1 091 résultats
1959réf. 23561959 1959 Editions Eryx, Paris, 1959. Un volume in-4 en feuilles sous couverture rempliée en papier chiffon avec incrustation de fougères et pétales de fleurs séchées sous emboitage, 15 illustrations, 162 pages, avec suite en un ton. Emboitage un peu défraichi, néanmoins bel exemplaire nominatif sur Rives enrichi un dessin original à la plume, signé.
1942réf. 111332Chamontin Petits Chefs-d'Oeuvre d'Autrefois 1942 Editions Emile Chamontin, Coll. Petits Chefs-d'Oeuvre d'Autrefois, 1942, 50 p., broché, environ 205x135mmexemplaire numéroté 262 (l'un des 1420 sur vergé à la forme d'Arches), eaux-fortes de Michel Ciry. Couverture insolée avec petits manques de papier sur le haut et le bas du dos avec débuts de fente sur les mors, des rousseurs sur la page de garde, sinon intérieur propre.
1927réf. 118380blaizot 1927 in-4 plein maroquin signé bernasconi goix Paris, Auguste Blaizot, 1927, 1 volume in-4 de 220x270 mm, 176 pages, (2)ff. (table des illustrations, justification du tirage gravée). Un des 300 exemplaires numérotés sur Velin de Rives, complet des illustrations à leau-forte par Bernard Naudin (en-têtes, culs-de-lampe, filigranes, planches). Belle reliure signée Bernasconi et Goix, plein maroquin bleu nuit, dos à cinq nerfs portant titres dorés et caissons richement ornés, deux filets dorés et beaux écoinçons inscrits dans un double encadrement sur les plats, toutes tranches dorées et double filet doré sur les coupes, bel encadrement des contreplats, gardes marbrées, couvertures conservées. Quelques frottements sur les coins et les coiffes, discrètes marques sur le plat inférieur et les mors, sinon intérieur frais, bon état, très bel exemplaire.
1878réf. 159781878 Paris,Henri Jonquieres 1924, in12, broché, 142 pp illustrations en couleurs de LATAPIE, planches hors texte et burins intexte,
1927réf. 186Paris, Auguste Blaizot, 1927. Un vol. in-4 (22. 3x27) en feuilles. Couverture passée, particulièrement le dos, second plat insolé.
186827 p. + [12] leaves of etched satiric plates by Volck. Lightly foxed. 20 x 16 cm. Original cloth binding, stamped in gilt and blind; slightly discolored. Written by James Fairfax McLaughlin (1839-1903), this is a caustic poetic satire on the "Black Republican" Union Civil War General and notorious carpet-bagger - Ben Butler (who was widely reviled for years after the war by Southern whites, who gave him the nickname "Beast Butler". It is most famous for its biting etched illustrations by the powerful artist and Confederate sympathizer A. J. Volck. Adalbert John Volck (1828-1912) emigrated to America from Bavaria in 1849, and became a successful dentist in Baltimore. He is principally remembered for "Confederate War Etchings", a series of caricatures favorable to the Southern cause, issued in 1862 & 1863 under the pseudonym "V. Blada." VERY SCARCE. W20
1927A clean, unmarked book with a tight binding. Slight edge wear to cover. Title label peeling on spine. 12 full-page tipped-in etchings, protected by tissue-guards with printed captions. 12 1/4"w x 9 3/4"h. Introduction by Malcolm C. Salaman.
