1,091 results
ref. 10108Tours Alfred Mame et fils. 1871 nicely bound in halfleather preserving original wrappers xxvi 411 pp. impressive edition in very good condition Tours, Alfred Mame et fils hardcover
1958ref. 4042Paris, Tériade, 1958. In-folio en feuilles de 113-[8] pages, couverture blanche imprimée à rabats, sous chemise et étui carton. Belle condition.
1986ref. 12352Lewisburg PA: Bucknell University / The Press of Appletree Alley 1986. Limited Edition. Hardcover. Near fine. Quarto 29pp. illustrated. From The Bucknell University Fine Editions: A Series in Contemporary Poetry edited by John Wheatcroft. A crisp clean copy near fine in the publisher's pale blue cloth. Cloth a tinge faded at extremties and the page block edges just a trifle toned. A few forgivable smudges to one blank leaf. Per the colophon: "The book was set in 16 point Spectrum and printed on a Vandercook No. 4. The volume was designed hand-set and printed by Mary Chenoweth and Barnard Taylor and bound by Don and Pam Rash. The three full-page etchings were created by Rosalyn Richards and printed by Kathy Kaminskas at Bucknell University Department of Art. The edition was printed on imported mould made Rives Heavyweight." This is number 57 of 125 limited copies SIGNED by Shapiro and Richards on the limitation page. Bucknell University / The Press of Appletree Alley hardcover
1852ref. 127067Delahaye Paris, Delahaye 1843. In-4 relié demi-basane verte, dos dos à nerfs ornés de filts dorés, titre doré. Fx-titre, frontispice, titre, xxi + 374 pages. Suivi du discours sur les devoirs des hommes. Traduction de M Antoine de Latour. Avec des chapitres inédits. Les additions de Maroncelli et des notices littéraires ou biographiques sur plusieurs prisonniers du Spielberg. Edition illustrée par Tony Johannot. Reliure modeste, néanmoins exemplaire très frais.
1852Paris, Delahaye 1843. In-4 relié demi-basane verte, dos dos à nerfs ornés de filts dorés, titre doré. Fx-titre, frontispice, titre, xxi + 374 pages. Suivi du discours sur les devoirs des hommes. Traduction de M Antoine de Latour. Avec des chapitres inédits. Les additions de Maroncelli et des notices littéraires ou biographiques sur plusieurs prisonniers du Spielberg. Edition illustrée par Tony Johannot. Reliure modeste, néanmoins exemplaire très frais.
1963ref. 4896sans lieu [Vésenaz], Pierre Cailler, 1963. In-4 (16,7x25,9) de 120-[8] pages, broché, couverture rempliée, sous emboîtage.
1980ref. 12801FARRAR STRAUS & GIROUX. NY 1980. Fine with no dust jacket. 1980. First Edition. Softcover. UNCORRECTED PROOF. Fine in plain white printed wrappers. . FARRAR, STRAUS & GIROUX. NY 1980 paperback
1981ref. 6136New York: Sweetwater 1981. Limited Edition. Hardcover. Fine. Quarto 163pp. illustrated. A fine copy in the publisher's full chieftain deep red morocco with gilt detail. In the publisher's slipcase also fine. Of a total limitation of 475 copies SIGNED by Singer and Moskowitz this is the best edition being number 18 of just 50 copies in the full morocco binding accompanied by a suite of ten signed etchings and also an original ink drawing by Moskowitz. These artworks are housed in a slim clamshell box itself housed in the slipcase. Rare and with no other copies of this most prized limitation in commerce as of this listing. An elegant production; and a high spot in any collection of Judaica or illustrated fine press books. Sweetwater hardcover
1888ref. 183954Ludovic Baschet Paris, Ludovic Baschet, 1888. In-4 relié demi-chagrin prune, dos lisse long motif doré, titre doré. Couverture conservée. Troisième album de la Société des Aquafortistes Français. Titre gravé, portrait 30 pages et 30 eaux-fortes par Margelidon, E Daumont, L Quarante, R P Huet, Decisy, Sevrete, Penet, Toussaint. Charque planche avec remarque. Préface de Maurice du Seigneur. Poésir de Jean Rameau. Portrait d'Edmond Hédouin. Reliure frottée avec petit manque en coiffe et mors fragile. Peu courant
The standard catalogue raisonne of Friedrich Ahlers-Hestermann's prints. 77 items illustrated and thoroughly described, usually one to a page. Edition limited to 400 copies. 8vo. Publisher's illustrated boards. AS NEW.
The standard catalogue raisonne of Seehaus' prints. 47 items illustrated and thoroughly described, one to a page. Edition limited to 400 copies. 8vo. Publisher's cloth. AS NEW.
1949ref. 4071Lausanne, André Gonin, 1949. In-folio en feuilles de 103-[2] pages, couverture à rabats ornée d’une lithographie en couleurs. Sous chemise demi-vélin blanc et étui carton. bordeaux bordé vélin. Belle condition.
1949ref. 4070Lausanne, André Gonin, 1949. In-folio en feuilles de 114-[4] pages, couverture à rabats ornée d’une lithographie en couleurs. Sous chemise demi-vélin blanc et étui carton. bordeaux bordé vélin. Belle condition.
1925ref. 3704A Paris, Chez Jean Fort, 1925. 1 vol. broché in-8 de 411 p. Couverture blanche à rabats, 1er plat orné. Belle condition.
