1 064 résultats
1949réf. 3985Paris, Impr. Jourde et Allard; Les Bibliophiles de l’Etoile, 1949. In-4 en feuilles de 117-[2] pages, couverture sable à rabats, sous chemise et étui cartonnage rouge. Chemise et étui taché, intérieur en belle condition.
réf. 20140Librairie de la Revue Française 349 pages in8. Sans date. broché couverture rempliée. 349 pages.
1930réf. 8014Paris, Librairie de la Revue française / Alexis Redier, s.d. [circa 1930]. Un vol. au format pt in-8 (203 x 147 mm) de 349 pp., broché, sous couverture à rabats rempliés.
1926réf. 2420Paris, Lapina, 1926 ; in-8, broché ; 121 pp., (1) f. (justification) ; 1 portrait de l'auteur à l'eau-forte en frontispice, 6 bois gravés en noir hors-texte, 1 bois gravé en noir in-texte, 6 culs-de-lampe ; couverture brune à rabats illustrée en noir et rouge.
1922réf. 56032Berlin: Eigenbrödlerverlag GmbH 1922. First edition. Hardcover. Very good to fine condition. 83/100. Quarto. Unpaginated. Original cream-colored pigskin with gilt embossed decor of covers gilt lettering on black leather label and gilt decor on spine; raised bands. Top edge gilt. Cream ribbon marker. Heavy decorative endpapers. Title page printed in blue and black. Signed "Münchhausen" and Kolb" on limitation page. Includes seven etchings with tissue guards all signed by the artist. Story of the legendary horse Bayard in medieval tales of knights. Text in German Gothic script. Binding with light wear along edges and minor scuffs and very light staining of covers. Eigenbrödlerverlag GmbH hardcover
1922réf. 56032Berlin: Eigenbrödlerverlag GmbH 1922. First edition. Hardcover. Very good to fine condition. 83/100. Quarto. Unpaginated. Original cream-colored pigskin with gilt embossed decor of covers gilt lettering on black leather label and gilt decor on spine; raised bands. Top edge gilt. Cream ribbon marker. Heavy decorative endpapers. Title page printed in blue and black. Signed "Münchhausen" and Kolb" on limitation page. Includes seven etchings with tissue guards all signed by the artist. Story of the legendary horse Bayard in medieval tales of knights. Text in German Gothic script. Binding with light wear along edges and minor scuffs and very light staining of covers. Eigenbrödlerverlag GmbH hardcover books
1883réf. 174158Paris: E. Plon et Cie imprimeurs-editeurs 1883. Leather bound. VG only with some wear to cover tips and ancient and faint spotting here and there on leather light wear to hinges still very tight. Pages are extremely fresh. A beautiful binding in red. Full Red leather with 5 raised-bands t.e.g. plain end-papers. Original vellum binding bound-in at front and rear. 414 pages lxxxii leaves of plates : illustrations in the forms of etchings heliogravures woodcuts etc. Title printed in red and black./ "L'ouvrage renferme seize eaux-fortes de Paul Le Rat une eau-forte de Bandran.--Vingt-cinq héliogravures de Dujardin quatre héliogravures de Lemercier quarante dessins de Kreutzberger gravés par Guillaume frères deux gravures sur bois de Peulot"--Half title page verso./ "Appendices": pages 377-401. In a full-leather Zaehnsdorf binding with expectional gilt tooling and features. Shipping weight is 16 pounds. E. Plon et Cie, imprimeurs-editeurs hardcover
1883réf. 44485Paris: E. Plon et Cie 1883. First edition. Hardcover. g to vg. Folio 14 3/4 x 11 1/4". 8 414 2pp. Uncut and unopened copy. Later 3/4 brown cloth over marbled paper covered boards with gold-lettered title label to spine. Original wrappers bound in. Front cover and title page in red and black lettering. Frontispiece. Monumental monograph on the life and work of Benvenuto Cellini 1500-1571 the renown Italian goldsmith sculptor and draftsman of the Renaissance. Cellini is one of the most important artists of Mannerism and is remembered for his skill in making pieces such as the Cellini Salt Cellar and Perseus with the Head of Medusa both reproduced in this book. This work is splendidly illustrated throughout with 16 eaux-fortes by Paul le Rat one by Baudran 25 heliogravures by Dujardin 4 by Lemercier 40 b/w illustrations by Kreutzberger and 2 woodcuts by Peulot. Some fraying and moderate abrasion to tail of spine. Minor foxing to very first leaves. Fore-edge of pages 321 to 348 slightly and partly water-stained not affecting text or illustrations. Plate 61 detached but present. Text in French. Binding in overall good interior in good to very good condition. E. Plon et Cie hardcover