réf. 499380Maine: Romulus Editions 1989. Hardcover. Fine. First edition deluxe issue. Poems by David Walker. Etchings by Thomas Cornell. Quarto. 38pp. Quarter blue morocco stamped in gold paper-covered boards. printed on handmade Barcham Green Langley paper illustrated with five original etchings by Thomas Cornell. The spine cover and title page reproduce a "voiceprint" from a recording of the poet pronouncing the vowels and consonants of the book's title on a precision oscilloscope. Copy letter "h" of 24 lettered copies along with an extra separate suite of etchings "the first pulled from these plates" each limited to 24 lettered copies signed by David Walker and Thomas Cornell all within a box made by Jeffrey Haste. A fine copy beautifully printed and illustrated in about fine clamshell case with the topedge faintly sunned and a bit of very faint spotting along the spine edge. Beautifully printed and designed by George Benington the multi-color etchings printed by James Cambronne. Two of the etchings are individual portraits of Franz Kafka and Charles Ives. Striking etchings by the artist Thomas Cornell who had a one-man show at the G.W. Einstein Company in New York. Thomas Cornell is the Bowdoin College Richard Steele Professor of Studio Art. "A graduate of Amherst College Cornell studied for a year at Yale School of Art and Architecture. In addition to Bowdoin he has taught at the University of California at Santa Barbara and at Princeton University. He has received many awards including a Fulbright Grant the Louis Comfort Tiffany Award and the National Foundation on the Arts and Humanities Fellowship in 1966. He was elected to the National Academy of Design in 1983. His work is present in art books most notably Rizzoli's Post-Modernism The New Classicism in Art and Architecture by Charles Jencks. He has had five one-man exhibitions in New York City and seven major museum exhibitons including a Bowdoin College Museum of Art exhibition in 1990 with a catalogue essay by Martica Sawin" cf Bowdoin College Visual Arts Department Website. Romulus Editions hardcover
réf. 499380Maine: Romulus Editions 1989. Hardcover. Fine. First edition deluxe issue. Poems by David Walker. Etchings by Thomas Cornell. Quarto. 38pp. Quarter blue morocco stamped in gold paper-covered boards. printed on handmade Barcham Green Langley paper illustrated with five original etchings by Thomas Cornell. The spine cover and title page reproduce a "voiceprint" from a recording of the poet pronouncing the vowels and consonants of the book's title on a precision oscilloscope. Copy letter "h" of 24 lettered copies along with an extra separate suite of etchings "the first pulled from these plates" each limited to 24 lettered copies signed by David Walker and Thomas Cornell all within a box made by Jeffrey Haste. A fine copy beautifully printed and illustrated in about fine clamshell case with the topedge faintly sunned and a bit of very faint spotting along the spine edge. Beautifully printed and designed by George Benington the multi-color etchings printed by James Cambronne. Two of the etchings are individual portraits of Franz Kafka and Charles Ives. Striking etchings by the artist Thomas Cornell who had a one-man show at the G.W. Einstein Company in New York. Thomas Cornell is the Bowdoin College Richard Steele Professor of Studio Art. "A graduate of Amherst College Cornell studied for a year at Yale School of Art and Architecture. In addition to Bowdoin he has taught at the University of California at Santa Barbara and at Princeton University. He has received many awards including a Fulbright Grant the Louis Comfort Tiffany Award and the National Foundation on the Arts and Humanities Fellowship in 1966. He was elected to the National Academy of Design in 1983. His work is present in art books most notably Rizzoli's Post-Modernism The New Classicism in Art and Architecture by Charles Jencks. He has had five one-man exhibitions in New York City and seven major museum exhibitons including a Bowdoin College Museum of Art exhibition in 1990 with a catalogue essay by Martica Sawin" cf Bowdoin College Visual Arts Department Website. Romulus Editions hardcover books
