1,077 results
1923ref. 212181923. S.l. Les Bibliophiles comtois 1923. Un fort vol. au format in-4 292 x 226 mm de 258 pp. en feuilles sus couverture titre rabats remplis et tui-chemise cartonn dos lisse piÂce de titre contrecolle. Tirage unique 140 exemplaires seulement dont 15 seulement furent mis dans le commerce. Celui-ci comptant parmi les 115 sur Arches seul papier rservs aux membres de la Socit et ce titre imprims nominativement pour Charles EstÂve. ''Edition bien illustre''. L'ouvrage renferme - ici en premier tirage - les eaux-fortes originales de Lucien Madrassi. ''ElÂve des peintres Raphal Collin Gervais et Grme Madrassi exposa au Salon des Artistes franÂais. En 1924 il est Cracovie o il tudie sur place les moeurs et les types juifs pour Un Royaume de Dieu des frÂres Tharaud dont l'diteur Lapina lui avait confi l'illustration. Il fit cette occasion 86 eaux-fortes''. in Osterwalder. ''Membre de la Socit des Artistes FranÂais depuis 1906 Madrassi a entre autres illustr Un royaume de Dieu de Jean et Jrme Tharaud''. in Bnzit. ''Lamartine peint avec une apparente justesse l'tat des esprits en 1814 et pendant la premiÂre Restauration. Oeuvre mconnue dont l'intrÂt documentaire est certain.'' Absent de Mah Rpertoire des ditions de luxe - Carteret IV Le Trsor du bibliophile / Illustrs modernes p. 230 - Osterwalder II Dictionnaire des illustrateurs p. 732 - Bnzit VII Dictionnaire des peintres p. 55 - Tulard Bibliographie critique des Mmoires sur le Consulat et l'Empire pour l'originale de 1870. Petites marques d'usage affectant le dos de la chemise ainsi que les angles et coupes du coffret ; dont un plat prsente quelques marques d'eau sans gravit. Quelques rousseurs affectant les trois premiers et derniers feuillets. Nonobstant belle condition. Peu courant. b42961 unknown
1976ref. 50105Lincoln MA: Penmaen Press 1976. Fine/Very Good Condition. Lincoln MA: Penmaen Press 1976. First Trade Edition. Slim octavo 23cm; publisher's cloth in black photo-illustrated dust jacket; 45pp.; two full-paged etchings. Light edge wear to jacket margins else a Very Good to Near Fine copy. Inscribed by both authors though only signed by Eberhart to the late collector and bookseller Burt Britton on half title page: "For Burt Britton / from the Author with best wishes for his tranquility & prosperity / January 4 1979" and "For Burt too and with all best wishes Richard Eberhart / January 30 1979." Title page continues "An explanation by Allen Ginsberg of his publication Howl and Richard Eberthart's New York Times article 'West Coast Rhythms' together with comments by both poets and relief etching by Jerome Kaplan." . Penmaen Press unknown
1976ref. 50105Lincoln MA: Penmaen Press 1976. Fine/Very Good Condition. Lincoln MA: Penmaen Press 1976. First Trade Edition. Slim octavo 23cm; publisher's cloth in black photo-illustrated dust jacket; 45pp.; two full-paged etchings. Light edge wear to jacket margins else a Very Good to Near Fine copy. Inscribed by both authors though only signed by Eberhart to the late collector and bookseller Burt Britton on half title page: "For Burt Britton / from the Author with best wishes for his tranquility & prosperity / January 4 1979" and "For Burt too and with all best wishes Richard Eberhart / January 30 1979." Title page continues "An explanation by Allen Ginsberg of his publication Howl and Richard Eberthart's New York Times article 'West Coast Rhythms' together with comments by both poets and relief etching by Jerome Kaplan." . Penmaen Press unknown books
