1,079 results
1819ref. 001587London: J. Bumpus 1819. Very Good. 8vo. xvii 384 pp. With nine of ten hand colored aquatint plates. Since there is no evidence in the form of offsetting of the missing plate it may never have been bound into this particular copy. Notwithstanding its omission the scarcity of this work of English caricature and illustration from Regency England make this a desirable copy. Prideaux 348. Small repair to the top of one plate a tiny chip on another and and a few text pages with a repair. Heavy offsetting onto text pages of plates. Otherwise internally quite clean. Attractively bound in three quarter red morocco. J. Bumpus unknown
1986ref. 12352Lewisburg PA: Bucknell University / The Press of Appletree Alley 1986. Limited Edition. Hardcover. Near fine. Quarto 29pp. illustrated. From The Bucknell University Fine Editions: A Series in Contemporary Poetry edited by John Wheatcroft. A crisp clean copy near fine in the publisher's pale blue cloth. Cloth a tinge faded at extremties and the page block edges just a trifle toned. A few forgivable smudges to one blank leaf. Per the colophon: "The book was set in 16 point Spectrum and printed on a Vandercook No. 4. The volume was designed hand-set and printed by Mary Chenoweth and Barnard Taylor and bound by Don and Pam Rash. The three full-page etchings were created by Rosalyn Richards and printed by Kathy Kaminskas at Bucknell University Department of Art. The edition was printed on imported mould made Rives Heavyweight." This is number 57 of 125 limited copies SIGNED by Shapiro and Richards on the limitation page. Bucknell University / The Press of Appletree Alley hardcover
1981ref. 6136New York: Sweetwater 1981. Limited Edition. Hardcover. Fine. Quarto 163pp. illustrated. A fine copy in the publisher's full chieftain deep red morocco with gilt detail. In the publisher's slipcase also fine. Of a total limitation of 475 copies SIGNED by Singer and Moskowitz this is the best edition being number 18 of just 50 copies in the full morocco binding accompanied by a suite of ten signed etchings and also an original ink drawing by Moskowitz. These artworks are housed in a slim clamshell box itself housed in the slipcase. Rare and with no other copies of this most prized limitation in commerce as of this listing. An elegant production; and a high spot in any collection of Judaica or illustrated fine press books. Sweetwater hardcover
2000ref. 60889Knight Library Press; University of Oregon 2000. Limited Edition. SIGNED. Thin folio 33 cm Designed printed and bound by Sandy Tilcock. Printed letterpress on Heine paper. The etchings are hand-colored by the artist. Calligraphic title headings and ornaments by Marilyn Reaves. The cover was made by laminating two handmade papers: Moulin de Larroque's Brown and Twinrocker's Mica Rose. Binding tied together with a leather strap. With the instructions for the "Tying of Strap" laid in. Number 56 in an edition of 125 numbered copies. Signed by Barry Lopez and Robin Escher on the limitation page. Knight Library Press; University of Oregon unknown
1930ref. 4072Pilsen: Pilsnensii Svázek Druhy Olga Skábková 1930 Octavo 20x14.5 cm. stiff wrappers 304pp. No. 45 of 125 copies. With two etchings by Jan Konupek signed in pencil. A fine bibliophile production with two stories by Nohejl 1896-1974 was a member of the Literární skupiny contributed to Host and other avant-garde journals. His prewar work focused on romance and sexuality through storytelling. His postwar positions landed him in jail for a few years and he took disability retirement which allowed him to continue his literary work in privacy. One copy in British library none in North America. Pilsen: Pilsnensii Svázek Druhy (Olga Skábková) paperback
1886ref. 9854326John C. Nimmo 1886. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In fair condition suitable as a study copy. 8vo cloth binding. Gilt lettering on cover and backstrip. Some shelf-wear and scuffing. Hinge split. Light foxing. B/w illustrations. Frontispiece in good condition tissue guard with light foxing. Please note the Image in this listing is a stock photo and may not match the covers of the actual item1000grams ISBN: John C. Nimmo hardcover