1902réf. 53698London: Freemantle & Company 1902. Hardcover. Collectible: Good. Full leather with five raised bands on the spine. #12 of 150. Interior is VG. Mild wear to the edges this has been stored properly throughout its existence. Not musty or moldy. The gutters were cracked in both volumes: they have been properly preserved/restored professionally. The interior hinges have been reinforced with appropriately colored tape. Signed by Strang and Cameron. Board tips are slightly through on a few of the tips. Mild wear only. Not bowed. Gilt leather VG interior. 11 lbs. Freemantle & Company hardcover
1905réf. 40530Bedford Park Chiswick: The Caradoc Press 1905. Limited edition. Hardcover. g to vg. 1/350. Large octavo. 14 155 1pp. Striking contemporary gilt-ruled full calf with gold decoration and lettering to spine. Raised bands. Top edge gilt. Dentelles. Marbled endpapers. Engraved frontispiece portrait of Izaac Walton. Title page in red and black lettering. Decorative initials and tailpieces. This splendid limited edition of Walton's masterpiece "The Compleat Angler" is the exact reprint of the first edition published in 1653. It is a celebration of the art and spirit of fishing in prose and verse. Walton's frontispiece portrait as well as the decorative initials and ornaments were designed and engraved by Harry George Webb a recognized artist of the time. One of 350 unnumbered copies on paper out of a total edition of 364. Binding rubbed along joints with head of spine slightly chipped. Binding in overall good interior in very good condition. The Caradoc Press hardcover
1905réf. 40530Bedford Park Chiswick: The Caradoc Press 1905. Limited edition. Hardcover. g to vg. 1/350. Large octavo. 14 155 1pp. Striking contemporary gilt-ruled full calf with gold decoration and lettering to spine. Raised bands. Top edge gilt. Dentelles. Marbled endpapers. Engraved frontispiece portrait of Izaac Walton. Title page in red and black lettering. Decorative initials and tailpieces. This splendid limited edition of Walton's masterpiece "The Compleat Angler" is the exact reprint of the first edition published in 1653. It is a celebration of the art and spirit of fishing in prose and verse. Walton's frontispiece portrait as well as the decorative initials and ornaments were designed and engraved by Harry George Webb a recognized artist of the time. One of 350 unnumbered copies on paper out of a total edition of 364. Binding rubbed along joints with head of spine slightly chipped. Binding in overall good interior in very good condition. The Caradoc Press hardcover books
1956réf. 009662Paris Falaize 1956 In-8 carré Broché, couverture rempliée
1970réf. 303807Santa Fe: Ancient City Press 1970. Paperback. 46p.5.5x8.5 inches preface introduction map illustrations selected bibliography. A variant printing judging from the bright white paper used for the cover perhaps later printing with ISBN listed on the lower right corner of the rear panel. Very good booklet in stapled pictorial wraps. Ancient City Press paperback books
1970réf. 232973Santa Fe: Ancient City Press 1970. Paperback. 46p.5.5x8.5 inches preface introduction map illustrations selected bibliography very good first printing booklet in stapled pictorial wraps. Ancient City Press paperback books
1970réf. 22784Santa Fe: Ancient City Press 1970. Paperback. 46p.5.5x8.5 inches preface introduction map illustrations selected bibliography very good booklet in stapled pictorial wraps. Ancient City Press paperback books
1920réf. MUSI0553Berlin, Paul Cassirer 1920. Kl.4°. 173(3) S. Mit ORadierung von Max Slevogt ("Der Sänger Francesco D'Andrade als Don Juan") als Frontisp. sowie 39 Faks. u. Lichtdrucken. OHLeinenbd. m. goldgepr. Rü.titel u. Einbandzeichnung v. Hans Meid. Rücken geblichen, Einbd. etw. angeschmutzt, Vorderschnitt stockfl., Name auf Spiegel. Über Paganini, Liszt, Rubinstein, Joachim u.a. Die Slevogt-Radierung von der Pan-Presse gedruckt.