1896ref. 013618Edinburgh: T.C. and E. C. Jack 1896. First Edition Thus. Hardcover. Near Fine. The Centenary Burns four volumes 8vo tan cloth decorated in gilt in the MacKintosh/ Art Nouveau style volumes 1 and 2 published 1896 3 and 4 in 1897 gte sides untrimmed each in near fine condition. Set owned by Victorian author Ella Napier Lefroy 1854-1919 with her bookplate on the front pastedown of each volume. A Glasgow native and eldest daughter of merchant and politician Alexander Hastie of Luscar in 1873 she married Thomas Charles Perceval Lefroy an Irish businessman who worked for the brewers Guinness and Bass. The couple lived in London and had four children. In the 1890s Lefroy wrote two novels - "A Scots Thistle" 2 vols. London: Bentley 1892 and "Janet Delille" 2 vols. London: Hurst and Blackett 1894 under the pseudonym "E. N. Leigh Fry." Thereafter it appears she gave up literature. Her husband died in 1893 which may have influenced her decision. T.C. and E. C. Jack hardcover
1896ref. 013618Edinburgh: T.C. and E. C. Jack 1896. First Edition Thus. Hardcover. Near Fine. The Centenary Burns four volumes 8vo tan cloth decorated in gilt in the MacKintosh/ Art Nouveau style volumes 1 and 2 published 1896 3 and 4 in 1897 gte sides untrimmed each in near fine condition. Set owned by Victorian author Ella Napier Lefroy 1854-1919 with her bookplate on the front pastedown of each volume. A Glasgow native and eldest daughter of merchant and politician Alexander Hastie of Luscar in 1873 she married Thomas Charles Perceval Lefroy an Irish businessman who worked for the brewers Guinness and Bass. The couple lived in London and had four children. In the 1890s Lefroy wrote two novels - "A Scots Thistle" 2 vols. London: Bentley 1892 and "Janet Delille" 2 vols. London: Hurst and Blackett 1894 under the pseudonym "E. N. Leigh Fry." Thereafter it appears she gave up literature. Her husband died in 1893 which may have influenced her decision. T.C. and E. C. Jack hardcover books
ref. 96510Paris circa 1805 through 1814. . Very good. - A suite of 18 plates by Jean Duplessis-Bertaux engraved on creamy white stock measuring between 10-1/2 inches by 8 inches and 11 inches by 8-1/2 inches with large margins there is one smaller exception. The images depict the various cries of Paris merchants. All but three are signed "JDB" in the plate. Most of the images are identified and titled in French in pencil by a previous owner. The collection is as follows: "Marchand de gravures etalagiste" portrays street vendors of engravings offering their merchandise to customers some of whom are handling the prints. Several prints hang from a wire stretched between poles in the background and a large blank canvas hangs from the center of the pole. In some editions what is here a blank canvas bears the printed title "Suite de Marchands ambulants de Paris par J.D. Bertaux" and serves as frontispiece to the work. The image measures 3-1/4 inch high by 2-1/4 inch wide within 4 inch high by 3-1/4 inch wide plate marks. The edges are very slightly creased with two tiny tears to the left edge and a couple of tiny stains or spotting to the bottom margin of the page. "Decrotteur et ramoneur" portrays a man shining the shoes of an officer as chimney sweeps and other shoe-shiners are pictured in the background. A small dog stands at the side of the officer. The image measures 2-1/4 inches high by 3-1/4 inches wide within 3-1/4 inch high by 4 inch wide plate marks. There is some minor faint foxing. "Parade de comediens ambulants" portrays traveling actors performing and parading on the porch of a house with spectators in the foreground. The image measures 2-3/8 inch high by 3-3/8 inches wide within 3-1/2 inch high by 4-1/4 inch wide plate marks. There is light foxing throughout. "Colleur d'affiches" portrays a bill-poster perched on a ladder pasting a poster or bill to the corner wall of a building. Another worker stands around the corner and a family looks on with their dog. The image measures 2-3/8 inches high by 3-3/8 inches wide within 3 inch high by 3-7/8 inch wide plate marks. There are some minor faint stains and minor foxing to the