NERVAL Gérard de:Livre Rare Book
1,079 results
1970ref. 4050Sans lieu, Alexandre Loewy, 1970. In-4 en feuilles de 176 p., [6 ff.]. Couverture blanche, 1er plat orné, sous chemise et étui de carton turquoise orné de motifs en noir. Belle condition.
1919ref. 5585Hermann A. Wiechmann Verlag, München, 1919. 279 S. und 5 Tafeln, 8°, OHalb-Leder auf 5 Bünden, Lesebändchen, Kopfgoldschnitt. Mit 10 Vignetten des Künstlers und fünf, einschließlich des Titelbildes, signierten Original-Graphiken. "Von diesem Werke wurden 200 Exemplare auf Bütten abgezogen, welche vom Künstler eigenhändig signiert sind. Dieses Buch trägt die Nr. 33 (handschriftlich)." Die Signatur bezieht sich auf die Graphiken. Rückenfalzen und Kanten der Einbanddeckel abgerieben. Wenige Stockflecken im Text. Das Leder berieben. Innen ein insgesamt schönes Exemplar dieser seltenen Vorzugsausgabe. Limited edition for about 200 pieces, this is number 33 with 5 handsigned etchings. Das Foto zeigt die Titelgraphik. 1. Auflage
1920ref. 7858Hermann A. Wiechmann Verlag, München, 1920. 279 S. und 5 Tafeln, 8°, OHalb-Leder auf 5 Bünden, Kopfgoldschnitt. Mit 10 Vignetten des Künstlers und fünf, einschließlich des Titelbildes, signierten Original-Graphiken. "Von diesem Werke wurden 500 Exemplare auf Hadernpapier abgezogen, welche vom Künstler eigenhändig signiert sind. Dieses Buch trägt die Nr. 263 (handschriftlich)." Die Signatur bezieht sich auf die Graphiken. Auf dem Vorsatz Stempel und handschriftlicher Besitzervermerk von Karl Maria Zwißler (von 1936 bis 1966 Generalmusikdirektor in Mainz). Rückenfalzen und Kanten der Einbanddeckel stark abgerieben. Abklatschspuren auf den Vorsätzen. Das Leder berieben. Innen ein insgesamt schönes Exemplar dieser Ausgabe. Limited edition for about 500 pieces, this is number 263 with 5 hand signed etchings. Das Foto zeigt eine Graphik.
1919ref. 7820Hermann A. Wiechmann Verlag, München, 1919. 7 Original-Radierungen auf Japan-Papier hinter Passepartout in Mappe (diese mit gedruckter, farbiger Blüte). Die Original-Radierungen mit Remarquen. Die Mappe in Folio, die Graphiken ca 20x15 cm (HxB). Diese vorliegenden Blätter werden auch als sogenannte `Grosse Ausgabe` bezeichnet. Die nicht genannte Auflage betrug 100 Exemplare. Das Passepartout und die Mappe gegilbt, die Mappe mit Läsuren am Rücken und an den Kanten. Insgesamt ein gutes Exemplar, die Graphiken einwandfrei. Limited edition for about 100 pieces with 7 (6 hand signed) etchings. Das Foto zeigt eine Graphik.
ref. PHO-2440Paris, Cadart & Luce, sd, folio (49x32,5cm), titre gravé et 12 gravures sous chemise éditeur, taille papier 49x32,5cm, taille cuvette 12x15cm. Manque la dernière de couverture et défauts à la première, tache sur la chemise, petites rousseurs.
1892ref. 12349Lyon, Librairie Artistique et Littéraire, Dizain et Richard, 1892 ; in-4, plein chagrin rouge cerise, dos à nerfs soulignés de filets à froid et dorés, fers dorés aux lions au dos, titre et tête dorés, non rogné, couverture t dos conservés (reliure de l’époque) ; IV, (1), 358, (2) pp., très nombreuses illustrations (32 hors-texte, 1 eau-forte).
ref. 109110Paris, Librairie des Amateurs, A. Ferroud, F. Ferroud, Successeur, 1922, 1 volume in-4 de 255x185 mm environ, 108 pages, broché sous couverture rempliée illustrée en couleurs. Agrémenté de 26 hors-texte de Serge de Solomko, gravés à l'eau-forte par Edmond Pennequin. Exemplaire N° 56, sur Japon contenant 3 états des eaux-fortes dont l'eau-forte pure. Feuillets non rognés. Légers plis de lecture sur le dos, bon état.