réf. 143938x49 cm, Motiv-Format: ca. 31, Blattformat: ca. 50x65cm. 1972. Unterhalb der Abbildung von Wewerka signiert, nummeriert (111/200) und datiert ([19]72). Druck auf festes Bütten. Gutes Exemplar. Good copy. Numbered and signed by the artist. Wikipedia: "Stefan Wewerka (* 27. Oktober 1928 in Magdeburg; ? 14. September 2013 in Berlin) war ein deutscher Architekt, Designer und Künstler. Ab Ende der 1950er Jahre betätigte sich Wewerka zunehmend als freier Künstler. Es entstanden die Erdarchitekturen (erstmals ausgestellt in der Wiener Galerie Nächst St. Stephan von Otto Mauer und später in Köln im Atelier Mary Bauermeister), in den 1960er Jahren begann er mit den Zerschneidungen und Umbauten vor allem von Stühlen, aber auch anderen Alltagsobjekten wie Münzen, Besteck, Fahnen, Schallplatten usw. In den 1970er Jahren entstanden vor allem Radierungen (zahlreiche Mappenwerke und Einzelblätter), in die gleiche Zeit fiel auch die Freundschaft und Zusammenarbeit mit Dieter Roth.
1923Volume four (of four) [Le monument du Costume; Suite de Larmessin pour les Contes de la Fontaine; The Illustrations of Moreau le Jeune for the Works of Jean Jacques Rousseau; Illustrations for the tales of La Fontaine. pp. 497- 641, [1]. Beautifully printed on soft unbleached Arnold paper. With many etched, engraved and photogravure plates - some finished in aqua-tint color. Folio. Handsome elaborate full crushed red morocco gilt binding, by Riviere and Son. Top edge gilt. Original slip case. Number 20 of an edition limited to only 120 copies. The plates are wonderful, and the beautifully printed explanatory text is illuminating. The full four volume set retails for about $7000.00 today. This collection, originally formed by Albert Christophle, was preserved by the wealthy American art collector and sportsman Joseph Early Widener (1871-1943). Born in Philadelphia, he was the second son of Hannah Josephine Dunton (1836-1896) and the extremely wealthy transportation and real estate magnate Peter A. B. Widener (1834-1915). Joe was the uncle of the famed brilliant young book collector Harry Elkins Widener, who died (with his father) on the Titanic. He was a founding benefactor of the National Gallery of Art in Washington, D.C., and a major figure in thoroughbred horse racing. **PRICE JUST REDUCED!
1923Volume two (of four) [Drouais-Krantzinger]. pp. x, 172-331 [1]. Beautifully printed on soft unbleached Arnold paper. With many etched, engraved and photogravure plates - some finished in aqua-tint color. Folio. Handsome elaborate full crushed red morocco gilt binding, by Riviere and Son. Top edge gilt. Original slip case. Number 20 of an edition limited to only 120 copies. The plates are wonderful, and the beautifully printed explanatory text is illuminating. The full four volume set retails for about $6000.00 today. This collection, originally formed by Albert Christophle (1830-1904), was preserved by the wealthy American art collector and sportsman Joseph Early Widener (1871-1943). Born in Philadelphia, he was the second son of Hannah Josephine Dunton (1836-1896) and the extremely wealthy transportation and real estate magnate Peter A. B. Widener (1834-1915). Joe was the uncle of the famed brilliant young book collector Harry Elkins Widener, who died (with his father) on the Titanic. He was a founding benefactor of the National Gallery of Art in Washington, D.C., and a major figure in thoroughbred horse racing. **PRICE JUST REDUCED!
1921réf. 6160Budapest, Dante Könyvkiadó, 1921. In-4 de 83-[3]p., reliure en plein daim marron, titre doré au dos (très légèrement frotté) et sur le premier plat. Un coin frotté, date manuscrite sur la page de titre.
1926réf. 1018Paris, Editions de la Banderole, 1926. 1 vol. in-8 de 152 p. broché, couverture rempliée.