margins. "Gagne petit" portrays a knife grinder or sharpener carrying his grinding wheel on his back with a dog at his side. Another knife grinder wheels his equipment in a wheelbarrow. A house and people are pictured in the background. The image measures 2-3/8 inches high by 3-1/4 inches wide within 3 inch high by 3-7/8 inch wide plate marks. There is minor foxing to the margins. "Remouleur" although the title differs the image is identical to the prior one. "Gagne petit" and "remouleur" both translate to knife grinder or sharpener. There is some scattered foxing and the paper is lightly darkened. "Titre" possibly the title page to the work. The image portrays men filling water containers from a city's monument fountain with water pouring from the mouth of a troll. The image measures 2-1/2 inches high by 3-3/8 inches wide within 3-1/8 inch high by 3-7/8 inch wide plate marks. The edges of the plate are darkened with a short tear to the top edge and just a hint of foxing to the margins. "Serrurier" portrays a locksmith grinding keys near the open gate leading to a mansion. The image measures 2-3/8 inches high by 3-3/8 inches wide within 3-1/8 inch high by 3-7/8 inch wide plate marks. There is a minor crease to the bottom right corner with just a hint of foxing to the margins. "Cardeuses de matelats" portrays mattress carders. 3 women are seated with their carding tools and sections of stuffed fabric. The image measures 3-3/8 inches high by 2-3/8 inches wide within 4-1/4 inch high by 3-1/4 inch wide plate marks. There are minor creases to the corners with a couple of faint specks to the margins. "Menuisiers" portrays carpenters working on furniture at their work table. The image measures 2-1/4 inches high by 3-1/4 inches wide within 3-1/8 inch high by 3-7/8 inch wide plate marks. There is light scattered foxing mostly to the margins. "Marchands de parapluies et de soufflets" portrays an umbrella merchant carrying several on his back and a bellows merchant with several fireplace bellows attached to this clothing. The image measures 3-1/4 inches high by 2-3/8 inches wide within 4 inch high by 3-1/4 inch wide plate marks. "Batteurs de platre" portrays plaster beaters. A man is beating away at plaster spread out upon the ground as another carries a basket of plaster to spread over it. The image measures 2-3/8 inches high by 3-3/8 inches wide within 3-1/4 inch high by 3-7/8 inch wide plate marks. There is some minor foxing to the margins. "Charrons" portrays wheel builders constructing wooden carriage wheels. The image measures 2-1/4 inches high by 3-1/4 inches wide within 3-1/8 inch high by 3-7/8 inch wide plate marks. There is some minor faint foxing throughout. "Scieurs de bois" portrays sawyers at work as an empty horse-drawn cart rides away and another stacks wood upon a ramp leading to a barn's loft. The image measures 2-3/8 inches high by 3-1/4 inches wide within 3-1/8 inch high by 4 inch wide plate marks. There are some minor sports of foxing or browning to the print. "Lingere au petit crochet" portrays an elderly woman cloth merchant carrying her linens in a basket on her back. Several dogs are near her and another cloth merchant can be seen speaking to a man in the background. The image measures 3-3/8 inches high by 2-3/8 inches wide within 4-1/8 inch high by 3-1/4 inch wide plate marks. There are minor creases to the edges. "Porteur d'eau" portrays a water carrier and his wife pulling a large barrel of water on a cart. Another water cart and houses are depicted in the background at left. The image measures 2-3/8 inches high by 3-1/4 inches wide within 3-1/4 inches high by 3-7/8 inches wide plate marks. There is creasing to the bottom right corner and some foxing to the margins. "Tomeliers" portrays coopers at work constructing wooden barrels to which they affix metal