1883réf. 41149Paris: E. Plon et Cie 1883. Limited First edition. Hardcover. g to vg. 1/100. Folio 14 1/2 x 11 1/2". 12 414 2pp. Contemporary 3/4 morocco over marbled paper covered boards with gold lettering to spine. Raised bands. Top edge gilt. Ribbon marker. Marbled endpapers. Title page in red and black lettering. Decorative head- tailpieces and initials. Illustrated with numerous in-text b/w illustrations and 82 full-page plates of etchings duo-tone heliogravures and b/w illustrations reproducing some splendid pieces of Benvenuto Cellini's artwork and designs this monograph introduces the reader to the fascinating world of one of the most important artists of Mannerism. Born in Florence in 1500 Cellini was a celebrated sculptor goldsmith and writer as well as one of the most picturesque figures of the Renaissance. Trained as a goldsmith and early proficient in that craft at 16 he had to leave Florence because of a street fight and spent some months in Siena. In 1519 he moved to Rome the center of his activity for the next two decades. In Rome Cellini served popes Clement VII and Paul III working chiefly on portrait medallions coins and jewels. By his own account Cellini was a notable fighter and in the sack of Rome 1527 he fought against the imperial troops. An increasingly tense relationship with Paul III and a series of violent incidents led to Cellini's imprisonment in the Castel Sant'Angelo from which he made a dramatic escape. Cellini spent the years 1540-1545 in France serving Francis I as sculptor decorator and designer of architectural projects for the royal château of Fontainebleau. In 1543 he completed the famous and elaborate Salt Cellar from a model prepared earlier for Cardinal Ippolito d'Este. Cellini made models for a series of 12 silver statues of gods and goddesses and executed two bronze busts and silver vases all now lost. He cast the bronze lunette of the Nymph of Fontainebleau 1545. Works of art such as these as well as Cellini's actual presence in France along with other artists working under the enthusiastic patronage of Francis I played an important part in forming the style of French art in the late 16th century and helped to create an international courtly style favored throughout Europe in this period. One of 100 Artist copies of which this is No. 9. Moderate and sporadic rubbing along edges of binding with some abrasion to leather. Previous owner's bookplate Occidental College Library on inside of front cover. Text in French. Binding in overall good to good interior in very good condition. Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520 lasting until about 1580 in Italy when the Baroque style began to replace it. Northern Mannerism continued into the early 17th century. E. Plon et Cie hardcover
1883réf. 174158Paris: E. Plon et Cie imprimeurs-editeurs 1883. Leather bound. VG only with some wear to cover tips and ancient and faint spotting here and there on leather light wear to hinges still very tight. Pages are extremely fresh. A beautiful binding in red. Full Red leather with 5 raised-bands t.e.g. plain end-papers. Original vellum binding bound-in at front and rear. 414 pages lxxxii leaves of plates : illustrations in the forms of etchings heliogravures woodcuts etc. Title printed in red and black./ "L'ouvrage renferme seize eaux-fortes de Paul Le Rat une eau-forte de Bandran.--Vingt-cinq héliogravures de Dujardin quatre héliogravures de Lemercier quarante dessins de Kreutzberger gravés par Guillaume frères deux gravures sur bois de Peulot"--Half title page verso./ "Appendices": pages 377-401. In a full-leather Zaehnsdorf binding with expectional gilt tooling and features. Shipping weight is 16 pounds. E. Plon et Cie, imprimeurs-editeurs hardcover books
