Castleman, RivaMareMagnum
1986A clean, unmarked book with a tight binding. Full silver cloth boards with gold lettering. Slight wear and fading to dust jacket. 9 5/8"w x 11 1/4"h. 148 pages.
1995Exhibition catalog. 7 3/4"w x 8"h. 24 pages. Foreword by Edward J. Sullivan; Photography by Jesus Sanchez Uribe and Barry Pribula. Essay on sculpture by Dr. Salomon Grimberg. List of exhibitions; bibliography.
1987réf. JC12731The Limited Editions Club 1987. Limited Edition. Hardcover. Fine. Black morocco with rough maroon silk side panels gilt-stamped lettering on spine; folio; in black cloth slipcase. With full-page etchings by Roberto Juarez on hand-made Richard de Bas paper. Number 67 of 750 copies on mould-made Cartiere Enrico Magnani paper signed by Hersey and Juarez. Book is fine in lightly rubbed slipcase. A lavish production. The Limited Editions Club hardcover books
1987réf. JC12731The Limited Editions Club 1987. Limited Edition. Hardcover. Fine. Black morocco with rough maroon silk side panels gilt-stamped lettering on spine; folio; in black cloth slipcase. With full-page etchings by Roberto Juarez on hand-made Richard de Bas paper. Number 67 of 750 copies on mould-made Cartiere Enrico Magnani paper signed by Hersey and Juarez. Book is fine in lightly rubbed slipcase. A lavish production. The Limited Editions Club hardcover
1947réf. 005468Paris Editions de la Galerie Charpentier 1947 In-4 En ff. chemise et étui
1943réf. 7459Genève, Editions du Milieu du Monde, 1943. In-folio en feuilles de 187-[9]p., sous couverture brique rempliée, chemise, étui, pièce de titre en maroquin rouge.
1943réf. 10196Genève, Editions du Milieu du Monde, 1943. In-folio en feuilles de 187-[5] pages, sous couverture brique rempliée, chemise, étui, pièce de titre en maroquin rouge.
1930réf. 3079Paris, Emile Hazan, 1930. 1 vol. br. in-4 de 210-[2] pages, couverture à rabats. 1er plat ill. d’un réverbère en médaillon. Rousseurs, dos légèrement gauchi.
1943réf. 3994Sans lieu, Ed. du Milieu du monde, 1943. 1 vol. en feuilles in-foilo de 187 p., [2 ff.]. Couverture écrue à rabats, sous chemise et étui de carton blanc, pièce de titre rouge au dos de la chemise. Belle condition.
1930réf. 3078Paris, Emile Hazan & Cie, 1930. 1 vol. br. in-4 de 203 p. Couverture à rabats. 1er plat illustré d’un réverbère en médaillon.
1811Acquaforte e bulino. Serie completa di 10 tavole (cm. 62 x 44) incise da Michele Torres, Giovanni Martino De Boni, Domenico Marchetti, Angelo Testa, Luigi Cunego, eseguita e stampata dalla Calcografia Camerale in Roma tra il 1811 ed il 1812. Folio massimo, legatura editoriale in carta azzurrina con titolo al piatto superiore, fogli integri con margini originali, una piega ben restaurata sul fianco superiore, piccoli restauri. Etching and burin. A complete serie of 10 plates carved by Michele Torres, Giovanni Martino De Boni, Domenico Marchetti, Angelo Testa, Luigi Cunego, printed by the Calcografia Camerale in Rome, between 1811 and 1812. Editorial binding on blue paper with title on front cover, original edges, a well restored warp on the center of plates, minor restaurations.
réf. 106140o.J.
1974A clean, unmarked book with a tight binding. Full brown cloth boards. 9 1/2"w x 12 3/8"h. 338 prints.
1989réf. 17053Montpellier, Fata Morgana, 1989. In-8 en feuilles de 32-[16] pages, couverture à rabats imprimée de l'éditeur.
1872réf. 96691Couverture souple. Broché. 204 pages. Défraîchi. Manques à la couverture.
