AUQUES - IMAGERIE CATALANE.Livre Rare Book
1 254 résultats
1868réf. 46406090Barcelona, A. Bosch, imp. de hijos de Domenech, 1868 ; 2 feuilles de 32 x 45 cm., 2 planches de 48 vignettes chacune montrant des scènes de l’Ancien Testament.
1864réf. 46406089Gerona, Miguel Homs, impr. Pedro Corominas, 1864 ; feuille de 32 x 46 cm., 48 vignettes de jeux d’enfants avec légendes. Manques de papier dans les marges sans atteinte au sujet.
1820réf. 28079Paris Cereghetti 1820 une gravure en couleurs, sur papier vergé crème, GRAVÉE A L'EAU-FORTE ET AQUARELLÉE à la main, FORMAT: 30,5 x 45 cm., sans date (1820) Paris Cereghetti Editeur,
1820réf. 28081Paris Cereghetti 1820 une gravure en couleurs, sur papier vergé crème, GRAVÉE A L'EAU-FORTE ET AQUARELLÉE à la main, FORMAT: 30,5 x 45 cm., sans date (1820) Paris Cereghetti Editeur,
1820réf. 28082Paris Cereghetti 1820 une gravure en couleurs, sur papier vergé crème, GRAVÉE A L'EAU-FORTE ET AQUARELLÉE à la main, FORMAT: 30,5 x 45 cm., sans date (1820) Paris Cereghetti Editeur,
1970réf. 16681970 Milan, Electa, exclusivité Weber, 1970 in 4 reliure toile imprimée sous emboîtage imprimé de l'éditeurTexte en français. Importante iconographie en noir et en couleurs. Impression sur beau papier. Bel exemplaire.
réf. 589459Paris, Firmin Didot frères, 1851. In-8, rel. post., demi-basane noire, dos lisse, titre doré, tr. mouchetées, texte sur 2 colonnes, colonnes paginées de 559 à 924, 4 pl. sur les arts mécaniques in fine.
réf. 85IMAGERIE ARTISTIQUE DE PARIS ( QUANTIN ) .LIBRAIRIES-IMPRIMERIES REUNIES L.MARTINET . 20 CONTES CHOISIS ( LE PETIT RAMONEUR , LA COLERE D'UN CONCIERGE , LE TONNEAU DE DIOGENE ...). SANS DATE .
1890réf. 148435Imagerie d'Epinal Imagerie d'Epinal, vers 1890. In-folio relié plein cartonnage éditeur illustré au dos toilé rouge. 20 pages. Histoire du petit poucet. Le petit chaperon rouge. La belle au bois dormant. Le chat botté, etc. Dos détaché sinon Bon état
1968réf. 35504260Milan, Electa, 1968 ; grd. in-4, cartonnage orné de l’éditeur, étui. 227 pp., 1 f.Nombreuses illustrations en noir et en couleurs. Les grands thèmes de l’imagerie, les images incunables, les occasionnels, l’imagerie parisienne du XVIe au XIXe siècle, les cartes à jouer, Napoléon, la rue Saint-Jacques, Épinal et les autres centres de province, les canards du XIXe siècle. Bel exemplaire frais.
1961réf. 35504255Paris, Hachette, 1961 ; in-4, broché, couv. illustrée. 190 pp., 1 f.Nombreuses illustrations en noir et en couleurs. Origines de l’imagerie populaire, histoire de l’imagerie d’Epinal, techniques, notices historiques et archéologiques, liste des principaux graveurs parisiens.
réf. 564525Epinal, Imagerie Pellerin, 1959. In-4 à l'italienne relié, demi-toile verte, premier plat ill., non paginé, 10 reproductions d'images anciennes d’Épinal accompagnées des commentaires originaux.
1820réf. 28083Paris Cereghetti 1820 une gravure en couleurs, sur papier vergé crème, GRAVÉE A L'EAU-FORTE ET AQUARELLÉE à la main, FORMAT: 24 x 33 cm., sans date (1820) Paris Martinet Editeur,
réf. 3777Epinal, Imagerie Pellerin, 1905 , tres bon etat
réf. 12370Paris, Ed. des deux Mondes, 1964. Riche documentation de 167 planches hors-texte et LVI illustrations in-texte,Bibliographie et index en fin de volume.Adaptation de Claude Noël. In-folio, reliure d'éditeur illustrée,
français Sans date (circa 1850). Lithographie originale en couleurs 48 x 34,5 cm - 58,5 x 45 cm. 4 petites déchirures dans les marges, avec transfert de scotch au verso.
réf. #[38110]Folio. Original pictorial boards. Album with 24 lithographed catch-penny prints. Jean-Charles Pellerin 1756-1836 French draftsman illustrator and printer is famous for the images of Epinal. Succeeding his father he took in 1773 the direction of the "Factory of Pellerin". From 1796 he expanded his activity and created the "Imagerie Pellerin". As early as 1800 he started a small business a real imaginary industry which later became known as Imagerie d'Epinal. Contains: Aventures de deux petits moineaux Histoire de Guillaume-Tell Histoire du loup blanc Le bayard du Canada Le tout petit petit poucet La nouvelle Barbe-bleue Le cheval de bronze etc. hardcover
1900réf. VBA-11Paris, Jules Tallandier, sans date (vers 1900) Reliure percaline d'éditeur avec illustration collée. 30,5 x 22,5 cm, 192 + IX pages. Illustrations en noir et blanc ou monochromes + 1 en couleurs hors texte. Table des matières : voir 3 photos. Index alphabétiques du texte et des gravures. Poids 1260 g.
réf. 560463P., Ollendorff, s.d. [1920]. in-4, broché, couverture ill. de 4 vignettes polychromes contrecollées, X-160 pp., 159 reproductions en noir ou en couleurs dans le texte et 5 planches en couleurs sur double page, tirées sur des bois originaux de Pellerin. Exemplaire en partie non coupé.
