheels. The image measures 2-1/4 inches high by 3-1/4 inches wide within 3-1/8 inch high by 3-7/8 inch wide plate marks. There is some minor faint foxing throughout. "Scieurs de bois" portrays sawyers at work as an empty horse-drawn cart rides away and another stacks wood upon a ramp leading to a barn's loft. The image measures 2-3/8 inches high by 3-1/4 inches wide within 3-1/8 inch high by 4 inch wide plate marks. There are some minor sports of foxing or browning to the print. "Lingere au petit crochet" portrays an elderly woman cloth merchant carrying her linens in a basket on her back. Several dogs are near her and another cloth merchant can be seen speaking to a man in the background. The image measures 3-3/8 inches high by 2-3/8 inches wide within 4-1/8 inch high by 3-1/4 inch wide plate marks. There are minor creases to the edges. "Porteur d'eau" portrays a water carrier and his wife pulling a large barrel of water on a cart. Another water cart and houses are depicted in the background at left. The image measures 2-3/8 inches high by 3-1/4 inches wide within 3-1/4 inches high by 3-7/8 inches wide plate marks. There is creasing to the bottom right corner and some foxing to the margins. "Tomeliers" portrays coopers at work constructing wooden barrels to which they affix metal rings. The image measures 2-3/8 inches high by 3-1/4 inches wide within 3-1/8 inch high by 3-3/4 inch wide plate marks. There is some minor foxing throughout. An untitled image portrays barbers working on customers hair and beards and a wigmaker at her loom. Several wigs hang from the wall. The image measures 2-1/4 inches high by 3-1/4 inches wide within 3-1/2 inch high by 4-7/8 inch wide plate marks. This print is engraved on a sheet which is slightly smaller than the others measuring 7-3/8 inches high by 9-1/4 inches wide. There is a piece chipped from the bottom left corner with some foxing and darkening to the margins. The artist's name here spelled "Duplessis-Berteaux" by an early owner is penned on the verso. The engravings are in overall very good condition with a paper tab mounted along one edge of the verso of each print. The French painter and draughtsman Jean Duplessis-Bertaux 1747-1819 produced etchings and burin engravings. Having taken part in the French Revolution Duplessis-Bertaux produced a series of prints entitled "Scenes de la Revolution" followed by "Campagnes de Napoleon" which illustrated scenes from Napoleon Bonaparte's Italian campaigns engraved after paintings by Carle Vernet. He also produced a series of engravings portraying the street cries of Paris "Cris de Paris". Duplessis-Bertaux also collaborated on some prints with Jean-Louis Delignon and produced several pornographic prints many of which were printed anonymously but were later re-attributed to him. The work entitled "Recueil de cent sujets de divers genres" published in 1814 gathered together in one volume 100 of Duplessis-Bertaux' engravings from eight of the suites including military scenes and those from his Cries of Paris which had previously been distributed seperately. Paris, circa 1805 through 1814. hardcover
1929Best.-Nr. 002348New York: The Macmillan Company 1929. 179 pages. Spine faded with light wear to the head and foot; boards lightly soiled. First Edition. Cloth. Very Good/No Jacket. Thick 4to. The Macmillan Company Hardcover
Best.-Nr. 039331926 Paris Editions des quatre chemins. n° 87 des 300 ex sur vélin d'Arches après 35 sur Hollande - 284 x 223 cm - 41435 pgs - couverture d'éditeur broché LE DOS RENOUVELE sans perte dos original muet - dix eaux-fortes de Gromaire - intérieur très bien en tout bel exemplaire (1926) Paris Editions des quatre chemins
1906Best.-Nr. 35294New York: Edwin C. Hill Company 1906. Limited edition. Vellum. Good. L. Alma Tadema. Limited edition of 206 this hand numbered 17 and signed by the Edwin C. Hill Company 1906. A Good copy. 4to. 312 pp. with 2 etched plates bound in decorated full vellum with top edge in gilt. Overall light wear and soiling to vellum. Upper spine is partially detached. Spine is tanned. Front and rear hinges starting to crack. Tear and small loss to the paper covering the rear board End papers are lightly toned with some finger soiling to title page otherwise text is clean and unmarked. Edwin C. Hill Company unknown