rings. The image measures 2-3/8 inches high by 3-1/4 inches wide within 3-1/8 inch high by 3-3/4 inch wide plate marks. There is some minor foxing throughout. An untitled image portrays barbers working on customers hair and beards and a wigmaker at her loom. Several wigs hang from the wall. The image measures 2-1/4 inches high by 3-1/4 inches wide within 3-1/2 inch high by 4-7/8 inch wide plate marks. This print is engraved on a sheet which is slightly smaller than the others measuring 7-3/8 inches high by 9-1/4 inches wide. There is a piece chipped from the bottom left corner with some foxing and darkening to the margins. The artist's name here spelled "Duplessis-Berteaux" by an early owner is penned on the verso. The engravings are in overall very good condition with a paper tab mounted along one edge of the verso of each print. The French painter and draughtsman Jean Duplessis-Bertaux 1747-1819 produced etchings and burin engravings. Having taken part in the French Revolution Duplessis-Bertaux produced a series of prints entitled "Scenes de la Revolution" followed by "Campagnes de Napoleon" which illustrated scenes from Napoleon Bonaparte's Italian campaigns engraved after paintings by Carle Vernet. He also produced a series of engravings portraying the street cries of Paris "Cris de Paris". Duplessis-Bertaux also collaborated on some prints with Jean-Louis Delignon and produced several pornographic prints many of which were printed anonymously but were later re-attributed to him. The work entitled "Recueil de cent sujets de divers genres" published in 1814 gathered together in one volume 100 of Duplessis-Bertaux' engravings from eight of the suites including military scenes and those from his Cries of Paris which had previously been distributed seperately. Paris, circa 1805 through 1814. hardcover
1989ref. 38629Barcelona: Antonio Agra 1989. Poems by Gras Balaguer and FIVE ORIGINAL ETCHINGS with aquatint BY ROUGEMONT. Edition limited to 75 numbered copies plus ten artist's proofs and ten hors commerce all printed on extremely fine wove paper. 4to. Two booklets: poems loose as issued in original wraps; etchings also loose as issued in original wraps. House together in folding paper case SIGNED on the colophon by the author and the artist. FINE AND BRIGHT. Antonio Agra paperback
1884ref. D11324London: J. C. Nimmo and Bain 1884. Hardcover. Very Good. Contemporary full morocco ornately gilt-stamped on boards and spine a.e.g.; 4to; pp. viii 304 plus frontispiece and 24 plates. Translated from the French. Spine and edges of boards scuffed and lightly bumped; small chip at fore-edge of upper board. Small ink scribble in margin of p. 3; some foxing here and there but overall internally nice and clean. A lavish production. J. C. Nimmo and Bain hardcover
1895ref. 2423Paris, Librairie L. Conquet, 1895 ; in-8, broché ; (1) f. (bl.), 46 pp., (2) ff. (table, bl.) ; 1 portrait à l'eau-forte en frontispice, 1 eau-forte en couverture, 6 eaux-fortes en noir in-texte (en-têtes et culs-de-lampe) ; couverture blanche à rabats illustrée en couleurs.
1905ref. 2407Paris, Librairie des Amateurs, Ferroud, 1905 ; petit in-8, broché ; (3) ff. (bl., faux-titre, titre), 45 pp., (2) ff. (achevé d'imprimer, bl.) ; 10 illustrations en noir et trois états ; couverture beige à rabats imprimée en rouge et noir.
ref. 119347Paris, 1926, Collection "Le génie français", L'intermédiaire du bibliophile, 1 volume in-8 de 160x220 mm environ, 220 pages, (2) ff. Un des 625 exemplaires numérotés sur papier vergé d'Arches à la forme, complet des eaux fortes (frontispice en double état et 9 compositions hors-texte). Demi-maroquin brun à coins, tranche de tête dorée, gardes de papier décoré, couvertures d'origine conservées. Dos et une partie du second plat insolés, sinon intérieur propre, bon état général, bel exemplaire.