1883réf. 44485Paris: E. Plon et Cie 1883. First edition. Hardcover. g to vg. Folio 14 3/4 x 11 1/4". 8 414 2pp. Uncut and unopened copy. Later 3/4 brown cloth over marbled paper covered boards with gold-lettered title label to spine. Original wrappers bound in. Front cover and title page in red and black lettering. Frontispiece. Monumental monograph on the life and work of Benvenuto Cellini 1500-1571 the renown Italian goldsmith sculptor and draftsman of the Renaissance. Cellini is one of the most important artists of Mannerism and is remembered for his skill in making pieces such as the Cellini Salt Cellar and Perseus with the Head of Medusa both reproduced in this book. This work is splendidly illustrated throughout with 16 eaux-fortes by Paul le Rat one by Baudran 25 heliogravures by Dujardin 4 by Lemercier 40 b/w illustrations by Kreutzberger and 2 woodcuts by Peulot. Some fraying and moderate abrasion to tail of spine. Minor foxing to very first leaves. Fore-edge of pages 321 to 348 slightly and partly water-stained not affecting text or illustrations. Plate 61 detached but present. Text in French. Binding in overall good interior in good to very good condition. E. Plon et Cie hardcover books
1883réf. 41149Paris: E. Plon et Cie 1883. Limited First edition. Hardcover. g to vg. 1/100. Folio 14 1/2 x 11 1/2". 12 414 2pp. Contemporary 3/4 morocco over marbled paper covered boards with gold lettering to spine. Raised bands. Top edge gilt. Ribbon marker. Marbled endpapers. Title page in red and black lettering. Decorative head- tailpieces and initials. Illustrated with numerous in-text b/w illustrations and 82 full-page plates of etchings duo-tone heliogravures and b/w illustrations reproducing some splendid pieces of Benvenuto Cellini's artwork and designs this monograph introduces the reader to the fascinating world of one of the most important artists of Mannerism. Born in Florence in 1500 Cellini was a celebrated sculptor goldsmith and writer as well as one of the most picturesque figures of the Renaissance. Trained as a goldsmith and early proficient in that craft at 16 he had to leave Florence because of a street fight and spent some months in Siena. In 1519 he moved to Rome the center of his activity for the next two decades. In Rome Cellini served popes Clement VII and Paul III working chiefly on portrait medallions coins and jewels. By his own account Cellini was a notable fighter and in the sack of Rome 1527 he fought against the imperial troops. An increasingly tense relationship with Paul III and a series of violent incidents led to Cellini's imprisonment in the Castel Sant'Angelo from which he made a dramatic escape. Cellini spent the years 1540-1545 in France serving Francis I as sculptor decorator and designer of architectural projects for the royal château of Fontainebleau. In 1543 he completed the famous and elaborate Salt Cellar from a model prepared earlier for Cardinal Ippolito d'Este. Cellini made models for a series of 12 silver statues of gods and goddesses and executed two bronze busts and silver vases all now lost. He cast the bronze lunette of the Nymph of Fontainebleau 1545. Works of art such as these as well as Cellini's actual presence in France along with other artists working under the enthusiastic patronage of Francis I played an important part in forming the style of French art in the late 16th century and helped to create an international courtly style favored throughout Europe in this period. One of 100 Artist copies of which this is No. 9. Moderate and sporadic rubbing along edges of binding with some abrasion to leather. Previous owner's bookplate Occidental College Library on inside of front cover. Text in French. Binding in overall good to good interior in very good condition. Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520 lasting until about 1580 in Italy when the Baroque style began to replace it. Northern Mannerism continued into the early 17th century. E. Plon et Cie hardcover books
réf. 15056N°46 sur un tirage de 450 exemplaires. Paris, 1946 63 p., 14 eaux-fortes, feuillets sous chemise (le dos de la chemise est restauré). 28 x 36
réf. 0243982194.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1973réf. jk1706180396xbvkMünchen, zehn neun Kunstproduktions- und Vertriebsgesellschaft, 1973. 21 (1) einseitig bedruckte Textblätter, 6 zwischengebundene Kartons mit den Orig.-Radierungen unter halbtransparentem Seidenschutzblatt. - Illustrierter kartonierter Originaleinband mit Deckeltitel; Folio (ca. 33 x 23 cm).