197520 pp. The 139 lots include Rembrandt's "The Card Player", a large group of Callot etchings including a first state of "La Grande Chasse"; Good Italian prints by Piranesi, Castiglione, Brustoloni, Della Bella, etc. Clean and unmarked with moderate wear. A sound copy. Book
ref. 121398Rolle, Paul Eynard 1950, 300x240mm, XXV - 68pages, broché. En feuille sous couverture rempliée avec papier cristal d’origine conservé, cartable et étui rigides. Un des 230 exemplaires sur papier Arches, numéroté n° 254. Très petites et faibles rousseurs sur les premières et dernières pages. Bel exemplaire.
1950ref. 15827Rolle, Paul Eynard, 1950. In-4 en feuilles de [2]-XXV-[3]-68-[10] pages couverture illustrée, rempliée, chemise, étui.
ref. 120274Paris, Yves Rivière, Arts et Métiers Graphiques 1974, 275x215mm, 143pages, broché. Très bel exemplaire.
1950ref. 121398Rolle : Paul Eynard 1950. broché. SOUPAULT Philippe . - ALEXEIEFF Alexandre eaux-fortes.Chant du Prince Igor. Version française de Philippe Soupault précédée d’un essai sur la poésie. Eaux-fortes en couleurs par Alexandre Alexeïeff. Rolle Paul Eynard1950 300x240mmXXV - 68 pages 17 eaux-fortes originales en couleurs dont 1 frontispice 6 hors-texte et 10 dans le texte l’une reprise en couverture en noir broché. En feuille sous couverture rempliée avec papier cristal d’origine conservé cartable et étui rigides. Un des 230 exemplaires sur papier Arches numéroté n° 254. Très petites et faibles rousseurs sur les premières et dernières pages. Bel exemplaire. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Paul Eynard unknown
1936pp. vii, 136. Illustrated with full page etchings by Denis Tegetmeier; designed by Eric Gill; printed and bound by Hague & Gill; hand-set in Bunyan type, designed by Gill, and first used in this book; full tan buckram, stamped in blue, red and gold. 4to. 9 1/8 x 11 1/2 inches. Top edge gold. Binding curiously stained at bottom front corner and rear top corner. From the original slip case? Paper slip case paper label has slight chipping. Number 413 of an edition limited to only 1500 copies, signed by Denis Tegetmeier and Eric Gill. The books published by the Limited Editions Club are justly treasured for the quality of the texts, the beauty and artistry of the illustrations, the creativity of design, and the overall excellence of the paper, presswork, and binding. Each book would make a wonderful gift for any occasion. W42
2003ref. mon0001642492Day Books 2003-01-01. Paperback. Very Good. . Lifting the Latch offers a vivid first-hand portrait of rural English life through the memories of Mont Abbott a traditional farm labourer. Collected and shaped by Sheila Stewart his stories capture the rhythms hardships and quiet joys of working the land in a bygone era. The book blends oral history with rich storytelling preserving a way of life that has largely disappeared. A heartfelt and evocative read for anyone interested in countryside heritage and social history.rn Day Books paperback
1976ref. 009936London Christopher Hewett 1976 In-8 Demi-reliure
ref. 353
1939ref. 35481Baltimore: The Etchcrafters Art Guild 1939. Hardcover. Very Good. Hardcover. Number 69 of 200 copies. The 100 etchings in these two volumes are all artist proofs individually signed by Don Swann. Inscribed from the artist and author: "Aunt 'Madge' and Uncle 'Ed'. December 25th 1941 with Best Wishes. From Don Sr. & Don Jr." Don Swann Sr. 1889 - 1954 grew up in Baltimore attending Maryland Institute College of Art and is known for his etchings of colonial and Neo-classical American architecture. In addition to houses he also did multiple etchings of Baltimore cityscapes. His son Don Swann Jr. 1911 - 1998 followed in his father's footsteps to become a master etcher. He continued to operate the Etchcrafters Art Guild after the death of his father. Both volumes are bound in blue leather over blue leatherette boards with gilt titles to spines. Minor scuffing to both spines and light stain to spine of second volume. Minor foxing to interiors heaviest on tissue guards and browning to endpapers. All etchings have the original tissue guards bound in. Bound by the Elliott Bookbinding Company in Baltimore. Printed on Rives Woven Imported paper with Old Style Caslon type at the Monumental Printing Company in Baltimore with typography by Norman T.A. Munder. Continously paginated - 425 pages. Size: Folio. MD/122121. The Etchcrafters Art Guild hardcover
1939ref. 35481Baltimore: The Etchcrafters Art Guild 1939. Hardcover. Very Good. Hardcover. Number 69 of 200 copies. The 100 etchings in these two volumes are all artist proofs individually signed by Don Swann. Inscribed from the artist and author: "Aunt 'Madge' and Uncle 'Ed'. December 25th 1941 with Best Wishes. From Don Sr. & Don Jr." Don Swann Sr. 1889 - 1954 grew up in Baltimore attending Maryland Institute College of Art and is known for his etchings of colonial and Neo-classical American architecture. In addition to houses he also did multiple etchings of Baltimore cityscapes. His son Don Swann Jr. 1911 - 1998 followed in his father's footsteps to become a master etcher. He continued to operate the Etchcrafters Art Guild after the death of his father. Both volumes are bound in blue leather over blue leatherette boards with gilt titles to spines. Minor scuffing to both spines and light stain to spine of second volume. Minor foxing to interiors heaviest on tissue guards and browning to endpapers. All etchings have the original tissue guards bound in. Bound by the Elliott Bookbinding Company in Baltimore. Printed on Rives Woven Imported paper with Old Style Caslon type at the Monumental Printing Company in Baltimore with typography by Norman T.A. Munder. Continously paginated - 425 pages. Size: Folio. MD/122121. The Etchcrafters Art Guild hardcover books
