Trianon BallroomBiblio.com
32 résultats
réf. 432Chicago Illinois: Trianon Ballroom 1948. 4 pages ; 10 x 7 in. 4 pages ; 10 x 4 in. In good condition. No writing/markings within the interior text. Moderate edgewear/tear/insect damage to the covers. Scarce. unknown
réf. 17-5499Paris France: Versailles Trianon Palace 1969. 8vo. 40 pp. Softcovers. Black and White and Color Plates. Very Good with some discoloration on cover. Price notations in ink in margins. Text in French. Paris, France: Versailles Trianon Palace 1969. paperback
réf. 17-5218Paris France: Versailles Trianon Palace 1963. 4to. 50 pp. Softcovers. Black and White and Color Plates. Good. Supplement Included. Text in French. Paris, France: Versailles Trianon Palace, 1963. paperback
réf. ria9781019422632_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Les oeuvres complètes de Xénophon sont un recueil complet de l'uvre de l'ancien historien grec Xénophon. Il aborde des thèmes tels que la politique la guerre la philosophie et la vie quotidienne. Cette collection est indispensable po hardcover
réf. 1021790095.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1021201596.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1295482959.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 46494512like new. unknown
réf. 1019422637.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1986réf. 5004778MD: Trianon Pub. 1986. This is the scarce early second volume of this series -- this one has nude and cheesecake photos of TV stars of the day: Jamie Lee Curtis Sally Field Jane Seymor Goldie Hawn Julie Newmar et al. Scarce edition of this interesting magazine. 96 pp. First Edition. Soft Cover. Near Fine/No Jacket. Magazine. Trianon Pub. Paperback
1858réf. 13398Versailles Brunox 1858. Small 8vo-oblong. Orig. full cloth gilt. 32 pp. 12 engraved plates and 2 lithographed Plans. A little brownspotted. hardcover
1860réf. 13396Versailles Brunox n.d.ab. 1860. Small 8vo-oblong. Orig. full cloth gilt. With 26 engraved illustr. on 24 plates. hardcover
réf. 26758UNBOUND Piece of Paper Signature on page of Elsie de Wolfe. Signature and paper are in GOOD condition heavy glue mounting stains on back of page. SIGNED NOTE Elsie de Wolfe Signature ON NOTEPAGE SIGNED Elsie de Wolfe Mendl Villa Trianon VERSAILLES 1936 IN BLUE INK She was Born December 20 186523 July 12 1950 was an American actress interior decorator nominal author of the influential 1913 book The House in Good Taste4 and a prominent figure in New York Paris and London society. According to The New Yorker "Interior Design as a profession was invented by Elsie de Wolfe."5 During her married life the press usually referred to her as Lady Mendl. De Wolfe's 1926 marriage to diplomat Sir Charles Mendl was page-one news in the New York Times. Shortly after her marriage she scandalized French diplomatic society when she attended a fancy-dress ball dressed as a Moulin Rouge dancer and made her entrance turning handsprings In 1926 the New York Times described de Wolfe as "one of the most widely known women in New York social life" and in 1935 as "prominent in Paris society." Her morning exercises were famous. In her 1935 autobiography de Wolfe wrote that her daily regimen at age 70 included yoga standing on her head and walking on her hands. Signed by Author. Unbound. paperback
1929réf. feb1037761929. Used. 1929; French Edition of SUPLIMENT A DE L'ESPIRIT DE FACTION DE SAINT EVREMOND ; For more details please contact me unknown
1976réf. BIBLIO-57445Trianon Press Paris first edition 1976. One of 480 numbered ordinary copies from a total edition of 538. Quarter-morocco and marbled boards 4to. 5 facsimile plates 8 pp. From the Commentary: "The Book of Los was the first of the two small books executed by Blake mainly as etchings on copper to be printed as ordinary intaglio plates. The Book of Ahania was the companion volume. The title-pages of both books were dated by Blake 1795 so that they were probably the last ones to be produced in his Lambeth house. Each book exists in only a single copy. For this facsimile direct collotype negatives in the size of the originals were made from the volume in the British Museum. A proof printing was done from these and each plate was then expertly coloured in the Museum to make a faithful replica of the original. The direct collotype negatives were subsequently used again for the printing of the present facsimile the replicas being used as colour-guides for cutting the stencils and for colouring the plates." The book was printed "on Arches pure rag paper made to match the paper used by Blake. Copy no. X a misnumbering as roman numerals were reserved for the 32 special copies this being one of 480 numbered copies from a total edition of 538. Very Good in Very Good slipcase. Trianon Press, Paris, first edition, 1976 hardcover
1977réf. 53391977. London: Trianon Press: 1977. 4to 155 pp. 51 plates. Original quarter brown morocco slipcase. Fine as issued. § Limited to 562 copies. This is copy 67. The definitive work on all known portraits of Mr. and Mrs. Blake. Not in Bentley BB or supplement. unknown
