VAN PAEMEL JulesLivre Rare Book
1 077 résultats
réf. 4048.32 croquis traité à l’eau-forte. Préface de Louis Lebeer.Conservateur du cabinet des estampes de Bruxelles.In 4 carré en feuilles,titre orné d’une eau-forte,préface 6 pages.32 eaux-fortes sous serpentes imprimées de Jules VANPAEMEL toutes contresignées au crayon de papier au bas à droite,exemplaire numéroté sur japon nacré.Un des Six exemplaires d’artistes numérotés U.V.W.X.Y.Z hors-commerce et destinés aux collaborateurs L’exemplaire proposé est le Y.Envoi manuscrit autographe de Jules VANPAEMEL.Couverture à rabats muette avec de petits défauts.Superbes gravures,très beau tirage "contrasté ".Le tirage total sur japon nacré est de 26 exemplaires seulement.Fort rare
1926réf. 10952Paris, NRF Gallimard, 1926 ; 4 tomes, petit in-8 ; cartonnage rigide de papier gauffré à grand décor polychrome sur les deux plats et le dos (les quatre décors sont différents), vignette lithographiée en camaïeu au centre des plats, titre et tomaison dorés au dos, étui doré avec large ruban (reliure de l'éditeur) ; 57 ; 60 ; 48 ; 65 pp. ; et au total 24 illustrations gravées à l'eau-forte, 6 par volume (les 8 en-têtes et les 8 lettrines sont gravés sur les mêmes cuivres) par J. Rosoy, G. Labaye et H. David.
1930réf. 042244Paris: G. Cres 1930. First Edition Thus . Hardcover. Near Fine/Slipcase. Fine B/W Illustrations. 201 Ii Pp. Full Black Niger Gilt And Blind-Stamped In An Art Deco Design Top Edge Gilt Black Gilt And Blindstamped Turns With Blue Silk Doublures And Additional Blue Marbled Endpapers Matching Leather And Marbled Paper On Slipcase. Front Board Neatly Detached Long Ago Reattached With Nearly Invisible Silk Now Again Detached But Can Be Invisibly Reattached Using New Cords Without Any Rebinding. Slipcase With Wear At Corners Split Along One Top Edge. Tipped In Is A Calling Card Of Emile Rossignol With Handwritten Message "Avec Tous Les Voeux De Bonheur Pour L'an Qui Vient" Rossignol." Very Faded Abbreviated Signature At End Of Contents Page. Roland Dorgelès 1885 - 1973 Was A French Novelist And A Member Of The Académie Goncourt. Born In Amiens Somme Under The Name Roland Lecavelé He Adopted The Pen Name Dorgelès To Commemorate Visits To The Spa Town Of Argelès He Spent His Childhood In Paris. A Prolific Author He Is Most Renowned For The Prix Femina-Winning Wooden Crosses Les Croix De Bois A Moving Study Of World War I In Which He Served. It Was Published In 1919 In English By William Heinemann In 1920. Dorgelès Served As A Juror With Florence Meyer Blumenthal In Awarding The Prix Blumenthal A Grant Given Between 1919 And 1954 To Painters Sculptors Decorators Engravers Writers And Musicians. G. Cres hardcover
1980réf. 129861980 P., Aux dépens de Luc Moreau, 1980, 1 vol. in-12 carré (165 x 165) en feuilles sous couverture rempliée verte imprimée en vert, chemise et étui toilés marron, de (2) ff. bl. - (10) ff. (faux-titre, titre, poésies, justificatif de tirage).Très bel exemplaire.
1980réf. 36982Paris: A Parole Donnee 1980. Fine/Fine. Paris: "A Parole Donnée" 1980. First Edition Limited to 60 copies of which this is no. 15. Small square quarto 17cm; loose as issued in original green printed dust jacket housed in tan cloth chemise and slipcase; 20pp.; two leaves of color etchings signed with limitation by the Japanese printmaker Hiroshi Asada. A Fine example. Additionally signed by the poet and artist on colophon in rear. The sixth volume in Bohbot's "A Parole Donnée" series. No copies in OCLC as of October 2025. A Parole Donnee unknown
1980réf. 36982Paris: A Parole Donnee 1980. Fine/Fine. Paris: "A Parole Donnée" 1980. First Edition Limited to 60 copies of which this is no. 15. Small square quarto 17cm; loose as issued in original green printed dust jacket housed in tan cloth chemise and slipcase; 20pp.; two leaves of color etchings signed with limitation by the Japanese printmaker Hiroshi Asada. A Fine example. Additionally signed by the poet and artist on colophon in rear. The sixth volume in Bohbot's "A Parole Donnée" series. No copies in OCLC as of October 2025. A Parole Donnee unknown books
The best catalogue raisonne of Barlach's prints. Hundreds of items exhaustively described and illustrated. Folio. Publisher's cloth, dustjacket. FINE AND BRIGHT, as new.
