1925ref. 9013300Paris: Le Groupy 1925. paperback. Very good condition. One of 575 numbered soft cover copies loose bound with an original etching on the front cover stamped in black and red. Chips and closed tears to the extremities of the wrapper. Interior is clean. Le Groupy paperback books
1925ref. 9013300Paris: Le Groupy 1925. paperback. Very good condition. One of 575 numbered soft cover copies loose bound with an original etching on the front cover stamped in black and red. Chips and closed tears to the extremities of the wrapper. Interior is clean. Le Groupy paperback
1974ref. 005530Bruxelles La Connaissance 1974 In-4 Broché, jaquette ill., étui Ed. originale
The standard monograph and catalogue raisonne. Hundreds of items exhaustively described. 98 plates. Bibliography. 8vo. Original wraps. FINE AND BRIGHT, as new.
1991196 p. Over 270 p. Most printed in colors on heavy matte paper. Folio. 320 mm. Original full cloth binding. Original dust jacket, very slightly soiled at the edges. Near fine. American Illustration is an annual that brings together the best in American and Canadian illustration art from magazines, newspapers, advertising, books, posters, packaging and animation art. It is a revealing collection handsomely presented. It includes an index of artists, art directors, designers, publications, publishers, writers editors, and clients, etc. The concept for this Annual was created and promoted by Edward Booth-Clibborn, chairman of the Art Directors Club of Europe, and a cutting-edge publisher. The illustrations included are often quite remarkable, and always reproduced and printed in the best possible manner. First Edition. The original retail price was $60.00. W72
1986Over 320 p. 315 illustrations, including 298 plates in full color. Printed on coated paper. Folio. 320 mm. Original full cloth binding. Original dust jacket. Near fine. American Illustration is an annual that brings together the best in American and Canadian illustration art from magazines, newspapers, advertising, books, posters, packaging and animation art. It is a revealing collection handsomely presented. It includes an index of artists, art directors, designers, publications, publishers, writers editors, and clients, etc. The concept for this Annual was created and promoted by Edward Booth-Clibborn, chairman of the Art Directors Club of Europe, and a cutting-edge publisher. Designed by Roger Black, this volume has a special introduction by Marshall Arisman. The illustrations included are often quite remarkable, and always reproduced and printed in the best possible manner. First Edition. The original retail price was $60.00. W72
1986295 p. 285 Color plates. Printed on coated paper. Folio. 320 mm. Original full cloth binding. Original dust jacket. Near fine. American Illustration is an annual that brings together the best in American and Canadian illustration art from magazines, newspapers, advertising, books, posters, packaging and animation art. It is a revealing collection handsomely presented. It includes an index of artists, art directors, designers, publications, publishers, writers editors, and clients, etc. The concept for this Annual was created and promoted by Edward Booth-Clibborn, chairman of the Art Directors Club of Europe, and a cutting-edge publisher. Designed by Roger Black, this volume has a special introduction by Marshall Arisman. The illustrations included are often quite remarkable, and always reproduced and printed in the best possible manner. First Edition. The original retail price was $60.00. W72
1987Over 256 p. 238 Illustrations, with 229 in full color. Printed on heavy matte paper. Folio. 320 mm. Original full cloth binding. Original dust jacket. Near fine. American Illustration is an annual that brings together the best in American and Canadian illustration art from magazines, newspapers, advertising, books, posters, packaging and animation art. It is a revealing collection handsomely presented. It includes an index of artists, art directors, designers, publications, publishers, writers editors, and clients, etc. The concept for this Annual was created and promoted by Edward Booth-Clibborn, chairman of the Art Directors Club of Europe, and a cutting-edge publisher. The illustrations included are often quite remarkable, and always reproduced and printed in the best possible manner. First Edition. The original retail price was $60.00. W72