1928réf. 64402Paris France: Vincent Freal et Cie Editeurs 1928. Small 4to. 79 1 pp. Photogravure frontisp. of elevation illustration by A. Bernard 47 photogravure plates of elevations drawings by A. Bernard and photographs several double-page. Contemporary half-maroon morocco over marbled boards original softcovers bound-in w/ raised embossed gilt lettering marbled endpapers raised bands & gilt lettering on spine minor scuffing edgewear still a VG bright copy. First edition of this architectural history and description of the famed estate connected to Versailles which first began under Louis XIV with the Grand Trianon Palace through the reign of Louis XVI and Queen Marie-Antoinette. She is perhaps best remembered for her creation of the magnificient gardens ornamentation and hamlet of fairy tale rustic cottages built from 1783-1786 by Richard Mique and centered around the refuge at the Petit Trianon considered to be Louis XV’s royal architect Ange-Jacques Gabriel’s masterpiece to the neo-classical movement. Vincent, Freal et Cie, Editeurs, paperback
1834réf. 55893Paris: A. BelinLachapelle 1834. Fine. A. Belin Lachapelle Paris 1834 13 x 21.50 cm relié First edition. Half burgundy Russia morocco binding with corners smooth spine decorated with a cartouche arabesques and gilt fillets gilt date at foot very light traces of rubbing without significance to joints gilt fillet frames on marbled paper boards marbled endpapers and pastedowns top edge gilt bookplate pasted on pastedown elegant romantic pastiche binding signed by Pagnant. Work illustrated with an engraving as frontispiece representing Maximilien de Robespierre. Rare and handsome copy attractively bound in a signed binding by Pagnant. A. BelinLachapelle hardcover
1972réf. 6961London: printed in Paris at the Trianon Press for the William Blake Trust 1972. Letter L of 26 copies reserved for the Trustees of the William Blake Trust and teh Publishers. 21 plates - 20 plates reproduced by colour collotype with water-color washes by hand through stencil and one engraving. 2 vols. 4to and small 4to. quarter brown morocco with marbled paper covered boards in original marbled paper covered slipcase. A very good copy.The text is a clear statement of Blake’s beliefs regarding the nature of man. The full book only came to light in 1953 and this is the first reproduction of the text. Such maxims are included as “Man’s desires are limited by his perceptions none can desire what he has not perciev’d sic” and “If any could desire what he is incapable of possessing despair must be his eternal lot”.Bentley Blake Books 202. printed in Paris at the Trianon Press for the William Blake Trust hardcover
1973réf. 3550London: Trianon Press 1973. No.243 of 808 copies. 4to 6 colour facsimile plates reproduced in Paris at the Trianon Press using the collotype and hand-stencil process one black and white illustration plus 5 pp. of commentary by Geoffrey Keynes. 4to. original quarter dark blue morocco marbled paper covered boards in the original marbled paper covered slipcase. A very good bright copy. Booklabel of Elaine Klemen.A facsimile of the only known copy of The Book of Ahania which was owned by Lessing Rosenwald. The original frontispiece was supplied for this facsimile by its owner Geoffrey Keynes. The Book of Ahania continues the story of the Book of Urizen. As Keynes writes: “Ahania the feminine Emanation of Urizen signifies Pleasure in Blake’s system.the poem begins with.a new character Fuzon who.signifies Passion.Fuzon attacks Urizen.with a fiery globe.Urizen was sorely wounded in the loins and.in his agony at losing his source of pleasure he seized on Ahania calling her Sin.Urizen seeks vengeance on Fuzon creating in the process the Serpent of Materialism”. Bentley Blake Books A15 Trianon Press hardcover
1976réf. 3552London: Printed at the Trianon Press for the Trustees of The William Blake Trust 1976. No. 156 of 480 ordinary copies in addition there were 32 deluxe copies and 26 copies for the Trustees and publishers. 5 colour facsimile plates made using the collotype and hand-stencil process at the Trianon Press in Paris. Printed on Arches pure rag paper to match the paper used by Blake. 4to. quarter brown morocco marbled paper boards in a marbled paper covered slipcase. Very good.The companion volume to the Book of Ahania printed by Blake in Lambeth in 1795. A facsimile of the only known copy of The Book of Los in the British Museum. In his commentary Geoffrey Keynes writes: “the philosophic message of this small book is hidden in apocalyptic verbiage calculated to puzzle Blake’s small audience. Blake seems to have sensed this obscurity as soon as it was completed and as far as is known he never made another copy.or referred to it.” Bookplate of Alexander Stone on front pastedown. Bentley Blake Books supplement p. 62. Printed at the Trianon Press for the Trustees of The William Blake Trust hardcover
1977réf. 1073811977. London: Trianon Press: 1977. 4to 155 pp. 51 plates. Original full brown morocco slipcase. A fine copy. § #5 of 36 de luxe copies signed by Keynes of a total edition of 562 copies. The definitive work about and reproducing all known portraits of Mr. and Mrs. Blake. Not in G.E. Bentley's Blake Books or its supplement. unknown