ref. 143945x25,5 cm, Motiv-Format: ca. 36, Blattformat: ca. 58x44cm. 1976. Unterhalb der Abbildung von Eggenschwiler gewidmet, signiert, mit `a.p.` bezeichnet und datiert ([19]72). Druck auf Japanpapier. Gutes Exemplar. Good copy. Dedicated and signed by the artist. Wikipedia: "Ab 1971 beteiligte er sich an der von Holger Runge gegründeten «Radiergemeinschaft Osterath» in Meerbusch-Osterath. Im Jahr 1972 war er Teilnehmer der Documenta 5 in Kassel in der Abteilung Individuelle Mythologien. 1973 zog er nach Eriswil im Oberaargau um, wo er bis zu seinem Tod lebte und arbeitete. Für den 85. Katholikentag 1978 in Freiburg im Breisgau schuf Eggenschwieler ein meterhohes Holzkreuz in einer Metallgitterstruktur, das seit 1979 am Hirzberg an der Waldstraße vom Schlossberg nach St. Ottilien steht. Von 1981 bis 1995 war er Professor an der Kunstakademie Düsseldorf."
1920ref. 7858Hermann A. Wiechmann Verlag, München, 1920. 279 S. und 5 Tafeln, 8°, OHalb-Leder auf 5 Bünden, Kopfgoldschnitt. Mit 10 Vignetten des Künstlers und fünf, einschließlich des Titelbildes, signierten Original-Graphiken. "Von diesem Werke wurden 500 Exemplare auf Hadernpapier abgezogen, welche vom Künstler eigenhändig signiert sind. Dieses Buch trägt die Nr. 263 (handschriftlich)." Die Signatur bezieht sich auf die Graphiken. Auf dem Vorsatz Stempel und handschriftlicher Besitzervermerk von Karl Maria Zwißler (von 1936 bis 1966 Generalmusikdirektor in Mainz). Rückenfalzen und Kanten der Einbanddeckel stark abgerieben. Abklatschspuren auf den Vorsätzen. Das Leder berieben. Innen ein insgesamt schönes Exemplar dieser Ausgabe. Limited edition for about 500 pieces, this is number 263 with 5 hand signed etchings. Das Foto zeigt eine Graphik.
1893ref. 000157Paris Emile Testard 1893, In-4 (256 x 173 mm), 197 pp. - (1) ff. table - 7 pp. (liste des gravures) - (2) ff., demi-bradel chagrin vert, coins, dos lisse orné, fleurs mosaïquées, tête dorée, non rogné, couverture illustrée conservée (reliure d'époque, signée Bonleu). Illustré par Charles Léandre de 27 eaux-fortes, gravées par Louis Muller (dont 10 hors-texte, une vignette de titre, 8 en-tête et 8 culs-de-lampe), et 29 compositions dans le texte gravées sur bois par Léveillé et Ruffe. Tirage limité sur vélin. (Carteret 4, p. 197).
186827 p. + [12] leaves of etched satiric plates by Volck. Lightly foxed. 20 x 16 cm. Original cloth binding, stamped in gilt and blind; slightly discolored. Written by James Fairfax McLaughlin (1839-1903), this is a caustic poetic satire on the "Black Republican" Union Civil War General and notorious carpet-bagger - Ben Butler (who was widely reviled for years after the war by Southern whites, who gave him the nickname "Beast Butler". It is most famous for its biting etched illustrations by the powerful artist and Confederate sympathizer A. J. Volck. Adalbert John Volck (1828-1912) emigrated to America from Bavaria in 1849, and became a successful dentist in Baltimore. He is principally remembered for "Confederate War Etchings", a series of caricatures favorable to the Southern cause, issued in 1862 & 1863 under the pseudonym "V. Blada." VERY SCARCE. W20
1913ref. 3049Paris, Lib. Georges Crès, 1913. 1 vol. in-4 de 106-[2] pages. Demi-chagrin rouge, dos lisse. Très belle condition.