1884Best.-Nr. 19249London & New York: J. C. Nimmo and Bain 1884. hardcover in full black leather. Good. Thick quarto oversized. Some wear to edges and corners of boards. Gilt top edge. Corners bumped. Some wear to joints. 2 inch tear in leather joint at lower front board and a one inch tear at top joint. First and last hinge reinforced with green tape. Gift inscription on a card glued in on the first pastedown. Black leather with gilt boirder detailing at edges on both sisdes of the boards. though the title page notes 24 illustrations this is the extra illustrated edition with 50 attractive detailed b&w etchings by Delierre. J. C. Nimmo and Bain hardcover
1930Best.-Nr. 24172Maestricht & Bruxelles: A.A.M. Stols 1930. First edition. Stiff Wraps. Orig. stiff wrappers lettered in black and red in fine slipcase. Fine. 94 pages. 25 x 19 cm. Limited edition one of 200 this copy not numbered printed in Garamond on Hollande paper. Six original eaux-fortes etchings by Alexeieff. The latter a Russian Empire-born artist and illustrator who lived and worked mainly in Paris. Laid-in a facial portrait of Alexeieff. The author Alexander Pushkin is considered the greatest Russian poet. He was born into the Russian nobility -- dead at age 37 in a duel. As new copy in original glassine. A.A.M. Stols unknown
1899Best.-Nr. 007151Philadelphia: George Barrie & Son 1899. Limited Edition. Full Decorated Morocco. Custom Cloth Chemise. Buckram Slipcase. Near Fine. Magnificent copy once belonging to Adolph Zukor a founder of Paramount Studios. Containing a vertical fore-edge painting depicting Musette watering flowers based on the plate from Chapter 6. Also on a separate three sheet of blue stationary a manuscript in French of an original poem written by Murger himself and in his hand. This is copy number 4 of 5 from the Edition Magnifique of Chefs d'Oeuvres du Roman Contemporain this copy created for Warren R. Fales. 8vo. 21.5 by 14 cm. xx 463 pp. With ten etchings by Charles-Louis Courtry in four states: one on bistre on Japan paper with remarques one on papier de Chine mounted on plate paper one on India paper mounted to Japanese vellum and a final hand-colored set on Dutch paper all bound in lettered tissue guards. Fine Art Nouveau-infused binding by George Zabriskie in rose morocco with gilt floral borders and spine decoration decorative floral inner dentelles with colored onlays over patterned silk center panel and facing silk patterned endpapers. All edges gilt. Zabriskie was President of the New York Historical Society from 1939 to 1947 and honorary President thereafter until his death in 1954. Zabriskie inscribed this copy to C. G. Kraeger. Zabriskie was known as a fine bookbinder as well and he was especially noted for his hand-finishing and tooling. Condition: Spine darkened somewhat unevenly so. Joints moderately rubbed. Note that although this copy is from the most exclusive tranche in a limitation it does not contain the additional suite of plates finished in watercolors. George Barrie & Son unknown
1926Best.-Nr. 007159Paris 1926. LImited Edition. Full Decorated Crushed Morocco. Very Good. Example L of 20 containing the suite "en sanguine". These copies were reserved for Eduoard Champion. Beautiful pochoir coloring of illustrations contained in text. 4to. 26 by 17 cm. 141 3 pp. Beautiful decorated morocco by Princevel with floral onlays in corners of boards and on spine onlay bands around around perimeter crimson doublures with gilt ruling surrounds etc. Silk moire free endpapers marbled paper pastedown succeeding two pages. Condition: heavily rubbed along joints. Corners and edges also rubbed. Scattered foxing and at times quite conspicuous. unknown
1988Best.-Nr. 007027New York: The Limited Editions Club 1988. Limited Edition. Quarter Morocco. Cloth buckram boards and slipcase. Fine. No. 411 of 850 copies signed by Welliver on limitation page. 4to. 33.5 by 24 cm. xiii 93 3 pp. Two color plates with many blank leaves beginning by plates rear. A beautiful production by LEC with text paper made at Cartiere Enrico Magnani in Pescia Italy and the etchings printed on Arches paper by Peter Pettengill and by Paul and Clary Taylor in Hinsdale New Hampshire. Other than the subtlest hint of sunning to the green leather of the spine the copy is pristine. The Limited Editions Club unknown