1983réf. 16975Montpellier, Fata Morgana, 1983. In-8 en feuilles de 48 pages, couverture à rabats.
réf. LITT5760MBordas, Grenoble, 1944. In-8, non relié, en feuilles, couverture papier rempliée sous chemise et étui cartonnés, 172 pages. Nombreuses eaux-fortes de Carlotti. Exemplaire n°783. Chemise et étui passés, quelques manques de surface, coiffe et pied partiellement déchirés sur 3cms. Intérieur très bon voire frais. Pièce de témoignage
1970réf. 009657Vaduz Brunidor 1970 In-folio En feuilles, couverture à rabats, chemise et étui toilé éditeur.
1982réf. 011094Paris Luc Moreau 1982 In-12 Broché, couverture à larges rabats
1896réf. 013618Edinburgh: T.C. and E. C. Jack 1896. First Edition Thus. Hardcover. Near Fine. The Centenary Burns four volumes 8vo tan cloth decorated in gilt in the MacKintosh/ Art Nouveau style volumes 1 and 2 published 1896 3 and 4 in 1897 gte sides untrimmed each in near fine condition. Set owned by Victorian author Ella Napier Lefroy 1854-1919 with her bookplate on the front pastedown of each volume. A Glasgow native and eldest daughter of merchant and politician Alexander Hastie of Luscar in 1873 she married Thomas Charles Perceval Lefroy an Irish businessman who worked for the brewers Guinness and Bass. The couple lived in London and had four children. In the 1890s Lefroy wrote two novels - "A Scots Thistle" 2 vols. London: Bentley 1892 and "Janet Delille" 2 vols. London: Hurst and Blackett 1894 under the pseudonym "E. N. Leigh Fry." Thereafter it appears she gave up literature. Her husband died in 1893 which may have influenced her decision. T.C. and E. C. Jack hardcover books
1896réf. 013618Edinburgh: T.C. and E. C. Jack 1896. First Edition Thus. Hardcover. Near Fine. The Centenary Burns four volumes 8vo tan cloth decorated in gilt in the MacKintosh/ Art Nouveau style volumes 1 and 2 published 1896 3 and 4 in 1897 gte sides untrimmed each in near fine condition. Set owned by Victorian author Ella Napier Lefroy 1854-1919 with her bookplate on the front pastedown of each volume. A Glasgow native and eldest daughter of merchant and politician Alexander Hastie of Luscar in 1873 she married Thomas Charles Perceval Lefroy an Irish businessman who worked for the brewers Guinness and Bass. The couple lived in London and had four children. In the 1890s Lefroy wrote two novels - "A Scots Thistle" 2 vols. London: Bentley 1892 and "Janet Delille" 2 vols. London: Hurst and Blackett 1894 under the pseudonym "E. N. Leigh Fry." Thereafter it appears she gave up literature. Her husband died in 1893 which may have influenced her decision. T.C. and E. C. Jack hardcover
réf. 4047les paraboles. In folio en feuilles 32,5x43cm,reliure éditeur pleine toile éditeur ivoire,à rabats,bords biseautés,décor doré art nouveau avec titre en rouge sur le premier plat.Faux-titre, titre,XXIX 153 pages,texte encadré d’un filet rouge, préface by André MICHEL curator of the Franch Academy, préambule by the Viscount Eugène Melchior de Vogüé of the French Academy Frontispice and 10 plates engraved by Eugène BURNAND London Constable & Compagny Eyre & Spottiswoode 1910.This édition is limited to one hundred copies.Très bon état,superb engraved plates,high-contrastsuperbe and very rare édition
1844réf. 217781844 FURNE 1844- 3 volumes grand IN4, 1/2 chagrin noir à coins-dos ornès de filets dorès-200 gravures sur acier ht sous serpentes et notices historiques-bel exemplaire ,gravures accompagnées d'une notice de 2 pages. les gravures sont éxécutés par Audriband, Pourvoyeur, Lefebvre, Geoffroy, Joubert, Colin, Revel, Sisco, Muller, Pollet, Pardinel, Pigeot, etc... d'après les oeuvres de Steuben, H. Vernet, Wintherhalter, Feron, Thomas, Ary Scheffer, Ch. Lebrun, Larivière, Isabey, Gudin, Court, etc... (Vicaire I, 977-978)
18992 parts in one vol., 8vo., with an etched portrait frontispiece (original tissue guard present), engraved and printed titles, and 12 fine etched plates, some light and occasional age-staining as usual; original green pictorial cloth, upper board and backstrip elaborately blocked and lettered in gilt, gilt top, all edges gilt, corners bruised else a very good, clean copy. Scarce.