1989réf. 38629Barcelona: Antonio Agra 1989. Poems by Gras Balaguer and FIVE ORIGINAL ETCHINGS with aquatint BY ROUGEMONT. Edition limited to 75 numbered copies plus ten artist's proofs and ten hors commerce all printed on extremely fine wove paper. 4to. Two booklets: poems loose as issued in original wraps; etchings also loose as issued in original wraps. House together in folding paper case SIGNED on the colophon by the author and the artist. FINE AND BRIGHT. Antonio Agra paperback
1918réf. 111041918 Paris, Helleu - 1918 - In8 ( 22 x 17 cm) broché, - 74 pages - 1 très belle eau-forte en frontispice représentant un marionnettiste - Numéroté à la main 328 Hors commerce - envoi de l'auteur, 60 fiches descriptives des eaux-fortes répertoriées , illustrées et classées par l'auteur.
1993réf. 17018Montpellier, Fata Morgana, 1993. In-4 en feuille de [32] pages, couverture à rabats, étui.
réf. 24852London, The Fine Art Society, 2001 Illustrated cardboard cover, 210 x 245mm., 10pp. et 15 planches n/b.
1983réf. 28520The Strange Company: USA 1983. First edition. Oversize pictorial wrappers. Fine unread copy. No 2. Large octavo single issue pictorial wrappers perfect bound. Weird magazine: 116 pages including covers. Ten issues published in total the first issue in 1973 then a gap of ten years when a further nine issues were published by The Strange Company 1983-1987. ''of special interest in no 2 is an interview with the leading Weird Tales cover artist of the 1930s Margaret Brundage'' plus ''The Room Of Fear'' a previously unpublished short story by William Hope Hodgson'' see Ashley/Tymn: Science Fiction Fantasy And Weird Fiction Magazines pp. 205/206. The Strange Company: USA unknown
1987réf. 28527The Strange Company: USA 1987. First edition & 1st printing. Oversize pictorial wrappers. Fine unread copy but for a touch of edge wear. Tenth and final issue. Large octavo single issue pictorial wrappers perfect bound. Weird magazine: 116 pages including covers. Ten issues published in total the first issue in 1973 then a gap of ten years when a further nine issues were published by The Strange Company 1983-1987. This issue has a mscellany of fiction poetry and essays by Thomas Ligotti ''The Spectacles In The Drawer'' Brian Lumley and others. The emphasis of this issue is on the work of WEIRD TALES author Amelia Reynolds Long and includes two of her short stories and an essay about her work by Chet Williamson. 1000 copies printed. The Strange Company: USA unknown
1985réf. 20052The Strange Company: USA 1985. Oversize pictorial wrappers. Near fine NF copy. Seventh issue. Large octavo single issue pictorial wrappers perfect bound. 96 pages including covers. Weird magazine: ten issues published in total the first issue in 1973 then a gap of ten years when a further nine issues were published by The Strange Company 1983-1987. This issue has fourteen pieces of fiction including Brian Lumley illustrated throughout plus lots of poetry plus an interview with Joseph Payne Brennan a short piece listing ''The Thirteen Best Obscure Stories From Weird Tales'' and ''Landscapes of Intertextuality'' by Philip E. Kaveny. See Ashley/Tymn: Science Fiction Fantasy And Weird Fiction Magazines pp. 205/206. The Strange Company: USA unknown
4to (283 x 230 mm), 12 etched plates goats, cattle and landscapes, a little browned and spotted, stitched as issued, orig. yellow paper wrappers, gold printed title label on upper cover. Nicolaes Pieterszoon Berchem (1620-1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, and Johann Heinrich Roos (1631-1685) a German Baroque era landscape painter and etcher. The only other copy located is that at the New York Public Library.
4to (295 x 238 mm), 12 etched plates goats, cattle and landscapes, first plate lightly browned, orig. cloth-backed limp patterned cloth, gold printed title label on upper cover. Nicolaes Pieterszoon Berchem (1620-1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, and Johann Heinrich Roos (1631-1685) a German Baroque era landscape painter and etcher. The only other copy located is that at the New York Public Library.
