Debucourt, Philibert-LouisBiblio.com
131 résultats
réf. 1816298Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1787. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 0366628119.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0366628127.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1817réf. 18811Paris: chez l'Auteur & chez Ch. Bance 1817. Oblong folio. 15 3/8 x 20 1/2 inches. 4 hand-coloured aquatint plates by Debucourt after Vernet. Light foxing to one plate. Provenance: A. B. contemporary ink initials in the upper right corner of each plate A fine large-scale series of hand-coloured plates exhibiting Debucourt and Vernet's mastery of the genre print. The series consists of four views of scenes glimpsed "on the road." As usual with Vernet the human figures are slightly caricatured whilst the horses in three of the prints are beautifully observed. The plates are titled: Les Aveugles The Beggars. Fenaille 407; Route de St. Cloud The St. Cloud Road. Fenaille 405; Route de Poissy The Poissy Road. Fenaille 404; and Route de Poste The Post Road. Fenaille 406. According to Fenaille the series was eventually extended to include 12 large caricatures published by Bance & Aumont between 1816 and 1823. Fenaille Catalogue de l'oeuvre gravé de Debucourt 404-407. chez l'Auteur & chez Ch. Bance unknown
1814réf. 4369Paris: Ch Bance 1814. An attractive hand coloured engraving by Debucourt after Carle Vernet. First state with 1er to the top left of the plate and No. 1 to the top right. This was conceived as the first in the "Collection de Costumes" series which was to have been a collection of 56 plates with accompanying text showing costumes of the nations. This plate was deposited at the Library by Aumontle on November 2 1814 at the same time as the "March of English Officers." The English are shown as fairly brutish as is often in French prints of the time. A good strong print with attractive original hand colouring. There is moderate to strong foxing across the whole plate. plate area 36cm x 27cm. Sheet is 39cm x 28cm First edition. Une belle gravure coloriée à la main par Debucourt d'après Carle VERNET. Premier état avec le 1er en haut à gauche de la planche et le No. 1 en haut à droite. Cette gravure a été conçue comme la première de la série "COLLECTION DE COSTUMES" qui devait être une collection de 56 planches accompagnées d'un texte montrant les costumes des nations. Cette planche a été déposée à la Bibliothèque par Aumontle le 2 novembre 1814 en même temps que la "Marche des officiers anglais". Les Anglais sont représentés de manière assez brutale comme c'est souvent le cas dans les estampes françaises de l'époque. Il s'agit d'une estampe de bonne qualité avec des couleurs originales attrayantes. Il y a des rousseurs modérées à fortes sur l'ensemble de la plaque. La surface de la plaque est de 36cm x 27cm. La feuille fait 39cm x 28cm. Ch Bance unknown
1788réf. 21161788. Aquatints printed in colours. 390mm by 290mm platemark 545mm by 440mm mounted. 'Le Compliment ou La Matinee du Jour de L'an Dediee aux Peres de Famille' The Compliment or New Year's Morning Dedicated to the Fathers of the Family and it's pair 'Les Bouquets ou La Fete de la Grand-Maman Dedies aux Meres de Famille' The Bouquets or Grandmother's Party Dedicated to the Mothers of The Family. Published by the artist in Paris 1787 and 1788. Debucourt was a true peintre-graveur a painter who turned to making colour prints following the methods of Janinet and Descourtis but unlike them he made many prints from his own designs. He started making colour prints using multiple - methods and later turned to stipple engraving with single plates inked a la poupee. A pair of separately issued Louis XVI period portrait scenes depicting wealthy French families spending time together dressed in period clothing. One is dedicated to fathers the other to mothers. Each scene is set within an oval rendered in a wash manner. These prints were both exhibited at the National Gallery of Art Washington D.C. in the show Colorful Impressions: The Printmaking Revolution in Eighteenth-Century France 2003 - 2004. Acid free mounts. unknown