1989Over 270 p. Most printed in colors on heavy matte paper. Folio. 320 mm. Original full cloth binding. Original dust jacket. Near fine. American Illustration is an annual that brings together the best in American and Canadian illustration art from magazines, newspapers, advertising, books, posters, packaging and animation art. It is a revealing collection handsomely presented. It includes an index of artists, art directors, designers, publications, publishers, writers editors, and clients, etc. The concept for this Annual was created and promoted by Edward Booth-Clibborn, chairman of the Art Directors Club of Europe, and a cutting-edge publisher. The illustrations included are often quite remarkable, and always reproduced and printed in the best possible manner. First Edition. The original retail price was $60.00. W72
1984196 p. Over 188 p. 152 of the illustrations are printed in full color. Of special interest to us is the one illustration by Kevin Grey that shows a White English Bull Terrier. Folio. 320 mm. Original full cloth binding. Original dust jacket, very slightly soiled at the edges. Near fine. European Illustration is an annual that brings together the best in European illustration art from magazines, newspapers, advertising, books, posters, packaging and animation art. It is a revealing collection handsomely presented. Included is an index of artists, art directors, designers, publications, publishers, writers editors, and clients, etc. The concept for this Annual was created and promoted by Edward Booth-Clibborn, chairman of the Art Directors Club of Europe, and a cutting-edge publisher. The itroduction is by Peter Blake. The illustrations included are often quite remarkable, and always reproduced and printed in the best possible manner. First Edition. The original retail price was $60.00. **PRICE JUST REDUCED! W72
1984196 p. Over 183 p. Most printed in colors. Folio. 320 mm. Original full cloth binding. Original dust jacket, very slightly soiled at the edges. Near fine. European Illustration is an annual that brings together the best in European illustration art from magazines, newspapers, advertising, books, posters, packaging and animation art. It is a revealing collection handsomely presented. Included is an index of artists, art directors, designers, publications, publishers, writers editors, and clients, etc. The concept for this Annual was created and promoted by Edward Booth-Clibborn, chairman of the Art Directors Club of Europe, and a cutting-edge publisher. The itroduction is by Peter Blake. The illustrations included are often quite remarkable, and always reproduced and printed in the best possible manner. First Edition. The original retail price was $60.00. **PRICE JUST REDUCED! W72
ref. 20668211Thames & Hudson London 1956 first UK edition . 29.0 x 23.0cms 100 b/w plates very good hardback with very good dustwrapper small chips at top of spine and edges Ambroise Vollard the art dealer and publisher commissioned Picasso to execute these etchings between 1930 and 1937. The first 27 are on heterogenous subjects and the rest fall into specific groups: the battle of love: Rembrandt; the sculptor's studio; the minotaur; the blind minotaur 3 portraits of Vollard. Scarce edition Thames & Hudson London 1956 (first UK edition) hardcover
ref. 20668259Thames & Hudson London 1956 first UK edition . 29.0 x 23.0cms 100 b/w plates very good hardback & dustwrapper Ambroise Vollard the art dealer and publisher commissioned Picasso to execute these etchings between 1930 and 1937. The first 27 are on heterogenous subjects and the rest fall into specific groups: the battle of love: Rembrandt; the sculptor's studio; the minotaur; the blind minotaur 3 portraits of Vollard. Scarce edition Thames & Hudson London 1956 (first UK edition) hardcover
1876ref. RO20046030LEMERRE Alphonse. 1876. In-12. Cartonnage d'éditeurs. Très bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 7 planches de gravures en noir et blanc hors-texte. Dos en toile bleue. Rangées dans une chemise cartonnée.. . . . Classification Dewey : 767-Eaux-fortes
1873ref. 002816Paris, Librairie des Bibliophiles, Jouaust, 1873
ref. 13014Paris, Librairie des Bibliophiles, 4 volumes in-8, demi-maroquin bleu nuit à coins, dos à nerfs richement ornés de filets et fleurons dorés et mosaïque de maroquin rouge, filet doré sur les plats, têtes dorées, un coin tapé. Reliure signée.