1949ref. 11777A Genève, Chez Pierre Cailler, coll. Les amis des graveurs et des poètes, 1949. In-folio en feuilles de 32 ff. non chiffrés, sous couverture à rabats (très légèrement salie, avec quelques légers plis).
1947ref. 25781947 1947 La Caravelle, Paris, 1947. 1 volume in-4 en feuilles sous chemise rempliée, sous emboitage. 17 eaux-fortes de Jean Couy dont 1 en frontispice, titre illustré, (toutes les gravures ont été effacées aprés tirage), tiré à 300 exemplaires, un des 285 sur papier vélin crèvecoeur du Marais (le n°96), 216 pages. Edition originale et premier tirage des eaux-fortes. Quelques rousseurs sur la chemise, intérieur très frais.
1926ref. 17187Paris, se trouve, 16, rue Cassini, 1926 ; 2 tomes petit in-8, brochés, chemises à dos de toile muets et étui commun vieux rouge ; (8), 155, (5) pp. ; (8), 123, (6) pp. ; couvertures crème rempliées, illustrées du sujet couvert au tome 1 et découvert au tome 2 ; 33 eaux-fortes dont 19 à pleine page.
ref. 3979Deux notices par POUJOULAT.Grand in 8 demi chagrin rouge à nerfs, titre et caissons dorés.Faux-titre,eau forte sur chine sous serpente,en frontispice,titre XIII,401 pages sur papier couché.14 superbes eaux-fortes sur papier de chine de FOULQUIER dont 13 en-tête,plus le frontispice.Tours Mame 1873,une petite restauration à la coiffe inférieure, sinon Très bon état.Vicaire 3-657
1949ref. 3985Paris, Impr. Jourde et Allard; Les Bibliophiles de l’Etoile, 1949. In-4 en feuilles de 117-[2] pages, couverture sable à rabats, sous chemise et étui cartonnage rouge. Chemise et étui taché, intérieur en belle condition.
ref. 20140Librairie de la Revue Française 349 pages in8. Sans date. broché couverture rempliée. 349 pages.
1930ref. 8014Paris, Librairie de la Revue française / Alexis Redier, s.d. [circa 1930]. Un vol. au format pt in-8 (203 x 147 mm) de 349 pp., broché, sous couverture à rabats rempliés.
1926ref. 2420Paris, Lapina, 1926 ; in-8, broché ; 121 pp., (1) f. (justification) ; 1 portrait de l'auteur à l'eau-forte en frontispice, 6 bois gravés en noir hors-texte, 1 bois gravé en noir in-texte, 6 culs-de-lampe ; couverture brune à rabats illustrée en noir et rouge.
1922ref. 56032Berlin: Eigenbrödlerverlag GmbH 1922. First edition. Hardcover. Very good to fine condition. 83/100. Quarto. Unpaginated. Original cream-colored pigskin with gilt embossed decor of covers gilt lettering on black leather label and gilt decor on spine; raised bands. Top edge gilt. Cream ribbon marker. Heavy decorative endpapers. Title page printed in blue and black. Signed "Münchhausen" and Kolb" on limitation page. Includes seven etchings with tissue guards all signed by the artist. Story of the legendary horse Bayard in medieval tales of knights. Text in German Gothic script. Binding with light wear along edges and minor scuffs and very light staining of covers. Eigenbrödlerverlag GmbH hardcover
1922ref. 56032Berlin: Eigenbrödlerverlag GmbH 1922. First edition. Hardcover. Very good to fine condition. 83/100. Quarto. Unpaginated. Original cream-colored pigskin with gilt embossed decor of covers gilt lettering on black leather label and gilt decor on spine; raised bands. Top edge gilt. Cream ribbon marker. Heavy decorative endpapers. Title page printed in blue and black. Signed "Münchhausen" and Kolb" on limitation page. Includes seven etchings with tissue guards all signed by the artist. Story of the legendary horse Bayard in medieval tales of knights. Text in German Gothic script. Binding with light wear along edges and minor scuffs and very light staining of covers. Eigenbrödlerverlag GmbH hardcover books
1883ref. 174158Paris: E. Plon et Cie imprimeurs-editeurs 1883. Leather bound. VG only with some wear to cover tips and ancient and faint spotting here and there on leather light wear to hinges still very tight. Pages are extremely fresh. A beautiful binding in red. Full Red leather with 5 raised-bands t.e.g. plain end-papers. Original vellum binding bound-in at front and rear. 414 pages lxxxii leaves of plates : illustrations in the forms of etchings heliogravures woodcuts etc. Title printed in red and black./ "L'ouvrage renferme seize eaux-fortes de Paul Le Rat une eau-forte de Bandran.--Vingt-cinq héliogravures de Dujardin quatre héliogravures de Lemercier quarante dessins de Kreutzberger gravés par Guillaume frères deux gravures sur bois de Peulot"--Half title page verso./ "Appendices": pages 377-401. In a full-leather Zaehnsdorf binding with expectional gilt tooling and features. Shipping weight is 16 pounds. E. Plon et Cie, imprimeurs-editeurs hardcover