1946ref. 3930Paris, Ed. du Camée, 1946. In-4 en feuilles de 63-[30] pages. Couverture blanche à rabats. Belle condition, non coupé.
1884ref. 5588Paris, A. Quantin, 1884. In-8 broché de [8]-380-[4] pages, couvertures rempliées. Exemplaire sans défaut.
4to (295 x 238 mm), 12 etched plates goats, cattle and landscapes, first plate lightly browned, orig. cloth-backed limp patterned cloth, gold printed title label on upper cover. Nicolaes Pieterszoon Berchem (1620-1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, and Johann Heinrich Roos (1631-1685) a German Baroque era landscape painter and etcher. The only other copy located is that at the New York Public Library.
ref. 20538477Odana Editions & Josef Lebovic Gallery Sydney 1998. 32.0 x 25.0cms 480pp b/w & colour illusts fine hardback & dustwrapper The contents cover: the Mitchell Library folios & copper plates; Norman & Rose; unpublished etchings; etched bookpltes; books illustrated with original etchings; notes on the unpublished etchings catalogue raisonne; unpublished etchings catalogue raisonne; published etchings; notes on the published etchings catalogue raisonne; published etchings catalogue raisonne; galleies exhibitions & reviews; sales & marketing; facsimile etchings; glossary of etching terms; selected exhibitions; private collections; selected bibliography. Odana Editions & Josef Lebovic Gallery Sydney 1998 hardcover
ref. 20715519Odana Editions & Josef Lebovic Gallery Sydney 1998. 32.0 x 25.0cms 480pp b/w & colour illusts fine hardback & dustwrapper author's inscription: Helen Glad's signature The contents cover: the Mitchell Library folios & copper plates; Norman & Rose; unpublished etchings; etched bookpltes; books illustrated with original etchings; notes on the unpublished etchings catalogue raisonne; unpublished etchings catalogue raisonne; published etchings; notes on the published etchings catalogue raisonne; published etchings catalogue raisonne; galleies exhibitions & reviews; sales & marketing; facsimile etchings; glossary of etching terms; selected exhibitions; private collections; selected bibliography. Odana Editions & Josef Lebovic Gallery Sydney 1998 hardcover
ref. 982Grand in 8 carré broché,couverture rempliée illustrée et gravée avec titre en bleu faux-titre,titre avec paysage gravé,232 pages,14 jolies eaux-fortes par GALANIS.Un des exemplaires sur vélin de rives.NRF 1945.chemise cartonnée avec titre imprimé,étui.Bon exemplaire
ref. 2393Aix Les Bains, Chambéry, Turin, Novare, Milan, Brescia, Vérone, Padoue,Venise, Murano, Torcello Le Lac Majeur, le Lac de Côme.In 8 demi-chagrin marron à nerfs,titre,fers dorés,filets à froid.Faux-titre,titre,VIII,317 pages,15 eaux-fortes sous serpentes par Léon GAUCHEREL Veuve Morel & Cie 1873 un des cinq cents exemplaires sur hollande seul grand papier Très bon état
1924ref. 010203Paris Emile-Paul Frères 1924 Petit in-4 Broché, couverture rempliée illustrée
1922ref. 56032Berlin: Eigenbrödlerverlag GmbH 1922. First edition. Hardcover. Very good to fine condition. 83/100. Quarto. Unpaginated. Original cream-colored pigskin with gilt embossed decor of covers gilt lettering on black leather label and gilt decor on spine; raised bands. Top edge gilt. Cream ribbon marker. Heavy decorative endpapers. Title page printed in blue and black. Signed "Münchhausen" and Kolb" on limitation page. Includes seven etchings with tissue guards all signed by the artist. Story of the legendary horse Bayard in medieval tales of knights. Text in German Gothic script. Binding with light wear along edges and minor scuffs and very light staining of covers. Eigenbrödlerverlag GmbH hardcover