réf. 41901Berlin: Guido Moriell 1991. Limited edition. Hardcover. Fine condition. Signed by the artist on each etching and colophon. A15/50. Small Folio. 55 1pp. Original hand bound blue Morocco with geometric cover design by bookbinder Guido Moriell and black-stamped lettering on spine housed in blue cloth clamshell box with gilt lettering on spine. Every binding of the deluxe edition is a unique design. Includes the video documenting the production of this anniversary edition housed in separate compartment of clamshell box as issued. Bibliophile edition on the occasion of the 25th anniversary of the bookbinder Guido Moriell Radolfzell released in two Deluxe Editions A and B of 50 copies each and a standard edition of 100. This is No. 15 of the deluxe edition A printed on handmade paper. With 10 signed and hand colored original etchings by Rudolf Stuckert printed on the hand press of the artist. Top edge blue. Blue shaded endpapers. Blue initials. Text revised by John Loram based on the translation by Wilhelm Cremer 1922. Beautiful hand press production on firm handmade paper by the Steinort paper mill. An artistic masterpiece of modern hand press printing and bookbinding. Rudolf Stuckert 1912-2002 was a German painter and gallerist. He studied at the Academies in Kassel and Düsseldorf and was a master student of Oskar Moll. Stuckert opened his first gallery in 1936 in Düsseldorf with an exhibitions of Bruno Goller. In 1949 Stuckert became a cofounder of the New Rhine Secession Neue Rheinische Sezession in Düsseldorf. He had moved to Lake Constance in 1947 where he became a cofounder of the artist group "Der kleine Kreis" and was considered one of the so-called Höri-Painters. His paintings are an interplay of figurative and abstract elements. Landscapes ballplayers and acrobats are his favorite motifs. Guido Moriell is a film enthusiast and bookbinder in Radolfzell Lake Constance. In 2008 his work as a bookbinder was featured in the prestigious exhibition "Kunst des Bucheinbandes Art of Bookbinding" at the Duchess Anna Amalia Library in Weimar. Emphasis of the exhibition was the bookbinding in historic fashion showing a video of Guido Moriell at work as an example of traditional bookbinding. Guido Moriell hardcover
réf. 41901Berlin: Guido Moriell 1991. Limited edition. Hardcover. Fine condition. Signed by the artist on each etching and colophon. A15/50. Small Folio. 55 1pp. Original hand bound blue Morocco with geometric cover design by bookbinder Guido Moriell and black-stamped lettering on spine housed in blue cloth clamshell box with gilt lettering on spine. Every binding of the deluxe edition is a unique design. Includes the video documenting the production of this anniversary edition housed in separate compartment of clamshell box as issued. Bibliophile edition on the occasion of the 25th anniversary of the bookbinder Guido Moriell Radolfzell released in two Deluxe Editions A and B of 50 copies each and a standard edition of 100. This is No. 15 of the deluxe edition A printed on handmade paper. With 10 signed and hand colored original etchings by Rudolf Stuckert printed on the hand press of the artist. Top edge blue. Blue shaded endpapers. Blue initials. Text revised by John Loram based on the translation by Wilhelm Cremer 1922. Beautiful hand press production on firm handmade paper by the Steinort paper mill. An artistic masterpiece of modern hand press printing and bookbinding. Rudolf Stuckert 1912-2002 was a German painter and gallerist. He studied at the Academies in Kassel and Düsseldorf and was a master student of Oskar Moll. Stuckert opened his first gallery in 1936 in Düsseldorf with an exhibitions of Bruno Goller. In 1949 Stuckert became a cofounder of the New Rhine Secession Neue Rheinische Sezession in Düsseldorf. He had moved to Lake Constance in 1947 where he became a cofounder of the artist group "Der kleine Kreis" and was considered one of the so-called Höri-Painters. His paintings are an interplay of figurative and abstract elements. Landscapes ballplayers and acrobats are his favorite motifs. Guido Moriell is a film enthusiast and bookbinder in Radolfzell Lake Constance. In 2008 his work as a bookbinder was featured in the prestigious exhibition "Kunst des Bucheinbandes Art of Bookbinding" at the Duchess Anna Amalia Library in Weimar. Emphasis of the exhibition was the bookbinding in historic fashion showing a video of Guido Moriell at work as an example of traditional bookbinding. Guido Moriell hardcover books
The catalogue raisonne. 319 items illustrated and thoroughly described. 4to. Publisher's illustrated boards. FINE AND BRIGHT. Like new.