1883ref. 44485Paris: E. Plon et Cie 1883. First edition. Hardcover. g to vg. Folio 14 3/4 x 11 1/4". 8 414 2pp. Uncut and unopened copy. Later 3/4 brown cloth over marbled paper covered boards with gold-lettered title label to spine. Original wrappers bound in. Front cover and title page in red and black lettering. Frontispiece. Monumental monograph on the life and work of Benvenuto Cellini 1500-1571 the renown Italian goldsmith sculptor and draftsman of the Renaissance. Cellini is one of the most important artists of Mannerism and is remembered for his skill in making pieces such as the Cellini Salt Cellar and Perseus with the Head of Medusa both reproduced in this book. This work is splendidly illustrated throughout with 16 eaux-fortes by Paul le Rat one by Baudran 25 heliogravures by Dujardin 4 by Lemercier 40 b/w illustrations by Kreutzberger and 2 woodcuts by Peulot. Some fraying and moderate abrasion to tail of spine. Minor foxing to very first leaves. Fore-edge of pages 321 to 348 slightly and partly water-stained not affecting text or illustrations. Plate 61 detached but present. Text in French. Binding in overall good interior in good to very good condition. E. Plon et Cie hardcover
1883ref. 41149Paris: E. Plon et Cie 1883. Limited First edition. Hardcover. g to vg. 1/100. Folio 14 1/2 x 11 1/2". 12 414 2pp. Contemporary 3/4 morocco over marbled paper covered boards with gold lettering to spine. Raised bands. Top edge gilt. Ribbon marker. Marbled endpapers. Title page in red and black lettering. Decorative head- tailpieces and initials. Illustrated with numerous in-text b/w illustrations and 82 full-page plates of etchings duo-tone heliogravures and b/w illustrations reproducing some splendid pieces of Benvenuto Cellini's artwork and designs this monograph introduces the reader to the fascinating world of one of the most important artists of Mannerism. Born in Florence in 1500 Cellini was a celebrated sculptor goldsmith and writer as well as one of the most picturesque figures of the Renaissance. Trained as a goldsmith and early proficient in that craft at 16 he had to leave Florence because of a street fight and spent some months in Siena. In 1519 he moved to Rome the center of his activity for the next two decades. In Rome Cellini served popes Clement VII and Paul III working chiefly on portrait medallions coins and jewels. By his own account Cellini was a notable fighter and in the sack of Rome 1527 he fought against the imperial troops. An increasingly tense relationship with Paul III and a series of violent incidents led to Cellini's imprisonment in the Castel Sant'Angelo from which he made a dramatic escape. Cellini spent the years 1540-1545 in France serving Francis I as sculptor decorator and designer of architectural projects for the royal château of Fontainebleau. In 1543 he completed the famous and elaborate Salt Cellar from a model prepared earlier for Cardinal Ippolito d'Este. Cellini made models for a series of 12 silver statues of gods and goddesses and executed two bronze busts and silver vases all now lost. He cast the bronze lunette of the Nymph of Fontainebleau 1545. Works of art such as these as well as Cellini's actual presence in France along with other artists working under the enthusiastic patronage of Francis I played an important part in forming the style of French art in the late 16th century and helped to create an international courtly style favored throughout Europe in this period. One of 100 Artist copies of which this is No. 9. Moderate and sporadic rubbing along edges of binding with some abrasion to leather. Previous owner's bookplate Occidental College Library on inside of front cover. Text in French. Binding in overall good to good interior in very good condition. Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520 lasting until about 1580 in Italy when the Baroque style began to replace it. Northern Mannerism continued into the early 17th century. E. Plon et Cie hardcover
1883ref. 174158Paris: E. Plon et Cie imprimeurs-editeurs 1883. Leather bound. VG only with some wear to cover tips and ancient and faint spotting here and there on leather light wear to hinges still very tight. Pages are extremely fresh. A beautiful binding in red. Full Red leather with 5 raised-bands t.e.g. plain end-papers. Original vellum binding bound-in at front and rear. 414 pages lxxxii leaves of plates : illustrations in the forms of etchings heliogravures woodcuts etc. Title printed in red and black./ "L'ouvrage renferme seize eaux-fortes de Paul Le Rat une eau-forte de Bandran.--Vingt-cinq héliogravures de Dujardin quatre héliogravures de Lemercier quarante dessins de Kreutzberger gravés par Guillaume frères deux gravures sur bois de Peulot"--Half title page verso./ "Appendices": pages 377-401. In a full-leather Zaehnsdorf binding with expectional gilt tooling and features. Shipping weight is 16 pounds. E. Plon et Cie, imprimeurs-editeurs hardcover books