1905Best.-Nr. 005958Paris: Calmann-Lévy 1905. FIrst Limited Edition. Half Morocco. Marbled boards. Original wraps bound in. Very Good. A special copy given to Mary Jacobson who was France's fiancee at the time and thus outside the limitation of 300 with qualities straddling two of the limitation tranches. With an original pencil sketch of Jacobson by Chahine. Also all 28 illustrations are rendered hors-texte in two states one being the cancel. 4to. 28.5 by 21.5 cm. 186 pp. Followed by two states of plates. Calmann-Lévy unknown
1819Best.-Nr. 001587London: J. Bumpus 1819. Very Good. 8vo. xvii 384 pp. With nine of ten hand colored aquatint plates. Since there is no evidence in the form of offsetting of the missing plate it may never have been bound into this particular copy. Notwithstanding its omission the scarcity of this work of English caricature and illustration from Regency England make this a desirable copy. Prideaux 348. Small repair to the top of one plate a tiny chip on another and and a few text pages with a repair. Heavy offsetting onto text pages of plates. Otherwise internally quite clean. Attractively bound in three quarter red morocco. J. Bumpus unknown
1986Best.-Nr. 12352Lewisburg PA: Bucknell University / The Press of Appletree Alley 1986. Limited Edition. Hardcover. Near fine. Quarto 29pp. illustrated. From The Bucknell University Fine Editions: A Series in Contemporary Poetry edited by John Wheatcroft. A crisp clean copy near fine in the publisher's pale blue cloth. Cloth a tinge faded at extremties and the page block edges just a trifle toned. A few forgivable smudges to one blank leaf. Per the colophon: "The book was set in 16 point Spectrum and printed on a Vandercook No. 4. The volume was designed hand-set and printed by Mary Chenoweth and Barnard Taylor and bound by Don and Pam Rash. The three full-page etchings were created by Rosalyn Richards and printed by Kathy Kaminskas at Bucknell University Department of Art. The edition was printed on imported mould made Rives Heavyweight." This is number 57 of 125 limited copies SIGNED by Shapiro and Richards on the limitation page. Bucknell University / The Press of Appletree Alley hardcover
1981Best.-Nr. 6136New York: Sweetwater 1981. Limited Edition. Hardcover. Fine. Quarto 163pp. illustrated. A fine copy in the publisher's full chieftain deep red morocco with gilt detail. In the publisher's slipcase also fine. Of a total limitation of 475 copies SIGNED by Singer and Moskowitz this is the best edition being number 18 of just 50 copies in the full morocco binding accompanied by a suite of ten signed etchings and also an original ink drawing by Moskowitz. These artworks are housed in a slim clamshell box itself housed in the slipcase. Rare and with no other copies of this most prized limitation in commerce as of this listing. An elegant production; and a high spot in any collection of Judaica or illustrated fine press books. Sweetwater hardcover
2000Best.-Nr. 60889Knight Library Press; University of Oregon 2000. Limited Edition. SIGNED. Thin folio 33 cm Designed printed and bound by Sandy Tilcock. Printed letterpress on Heine paper. The etchings are hand-colored by the artist. Calligraphic title headings and ornaments by Marilyn Reaves. The cover was made by laminating two handmade papers: Moulin de Larroque's Brown and Twinrocker's Mica Rose. Binding tied together with a leather strap. With the instructions for the "Tying of Strap" laid in. Number 56 in an edition of 125 numbered copies. Signed by Barry Lopez and Robin Escher on the limitation page. Knight Library Press; University of Oregon unknown
1930Best.-Nr. 4072Pilsen: Pilsnensii Svázek Druhy Olga Skábková 1930 Octavo 20x14.5 cm. stiff wrappers 304pp. No. 45 of 125 copies. With two etchings by Jan Konupek signed in pencil. A fine bibliophile production with two stories by Nohejl 1896-1974 was a member of the Literární skupiny contributed to Host and other avant-garde journals. His prewar work focused on romance and sexuality through storytelling. His postwar positions landed him in jail for a few years and he took disability retirement which allowed him to continue his literary work in privacy. One copy in British library none in North America. Pilsen: Pilsnensii Svázek Druhy (Olga Skábková) paperback