1967ref. BOOKS074344ISterling Junction MA: The Scarab Press 1967. HC. very good gray paper covered boards hardcover light fading. etchings by Besnia. One of two hundred copies. Signed by Howard John Besnia on the colophon. Laid in is the fold-over prospectus for the book open measures about 6 1/2 by 17 inches with a relief etching from an original plate for the book. Light fading to gray paper covering the boards. unpaginated. The Scarab Press unknown
1926ref. x08627Privately Printed 1926. 8vo. 284 pp. Orange morocco over marbled paper with raised bands and gilt illustrations and lettering. Very Good. Lower corner slightly bumped small spot of wear to rear board. Chip to top corner of last blank leaf. Number 186 of 650 printed. Hardcover. Very Good. Privately Printed hardcover
1929ref. 005691New York: MacMillan 1929. 179 pp.with 51 high-quality reproductions of etchings nad drawings of churches and cathedrals including Notre Dame Rouen Chartes Bayeux Albi Quimper much more. First printing. Clean. 1st Printing. Cloth. Near Fine/No Jacket. Folio - over 12" - 15" tall. MacMillan hardcover
1965ref. mon0003147979A Loujon Press Award Book Lyle 1965T. paperback. Very Good. . A Loujon Press Award Book, Lyle paperback
1967ref. 43562Maine: Anthoensen Press/Bowdoin College Museum of Art 1967. limited edition. Hardcover. Very good . 11 x 15 in. Folio. Not paginated. Limited edition of 30 copies this is number 29 signed by Stephens and Lent on the limitation pg. and numbered. Black cloth and marbled paper boards. Bound by Arno Werner. Hand-made rag paper. 6 etchings in all including the frontis each signed in pencil on the margin. Small etching on the limitation pg. Condition is VERY GOOD ; covers have light wear to the edges but are very clean with some dulling to the black cloth. Binding tight. Text and etchings are spotless and all tissue guards in excellent condition. Very scarce. Art. RGR. Anthoensen Press/Bowdoin College Museum of Art hardcover
1999ref. 3115870New York: PACE/PRINTS. Fine with no dust jacket. 1999. First Edition; First Printing. Softcover. 9780967716206 . First edition. Fine in pictorial printed wrappers. 36pp. 8 1/2" X 11" Gatefold and color images. ; 8 1/2" x 11"; 36 pages . PACE/PRINTS paperback
1902ref. 53698London: Freemantle & Company 1902. Hardcover. Collectible: Good. Full leather with five raised bands on the spine. #12 of 150. Interior is VG. Mild wear to the edges this has been stored properly throughout its existence. Not musty or moldy. The gutters were cracked in both volumes: they have been properly preserved/restored professionally. The interior hinges have been reinforced with appropriately colored tape. Signed by Strang and Cameron. Board tips are slightly through on a few of the tips. Mild wear only. Not bowed. Gilt leather VG interior. 11 lbs. Freemantle & Company hardcover
1921ref. 16770Berlin: Morawe & Scheffelt 1921. Paperback. Good. 7 1/4 x 8 3/4 inches. 41 pages. Semi-rigid cloth-covered boards. Illustrated with real etchings by Mathey. Condition is Good; Paper missing on spine lightsoiling to cloth covers covers slightly wavy text & illustrations are very clean binding is tight. Text in German. Stk Morawe & Scheffelt paperback
1980ref. 12801FARRAR STRAUS & GIROUX. NY 1980. Fine with no dust jacket. 1980. First Edition. Softcover. UNCORRECTED PROOF. Fine in plain white printed wrappers. . FARRAR, STRAUS & GIROUX. NY 1980 paperback
ref. 2492published at the Punch Office Fleet Street. HB NODJ ISSUED Red Morocco LEATHER Trimmings with decorated Boards 1st edition 1847-48 2 Volumesminor rub VG NODJ. First Edition. Hard Cover. published at the Punch Office, Fleet Street hardcover
2026ref. 11190Librairie Plon 2026 65 pages in12. 2026. Broché couverture rempliée. première édition. 65 pages.
ref. 20140Librairie de la Revue Française 349 pages in8. Sans date. broché couverture rempliée. 349 pages.