1972réf. 3555London: printed in Paris at the Trianon Press for the William Blake Trust 1972. No. VI of 50 de luxe copies. 21 plates - 20 plates reproduced by colour collotype with water-color washes by hand through stencil and one engraving; together with a set of plates showing progressive stages of the collotype and hand stencil process with guide sheet and stencil. Edition de luxe limited to 50 copies with additional proof sheets progressive plates and original stencil etc. 2 vols. 4to and small 4to. full brown morocco in original marbled paper covered slipcase. Near fine prospectus inserted loose.The text is a clear statement of Blake’s beliefs regarding the nature of man. The full book only came to light in 1953 and this is the first reproduction of the text. Such maxims are included as “Man’s desires are limited by his perceptions none can desire what he has not perciev’d sic” and “If any could desire what he is incapable of possessing despair must be his eternal lot”.Bentley Blake Books 202. One of only 50 de luxe copies with additional material printed in Paris at the Trianon Press for the William Blake Trust unknown
réf. 1028821971. London: Trianon Press 1971. Small folio 72 pages with 16 color facsimile leaves suites of progressive plates and 116 monochrome illustrations. Marbled boards morocco backstrip slipcase. Signed by Keynes. A fine copy as issued. § Limited to 28 copies so inscribed and signed by Geoffrey Keynes this particular volume is labeled no. 2. This is the de luxe edition of the trade version of the Gray issued by the Trianon Press in 1972 using 8-color printing. Although the three-volume folio edition is a magnificent piece of book making this version is more accessible and easier to use and enjoy and the quality of the color printing is Trianon Press at its best. The 116 water-color illustrations to Thomas Gray's poems are among Blake's major achievements as an illustrator. They were commissioned in 1797 by Blake's friend the sculptor John Flaxman as a gift for his wife Ann to whom Blake addressed the poem that ends the series. The commission may have been inspired by the Flaxmans' seeing Blake's water-color designs to Edward Young's Night Thoughts begun in 1795. The Gray illustrations follow the same basic format. Blake cut windows in large sheets of the same type of Whatman paper used for the Night Thoughts illustrations and mounted in these windows the texts of Gray's poems from a 1790 octavo edition published by John Murray leaving out some prefatory materials fly-titles the notes and the 7 engraved illustrations. Blake then drew and colored his designs surrounding the letterpress texts. On blank versos near the beginning of each poem and in one case on a separate piece of paper pasted over letterpress text Blake inscribed with pen and ink either titles for each design or quotations from the poem to indicate the passage illustrated. On most text pages Blake also drew a pencil cross left of the first line of the illustrated passage. He numbered most leaves consecutively in pen and ink beginning a new sequence for each of the 13 poems. Blake conceived of his work as an illustrated book rather than a series of unbound designs as indicated by his offsetting Gray's texts above and to the right left on versos from the middle of each leaf-then the convention for all letterpress books. Although listed by William Michael Rossetti in his catalogue of Blake's drawings and paintings published in the 1863 and 1880 editions of Alexander Gilchrist's Life of William Blake the Gray illustrations were virtually unknown until their rediscovery by Herbert Grierson in 1919. The Trianon Press reproductions are recognized as the finest examples of the art of facsimile reproduction; working from the originals in Paul Mellon's collection each leaf is faithfully hand-colored through stencils to achieve an astonishing exactitude. The Times Literary Supplement stated that nothing like these books had ever been printed before and that it was highly unlikely that they could be printed again. Bentley Blake Books 385. unknown
réf. 1073691970. London: Trianon Press 1970. 4to with 10 facsimile leaves 5 pp. commentary by Sir Geoffrey Keynes plus 32 pp. of the progressive collotype printings. Full green morocco near fine with green marbled slipcase. § Copy III of 36 de luxe copies. The total edition was of 662 copies including 36 de luxe copies numbered I-XXXVI 600 regular copies numbered 1-600 and 26 copies lettered A-Z reserved for the trustees of the William Blake Trust and the publishers. Bentley Blake Books 5. All Religions are One c. 1788 is "a small tractate perhaps Blake's first experiment in his illuminated printing it exists in only one copy. It affirms that the Imagination 'is the true man'. and thus early Blake had completed his revolutionary theory of the nature of man and proclaimed the unity of all true religions." Damon Blake Dictionary. unknown