1886Best.-Nr. 9854326John C. Nimmo 1886. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In fair condition suitable as a study copy. 8vo cloth binding. Gilt lettering on cover and backstrip. Some shelf-wear and scuffing. Hinge split. Light foxing. B/w illustrations. Frontispiece in good condition tissue guard with light foxing. Please note the Image in this listing is a stock photo and may not match the covers of the actual item1000grams ISBN: John C. Nimmo hardcover
1967Best.-Nr. BOOKS074344ISterling Junction MA: The Scarab Press 1967. HC. very good gray paper covered boards hardcover light fading. etchings by Besnia. One of two hundred copies. Signed by Howard John Besnia on the colophon. Laid in is the fold-over prospectus for the book open measures about 6 1/2 by 17 inches with a relief etching from an original plate for the book. Light fading to gray paper covering the boards. unpaginated. The Scarab Press unknown
1926Best.-Nr. x08627Privately Printed 1926. 8vo. 284 pp. Orange morocco over marbled paper with raised bands and gilt illustrations and lettering. Very Good. Lower corner slightly bumped small spot of wear to rear board. Chip to top corner of last blank leaf. Number 186 of 650 printed. Hardcover. Very Good. Privately Printed hardcover
1987Best.-Nr. JC12731The Limited Editions Club 1987. Limited Edition. Hardcover. Fine. Black morocco with rough maroon silk side panels gilt-stamped lettering on spine; folio; in black cloth slipcase. With full-page etchings by Roberto Juarez on hand-made Richard de Bas paper. Number 67 of 750 copies on mould-made Cartiere Enrico Magnani paper signed by Hersey and Juarez. Book is fine in lightly rubbed slipcase. A lavish production. The Limited Editions Club hardcover
1929Best.-Nr. 005691New York: MacMillan 1929. 179 pp.with 51 high-quality reproductions of etchings nad drawings of churches and cathedrals including Notre Dame Rouen Chartes Bayeux Albi Quimper much more. First printing. Clean. 1st Printing. Cloth. Near Fine/No Jacket. Folio - over 12" - 15" tall. MacMillan hardcover
1965Best.-Nr. mon0003147979A Loujon Press Award Book Lyle 1965T. paperback. Very Good. . A Loujon Press Award Book, Lyle paperback
1967Best.-Nr. 43562Maine: Anthoensen Press/Bowdoin College Museum of Art 1967. limited edition. Hardcover. Very good . 11 x 15 in. Folio. Not paginated. Limited edition of 30 copies this is number 29 signed by Stephens and Lent on the limitation pg. and numbered. Black cloth and marbled paper boards. Bound by Arno Werner. Hand-made rag paper. 6 etchings in all including the frontis each signed in pencil on the margin. Small etching on the limitation pg. Condition is VERY GOOD ; covers have light wear to the edges but are very clean with some dulling to the black cloth. Binding tight. Text and etchings are spotless and all tissue guards in excellent condition. Very scarce. Art. RGR. Anthoensen Press/Bowdoin College Museum of Art hardcover
1999Best.-Nr. 3115870New York: PACE/PRINTS. Fine with no dust jacket. 1999. First Edition; First Printing. Softcover. 9780967716206 . First edition. Fine in pictorial printed wrappers. 36pp. 8 1/2" X 11" Gatefold and color images. ; 8 1/2" x 11"; 36 pages . PACE/PRINTS paperback
1902Best.-Nr. 53698London: Freemantle & Company 1902. Hardcover. Collectible: Good. Full leather with five raised bands on the spine. #12 of 150. Interior is VG. Mild wear to the edges this has been stored properly throughout its existence. Not musty or moldy. The gutters were cracked in both volumes: they have been properly preserved/restored professionally. The interior hinges have been reinforced with appropriately colored tape. Signed by Strang and Cameron. Board tips are slightly through on a few of the tips. Mild wear only. Not bowed. Gilt leather VG interior. 11 lbs. Freemantle & Company hardcover
1921Best.-Nr. 16770Berlin: Morawe & Scheffelt 1921. Paperback. Good. 7 1/4 x 8 3/4 inches. 41 pages. Semi-rigid cloth-covered boards. Illustrated with real etchings by Mathey. Condition is Good; Paper missing on spine lightsoiling to cloth covers covers slightly wavy text & illustrations are very clean binding is tight. Text in German. Stk Morawe & Scheffelt paperback