1980ref. 13904Éditions maritimes et d'outre-mer 1980 233 pages in4. 1980. cartonné. 233 pages. Cet ouvrage de Jacques Sternberg présente les ports du monde au 19e siècle à travers des eaux-fortes offrant une vision artistique et historique de ces lieux avec une approche iconoclaste qui remet en question les idées reçues
1908ref. 19221908 aris, Dorbon l’Aîné, 1908. 6 volumes petits in-12 (15 x 10,5 cm), reliure demi-basane verte, dos à nerfs orné de fleurons dorés, dos du volume 6 avec manque en pied, couvertures conservées, papier à la cuve aux plats et contre plats, dos passés avec quelques frottements. 24 eaux-fortes originales de Henri Boutet, intérieur jauni. Mentions d'éditions différentes aux couvertures, comment souvent pour cette série. Reliure signée Baillot. Cette série de six ouvrages, à mi-chemin entre le journalisme de terrain, la chronique piquante et le voyeurisme élégant, explore l'envers du décor de la capitale : des "suiveurs" de boulevards aux coulisses des théâtres, en passant par les figures excentriques de la Bohème et les petits métiers de rue en train de disparaître (marchands des quatre-saisons, rémouleurs, etc.). Dans son style typique "Belle Époque", Henri Boutet croque avec acuité et sensualité les silhouettes des Parisiennes, des trottins, des artistes et des noctambules... Bon exemplaire.
1890ref. 19741890 Couverture rigide Paris, P. Arnould, éditeur, sans date (circa 1890). Un volume in-16 (12,5 x 8,5 cm), reliure demi-chagrin marron d'époque, dos lisse orné de motifs dorés, tête dorée, papier à la cuve sur les plats, quelques légers frottements au dos et aux charnières. 318 pages, illustré de 2 eaux-fortes hors texte de Paul Avril, dont le frontispice, sous serpente, papier légèrement jauni. Ex-libris à l'encre sur le faux-titre. Charmante édition de petit format, comprenant les compositions délicates de Paul Avril, peintre et illustrateur de la fin du XIXe siècle. Bon exemplaire
ref. 1986Couverture rigide Paris, G. Charpentier et E. Fasquelle, Éditeurs (11, rue de Grenelle), 1894. Un petit volume in-16 (11,5 x 8,5 cm), reliure demi-basane lisse brune d'époque, dos lisse orné de filets dorés et d'un fleuron doré avec coeur rouge (tulipe), titre doré (avec petite erreur du relieur, "Chamière" au lieu de "Chaumière"), plats de papier marbré, tête dorée, signet, dos légèrement insolé. Frontispice, faux-titre, titre, 346 pages et (1) page de table. Édition originale sur papier d'édition de ce recueil de contes incisifs et caustiques d'Octave Mirbeau, illustré de deux eaux-fortes originales sous serpente (dont le frontispice) de Jean-François Raffaëlli. Ex-libris manuscrit « Antoinette Morin-Pons » sur le faux-titre. Reliure élégante, très bon état intérieur, bel exemplaire.
ref. 929Paris, De Kérénac et Cie 1945 Paris in-4 91 p. 8 eaux-fortes hors-texte de Maurice l'Hoir. 29 poèmes., En feuilles sous couverture rempliée. Ex. sur Arches-Ecole n°160/292. Bon état.
1925ref. 9928Paris, Jean Fort, 1925, in-8 (14x22cm), broché sous couverture rempliée, 411p. Edition réimprimée intégralement pour la première fois d'après l'édition originale de 1623 et décorée de 17 eaux-fortes et de 16 gravures par MARTIN VAN MAELE. Un des 1100 ex. sur papier pur fibre de Enoshim -contenant seulement la suite définitive-, après 11ex. sur Japon, 31 sur hollande et 61 sur Madagascar. Couverture passée, intérieur de toute fraîcheur. Bon et solide exemplaire.
1951ref. 32904Paris, Editions Vialetay, 1951, in-4, en feuilles sous couverture rempliée et chemise de paille tissée (manque l'emboitage) , 181 pages. 20 eaux-fortes de Odette Denis, peintre animalier, tirées sur les presse de Manuel Robbe. Lettrines en deux couleurs. Mise en page par Henri Jonquières.Tirage à 257 ex. Un des exemplaires d'artiste sur Rives à la forme signé par l'auteur et l'artiste. Légère insolation sur la couverture rempliée. Intérieur très frais.