1883ref. 44485Paris: E. Plon et Cie 1883. First edition. Hardcover. g to vg. Folio 14 3/4 x 11 1/4". 8 414 2pp. Uncut and unopened copy. Later 3/4 brown cloth over marbled paper covered boards with gold-lettered title label to spine. Original wrappers bound in. Front cover and title page in red and black lettering. Frontispiece. Monumental monograph on the life and work of Benvenuto Cellini 1500-1571 the renown Italian goldsmith sculptor and draftsman of the Renaissance. Cellini is one of the most important artists of Mannerism and is remembered for his skill in making pieces such as the Cellini Salt Cellar and Perseus with the Head of Medusa both reproduced in this book. This work is splendidly illustrated throughout with 16 eaux-fortes by Paul le Rat one by Baudran 25 heliogravures by Dujardin 4 by Lemercier 40 b/w illustrations by Kreutzberger and 2 woodcuts by Peulot. Some fraying and moderate abrasion to tail of spine. Minor foxing to very first leaves. Fore-edge of pages 321 to 348 slightly and partly water-stained not affecting text or illustrations. Plate 61 detached but present. Text in French. Binding in overall good interior in good to very good condition. E. Plon et Cie hardcover books
1883ref. 41149Paris: E. Plon et Cie 1883. Limited First edition. Hardcover. g to vg. 1/100. Folio 14 1/2 x 11 1/2". 12 414 2pp. Contemporary 3/4 morocco over marbled paper covered boards with gold lettering to spine. Raised bands. Top edge gilt. Ribbon marker. Marbled endpapers. Title page in red and black lettering. Decorative head- tailpieces and initials. Illustrated with numerous in-text b/w illustrations and 82 full-page plates of etchings duo-tone heliogravures and b/w illustrations reproducing some splendid pieces of Benvenuto Cellini's artwork and designs this monograph introduces the reader to the fascinating world of one of the most important artists of Mannerism. Born in Florence in 1500 Cellini was a celebrated sculptor goldsmith and writer as well as one of the most picturesque figures of the Renaissance. Trained as a goldsmith and early proficient in that craft at 16 he had to leave Florence because of a street fight and spent some months in Siena. In 1519 he moved to Rome the center of his activity for the next two decades. In Rome Cellini served popes Clement VII and Paul III working chiefly on portrait medallions coins and jewels. By his own account Cellini was a notable fighter and in the sack of Rome 1527 he fought against the imperial troops. An increasingly tense relationship with Paul III and a series of violent incidents led to Cellini's imprisonment in the Castel Sant'Angelo from which he made a dramatic escape. Cellini spent the years 1540-1545 in France serving Francis I as sculptor decorator and designer of architectural projects for the royal château of Fontainebleau. In 1543 he completed the famous and elaborate Salt Cellar from a model prepared earlier for Cardinal Ippolito d'Este. Cellini made models for a series of 12 silver statues of gods and goddesses and executed two bronze busts and silver vases all now lost. He cast the bronze lunette of the Nymph of Fontainebleau 1545. Works of art such as these as well as Cellini's actual presence in France along with other artists working under the enthusiastic patronage of Francis I played an important part in forming the style of French art in the late 16th century and helped to create an international courtly style favored throughout Europe in this period. One of 100 Artist copies of which this is No. 9. Moderate and sporadic rubbing along edges of binding with some abrasion to leather. Previous owner's bookplate Occidental College Library on inside of front cover. Text in French. Binding in overall good to good interior in very good condition. Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520 lasting until about 1580 in Italy when the Baroque style began to replace it. Northern Mannerism continued into the early 17th century. E. Plon et Cie hardcover books
ref. 15056N°46 sur un tirage de 450 exemplaires. Paris, 1946 63 p., 14 eaux-fortes, feuillets sous chemise (le dos de la chemise est restauré). 28 x 36
ref. 0243982194.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