1975Book is in excellent condition, in green cloth covers, large graphic in black on front cover, gilt lettering at spine. Many b&w illustrations on heavy cream colored paper, top page ends colored. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, is price clipped, no tears. Previous owner's name or sticker in front section of the book. From the flyleaf "Irked by the derogatory reaction of British critics who doubted that such books as Typee and Omoo could have been written by a common American sailor, Melville created Mardi -- on the surface, the record of an odyssey through imagined South Sea world. For the first time, Moore unravels the puzzle Melville created in Mardi, designed to dupe his elitist British readers, by exploring Melville's knowledge of astronomy, nautical navigation, astrology, and game theories. Hennig Cohen's foreword defends the traditional approach to reading Mardi and argues that Moore's heretical interpretation is interesting but narrow in scope. Moore then invites the reader to 'play Mardi'--to engage in games of wit, elaborate metaphor, and arcane learning-- to reveal the full meaning of the novel. The game may be plated most successfully by using the astronomy and astrology of Melville's time, but a knowledge of the Tarot and Ganjifa cards and of the usual Western decks of playing cards will add depth to your understanding. Mardi fulfills Melville's calim to originality and stands unique as a masterpiece of synthesis. Moore demonstrates a circular pattern in which metaphors intertwine and shows how Melville's use of The American Alamanac and his metaphor of time provides unity. She theorizes that Melville was a highly concious artist, capable of manipulating intricate strands of imagery, metaphor, and symbol through a detailed and precise method. Moreover, an elaborate system of puns gives his work an unsuspected economy even where it seems excessively and unnecessarily wordy. Though Mardi fails, perhaps from tediousness and overmanipulation, Melville followed through with the artistic implications in his later and greater books. Moore feels he had a highly developed concept of the errant or deceitful narrator and hoped to force his readers into an intense riddle-solving approach to Mardi."
1865réf. 9578London: Virtue Brothers & Co 1865. 8vo 494pp. Vignette illustrations throughout by F.W. Fairholt. Bound in publisher's brown cloth with illustration and lettering in gilt and ruled in blind beveled edges red page edges. Spine ends chipped away boards rubbed along edges. Few light stains to edges of endpapers else clean internally and very good. Profusely illustrated survey of grotesque imagery from antiquity through the early modern period. Demons beasts hell-scenes depictions of death devil imagery witches etc. are included. Scarce in the original illustrated cloth binding. Virtue Brothers & Co unknown
réf. 71-9872Epinal: Pellerin et Cie. after 1913. Pochoir on lithograph on Arches paper. A contemporary reprint of the original. 50 x 66 cm sheet. Very Good light specks of foxing throughout sheet mounted to light illustration board. Epinal: Pellerin et Cie., after 1913. unknown
1900réf. 134053Epinal France: Imagerie Pellerin ; Pellerin & Cie 1900. Hardcover. Reading copy held in by strong covers in very good condition. Slipcase with binders tape unglued from bottom edge. Leaves may have once been bound but are now separated. Page edges very fragile much edge chipping and halo of toning. Performation stamps infrequently on leaves. Black library buckram slipcase over matching board covers. No title page title inferred from cover and another set. 25 leaves all illustrated on one side of the leaf. Very large oversize. Very charming cartoons for young audiences in French from around 1900. Illustrated jokes tales. Very entertaining. The illustrations and their colors are well preserved but the page edges have been age-darkened and are brittle usually chipped. Some tape repairs have been made. These publications have been issued in groups of 100 on thinner paper and also in groups of 25. Having seen both we can say this is on significantly thicker paper. Many leaves can be framed. Spine says Vol. 1 which refers only to a set the library made. Imagerie Pellerin ; Pellerin & Cie hardcover
1900réf. 134054Epinal France: Imagerie Pellerin ; Pellerin & Cie 1900. Hardcover. Reading copy held in by strong covers in very good condition. Slipcase fair separated at top. Leaves may have once been bound but are now separated. Page edges very fragile much edge chipping and halo of toning. Performation stamps infrequently on leaves. Black library buckram slipcase over matching board covers. No title page title inferred from cover and another set. 100 leaves all illustrated on one side of the leaf. Very large oversize. Very charming cartoons for young audiences in French from around 1900. Illustrated jokes tales. Very entertaining. The illustrations and their colors are well preserved but the page edges have been age-darkened and are brittle usually chipped. Some tape repairs have been made. These publications have been issued in groups of 100 on thinner paper and also in groups of 25. Many leaves can be framed. Spine says Vol. 3 which refers only to a set the library made. Imagerie Pellerin ; Pellerin & Cie hardcover
1900réf. 134050Epinal France: Imagerie Pellerin ; Pellerin & Cie 1900. Hardcover. Reading copy held in by strong covers in very good condition. Slipcase very good. Leaves appear to have once been bound now have mostly separated. Page edges very fragile much edge chipping and halo of toning. Performation stamps infrequently on leaves. Black library buckram slipcase over matching board covers. Title page title inferred from cover and other copies. 100 leaves all illustrated on one side of the leaf. Very large oversize. Very charming cartoons for young audiences in French from around 1900. Illustrated jokes tales. Very entertaining. The illustrations and their colors are well preserved but the page edges have been age-darkened and are brittle usually chipped. Some tape repairs have been made. These publications have been issued in groups of 100 on thinner paper and sometimes in groups of 25 on thicker paper. Many leaves can be framed. Spine says Vol. 2 which refers only to a set the library made. Imagerie Pellerin ; Pellerin & Cie hardcover