1975Roy. 8vo., with facsimile title in colour, 14 facsimile plates and an illustrations in the text; decorative cloth gilt, gilt back, a fine copy. EDITION LIMITED TO 500 COPIES. Dallaway's scarce work was first published in 1821. Based on an original in the Surrey County Library, this sympathetic reprint was printed and bound at the Scolar Press.
1881réf. 229231881 Paris QUANTIN 1881 in-4 un volume, in-quarto (20,5 x 29,3 cm), reliure plein basane blonde posterieure,1ère de couverture imprimés en noir, conservée , TITRE IMPRIME EN ROUGE ET EN NOIR, ILLUSTRE DE 45 DESSINS DONT 15 A PLEINE PAGE ET DE 16 PLANCHES HORS TEXTE EN NOIR (UN PORTRAIT DE FROMENTIN EN FRONTISPICE, GRAVE A L'EAU-FORTE PAR GILBERT + 11 EAUX-FORTES DE LE RAT, MAXIME LALANNE, JULES JACQUEMART, LAGUILLERMIE, E. SALMON, MILIUS, E. MONTEFIORE (jaunies) + 4 HELIOGRAVURES),multiples légères rousseurs, 365 pages, EDITION ORIGINALE.Vicaire III, col 841. Ouvrage augmenté d'un Voyage en Egypte et d'autres notes et morceaux inédits de Fromentin (divers fragments dont ses notes sur l'Ile de Ré)......Bel Exemplaire....rare.......en bon état malgré le défaut signalé
1985réf. 172314Subervie 3 Subervie, 1985. In-8 broché de 365 pages illustrées. 15 illustrations de Eugène Viala, une photo et un fac similé. Introduction de Jean Adhémar, conservateur du cabinet des Estamps de la B.N.Très Bon état
1985Subervie, 1985. In-8 broché de 365 pages illustrées. 15 illustrations de Eugène Viala, une photo, un fac-similé. Introduction de Jean Adhemar, Conservateur en Chef honoraire du Cabinet des Estampes de la Bibliothèque Nationale. Bon état
2021Lienart, 2021. Fort et grand in-4 relié plein cartonnage éditeur illustré de 627 pages. Très nombreuses reproductions dans et hors-texte. Bon état
1984196 p. Over 188 p. 152 of the illustrations are printed in full color. Of special interest to us is the one illustration by Kevin Grey that shows a White English Bull Terrier. Folio. 320 mm. Original full cloth binding. Original dust jacket, very slightly soiled at the edges. Near fine. European Illustration is an annual that brings together the best in European illustration art from magazines, newspapers, advertising, books, posters, packaging and animation art. It is a revealing collection handsomely presented. Included is an index of artists, art directors, designers, publications, publishers, writers editors, and clients, etc. The concept for this Annual was created and promoted by Edward Booth-Clibborn, chairman of the Art Directors Club of Europe, and a cutting-edge publisher. The itroduction is by Peter Blake. The illustrations included are often quite remarkable, and always reproduced and printed in the best possible manner. First Edition. The original retail price was $60.00. **PRICE JUST REDUCED! W72
1984196 p. Over 183 p. Most printed in colors. Folio. 320 mm. Original full cloth binding. Original dust jacket, very slightly soiled at the edges. Near fine. European Illustration is an annual that brings together the best in European illustration art from magazines, newspapers, advertising, books, posters, packaging and animation art. It is a revealing collection handsomely presented. Included is an index of artists, art directors, designers, publications, publishers, writers editors, and clients, etc. The concept for this Annual was created and promoted by Edward Booth-Clibborn, chairman of the Art Directors Club of Europe, and a cutting-edge publisher. The itroduction is by Peter Blake. The illustrations included are often quite remarkable, and always reproduced and printed in the best possible manner. First Edition. The original retail price was $60.00. **PRICE JUST REDUCED! W72
réf. 134159London: Day & Son. Hardcover. good only ex-library with expected marks plus perforation stamp on title page pg 33 and all plates. chip to the edge of color title and final plate. Browninsh library buckram. 33 pp 18 color plates including color title. Oversize. Day & Son hardcover
réf. 134159London: Day & Son. Hardcover. good only ex-library with expected marks plus perforation stamp on title page pg 33 and all plates. chip to the edge of color title and final plate. Browninsh library buckram. 33 pp 18 color plates including color title. Oversize. Day & Son hardcover books