1930réf. 3079Paris, Emile Hazan, 1930. 1 vol. br. in-4 de 210-[2] pages, couverture à rabats. 1er plat ill. d’un réverbère en médaillon. Rousseurs, dos légèrement gauchi.
1929réf. 39332Paris: Editions du Scarabée 1929. A livre d'artiste with FOUR LOVELY FULL-PAGE HORS-TEXTE ORIGINAL ETCHINGS BY GUIDO COLUCCI. In this copy exceptionally TWO OF THE ETCHINGS ARE SIGNED IN PENCIL BY THE ARTIST. From a total edition of 115 numbered copies this is one of 110 copies on fine Arches wove paper. Folio. Loose as issued in original wraps. Wraps a bit dusty and poorly repaired at spine. Internally FINE AND BRIGHT. The four etchings are all in perfect condition. Editions du Scarabée paperback
1879réf. 27104Bourg / Lyon, Imprimerie Eugène Chambaud / Martin-Bottier / A. Brun, 1879. Un vol. au format pt in-4 (275 x 223 mm) de 2 ff. bl., 1 titre gravé n.fol., vi - 134 pp., 1 f. n.fol. et 1 f. bl. Reliure de l'époque de demi-chagrin maroquiné vert-bronze à coins, filets dorés portés sur les plats, dos à nerfs orné de filets gras à froid, filets maigres dorés, titre doré, tête dorée.
1896réf. 81511896 .Bibliothèque artistique et littéraire 1896 , in 8 carré broché,couverure illustrée rempliée par Courtry, VIII, 104 pages, deux pointes sèches en sanguine par Henri BOUTET . Une eau-forte de Courtry en couverture, et illustrations dans le texte de Ch.COURTRY .Edition numérotée sur vélin deuxième grand papier.(tirage total: trois cent cinquante exemplaires)jamais réimprimé. Avec un envoi autographe de Courty
réf. 13978188s. l.: Sur les Presses de l'Auteur, 1932 1 vol. in-4 (22 x 32 cm) en feuilles, [5] ff., 10 eaux-fortes. Couverture rempliée. 10 eaux-fortes à pleine page et 2 vignettes de H. Kerels. Tirage limité à 32 exemplaires, celui-ci n° 24. Quelques piqûres sur les premiers feuillets. (Benezit VII, 761)
réf. RO30010402Laboratoire Galbrun. non daté. In-Folio. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. lot de 4 eaux fortes originales par l'auteur.. . . . Classification Dewey : 767-Eaux-fortes
réf. R320124727Laboratoire Galbrun. non daté. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Une eau forte en noir et blanc signé Chabridon - sous chemise souple conservée.. . . . Classification Dewey : 767-Eaux-fortes
réf. R320124726Laboratoire Galbrun. non daté. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Une eau forte en noir et blanc signé Chabridon - sous chemise souple conservée.. . . . Classification Dewey : 767-Eaux-fortes
réf. R320124728Laboratoire Galbrun. non daté. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Deux eaux fortes en noir et blanc signé Chabridon - sous chemise souple conservée.. . . . Classification Dewey : 767-Eaux-fortes
FIRST AND ONLY EDITION of this EXTREMELY RARE dictionary of monograms found in prints. Hundreds of monograms identified, 8 lithograph plates showing dozens of the more elaborate examples. ONE OF ONLY 60 COPIES PRINTED. According to a note on the free endpaper, part of this tiny edition was destroyed. Printed on fine wove paper. Small 8vo. Original wraps. Wraps somewhat worn, especially at extremities. Internally fine and bright.