ref. 44468Simrishamn, Galleri Tobisborg, 1990 Paperbound, 52pp., 28.5x21cm., ills. in b/w., fine copy. ISBN 918780607x.
ref. RO20269429ALBERT MORANGE. Non daté. In-12. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 31 PAGES de texte (en feuillets, non coupées) + 38 planches illustrées en noir/blanc (en feuillets) - le tout regroupé dans une chemise cartonnée se fermant par deux liens (deux rubans en tissus, dont un coupé en deux), avec rousseurs/tâches. . . . Classification Dewey : 767-Eaux-fortes
ref. 20538477Odana Editions & Josef Lebovic Gallery Sydney 1998. 32.0 x 25.0cms 480pp b/w & colour illusts fine hardback & dustwrapper The contents cover: the Mitchell Library folios & copper plates; Norman & Rose; unpublished etchings; etched bookpltes; books illustrated with original etchings; notes on the unpublished etchings catalogue raisonne; unpublished etchings catalogue raisonne; published etchings; notes on the published etchings catalogue raisonne; published etchings catalogue raisonne; galleies exhibitions & reviews; sales & marketing; facsimile etchings; glossary of etching terms; selected exhibitions; private collections; selected bibliography. Odana Editions & Josef Lebovic Gallery Sydney 1998 hardcover
ref. 20715519Odana Editions & Josef Lebovic Gallery Sydney 1998. 32.0 x 25.0cms 480pp b/w & colour illusts fine hardback & dustwrapper author's inscription: Helen Glad's signature The contents cover: the Mitchell Library folios & copper plates; Norman & Rose; unpublished etchings; etched bookpltes; books illustrated with original etchings; notes on the unpublished etchings catalogue raisonne; unpublished etchings catalogue raisonne; published etchings; notes on the published etchings catalogue raisonne; published etchings catalogue raisonne; galleies exhibitions & reviews; sales & marketing; facsimile etchings; glossary of etching terms; selected exhibitions; private collections; selected bibliography. Odana Editions & Josef Lebovic Gallery Sydney 1998 hardcover
1926ref. 015587Paris Au Sans Pareil 1926 In-8 Broché, couverture rempliée
1894ref. 118168lyon storck 1894 Lyon, Adrien Storck, 1894, faux-titre, frontispice, page de titre, 108 p., (2) ff. Tirage à 225 exemplaires numérotés, un des 200 sur vélin, complet des 25 eaux-fortes, sous serpente, de Charles Tournier. Pleine reliure bordeaux et son étui bordé et doublé assorti, dos à cinq nerfs portant titres dorés, fers de lion dorés, double encadrement doré sur les plats, gardes marbrées. Dos légèrement insolé, quelques rousseurs sinon intérieur très propre, bel exemplaire.
1914ref. R320071833PERCHE A.. 1914. In-16. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 64 pages augmentées de nombreuses reproductions en noir et blanc hors texte - Frontispice -. . . . Classification Dewey : 767-Eaux-fortes
1926ref. 104418Editions du Raisin 1926 Editions du Raisin, 1926, 73 p., broché, environ 28x22cm, exemplaire numéroté 75 (l'un des 120 sur vergé d'Auvergne à la forme), 3 eaux-fortes de Robert Bonfils, manque de papier sur le haut et le bas du dos, plis de lecture et un accroc sur le dos, quelques rares rousseurs sur les plats, les gravures ont légèrement dégorgé sur la page suivante, bon état pour le reste, pages non coupées (jamais lu).
1996ref. 18352Paris, Robert et Lydie Dutrou, (Parly en Puisaye), octobre 1996 : in-8 en feuilles pliées en deux, sous couverture blanche à rabats, titre imprimé dans une cuvette rectangulaire, chemise-étui de toile écrue ; frontispice gravé sur cuivre à l’eau-forte et tiré en noir et bleu.
